The Hermetic Museum, Vol. II — trans. A. E. Waite (1893)

Open to allvarious430 segments · 144 pp

The text is shown on its own: no facing layer is held for this issue.

page 139

The translator’s English as printed (A. E. Waite). The original-language text is not held; names are romanised as the translator printed them.

Are there any Alchemistic writers that are more easily understood than the rest,or who can at least be warranted to possess a real knowledge of those things wherein they undertake to instruct others?

ARTIST.

I do not read many of these books ; but of all the writers on Alchemy whose works I have studied, I have found Sendivogius, the Cosmopolitan, to be the most trustworthy ; also Basilius, in his twelve Keys. "Truth has chosen the obscure style of Sendivogius for her hiding-place, if you could only discover her—just as our Substance is really and truly hidden and concealed in the outward bodies of all metals and minerals.

PHYSICIAN.

Accept once more my warmest thanks for all your kindness and friendly counsel. I do indeed believe that, as you say, the essences of metals are hidden in their outward bodies, as the kernel is hidden in the nut. Every earthly body, whether áànimal, vegetable, or mineral, is the habitation and terrestrial abode of that celestial spirit, or influence, which is its principle of life and growth. The secret of Alchemy is the destruction of the body, which enables the Artist to get at, and utilize for his own purposes, the living soul. But what man is sufficient to search out this wonderful secret ?

ARTIST ELIAS.

You have spoken truly, and judged rightly concerning the natural destruction of things ; and if you find grace in the sight of God, He will commission either me or some other adept of our Art to unfold to you the right way of destroying the outward bodies of metals and seizing the inward, vital, life-giving soul. This gracious gift, I sav, God may bestow on you sooner than you think, in answer to devout and earnest prayer. Once more, farewell, and rest assured that I will always remain your friend. I cherish a fond hope that I shall soon see you again, in a flourishing state of health.

With these words he departed ; and I have already told you how after three weeks he came back and gave me a small piece of the transmutatory Tincture. But since our second parting I have neither set eyes on him, nor heard either of him or from him.

He has, however, left deeply seated in my heart the conviction that through metals and out of metals purified by highly refined and spiritualized metals there may be prepared the living gold and quicksilver of the Sages, which bring both metals and human bodies to perfection. If my friend had condescended to give me one or two practical hints as to the best method of proceeding in this Magistery, I might have discovered the grand secret of collecting the rays of the Sun and Moon in their own proper womb, whereby their power of metallic transmutation by magnetic sympathy might have been brought out. Thus I might have obtained the red seed which transmutes into gold, and the white seed which transmutes into silver. For the Artist Elias told me that the Chalybs of Sendivogius was that true Mercurial metallic humour which— without the aid of any corrosive—would suffice to separate the fixed rays of the Sun and Moon from their body, and to render them volatile and Mercurial for the dry philosophical Tincture which he shewed me, and the efficacy of which I subsequently experienced. This is the same method by which metals are still being produced day by day in the bowels of the earth, and stones developed, in their different saline wombs, out of the spiritual tingent sulphureous seed. . . . . Metallic sulphur mixed with saltpetre, may be converted, by gentle heat, first into solid earth, then into air, then into limpid water, and then into glass of a most beautiful colour, and of a penetrativeness superior to that of fire—just as the chicken is developed out of the apparently lifeless egg by gentle heat. Between the different metals there exists a sympathy such as that between the magnet and steel, gold and quicksilver, silver and copper ;

U2

Commentary
page 139 ·

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There is commentary on pages 2, 84, 104, 143.