The World as Will and Idea, Vol. II — Arthur Schopenhauer, trans. Haldane & Kemp
The text is shown on its own: no facing layer is held for this issue.
The translator’s English as printed (R. B. Haldane & J. Kemp). The original-language text is not held; names are romanised as the translator printed them.
p. 427
sine delirio it has lost bridle and bit altogether, and shows now most distinctly its original nature, and that the intellect is as different from it as the bridle from the horse. In this condition it may also be compared to a clock which, when a certain screw is taken away, runs down without stopping.
Thus this consideration also shows us the will as that which is original, and therefore metaphysical; the intellect, on the other hand, as something subordinate and physical. For as such the latter is, like everything physical, subject to vis inertice, consequently only active if it is set agoing by something else, the will, which rules it, manages it, rouses it to effort, in short, imparts to it the activity which does not originally reside in it. Therefore it willingly rests whenever it is permitted to do so, often declares itself lazy and disinclined to activity; through continued effort it becomes weary to the point of complete stupefaction, is exhausted, like the voltaic pile, through repeated shocks. Hence all continuous mental work demands pauses and rest, otherwise stupidity and incapacity ensue, at first of course only temporarily ; but if this rest is persistently denied to the intellect it will become excessively and continuously fatigued, and the consequence is a permanent deterioration of it, which in an old man may pass into complete incapacity, into childishness, imbecility, and madness. It is not to be attributed to age in and for itself, but to long-continued tyrannical overexertion of the intellect or brain, if this misfortune appears in the last years of life. This is the explanation of the fact that Swift became mad, Kant became childish, Walter Scott, and also Wordsworth, Southey, and many minorum gentium, became dull and incapable. Goethe remained to the end clear, strong, and activeminded, because he, who was always a man of the world and a courtier, never carried on his mental occupations with self-compulsion. The same holds good of Wieland and of Kuebel, who lived to the age of ninety-one, and also
p. 428
of Voltaire. Now all this proves how very subordinate ' and physical and what a mere tool the intellect is.
Just on this account it requires, during almost a third part of its lifetime, the entire suspension of its activity in sleep, i.e., the rest of the brain, of which it is the mere function, and which therefore just as truly precedes it as the stomach precedes digestion, or as a body precedes its impulsion, and with which in old age it flags and decays.
The * will, on the contrary, as the thing in itself, is never lazy, is absolutely untiring, its activity is its essence, it never ceases willing, and when, during deep sleep, it is forsaken of the intellect, and therefore cannot act outwardly in accordance with motives, it is active as the vital force, cares the more uninterruptedly for the inner economy of the organism, and as vis natures medicatrix sets in order again the irregularities that have crept into it.
For it is not, like the intellect, a function of the body ; but the body is its function ; therefore it is, ordine rerum, prior to the body, as its metaphysical substratum, as the in-itself of its phenomenal appearance. It shares its unwearying nature, for the time that life lasts, with the heart, that primum mobile of the organism, which has therefore become its symbol and synonym.
Moreover, it does not disappear in the old man, but still continues to will what it has willed, and indeed becomes firmer, more inflexible, than it was in youth, more implacable, self-willed, and unmanageable, because the intellect has become less susceptible : therefore in old age the man can perhaps only be matched by taking advantage of the weakness of his intellect.
No commentary for this page under the selected tracks.
There is commentary on page 1.