Theory of Colours — trans. Charles Lock Eastlake (1840)
The text is shown on its own: no facing layer is held for this issue.
The translator’s English as printed (Charles Lock Eastlake). The original-language text is not held; names are romanised as the translator printed them.
Where the junction is less complete, the appearance is as follows (214,
215):--
Yellow-red. Blue.
Yellow. Blue-red.
Green. Red.
Blue. Yellow-red.
Blue-red. Yellow.
Here, therefore, the surface still appears completely coloured, but neither series is to be considered as an elementary series, always developing itself in the same manner and in the same degrees; on the contrary, they can and should be resolved into their elements; and, in doing this, we become better acquainted with their nature and character.
246.
These elements then are (199, 200, 201)--
Yellow-red. Blue.
Yellow. Blue-red.
White. Black.
Blue. Yellow-red.
Blue-red. Yellow.
Here the surface itself, the original object, which has been hitherto completely covered, and as it were lost, again appears in the centre of the colours, asserts its right, and enables us fully to recognise the secondary nature of the accessory images which exhibit themselves as "edges" and "borders."--Note N.
247.
We can make these edges and borders as narrow as we please; nay, we can still have refraction in reserve after having done away with all appearance of colour at the boundary of the object.
Having now sufficiently investigated the exhibition of colour in this phenomenon, we repeat that we cannot admit it to be an elementary phenomenon. On the contrary, we have traced it to an antecedent and a simpler one; we have derived it, in connexion with the theory of secondary images, from the primordial phenomenon of light and darkness, as affected or acted upon by semi-transparent mediums. Thus prepared, we proceed to describe the appearances which refraction produces on grey and coloured objects, and this will complete the section of subjective phenomena.
XVII.
GREY OBJECTS DISPLACED BY REFRACTION.
248.
Hitherto we have confined our attention to black and white objects relieved on respectively opposite grounds, as seen through the prism, because the coloured edges and borders are most clearly displayed in such cases. We now repeat these experiments with grey objects, and again find similar results.
249.
As we called black the equivalent of darkness, and white the representative of light (18), so we now venture to say that grey represents half-shadow, which partakes more or less of light and darkness, and thus stands between the two. We invite the reader to call to mind the following facts as bearing on our present view.
250.
Grey objects appear lighter on a black than on a white ground (33); they appear as a light on a black ground, and larger; as a dark on the white ground, and smaller. (16.)
251.
The darker the grey the more it appears as a faint light on black, as a strong dark on white, and _vice versâ_; hence the accessory images of dark-grey on black are faint, on white strong: so the accessory images of light-grey on white are faint, on black strong.
252.
Grey on black, seen through the prism, will exhibit the same appearances as white on black; the edges are coloured according to the same law, only the borders appear fainter. If we relieve grey on white, we have the same edges and borders which would be produced if we saw black on white through the prism.--Note O.
253.
Various shades of grey placed next each other in gradation will exhibit at their edges, either blue and violet only, or red and yellow only, according as the darker grey is placed over or under.
254.
A series of such shades of grey placed horizontally next each other will be coloured conformably to the same law according as the whole series is relieved, on a black or white ground above or below.
255.
The observer may see the phenomena exhibited by the prism at one glance, by enlarging the plate intended to illustrate this section.[1]
256.
It is of great importance duly to examine and consider another experiment in which a grey object is placed partly on a black and partly on a white surface, so that the line of division passes vertically through the object.
257.
The colours will appear on this grey object in conformity with the usual law, but according to the opposite relation of the light to the dark, and will be contrasted in a line. For as the grey is as a light to the black, so it exhibits the red and yellow above the blue and violet below: again, as the grey is as a dark to the white, the blue and violet appear above the red and yellow below. This experiment will be found of great importance with reference to the next chapter.