The Hermetic Museum, Vol. II — trans. A. E. Waite (1893)
The text is shown on its own: no facing layer is held for this issue.
The translator’s English as printed (A. E. Waite). The original-language text is not held; names are romanised as the translator printed them.
When Briseus was a money-changer, he caused loss to many persons, but to others his dealings were a source of delight and joy ; and as this fact seemed at the time a wonder and marvel to all who heard of it, so in our own time—not so very long ago—an almost miraculous event was observed to take place: within the short space of ten days the same bed in a house near Leadenhall was successively occupied by three Masters of this Art, every one of whom possessed both the white and the red Tincture; though hardly one person amongst a million of men ever becomes possessed of the glorious prize. One of them, as I was told, was from the Duchy of Lorraine, the second hailed from the Midland Counties of England, the third was the youngest, and was born near a Cross, which stands at the boundary of three shires. Wise men had foretold from the conjunction of planets that prevailed at his birth, that he would be an ornament to England. Anyone might travel through the length and breadth of Europe without meeting with three such Masters. Two of them are about to depart, but the third will remain and do much good in this part of the world. Nevertheless, the sins of our rulers will delay the good which otherwise he might confer upon our country at once. The oldest of the three Masters prophesied concerning this young adept, that he would have to endure much suffering at the hands of those who owed him the greatest debt of gratitude. He also uttered many other prophecies, some of which were verified by the event, while the rest remain to be fulfilled. * One thing is most certain," he said, * after great sorrow there will be great joy in all parts of this country—joy which will be experienced by all good men." The youth enquired when this thing should be, and the old man's answer was that it should come to pass when the Cross was honoured by night and by day in the land of God, and the land of Light: which thing will happen in due time, but is delayed by the grevious wickedness of men. But when the blessed hour arrives, this Art will be revealed to a King; and more glorious things will then be brought to pass
THE ORDINAL OF ALCHEMY. eU
than it is possible for us to enumerate in this place, when he shall have reformed our manners and abolished all abuses. He will investigate this science in secret, and will be instructed in it by hermits, or monks. So King Calid, in his time of need, sought this knowledge of many, until it was imparted to him by Morienus, who succoured the King with his counsel, being removed thereto by his nobleness and virtue. But now we will speak of this subject no longer, but proceed to give an account of the subtle work. He that would understand it must be deeply learned. He should know elementary philosophy if he wishes to study Alchemy.
Now, let me tell you who are intent upon this Art, that when materials have by preparation been rendered fit for generation, they must by division be separated into four elements. If you cannot do this, go and learn of Hortulanus, who has written a special treatise on the subject—in which treatise he shews how to divide wine into its elements. Moreover, you should know the effects of the four qualities—heat, cold, moisture, and dryness—of which all things are composed ; and because in this Art you are specially desirous of obtaining a colour which abides the fire, you ought also to know, before you set about its production, how colours are generated. For every colour that can be named is seen in our work, before the white colour appears. Moreover, you must be able to melt your substance easily, like wax or gum. Otherwise, according to the Masters, it could not enter or penetrate metals. The substance should be both fixed and fluxible, and have abundance of colour. To conjoin these three contraries in one substance, is the great secret of our Art. Nevertheless, an apt learner may find it expounded in this chapter. And first—to speak as briefly and concisely as possible concerning the aforesaid four primary qualities: heat and cold are active qualities ; moisture and dryness, on the other hand, are qualities of a passive kind. For the latter are always passively subject to the former, as, for instance, stones when they become lime, and water when it is changed to ice. Whence you may easily see that nothing is fully wrought except by heàt and cold. Yet the passive qualities have some power, as we find every day in mechanical operations, in the baking of bread, the brewing of beer, and other processes