January 1946; Year V opens with the wrapper's lower block reset in lighter mixed-case type — the first cover change since Nº 28.
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1The action of light on the superior animals can be local, or direct, and general, or indirect.
2The first is effected at the point where the light falls; the second is due to products that the direct luminous action has generated in the exposed parts.
3Apart from the phenomenon of local action, or mimicry — by which certain animals (the chameleon) change the colour of the skin under the influence of light, and which has a defensive significance for the species — we can say that light works, in general, upon the superficial layers of the skin.
4The greater the absorption of the rays, the less the depth they reach in the deeper layers of the skin.
5The most penetrating rays are those of 600 micromicrons of wavelength (yellow), and those of length below or above that are less so.
6The ultraviolet, consequently, have a minimal power of penetration.
7The blood, circulating in the arteries, veins and capillaries of the skin, modifies the absorption; for, functioning like a red filter, it deflects from the yellow toward the red and ultra-red, and thus absorbs almost all the radiations except the infra-red.
8To the subcutaneous connective tissue there arrive, consequently, exclusively radiations of long waves and thermal effect, while the effect of light in the superficial layers is the chemical one.
9The consequences of the action on the skin are: hyperaemia, which depends only on the thermal effect (light bath); erythema, which appears not immediately but after a certain time — that is, after the formation of active substances in the cells of the epidermis; formation of pigment in the epithelia, due to the chemical as well as the thermal action, whose significance is the protection of the tissues against the harmful action of light; increase of the cutaneous secretions and, above all, of sweat (thermal effect) and of sebum (thermo-chemical effect).
10The general action of light on the metabolism of the superior animals and of man is the following: a) Diminution of the sugar in the blood.
11b) Increase of the combustion of fats in the obese, and accumulation of the same in the thin (regulating action).
12c) Increase of the assimilation of nitrogen.
13d) Increase of the calcium of the blood.
14The actions on the physiological functions are: a) Cutaneous vasodilation, circulatory modifications in other organs and, in consequence, diminution of the blood pressure.
15b) Stimulation of haemo- and lymphopoiesis.
16c) Excitation of the nervous system and of the muscular movements.
17The action on the cellular protoplasm is exclusively chemical (photochemical action).
18The proteins are modified in their colloidal state and, if the action is intense, a gelification can be produced, and even a precipitation of the micelles suspended in the protoplasmic colloid.
19The phenomena that can be produced on fats or carbohydrates are: hydrolytic scission, oxygenation, etc.
20In general, all these actions on the protoplasm are slow; but they can be enormously accelerated by the presence of the salts of iron, manganese and other metals, which behave as true photochemical catalysts.
21Before ending the study of the influence of light on living beings, we must make mention of an important phenomenon known under the name of photodynamism, or photosensitisation.
22This phenomenon consists in the fact that light, habitual- · 18
Our translation, period-faithful. Citable as our translation, never as the source.
January 1946; Year V opens with the wrapper's lower block reset in lighter mixed-case type — the first cover change since Nº 28.
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Masthead stereotype unchanged into the new year.
Seven articles; a new serial appears — Rouxel's kabbalistic theory of music, translated mid-stream (it opens at Chapter II).
Wilhelmsbad concluded: the templar legend ratified away, Willermoz's statutes taken as the model, Dittfurth's federation counter-proposal defeated, the ritual commission stacked with professed knights — and the one defeat: the "sacred mystery" of the number 3, sacrificed so the rest would pass.
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The congress's closing theatre: silhouettes cut, medals struck — "Magnus magister totius ordinis" / "tandem aurora lucessit" — and Brunswick and Hesse themselves initiated into martinism by Willermoz during the congress: the column's quiet coup de grâce.
The verdict, double: Daruty quoted for the triumph, Le Forestier for the truth — "a prime work of incoherence". The chronology's habit of letting its sources disagree in public is its scholarship.
Rouxel's kabbalistic music theory: the octave as the circle of all sounds, arithmetic means generating fifth and third, "1+1 does not give 2 in music" — Pythagorean harmonics presented as Kabbalah, with Descartes' Compendium Musicae in the footnotes.
The Descartes footnote on salt and vinegar pleasing more than fresh water — the thirds and sixths defended by seventeenth-century sensualism: the serial's learning is real and cited.
THE MOON through the twelve houses — seventh planet of the reference series, completing Saturn, Jupiter, Mars, Sun, Venus and Mercury.
The first Saint-Martin epigraph: "Spirit of man, learn to know thyself. Thou canst not die in essence…" — the review begins salting its pages with the Unknown Philosopher's own sentences, as the estate's Saint-Martin shelf does at full length.
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The four Samsaras (Kriya, Iccha, Jnana, Yoga) mapped in a footnote onto the theosophical bodies — etheric double, astral, causal — with their Sanskrit koshas: the S.D.M. serial translating itself into the vocabulary its Montevideo readers already know.
Sankhya redefined against Kapila's school: the generic term for the three paths (Jnana, Bhakti, Kriya) versus Yoga as their synthesis — the Suddha school's central terminological claim, argued from Narada's Karika.
YOGAH KARMASU KAUSALAM re-read: not "Yoga gives skill in action" but "among the Karmas, Yoga demands the most elevated ability" — the commentary's most consequential reversal of the popular reading, carried by the praxis layer.
The sixfold Dharma table arrives with its columns broken by the retype — glossed as printed, not repaired: the reader sees the type as transmitted, and the gloss says why the rows read strangely.
"Light is a modality of the astral light" — the fototherapy instalment opens by folding photobiology into the occult cosmology, then delivers competent 1940s science: wavelength bands, Finsen therapy, photosensitisation.
The photodynamism catalogue — acridine and paramecia, eosin tadpoles, haematoporphyrin mice — real experimental photobiology transmitted intact; the serial's scientific spine at its strongest.
The Dialogues conclude: the Moral Conscience as "the memory of the human species", the Ego as pearl-necklace of lives, and I.N.R.I. — Igne Natura Renovatur Integra — resolving the dialogue; Anteo's two-finger salute to the golden circle closes Wronski's serial.
Serapio's litany: "what is, is because it is" hammered through fourteen counsels against spiritual vanity — superiority as separateness, flattery as sweet poison, the Master who "wants no adhesions". La Plata's A∴M∴ voice at its most aphoristic.
The closing Saint-Martin epigraph — libraries as pharmacies, "proof of his illnesses… never to render him invulnerable" — the review ending its number by quoting the master against book-learning itself.
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GIDEE prospectus stereotype at page 23, unchanged into 1946.
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Library back cover and imprint open Year V as they closed Year IV.
"The numbers l and 2 are the beginning and end of music, its alpha and omega" — Rouxel's monochord arithmetic at its most kabbalistic; the compositor prints alta for alfa and a letter ell for the one, both mirrored.
The filter paragraph prints its two roles transposed (red passing chemical rays, blue killing thermal) — glossed as printed: the retype's physics faults are documented with the same discipline as its spelling.
The skin-action summary — hyperaemia, erythema, pigment as protection, sweat and sebum — dermatological photobiology in period vocabulary, the serial's clinical core.