Theory of Colours — trans. Charles Lock Eastlake (1840)

If this effect takes place in the eye as here described, and may thus be pronounced to be subjective, it remains further to convince ourselves of this by objective phenomena. For a light thus mitigated and subdued illumines all objects in like manner with a yellow, yellow-red, or red hue; and, although the effect of darkness through the non-transparent medium does not exhibit itself so powerfully, yet the blue sky displays itself in the camera obscura very distinctly on white paper, as well as every other material colour.

153.

In examining the cases in which this important leading phenomenon appears, we naturally mention the atmospheric colours first: most of these may be here introduced in order.

154.

The sun seen through a certain degree of vapour appears with a yellow disk; the centre is often dazzlingly yellow when the edges are already red. The orb seen through a thick yellow mist appears ruby-red (as was the case in 1794, even in the north); the same appearance is still more decided, owing to the state of the atmosphere, when the scirocco prevails in southern climates: the clouds generally surrounding the sun in the latter case are of the same colour, which is reflected again on all objects.

The red hues of morning and evening are owing to the same cause. The sun is announced by a red light, in shining through a greater mass of vapours. The higher he rises, the yellower and brighter the light becomes.

155.

If the darkness of infinite space is seen through atmospheric vapours illumined by the day-light, the blue colour appears. On high mountains the sky appears by day intensely blue, owing to the few thin vapours that float before the endless dark space: as soon as we descend in the valleys, the blue becomes lighter; till at last, in certain regions, and in consequence of increasing vapours, it altogether changes to a very pale blue.

156.

The mountains, in like manner, appear to us blue; for, as we see them at so great a distance that we no longer distinguish the local tints, and as no light reflected from their surface acts on our vision, they are equivalent to mere dark objects, which, owing to the interposed vapours, appear blue.

157.

So we find the shadowed parts of nearer objects are blue when the air is charged with thin vapours.

158.

The snow-mountains, on the other hand, at a great distance, still appear white, or approaching to a yellowish hue, because they act on our eyes as brightness seen through atmospheric vapour.

159.

The blue appearance at the lower part of the flame of a candle belongs to the same class of phenomena. If the flame be held before a white ground, no blue will be seen, but this colour will immediately appear if the flame is opposed to a black ground. This phenomenon may be exhibited most strikingly with a spoonful of lighted spirits of wine. We may thus consider the lower part of the flame as equivalent to the vapour which, although infinitely thin, is still apparent before the dark surface; it is so thin, that one may easily see to read through it: on the other hand, the point of the flame which conceals objects from our sight is to be considered as a self-illuminating body.

160.

Lastly, smoke is also to be considered as a semi-transparent medium, which appears to us yellow or reddish before a light ground, but blue before a dark one.

161.

If we now turn our attention to fluid mediums, we find that water, deprived in a very slight degree of its transparency, produces the same effects.

162.

The infusion of the lignum nephriticum (guilandina Linnæi), which formerly excited so much attention, is only a semi-transparent liquor, which in dark wooden cups must appear blue, but held towards the sun in a transparent glass must exhibit a yellow appearance.

163.

A drop of scented water, of spirit varnish, of several metallic solutions, may be employed to give various degrees of opacity to water for such experiments. Spirit of soap perhaps answers best.

164.

The bottom of the sea appears to divers of a red colour in bright sunshine: in this case the water, owing to its depth, acts as a semi-transparent medium. Under these circumstances, they find the shadows green, which is the complemental colour.

165.

Among solid mediums the opal attracts our attention first: its colours are, at least, partly to be explained by the circumstance that it is, in fact, a semi-transparent medium, through which sometimes light, sometimes dark, substrata are visible.

166.

For these experiments, however, the opal-glass (vitrum astroides, girasole) is the most desirable material. It is prepared in various ways, and its semi-opacity is produced by metallic oxydes. The same effect is produced also by melting pulverised and calcined bones together with the glass, on which account it is also known by the name of _beinglas_; but, prepared in this mode, it easily becomes too opaque.

167.