Process and Reality — the Gifford Lectures, 1929
The text is shown on its own: no facing layer is held for this issue.
So long as the temporal world is conceived as a self-sufficient completion of the creative act, explicable by its derivation from an ultimate principle which is at once eminently real and the unmoved mover, from this conclusion there is no escape: the best that we can say of the turmoil is, ‘For so he giveth his beloved—sleep.’ This is the message of religions of the Buddhistic type, and in some sense it is true. In this final discussion we have to ask, whether metaphysical principles impose the belief that it is the whole truth. The complexity of the world must be reflected in the answer. It is childish to enter upon thought with the simple-minded question, What is the world made of? The task of reason is to fathom the deeper depths of the many-sidedness of things. We must not expect simple answers to far-reaching questions. However far our gaze penetrates, there are always heights beyond which block our vision.
The notion of God as the ‘unmoved mover’ is derived from Aristotle, at least so far as Western thought is concerned. The notion of God as ‘eminently real’ is a favourite doctrine of Christian theology. The combination of the two into the doctrine of an aboriginal, eminently real, transcendent creator, at whose fiat the world came into being, and whose imposed will it obeys, is the fallacy which has infused tragedy into the histories of Christianity and of Mahometanism.
When the Western world accepted Christianity, Caesar conquered; and the received text of Western theology was edited by his lawyers. The code of Justinian and the theology of Justinian are two volumes expressingp. 519p. 520 one movement of the human spirit. The brief Galilean vision of humility flickered throughout the ages, uncertainly. In the official formulation of the religion it has assumed the trivial form of the mere attribution to the Jews that they cherished a misconception about their Messiah. But the deeper idolatry, of the fashioning of God in the image of the Egyptian, Persian, and Roman imperial rulers, was retained. The Church gave unto God the attributes which belonged exclusively to Caesar.
In the great formative period of theistic philosophy, which ended with the rise of Mahometanism, after a continuance coeval with civilization, three strains of thought emerge which, amid many variations in detail, respectively fashion God in the image of an imperial ruler, God in the image of a personification of moral energy, God in the image of an ultimate philosophical principle. Hume’s Dialogues criticize unanswerably these modes of explaining the system of the world.
The three schools of thought can be associated respectively with the divine Caesars, the Hebrew prophets, and Aristotle. But Aristotle was antedated by Indian, and Buddhistic, thought; the Hebrew prophets can be paralleled in traces of earlier thought; Mahometanism and the divine Caesars merely represent the most natural, obvious, theistic idolatrous symbolism, at all epochs and places.
The history of theistic philosophy exhibits various stages of combination of these three diverse ways of entertaining the problem. There is, however, in the Galilean origin of Christianity yet another suggestion which does not fit very well with any of the three main strands of thought. It does not emphasize the ruling Caesar, or the ruthless moralist, or the unmoved mover. It dwells upon the tender elements in the world, which slowly and in quietness operate by love; and it finds purpose in the present immediacy of a kingdom not of this world. Love neither rules, nor is it unmoved; also it isp. 521 a little oblivious as to morals. It does not look to the future; for it finds its own reward in the immediate present.
SECTION II
Apart from any reference to existing religions as they are, or as they ought to be, we must investigate dispassionately what the metaphysical principles, here developed, require on these points, as to the nature of God. There is nothing here in the nature of proof. There is merely the confrontation of the theoretic system with a certain rendering of the facts. But the unsystematized report upon the facts is itself highly controversial, and the system is confessedly inadequate. The deductions from it in this particular sphere of thought cannot be looked upon as more than suggestions as to how the problem is transformed in the light of that system. What follows is merely an attempt to add another speaker to that masterpiece, Hume’s Dialogues Concerning Natural Religion. Any cogency of argument entirely depends upon elucidation of somewhat exceptional elements in our conscious experience—those elements which may roughly be classed together as religious and moral intuitions.
In the first place, God is not to be treated as an exception to all metaphysical principles, invoked to save their collapse. He is their chief exemplification.
Viewed as primordial, he is the unlimited conceptual realization of the absolute wealth of potentiality. In this aspect, he is not before all creation, but with all creation. But, as primordial, so far is he from ‘eminent reality,’ that in this abstraction he is ‘deficiently actual’ —and this in two ways. His feelings are only conceptual and so lack the fulness of actuality. Secondly, conceptual feelings, apart from complex integration with physical feelings, are devoid of consciousness in their subjective forms.
Thus, when we make a distinction of reason, and con-
p. 522
sider God in the abstraction of a primordial actuality, we must ascribe to him neither fulness of feeling, nor consciousness. He is the unconditioned actuality of conceptual feeling at the base of things; so that, by reason of this primordial actuality, there is an order in the relevance of eternal objects to the process of creation. His unity of conceptual operations is a free creative act, untrammelled by reference to any particular course of things. It is deflected neither by love, nor by hatred, for what in fact comes to pass. The particularities of the actual world presuppose it; while it merely presupposes the general metaphysical character of creative advance, of which it is the primordial exemplification. The primordial nature of God is the acquirement by creativity of a primordial character.
His conceptual actuality at once exemplifies and establishes the categoreal conditions. The conceptual feelings, which compose his primordial nature, exemplify in their subjective forms their mutual sensitivity and their subjective unity of subjective aim. These subjective forms are valuations determining the relative relevance of eternal objects for each occasion of actuality.
He is the lure for feeling, the eternal urge of desire. His particular relevance to each creative act as it arises from its own conditioned standpoint in the world, constitutes him the initial ‘object of desire’ establishing the initial phase of each subjective aim. A quotation from Aristotle’s Metaphysics * expresses some analogies to, and some differences from, this line of thought: “And since that which is moved and mover is intermediate, there is a mover which moves without being moved, being eternal, substance, and actuality. And the object of desire and the object of thought are the same. For the apparent good is the object of appetite, and the real good is the primary object of rational desire. But desire is conse-
* Cf. Metaphysics 1072, trans. by Professor W. D. Ross. My attention was called to the appositeness of this particular quotation by Mr. F. J. Carson.
p. 523
quent on opinion rather than opinion on desire; for the thinking is the starting point. And thought is moved by the object of thought, and one side of the list of opposites is in itself the object of thought; ...” Aristotle had not made the distinction between conceptual feelings and the intellectual feelings which alone involve consciousness. But if ‘conceptual feeling,’ with its subjective form of valuation, be substituted for ‘thought,’ ‘thinking,’ and ‘opinion,’ in the above quotation, the agreement is exact.
SECTION III
No commentary for this page under the selected tracks.
There is commentary on page 1.