Louis Lambert — Honoré de Balzac, trans. Katharine Prescott Wormeley

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page 147

The translator’s English as printed (Katharine Prescott Wormeley). The original-language text is not held; names are romanised as the translator printed them.

These two facts would then be additional evidence in favor of his theory of the transfusion of Will. I was conscious of strange disturbances, transcending the most fantastic results of taking tea, coffee, or opium, of dreams or of fever—mysterious agents, whose terrible action often sets our brains on fire.

I ought perhaps to have made a separate book of these fragments of thought, intelligible only to certain spirits who have been accustomed to lean over the edge of abysses in the hope of seeing to the bottom. The life of that mighty brain, which split up on every side perhaps, like a too vast empire, would have been set forth in the narrative of this man’s visions—a being incomplete for lack of force or of weakness; but I preferred to give an account of my cwn impressions rather than to compose a more or less poetical romance.

Louis Lambert died at the age of twenty-eight, September 25, 1824, in his true love’s arms. He was buried by her desire in an island in the park at Villenoix. His tombstone is a plain stone cross, without name or date. Like a flower that has blossomed on the margin of a precipice, and drops into it, its colors and fragrance all unknown, it was fitting that he too should fall. Like many another misprized soul, he had often yearned to dive haughtily into the void, and abandon there the secrets of his own life.

Mademoiselle de Villenoix would, however, have been
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p. 314

quite justified in recording his name on that cross with her own. Since her partner's death, reunion has been her constant, hourly hope. But the vanities of woe are foreign to faithful souls.

Villenoix is falling into ruin. She no longer resides there; to the end, no doubt, that she may the better picture herself there as she used to be. She had said long ago—

‘‘His heart was mine; his genius is with God.”’

CHATEAU DE SacHs, June-July, 1832.

THE EXILES

ALMAE SORORI

J a THE YEAR 1308 few houses were yet standing on the Island formed by the alluvium and sand deposited by the Seine above the Cité, behind the Church of NotreDame. The first man who was so bold as to build on this strand, then liable to frequent floods, was a constable of the watch of the City of Paris, who had been able to do some service to their Reverences the Chapter of the Cathedral; and in return the Bishop leased to him twenty-five perches of land, with exemption from all feudal dues or taxes on the buildings he might erect. .

Seven years before the beginning of this narrative, Joseph Tirechair, one of the sternest of Paris constables, as his name (Tear Flesh) would indicate, had, thanks to his share of the fines collected by him for delinquencies committed within the precincts of the Cité, been able to build a house on the bank of the Seine just at the end of the Rue du Port-Saint-Landry. To protect’ the merchandise landed on the strand, the municipality had constructed a sort of breakwater of masonry, which may still be seen on some old plans of Paris, and which preserved the piles of the landingplace by meeting the rush of water and ice at the upper end of the Island. The constable had taken advantage of this for the foundation of his house, so that there were several steps up to his door.

Like all the houses of that date, this cottage was crowned
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