Fetching
One moment.
Fetching
One moment.
Romanised transliteration as printed by the translator, not the original script. This is what we hold.
1The Khang-hsf editors remark that the subjects of 2 and 3 are represented as having ‘lodging-houses,’ and not any of those of the other lines, because these are the only two lines in the places proper to them ! Line 4 is strong, but in an even place. Hence its subject has not ‘a lodging-house ;’ but has found a situation where he has shelter, though he is exposed to perils. Hence he is represented as having an axe, which may be available for defence. Still he is not at peace in his mind. The Khang-hstf editors observe well that the mention of an axe makes us think of caution as a quality desirable in a traveller. Line 5, though weak, is in the centre of the upper trigram, which 190 THE yl KING. TEXT. onward in whatever direction. It will be advantageous (also) to see the great man. 1. The first line, divided, shows its subject (now) advancing, (now) receding. It would be advantageous for him to have the firm correctness of a brave soldier. 2. The second line, undivided, shows the representative of Sun beneath a couch, and employing diviners and exorcists in a way bordering on confusion. There will be good fortune and no error. 3. The third line, undivided, shows its subject penetrating (only) by violent and repeated efforts. There will be occasion for regret. 4. The fourth line, divided, shows all occasion for repentance (in its subject) passed away. He takes game for its threefold use in his hunting. 5. The fifth line, undivided, shows that with firm correctness there will be good fortune (to its has the quality of brightness and elegance. It is held to be the lord of the trigram Lf; and lines 4 and 6 are on either side in loyal duty to defend and help. Then the shooting a pheasant is supposed to be suggested ; an elegant bird,—by the trigram of elegance. When an officer was travelling abroad in ancient times, his gift of introduction at any feudal court was a pheasant. The traveller here emblemed is praised by his attached friends, and exalted to a place of dignity by the ruler to whom he is acceptable. It will be seen how the idea of the fifth line being the ruler’s seat is dropt here as being alien from the idea of the hexagram, so arbitrary is the interpretation of the symbolism. Line 6 is strong, in an even place, at the extremity of Lf and of the whole hexagram. Its subject will be arrogant and violent; the opposite of what a traveller should be; and the issue will be evil. The symbolism must be allowed to be extravagant. What bird ever burned its nest? And the character for ‘ox’ is strangely used for ‘ox-like docility.’ SECT. Il. THE SUN HEXAGRAM. IQ! subject). All occasion for repentance will disappear, and all his movements will be advantageous. There may have been no (good) beginning, but there will be a (good) end. Three days before making any changes, (let him give notice of them); and three days after, (let him reconsider them). There will (thus) be good fortune.
2There may have been no (good) beginning, but there will be a (good) end. Three days before making any changes, (let him give notice of them); and three days after, (let him reconsider them). There will (thus) be good fortune. 6. The sixth line, undivided, shows the representative of penetration beneath a couch, and having lost the axe with which he executed his decisions. However firm and correct he may (try to) be, there will be evil. LVII. With Sun as the fifth of the Fa-hst trigrams we have become familiar. It symbolises both wind and wood; and has the attributes of flexibility (nearly allied to docility) and penetration. In this hexagram we are to think of it as representing wind with its penetrating power, finding its way into every corner and cranny. Confucius once said (Analects 12. 19) :—‘ The relation between superiors and inferiors is like that between the wind and the grass. The grass must bend when the wind blows uponit.’ In accordance with this, the subject of the hexagram must be understood as the influence and orders of government designed to remedy what is wrong in the people. The ‘Daily Lecture’ says that the upper trigram denotes the orders issuing from the ruler, and the lower the obedience rendered to them by the people; but this view is hardly borne out by the Text. But how is it that the figure represents merely ‘some little attainment?’ This is generally explained by taking the first line of the trigram as indicating what the subject of it can do. But over the weak first line are two strong lines, so that its subject can accomplish but little. The Khang-hst editors, rejecting this view, contend that, the idea of the whole figure being penetration, line 1, the symbol of weakness and what is bad, will not be able to offer much resistance to the subjects of the other lines, which will enter and dispel its influence. They illustrate this from processes of nature, education, and politics ; the effect they say is described as small, because the process is not to revolutionise or renew, but only to 192 THE yi KING. TEXT. LVIII. Tue Tur Hexacram. Tui intimates that (under its conditions) there will be progress and attainment. (But) it will be advantageous to be firm and correct. correct and improve. Such as it is, however, it requires the operation of the strong and virtuous,‘ the great man.’ Even all this criticism is not entirely satisfactory. Line 1 is weak, where it should be strong. The movements of its subject are expressive of perplexity. He wants vigour and decision.
3Such as it is, however, it requires the operation of the strong and virtuous,‘ the great man.’ Even all this criticism is not entirely satisfactory. Line 1 is weak, where it should be strong. The movements of its subject are expressive of perplexity. He wants vigour and decision. Line 2 is strong, and in the right place, and has a good auspice. Things are placed or hidden beneath a couch or bed; and the subject of the line appears as searching for them. He calls in divination to assist his judgment, and exorcists to expel for him what is bad. The work is great and difficult, so that he appears almost distracted by it; but the issue is good. For this successful explanation of the line, I am indebted to the Khang-hsf editors. The writer of the Text believed of course in divination and exorcism ; which was his misfortune rather than his fault or folly. Line 3 is in the right place for a strong line. But its position at the top of the lower trigram is supposed to indicate the restlessness, and here the vehemence, of its subject. And 6 is no proper correlate. All the striving is ineffective, and there is occasion for regret. Line 4 is weak, as is its correlate in x. But 4 is a proper place for a weak line, and it rests under the shadow of the strong and central 5. Hence the omens of evil are counteracted; and a good auspice is obtained. The game caught in hunting was divided into three portions :—the first for use in sacrifices ; the second for the entertainment of visitors ; and the third for the kitchen generally. A hunt which yielded enough for all these purposes was deemed very successful. On line 5 Khang-3ze says:—‘It is the seat of honour, and the SECT. II. THE TUI HEXAGRAM. 193 1. The first line, undivided, shows the pleasure of (inward) harmony. There will be good fortune. 2. The second line, undivided, shows the pleasure arising from (inward) sincerity. There will be good fortune. Occasion for repentance will disappear. 3. The third line, divided, shows its subject bringing round. himself whatever can give pleasure. There will be evil. 4. The fourth line, undivided, shows its subject deliberating about what to seek his pleasure in, and not at rest. He borders on what would be injurious, but there will be cause for joy. 5. The fifth line, undivided, shows its subject trusting in one who would injure him. The situation is perilous. 6. The topmost line, divided, shows the pleasure of its subject in leading and attracting others. place for the lord of Sun, from whom there issue all charges and commands. It is central and correct; we must find in its subject the qualities denoted by Sun in their greatest excellence. But those qualities are docility and accordance with what is right; and the advantage of firm correctness is insisted on. With this all will be right.’ With the concluding sentence compare the conclusion of the Thwan of hexagram 18.
The source text as printed, transcribed diplomatically. Where the source language uses a non-Latin script that reaches us only through a Victorian romanisation, this layer is labelled transliteration, because that is what we hold.
Romanised transliteration as printed by the translator, not the original script. This is what we hold.
1The Khang-hsf editors remark that the subjects of 2 and 3 are represented as having ‘lodging-houses,’ and not any of those of the other lines, because these are the only two lines in the places proper to them ! Line 4 is strong, but in an even place. Hence its subject has not ‘a lodging-house ;’ but has found a situation where he has shelter, though he is exposed to perils. Hence he is represented as having an axe, which may be available for defence. Still he is not at peace in his mind. The Khang-hstf editors observe well that the mention of an axe makes us think of caution as a quality desirable in a traveller. Line 5, though weak, is in the centre of the upper trigram, which 190 THE yl KING. TEXT. onward in whatever direction. It will be advantageous (also) to see the great man. 1. The first line, divided, shows its subject (now) advancing, (now) receding. It would be advantageous for him to have the firm correctness of a brave soldier. 2. The second line, undivided, shows the representative of Sun beneath a couch, and employing diviners and exorcists in a way bordering on confusion. There will be good fortune and no error. 3. The third line, undivided, shows its subject penetrating (only) by violent and repeated efforts. There will be occasion for regret. 4. The fourth line, divided, shows all occasion for repentance (in its subject) passed away. He takes game for its threefold use in his hunting. 5. The fifth line, undivided, shows that with firm correctness there will be good fortune (to its has the quality of brightness and elegance. It is held to be the lord of the trigram Lf; and lines 4 and 6 are on either side in loyal duty to defend and help. Then the shooting a pheasant is supposed to be suggested ; an elegant bird,—by the trigram of elegance. When an officer was travelling abroad in ancient times, his gift of introduction at any feudal court was a pheasant. The traveller here emblemed is praised by his attached friends, and exalted to a place of dignity by the ruler to whom he is acceptable. It will be seen how the idea of the fifth line being the ruler’s seat is dropt here as being alien from the idea of the hexagram, so arbitrary is the interpretation of the symbolism. Line 6 is strong, in an even place, at the extremity of Lf and of the whole hexagram. Its subject will be arrogant and violent; the opposite of what a traveller should be; and the issue will be evil. The symbolism must be allowed to be extravagant. What bird ever burned its nest? And the character for ‘ox’ is strangely used for ‘ox-like docility.’ SECT. Il. THE SUN HEXAGRAM. IQ! subject). All occasion for repentance will disappear, and all his movements will be advantageous. There may have been no (good) beginning, but there will be a (good) end. Three days before making any changes, (let him give notice of them); and three days after, (let him reconsider them). There will (thus) be good fortune.
2There may have been no (good) beginning, but there will be a (good) end. Three days before making any changes, (let him give notice of them); and three days after, (let him reconsider them). There will (thus) be good fortune. 6. The sixth line, undivided, shows the representative of penetration beneath a couch, and having lost the axe with which he executed his decisions. However firm and correct he may (try to) be, there will be evil. LVII. With Sun as the fifth of the Fa-hst trigrams we have become familiar. It symbolises both wind and wood; and has the attributes of flexibility (nearly allied to docility) and penetration. In this hexagram we are to think of it as representing wind with its penetrating power, finding its way into every corner and cranny. Confucius once said (Analects 12. 19) :—‘ The relation between superiors and inferiors is like that between the wind and the grass. The grass must bend when the wind blows uponit.’ In accordance with this, the subject of the hexagram must be understood as the influence and orders of government designed to remedy what is wrong in the people. The ‘Daily Lecture’ says that the upper trigram denotes the orders issuing from the ruler, and the lower the obedience rendered to them by the people; but this view is hardly borne out by the Text. But how is it that the figure represents merely ‘some little attainment?’ This is generally explained by taking the first line of the trigram as indicating what the subject of it can do. But over the weak first line are two strong lines, so that its subject can accomplish but little. The Khang-hst editors, rejecting this view, contend that, the idea of the whole figure being penetration, line 1, the symbol of weakness and what is bad, will not be able to offer much resistance to the subjects of the other lines, which will enter and dispel its influence. They illustrate this from processes of nature, education, and politics ; the effect they say is described as small, because the process is not to revolutionise or renew, but only to 192 THE yi KING. TEXT. LVIII. Tue Tur Hexacram. Tui intimates that (under its conditions) there will be progress and attainment. (But) it will be advantageous to be firm and correct. correct and improve. Such as it is, however, it requires the operation of the strong and virtuous,‘ the great man.’ Even all this criticism is not entirely satisfactory. Line 1 is weak, where it should be strong. The movements of its subject are expressive of perplexity. He wants vigour and decision.
3Such as it is, however, it requires the operation of the strong and virtuous,‘ the great man.’ Even all this criticism is not entirely satisfactory. Line 1 is weak, where it should be strong. The movements of its subject are expressive of perplexity. He wants vigour and decision. Line 2 is strong, and in the right place, and has a good auspice. Things are placed or hidden beneath a couch or bed; and the subject of the line appears as searching for them. He calls in divination to assist his judgment, and exorcists to expel for him what is bad. The work is great and difficult, so that he appears almost distracted by it; but the issue is good. For this successful explanation of the line, I am indebted to the Khang-hsf editors. The writer of the Text believed of course in divination and exorcism ; which was his misfortune rather than his fault or folly. Line 3 is in the right place for a strong line. But its position at the top of the lower trigram is supposed to indicate the restlessness, and here the vehemence, of its subject. And 6 is no proper correlate. All the striving is ineffective, and there is occasion for regret. Line 4 is weak, as is its correlate in x. But 4 is a proper place for a weak line, and it rests under the shadow of the strong and central 5. Hence the omens of evil are counteracted; and a good auspice is obtained. The game caught in hunting was divided into three portions :—the first for use in sacrifices ; the second for the entertainment of visitors ; and the third for the kitchen generally. A hunt which yielded enough for all these purposes was deemed very successful. On line 5 Khang-3ze says:—‘It is the seat of honour, and the SECT. II. THE TUI HEXAGRAM. 193 1. The first line, undivided, shows the pleasure of (inward) harmony. There will be good fortune. 2. The second line, undivided, shows the pleasure arising from (inward) sincerity. There will be good fortune. Occasion for repentance will disappear. 3. The third line, divided, shows its subject bringing round. himself whatever can give pleasure. There will be evil. 4. The fourth line, undivided, shows its subject deliberating about what to seek his pleasure in, and not at rest. He borders on what would be injurious, but there will be cause for joy. 5. The fifth line, undivided, shows its subject trusting in one who would injure him. The situation is perilous. 6. The topmost line, divided, shows the pleasure of its subject in leading and attracting others. place for the lord of Sun, from whom there issue all charges and commands. It is central and correct; we must find in its subject the qualities denoted by Sun in their greatest excellence. But those qualities are docility and accordance with what is right; and the advantage of firm correctness is insisted on. With this all will be right.’ With the concluding sentence compare the conclusion of the Thwan of hexagram 18.
The source text as printed, transcribed diplomatically. Where the source language uses a non-Latin script that reaches us only through a Victorian romanisation, this layer is labelled transliteration, because that is what we hold.
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