January 1946; Year V opens with the wrapper's lower block reset in lighter mixed-case type — the first cover change since Nº 28.
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1It is also necessary to fix our attention on the commentator's own explanations of the passages of the Gita frequently cited — YOGAH KARMASU KAUSALAM — in order further to illustrate the greatness of Yoga: which has been the principal theme of our notes, and about which so many erroneous notions prevail, notwithstanding the uniform teaching of the Rishis — reinforced again and again by the Gita — that such teaching implies the culmination of human effort as touching the attainment of that self-realisation so praised by the sacred literature, and which implicitly must be recognised as such a culmination by the reasoning and meditative minds of the whole world. [Sic: the Spanish prints KANSALAM.]
2Always according to this commentator, the meaning of this passage is not — as is generally supposed — that Yoga gives man skill in action, but that, among the Karmas, Yoga is the one that demands the most elevated ability and rigid self-control, owing to the unique nature of the Karma: by reason of the fact that the yogi must always be alert as regards the direction he gives to his will, thought and activity, strictly directed toward the attainment of the most elevated human goal: LIBERATION — which implies transcendent Knowledge, Wisdom and Power, all of which must be completely and solely devoted to the promotion of the divine plan of evolution.
3According to Hamsa Yogui and the commentators of the Suddha School, Sankhya is Suddha or Asuddha, according to the synthetic or separative propensity of the effort, respectively.
4The name corresponding to the first of the classes named is: an aspirant of the Suddha Sankhya order — a class opposed to the second, called: an aspirant of the Asuddha Sankhya order, or of the Kevala Sankhya order, or of the Nirishwara Sankhya order.
5The tendency toward the synthetic leads to the perception of the ekatwan,
6Yoga, or unity — such an aspirant being then denominated Sankhya Yogui; while the other tendency leads to Tritwan or nanatwan, that is, to triplicity or multiplicity.
7The persons answering to this last tendency must perforce function in the Samsara until they reach the condition of the order first cited and enter the true yogic discipline.
8The Gita treats only of the Suddha Sankhya and the Suddha Yoga.
9While functioning in the Pravritti Gati or in the Nivritti Gati — that is, in the paths of advance and of return — an aspirant of the Suddha Sankhya order recognises that both paths, which apparently are separate or opposed, are in reality the twin aspects of a SINGLE path known by the name Suddha Gati.4 The conviction that this affirmation is valid makes shine in the aspirant, through his constant effort, the limitations of his egotism, or Swartha. [Sic: the Spanish prints Ptavriti and Swarta.]
10An aspirant of the Suddha Sankhya order recognises also the six Dharmas, or aspects, in each of the four groups.
11Of those six, five are known as Karanaparas, or causes, and the sixth as Karyapara, or phala — that is, their resultant fruition.
12Adhishtana, or basic factor; Karana, or factor of means or instrumentality; Karta, or agent; Karma, or the factor of action or execution: these four constitute the mate- 4 These paths are denominated in multiple manners, namely: Pavritti marga, Dakshinayam, Upakramagati, Prakritamarga, Krishnagati, Nivrittimarga, Uttatayanam, Upasamharagati, Atmamarga, Suklagati; both, as such, are called Asudhagati, Vishamagati, Gatidwayam.
13The Suddhagati is called also Samagati, Parayanam, etc. · 14
Our translation, period-faithful. Citable as our translation, never as the source.
January 1946; Year V opens with the wrapper's lower block reset in lighter mixed-case type — the first cover change since Nº 28.
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Masthead stereotype unchanged into the new year.
Seven articles; a new serial appears — Rouxel's kabbalistic theory of music, translated mid-stream (it opens at Chapter II).
Wilhelmsbad concluded: the templar legend ratified away, Willermoz's statutes taken as the model, Dittfurth's federation counter-proposal defeated, the ritual commission stacked with professed knights — and the one defeat: the "sacred mystery" of the number 3, sacrificed so the rest would pass.
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The congress's closing theatre: silhouettes cut, medals struck — "Magnus magister totius ordinis" / "tandem aurora lucessit" — and Brunswick and Hesse themselves initiated into martinism by Willermoz during the congress: the column's quiet coup de grâce.
The verdict, double: Daruty quoted for the triumph, Le Forestier for the truth — "a prime work of incoherence". The chronology's habit of letting its sources disagree in public is its scholarship.
Rouxel's kabbalistic music theory: the octave as the circle of all sounds, arithmetic means generating fifth and third, "1+1 does not give 2 in music" — Pythagorean harmonics presented as Kabbalah, with Descartes' Compendium Musicae in the footnotes.
The Descartes footnote on salt and vinegar pleasing more than fresh water — the thirds and sixths defended by seventeenth-century sensualism: the serial's learning is real and cited.
THE MOON through the twelve houses — seventh planet of the reference series, completing Saturn, Jupiter, Mars, Sun, Venus and Mercury.
The first Saint-Martin epigraph: "Spirit of man, learn to know thyself. Thou canst not die in essence…" — the review begins salting its pages with the Unknown Philosopher's own sentences, as the estate's Saint-Martin shelf does at full length.
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The four Samsaras (Kriya, Iccha, Jnana, Yoga) mapped in a footnote onto the theosophical bodies — etheric double, astral, causal — with their Sanskrit koshas: the S.D.M. serial translating itself into the vocabulary its Montevideo readers already know.
Sankhya redefined against Kapila's school: the generic term for the three paths (Jnana, Bhakti, Kriya) versus Yoga as their synthesis — the Suddha school's central terminological claim, argued from Narada's Karika.
YOGAH KARMASU KAUSALAM re-read: not "Yoga gives skill in action" but "among the Karmas, Yoga demands the most elevated ability" — the commentary's most consequential reversal of the popular reading, carried by the praxis layer.
The sixfold Dharma table arrives with its columns broken by the retype — glossed as printed, not repaired: the reader sees the type as transmitted, and the gloss says why the rows read strangely.
"Light is a modality of the astral light" — the fototherapy instalment opens by folding photobiology into the occult cosmology, then delivers competent 1940s science: wavelength bands, Finsen therapy, photosensitisation.
The photodynamism catalogue — acridine and paramecia, eosin tadpoles, haematoporphyrin mice — real experimental photobiology transmitted intact; the serial's scientific spine at its strongest.
The Dialogues conclude: the Moral Conscience as "the memory of the human species", the Ego as pearl-necklace of lives, and I.N.R.I. — Igne Natura Renovatur Integra — resolving the dialogue; Anteo's two-finger salute to the golden circle closes Wronski's serial.
Serapio's litany: "what is, is because it is" hammered through fourteen counsels against spiritual vanity — superiority as separateness, flattery as sweet poison, the Master who "wants no adhesions". La Plata's A∴M∴ voice at its most aphoristic.
The closing Saint-Martin epigraph — libraries as pharmacies, "proof of his illnesses… never to render him invulnerable" — the review ending its number by quoting the master against book-learning itself.
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GIDEE prospectus stereotype at page 23, unchanged into 1946.
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Library back cover and imprint open Year V as they closed Year IV.
"The numbers l and 2 are the beginning and end of music, its alpha and omega" — Rouxel's monochord arithmetic at its most kabbalistic; the compositor prints alta for alfa and a letter ell for the one, both mirrored.
The filter paragraph prints its two roles transposed (red passing chemical rays, blue killing thermal) — glossed as printed: the retype's physics faults are documented with the same discipline as its spelling.
The skin-action summary — hyperaemia, erythema, pigment as protection, sweat and sebum — dermatological photobiology in period vocabulary, the serial's clinical core.