Theory of Colours — trans. Charles Lock Eastlake (1840)

Open to allJohann Wolfgang von Goethe376 segments · 126 pp

The text is shown on its own: no facing layer is held for this issue.

page 37

The translator’s English as printed (Charles Lock Eastlake). The original-language text is not held; names are romanised as the translator printed them.

[1] It has been thought unnecessary to give all the examples in the plate alluded to, but the leading instance referred to in the next paragraph will be found in plate 3, fig. 1. The grey square when seen through a prism will exhibit the effects described in par. 257.--T.

XVIII.

COLOURED OBJECTS DISPLACED BY REFRACTION.

258.

An unlimited coloured surface exhibits no prismatic colour in addition to its own hue, thus not at all differing from a black, white, or grey surface. To produce the appearance of colour, light and dark boundaries must act on it either accidentally or by contrivance. Hence experiments and observations on coloured surfaces, as seen through the prism, can only be made when such surfaces are separated by an outline from another differently tinted surface, in short when _circumscribed objects_ are coloured.

259.

All colours, whatever they may be, correspond so far with grey, that they appear darker than white and lighter than black. This shade-like quality of colour (σκιέρον) has been already alluded to (69), and will become more and more evident. If then we begin by placing coloured objects on black and white surfaces, and examine them through the prism, we shall again have all that we have seen exhibited with grey surfaces.

[Illustration]

260.

If we displace a coloured object by refraction, there appears, as in the case of colourless objects and according to the same laws, an accessory image. This accessory image retains, as far as colour is concerned, its usual nature, and acts on one side as a blue and blue-red, on the opposite side as a yellow and yellow-red. Hence the apparent colour of the edge and border will be either homogeneous with the real colour of the object, or not so. In the first case the apparent image identifies itself with the real one, and appears to increase it, while, in the second case, the real image may be vitiated, rendered indistinct, and reduced in size by the apparent image. We proceed to review the cases in which these effects are most strikingly exhibited.

261.

If we take a coloured drawing enlarged from the plate, which illustrates this experiment[1], and examine the red and blue squares placed next each other on a black ground, through the prism as usual, we shall find that as both colours are lighter than the ground, similarly coloured edges and borders will appear above and below, at the outlines of both, only they will not appear equally distinct to the eye.

262.

Red is proportionally much lighter on black than blue is. The colours of the edges will therefore appear stronger on the red than on the blue, which here acts as a dark-grey, but little different from black. (251.)

263.

The extreme red edge will identify itself with the vermilion colour of the square, which will thus appear a little elongated in this direction; while the yellow border immediately underneath it only gives the red surface a more brilliant appearance, and is not distinguished without attentive observation.

264.

On the other hand the red edge and yellow border are heterogeneous with the blue square; a dull red appears at the edge, and a dull green mingles with the figure, and thus the blue square seems, at a hasty glance, to be comparatively diminished on this side.

265.

At the lower outline of the two squares a blue edge and a violet border will appear, and will produce the contrary effect; for the blue edge, which is heterogeneous with the warm red surface, will vitiate it and produce a neutral colour, so that the red on this side appears comparatively reduced and driven upwards, and the violet border on the black is scarcely perceptible.

266.

On the other hand, the blue apparent edge will identify itself with the blue square, and not only not reduce, but extend it. The blue edge and even the violet border next it have the apparent effect of increasing the surface, and elongating it in that direction.

267.

The effect of homogeneous and heterogeneous edges, as I have now minutely described it, is so powerful and singular that the two squares at the first glance seem pushed out of their relative horizontal position and moved in opposite directions, the red upwards, the blue downwards. But no one who is accustomed to observe experiments in a certain succession, and respectively to connect and trace them, will suffer himself to be deceived by such an unreal effect.

268.

Commentary
page 37 ·

No commentary for this page.

There is commentary on pages 3, 13, 20, 83.