[1] The treatise to which the author alludes in more generally ascribed to Aristotle.--T.
[2] Æsthetic--belonging to taste as mere internal sense, from αἰσθάνομαι, to feel; the word was first used by Wolf.--T.
PART I.
PHYSIOLOGICAL COLOURS.
1.
We naturally place these colours first, because they belong altogether, or in a great degree, to the _subject_[1]--to the eye itself. They are the foundation of the whole doctrine, and open to our view the chromatic harmony on which so much difference of opinion has existed. They have been hitherto looked upon as extrinsic and casual, as illusion and infirmity: their appearances have been known from ancient date; but, as they were too evanescent to be arrested, they were banished into the region of phantoms, and under this idea have been very variously described.
2.
Thus they are called _colores adventicii_ by Boyle; _imaginarii_ and _phantastici_ by Rizetti; by Buffon, _couleurs accidentelles_; by Scherfer, _scheinfarben_ (apparent colours); _ocular illusions_ and _deceptions of sight_ by many; by Hamberger, _vitia fugitiva_; by Darwin, _ocular spectra_.
3.
We have called them physiological because they belong to the eye in a healthy state; because we consider them as the necessary conditions of vision; the lively alternating action of which, with reference to external objects and a principle within it, is thus plainly indicated.
4.
To these we subjoin the pathological colours, which, like all deviations from a constant law, afford a more complete insight into the nature of the physiological colours.
EFFECTS OF LIGHT AND DARKNESS ON THE EYE.
5.
The retina, after being acted upon by light or darkness, is found to be in two different states, which are entirely opposed to each other.
6.