The Hermetic Museum, Vol. II — trans. A. E. Waite (1893)
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The translator’s English as printed (A. E. Waite). The original-language text is not held; names are romanised as the translator printed them.
lithargyrium (which he describes at some length) is the most suitable for our white Elixir. We will now proceed to discuss the conjunction of the elements ; and, on this point, we may lay down the following rules : (1) Combine your elements grammatically, in accordance with their own proper rules. "These rules are the principal instruments for aiding the learned in this work : for the two greatest contraries upon earth are fixedness and volatility. . All the grammarians of England and France cannot skill to teach you this concord. But this Ordinal can shew you where you may learn it, namely, in the book called 2e Aréore. (2) Join them together also after the manner of the rhetorician, with purified and ornate essences. Inasmuch as your tincture must be pure and fair, take pure earth, water, fire, and air. (3) In accordance with logical methods, combine such things as admit of a true and natural union. Many learned men, by neglecting this precept, have lost all their labour and pains. (4) Combine them also arithmetically, in accordance with those subtle natural proportions, of which little was known when Boéthius wrote: * Bind together the elements by numbers" (5) Combine your elements musically, for two reasons : first, on account of melody, which is based on its own proper harmonies. join them according to the rules which obtain in music in the proportions which produce musical consonance; for these musical proportions closely resemble the true proportions of Alchemy, at least, as far as the more general aspects of our Art are concerned. [Its more subtle proportions you must learn from the writings of Raymond and Bacon. Bacon discusses them allusively in his three Epistles. Raymond expounds them more fully in his General Treatise. Many who read his words think that they understand them, but they are deceived. (6) Combine your elements also by means of Astrology, that all their operations may prosper, and that the simple, rude, and unformed substance may, in due course of time, and in the proper order of its development, be brought to perfection through the blessed influences of the Stars. (7) The science of perspective (optics) also affords much help to those who labour in our noble Art; and it is materially advanced by many other sciences, (8) as, for instance, that science which deals with the plenum and the vacuum. But, as far as this Art is concerned, we must regard as the mistress of all sciences, (9) the science of Natural Magic. Now, when the four elements have been wisely combined, and each thing ordered in its own proper degree, then we shall behold in the various stages of coction, a constantly shifting succession of colours, until perfection is attained. ^ For the substance is wrought upon from within by the natural warmth, which is found to exist intellectually in our substance, though it can be neither seen, nor felt, nor handled. Its operation is known only to few. When this inward natural heat is stirred up by the influence of outward artificial heat, Nature, having once been roused into activity, will go on to operate, and produce the various changes which the substance has to undergo; and this is one cause, as the Sages will tell you, why so many colours are seen in our work. | Many mistakes arise in the study of this Art through ignorance of the difference between outward and inward heat. ln order that you may know how these two kinds of heat ought to aid and stimulate each other, and which of the two ought to predominate in our work, you should be guided by the analogy of animate creation, and more especially by the analogy of the coction which goes on in the human body. It was well said by Morienus, that the generation of our Stone exhibits a wonderful analogy to the creation of man, in whom, says Raymond, the four degrees of the four complexions are found together. On account of the close analogy which exists between the generation of man and that of our Stone, it has been said that there are in this world only two microcosms—man and our Stone.
Now, we have described the conjunction or digestion of the elements, and we proceed to give an account of the nutrition of our substance. There is a solid humour rendered firm by dryness, well mixed in all its degrees ; and the passive qualities are generated in due mixture by inward and outward heat. Hence our digestion is nothing but perfection produced out of a substantial humour. You must pardon my using these expressions, which to the unlearned must appear obscure and meaningless ; but this Art of Alchemy, like all other arts and sciences, has its own proper terminology, from which it is not safe for me to depart. Digestion is sometimes quickened by