January 1946; Year V opens with the wrapper's lower block reset in lighter mixed-case type — the first cover change since Nº 28.
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1But for those who have realised what such symbols contain, and proved that nothing of superior grandeur has been granted to humanity, no small source of satisfactions will they see in what a Bishop, really Wise, has recently said about the Eastern religious symbols and the attitude of ignorant critics toward such Symbology. [Sic: the sentence is defective as printed.]
2(To be continued) ________ o _________ Cosmic Influences and Reactions of Living Beings.
3Influence of Light — Phototherapy (Continuation). By Pitágoras S∴I∴ Light is a modality of the astral light — of that undifferentiated energy which vivifies and fecundates the universes, and from which derive, by differentiation, all the other forms of energy.
4Without occupying ourselves with those other modalities of the astral light [Sic: the Spanish prints 1a, with a numeral] — modalities distinguished among themselves by their wavelength — we shall say that "luminous waves", in general, have a wavelength comprised between 100 microns and 90 micromicrons.
5We distinguish in them: a) Ultra-red rays, found beyond the visible limits of the solar spectrum, whose wavelength oscillates between 100 microns and 800 micromicrons.
6b) White light properly so called, capable of impressing the retina, whose wavelength oscillates between 800 and 400 micromicrons.
7c) Ultraviolet rays, invisible to our eyes, whose wavelength oscillates between 400 and 90 micromicrons.
8Further on we shall occupy ourselves with the influence of those invisible rays, the ultra-red and the ultraviolet.
9Here we shall confine ourselves solely to the study of the biological influence of white light properly so called.
10The sources of white light are multiple: wood, oil, petroleum, gas in combustion, bodies raised to high temperatures, electricity, fluorescent and phosphorescent bodies, etc.; but we can say that all those sources are indirect, because the light emanating from them is only a luminous modification of the energy they had previously received from the sun.
11The sole source of energy — and, consequently, of its luminous modality — is, then, the sun.
12As regards the nature of light, we know that many theories have been formulated: the emission theory; the undulation theory; the electro-magnetic theory; the theory of Kharitonow, in which the electron would drag with it, like a kind of satellite, the radon; the mathematical theory of the prince de Broglie; the theory of quanta, or photons, carried on an electromagnetic wave.
13This is neither the case nor the moment to discuss those theories; the only thing we need know is that the nature of light is exactly identical with that of the astral light (as the nature of the other energetic modalities is identical with that of the astral light from which they derive), and that its sensible manifestations are in close relation with — or, better said, are the consequence of — its wavelength.
14We note, in passing, that as numbers are transformed into others by adding or subtracting units, so also energies are transformed into others by adding or subtracting units.
15Just as what characte- · 16
Our translation, period-faithful. Citable as our translation, never as the source.
January 1946; Year V opens with the wrapper's lower block reset in lighter mixed-case type — the first cover change since Nº 28.
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Masthead stereotype unchanged into the new year.
Seven articles; a new serial appears — Rouxel's kabbalistic theory of music, translated mid-stream (it opens at Chapter II).
Wilhelmsbad concluded: the templar legend ratified away, Willermoz's statutes taken as the model, Dittfurth's federation counter-proposal defeated, the ritual commission stacked with professed knights — and the one defeat: the "sacred mystery" of the number 3, sacrificed so the rest would pass.
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The congress's closing theatre: silhouettes cut, medals struck — "Magnus magister totius ordinis" / "tandem aurora lucessit" — and Brunswick and Hesse themselves initiated into martinism by Willermoz during the congress: the column's quiet coup de grâce.
The verdict, double: Daruty quoted for the triumph, Le Forestier for the truth — "a prime work of incoherence". The chronology's habit of letting its sources disagree in public is its scholarship.
Rouxel's kabbalistic music theory: the octave as the circle of all sounds, arithmetic means generating fifth and third, "1+1 does not give 2 in music" — Pythagorean harmonics presented as Kabbalah, with Descartes' Compendium Musicae in the footnotes.
The Descartes footnote on salt and vinegar pleasing more than fresh water — the thirds and sixths defended by seventeenth-century sensualism: the serial's learning is real and cited.
THE MOON through the twelve houses — seventh planet of the reference series, completing Saturn, Jupiter, Mars, Sun, Venus and Mercury.
The first Saint-Martin epigraph: "Spirit of man, learn to know thyself. Thou canst not die in essence…" — the review begins salting its pages with the Unknown Philosopher's own sentences, as the estate's Saint-Martin shelf does at full length.
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The four Samsaras (Kriya, Iccha, Jnana, Yoga) mapped in a footnote onto the theosophical bodies — etheric double, astral, causal — with their Sanskrit koshas: the S.D.M. serial translating itself into the vocabulary its Montevideo readers already know.
Sankhya redefined against Kapila's school: the generic term for the three paths (Jnana, Bhakti, Kriya) versus Yoga as their synthesis — the Suddha school's central terminological claim, argued from Narada's Karika.
YOGAH KARMASU KAUSALAM re-read: not "Yoga gives skill in action" but "among the Karmas, Yoga demands the most elevated ability" — the commentary's most consequential reversal of the popular reading, carried by the praxis layer.
The sixfold Dharma table arrives with its columns broken by the retype — glossed as printed, not repaired: the reader sees the type as transmitted, and the gloss says why the rows read strangely.
"Light is a modality of the astral light" — the fototherapy instalment opens by folding photobiology into the occult cosmology, then delivers competent 1940s science: wavelength bands, Finsen therapy, photosensitisation.
The photodynamism catalogue — acridine and paramecia, eosin tadpoles, haematoporphyrin mice — real experimental photobiology transmitted intact; the serial's scientific spine at its strongest.
The Dialogues conclude: the Moral Conscience as "the memory of the human species", the Ego as pearl-necklace of lives, and I.N.R.I. — Igne Natura Renovatur Integra — resolving the dialogue; Anteo's two-finger salute to the golden circle closes Wronski's serial.
Serapio's litany: "what is, is because it is" hammered through fourteen counsels against spiritual vanity — superiority as separateness, flattery as sweet poison, the Master who "wants no adhesions". La Plata's A∴M∴ voice at its most aphoristic.
The closing Saint-Martin epigraph — libraries as pharmacies, "proof of his illnesses… never to render him invulnerable" — the review ending its number by quoting the master against book-learning itself.
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GIDEE prospectus stereotype at page 23, unchanged into 1946.
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Library back cover and imprint open Year V as they closed Year IV.
"The numbers l and 2 are the beginning and end of music, its alpha and omega" — Rouxel's monochord arithmetic at its most kabbalistic; the compositor prints alta for alfa and a letter ell for the one, both mirrored.
The filter paragraph prints its two roles transposed (red passing chemical rays, blue killing thermal) — glossed as printed: the retype's physics faults are documented with the same discipline as its spelling.
The skin-action summary — hyperaemia, erythema, pigment as protection, sweat and sebum — dermatological photobiology in period vocabulary, the serial's clinical core.