Zanoni — Edward Bulwer-Lytton
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nights, absorbed in his employment; but on the fourth morning came that reaction to which all labor is exposed. He woke listless and fatigued; and as he cast his eyes on the canvas, the glory seemed to have gone from it. Humiliating recollections of the great masters he aspired to rival forced themselves upon him; defects before unseen magnified themselves to deformities in his languid and discontented eyes. He touched and retouched, but his hand failed him; he threw down his instruments in despair; he opened his casement: the day without was bright and lovely; the street was crowded with that life which is ever so joyous and affluent in the animated population of Naples. He saw the lover, as he passed, conversing with his mistress by those mute gestures which have survived all changes of languages, the same now as when the Etruscan painted yon vases in the Museo Borbonico. Light from without beckoned his youth to its mirth and its pleasures; and the dull walls within, lately large enough to comprise heaven and earth, seemed now cabined and confined as a felon’s prison. He welcomed the step of Mervale at his threshold, and unbarred the door. “And is that all you have done?” said Mervale, glancing disdainfully at the canvas. “Is it for this that you have shut yourself out from the sunny days and moonlit nights of Naples? ” “While the fit was on me, I basked in a brighter sun, and imbibed the voluptuous luxury of a softer moon.” “You own that the fit is over. Well, that is some sign of returning sense. After all, it is better to daub canvas for three days than make a fool of yourself for life. This little siren? ” “Be dumb! I hate to hear you name her.”
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Mervale drew his chair nearer to Glyndon’s, thrust his hands deep in his breeches-pockets, stretched his legs, and was about to begin a serious strain of expostulation, when a knock was heard at the door, and Nicot, without waiting for leave, obtruded his ugly head. “Good-day, mon cher confrére. I wished to speak to you. Hein/ you have been at work, I see. This is well, —very well! A bold outline, — great freedom in that right hand. But, hold! is the composition good? You have not got the great pyramidal form. Don’t you think, too, that you have lost the advantage of contrast in this figure; since the right leg is put forward, surely the right arm should be put back? este! but that little finger is very fine! ” Mervale detested Nicot. For all speculators, Utopians, alterers of the world, and wanderers from the high road, were equally hateful to him; but he could have hugged the Frenchman at that moment. He saw in Glyndon’s expressive countenance all the weariness and disgust he endured. Afterso wrapped a study, to be prated to about pyramidal forms and right arms and right legs, the accidence of the art, the whole conception to be overlooked, and the criticism to end in approval of the little finger! “Oh,” said Glyndon, peevishly, throwing the cloth over his design, “enough of my poor performance. What is it you have to say to me?” “Tn the first place,” said Nicot, huddling himself together upon a stool, — “in the first place, this Signor Zanoni, —this second Cagliostro, — who disputes my doctrines! (no doubt a spy of the man Capet) I am not vindictive; as Helvetius says, ‘ our errors arise from our passions.’ I keep mine in order; but it is virtuous to hate in the cause of mankind; I would I had the denounce:
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ing and the judging of Signor Zanoni at Paris.” And Nicot’s small eyes shot fire, and he gnashed his teeth. “ Have you any new cause to hate him? ” “Yes,” said Nicot, fiercely. “Yes, I hear he is courting the girl I mean to marry.” “You! Whom do you speak of?” “The celebrated Pisani! She is divinely handsome. She would make my fortune in a republic. And a republic we shall have before the year is out.” Mervale rubbed his hands, and chuckled. Glyndon colored with rage and shame. “Do you know the Signora Pisani? Have you ever spoken to her?” “Not yet. But when I make up my mind to anything, it is soon done. I am about to return to Paris. They write me word that a handsome wife advances the eareer of a patriot. The age of prejudice is over. The sublimer virtues begin to be understood. I shall take back the handsomest wife in Europe.” “Be quiet! What are you about?” said Mervale, seizing Glyndon as he saw him advance towards the Frenchman, his eyes sparkling, and his hands clenched. “Sir!” said Glyndon, between his teeth, “ you know not of whom you thus speak. Do you affect to suppose that Viola Pisani would accept you ?” “Not if she could get a better offer,” said Mervale, looking up to the ceiling. “A better offer? You don’t understand me,” said Nicot. “I, Jean Nicot, propose to marry the girl; marry her! Others may make her more liberal offers, but no one, I apprehend, would make one so honorable. I alone have pity on her friendless situation. Besides, according to the dawning state of things, one will always, in France, be able to get rid of a wife whenever one
ZANONI, 155
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nights, absorbed in his employment; but on the fourth morning came that reaction to which all labor is exposed. He woke listless and fatigued; and as he cast his eyes on the canvas, the glory seemed to have gone from it. Humiliating recollections of the great masters he aspired to rival forced themselves upon him; defects before unseen magnified themselves to deformities in his languid and discontented eyes. He touched and retouched, but his hand failed him; he threw down his instruments in despair; he opened his casement: the day without was bright and lovely; the street was crowded with that life which is ever so joyous and affluent in the animated population of Naples. He saw the lover, as he passed, conversing with his mistress by those mute gestures which have survived all changes of languages, the same now as when the Etruscan painted yon vases in the Museo Borbonico. Light from without beckoned his youth to its mirth and its pleasures; and the dull walls within, lately large enough to comprise heaven and earth, seemed now cabined and confined as a felon’s prison. He welcomed the step of Mervale at his threshold, and unbarred the door. “And is that all you have done?” said Mervale, glancing disdainfully at the canvas. “Is it for this that you have shut yourself out from the sunny days and moonlit nights of Naples? ” “While the fit was on me, I basked in a brighter sun, and imbibed the voluptuous luxury of a softer moon.” “You own that the fit is over. Well, that is some sign of returning sense. After all, it is better to daub canvas for three days than make a fool of yourself for life. This little siren? ” “Be dumb! I hate to hear you name her.”
p. 153
Mervale drew his chair nearer to Glyndon’s, thrust his hands deep in his breeches-pockets, stretched his legs, and was about to begin a serious strain of expostulation, when a knock was heard at the door, and Nicot, without waiting for leave, obtruded his ugly head. “Good-day, mon cher confrére. I wished to speak to you. Hein/ you have been at work, I see. This is well, —very well! A bold outline, — great freedom in that right hand. But, hold! is the composition good? You have not got the great pyramidal form. Don’t you think, too, that you have lost the advantage of contrast in this figure; since the right leg is put forward, surely the right arm should be put back? este! but that little finger is very fine! ” Mervale detested Nicot. For all speculators, Utopians, alterers of the world, and wanderers from the high road, were equally hateful to him; but he could have hugged the Frenchman at that moment. He saw in Glyndon’s expressive countenance all the weariness and disgust he endured. Afterso wrapped a study, to be prated to about pyramidal forms and right arms and right legs, the accidence of the art, the whole conception to be overlooked, and the criticism to end in approval of the little finger! “Oh,” said Glyndon, peevishly, throwing the cloth over his design, “enough of my poor performance. What is it you have to say to me?” “Tn the first place,” said Nicot, huddling himself together upon a stool, — “in the first place, this Signor Zanoni, —this second Cagliostro, — who disputes my doctrines! (no doubt a spy of the man Capet) I am not vindictive; as Helvetius says, ‘ our errors arise from our passions.’ I keep mine in order; but it is virtuous to hate in the cause of mankind; I would I had the denounce:
p. 154
ing and the judging of Signor Zanoni at Paris.” And Nicot’s small eyes shot fire, and he gnashed his teeth. “ Have you any new cause to hate him? ” “Yes,” said Nicot, fiercely. “Yes, I hear he is courting the girl I mean to marry.” “You! Whom do you speak of?” “The celebrated Pisani! She is divinely handsome. She would make my fortune in a republic. And a republic we shall have before the year is out.” Mervale rubbed his hands, and chuckled. Glyndon colored with rage and shame. “Do you know the Signora Pisani? Have you ever spoken to her?” “Not yet. But when I make up my mind to anything, it is soon done. I am about to return to Paris. They write me word that a handsome wife advances the eareer of a patriot. The age of prejudice is over. The sublimer virtues begin to be understood. I shall take back the handsomest wife in Europe.” “Be quiet! What are you about?” said Mervale, seizing Glyndon as he saw him advance towards the Frenchman, his eyes sparkling, and his hands clenched. “Sir!” said Glyndon, between his teeth, “ you know not of whom you thus speak. Do you affect to suppose that Viola Pisani would accept you ?” “Not if she could get a better offer,” said Mervale, looking up to the ceiling. “A better offer? You don’t understand me,” said Nicot. “I, Jean Nicot, propose to marry the girl; marry her! Others may make her more liberal offers, but no one, I apprehend, would make one so honorable. I alone have pity on her friendless situation. Besides, according to the dawning state of things, one will always, in France, be able to get rid of a wife whenever one
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