Louis Lambert — Honoré de Balzac, trans. Katharine Prescott Wormeley

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The translator’s English as printed (Katharine Prescott Wormeley). The original-language text is not held; names are romanised as the translator printed them.

When he gave-utterance to such subtle reflections, we both fell into artless meditation; we set to work to detect in ourselves the inscrutable phenomena of the origin of thoughts, which Lambert hoped to discover in their earliest germ, so as to describe some day the unknown process. Then, after much discussion, often mixed up with childish notions, a look would flash from Lambert’s eager eyes; he would grasp my hand, and a word from the depths of his soul would show the current of his mind.

‘Thinking is seeing,’’ said he one day, carried away by some objection raised as to the first principles of our organization. ‘‘Kvery human science is based on deduction, which is a slow process of seeing by which we work up from the effect to the cause; or, in a wider sense, all poetry, like every work of art, proceeds from a swift vision of things.”’

He was a spiritualist (as opposed to materialism); but I would venture to contradict him, using his own arguments to consider the intellect as a purely physical phenomenon. We both were right. Perhaps the words materialism and spiritualism express the two faces of the same fact. His considerations on the substance of the mind led to his aecepting, with a certain pride, the life of privation to which we were condemned in consequence of our idleness and our indifference to learning. He had a certain consciousness

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of his own powers which bore him up through his spiritual cogitations. How delightful it was to me to feel his soul wting on my own! Many a time have we remained sitting on our form, both buried in one book, having quite forgotten each other’s existence, and yet not apart; each conscious of the other’s presence, and bathing in an ocean of thought, like two fish swimming in the same waters.

Our life, apparently, was merely vegetating; but we lived through our heart and brain.

Lambert’s influence over my imagination left traces that still abide. I used to listen hungrily to his tales, full of the marvels which make men, as well as children, rapturously devour stories in which truth assumes the most grotesque forms. His passion for mystery, and the credulity natural to the young, often led us to discuss Heaven and Hell. Then Louis, by expounding Swedenborg, would try to make me share in his beliefs concerning angels. In his least logical arguments there were still amazing observations as to the powers of man, which gave his words that color of truth without which nothing can be done in any art. The romantic end he foresaw as the destiny of man was calculated to flatter the yearning which tempts blameless imaginations to give themselves up to beliefs. Is it not during the youth of a nation that its dogmas and idols are conceived? And are not the supernatural beings before whom the people tremble the personification of their feelings and their magnified desires?

All that I can now remember of the poetical conversations we held together concerning the Swedish prophet, whose works I have since had the curiosity to read, may be told in a few paragraphs.

In each of us there are two distinct beings. According

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