The Hermetic Museum, Vol. I — trans. A. E. Waite (1893)

Open to allvarious459 segments · 153 pp

The text is shown on its own: no facing layer is held for this issue.

page 82

The translator’s English as printed (A. E. Waite). The original-language text is not held; names are romanised as the translator printed them.

with our main object, since it is a different thing altogether. If it were in any metal, we should surely have to look for it in the Sun or Moon ; yet the Moon cannot contain it, or it would long since have become the Sun. Neither is it in mercury, or in any sulphur, or salt, or in herbs, or anything of that nature, as you shall see hereafter. Now we will conclude our exhortation, and proceed to describe the Art itself.

There follow some Methods of Recogniszng our Stone.

It

Know that our Stone is oze, and that it is justly called a Stone. For it zs a Stone, and could bear no name so characteristic, as that of the Stone of the Sages. Yet itis notany one of our existing stones, but only derives its appellation from its similarity to them. For our Stone is so prepared as to be composed ofthe four elements. On this account it has been called by different names, and assumes different forms, although it is oze thing, and its like is not found upon earth. It isa Stone, and not a stone in the sense of having the nature of any one stone; it is fire, yet it has not the appearance, or properties, of fire; it is air, yet neither has it the appearance, or properties, of air; it is water, but has no resemblance, or affinity, to the nature of water. It is earth, though it has not the nature, or appearance, of earth, seeing that it is a thing by itself.

Another way of Knowzng our Precious Stone.

1c

An ancient philosopher says: Our Stone is called the sacred rock, and is divided, or signified, in four ways. Firstly, into earth ; secondly, into its accretion; thirdly, into fire; and fourthly, into the flame of fire. If any one knows the method of dissolving it, of extracting its salt, and of perfectly coagulating it, he is initiated in the mysteries of the Sages. Therefore if the salt turn white, and assume an oily appearance, then it tinges. There are three stages in our Art. Firstly, the transmutation of the whole thing into.one salt ; secondly, the rendering of three subtle bodies intangible; thirdly, the repetition of the whole solution of the whole thing. If you understand this, set your hand to the work. For the Matter is only one thing, and would

p. 173

remain one thing, though a hundred thousand books had been written about it, because this Art is so great a treasure that the whole world would not be a sufficient compensation for it. It is described in obscure terms, yet openly named by all, and known toall. But ifall knew its secret, no one would work, and it would lose its value. On this account it would be impious to describe it in universally intelligible language. He to whom God will reveal it, may understand these dark expressions. But because most men do not understand them, they are inclined to regard our Art as impossible, and the Sages are branded as wicked men and swindlers. Learned doctors, who thus speak of us, have it before their eyes every day, but they do not understand it, because they never attend to it. And then, forsooth, they deny the possibility of finding the Stone; nor will any one ever be able to convince them of the reality of our Art, so long as they blindly follow their own bent and inclination — In short, they are too wise to discern it, since it transcends the range of the human intellect, and must be humbly received at the hand of God.

Yet Another Way of Knowzng our Blessed Stone.

Commentary
page 82 ·

No commentary for this page.

There is commentary on pages 2, 47, 102, 131.