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La Iniciación: Mensuario del Grupo Independiente de Estudios Esotéricos
The Initiation: Monthly of the Independent Group of Esoteric Studies
La Iniciación · Año III, Nº 27 · July 1944
Gate passedSeeker and aboveModern transcription — not a facsimileOperator ruling: no copyright implications asserted for this work. Uruguay life+50 (Leo d. 1970 → PD 2020); US URAA restoration assessed at ~2041 in the collection plan and overridden by the operator.
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1On the physical plane, Taurus gives a medium stature, a vigorous body, ample and robust, a strong neck, thick, rather short, like the ox's, and a broad forehead; hair generally dark, matt complexion and large mouth.
2Those who belong to the negative part of the sign are of a temper little amiable, sad and reserved.
3They are slow to anger, but on doing so become furious and obstinate.
4Among plants, Taurus rules chard, plantain, flax, larkspur, columbine, the daisy, dandelion, the gourd, myrtle, coltsfoot, lilac, moss and spinach.
5Among stones, white coral, alabaster and all the common opaque white stones.
6THE DECANATES OF TAURUS ON THE ASCENDANT (according to Julevno) — Taurus gives, in general, a massive corpulence, a medium stature, round face, short thick neck, large eyes, broad shoulders, strong — or at least broad — nose and mouth.
7The complexion tends to be somewhat matt and freckled, the eyes rather dark, or blue with a greenish and brownish tint; the hair has some tendency to wave a little.
8For women this sign indicates — as a general rule — that the features fuse into a harmonious and agreeable whole, she being round of forms, with a good deal of what today is called "sex-appeal".
9This sign rules the throat and the nape, having Venus for "Lord".
10The character it grants is generally vain, superstitious, violent — even though slow to be moved — little sensitive, self-confident.
11Those born under the taurine influence are great eaters and at times drinkers, taking their comfort, their ease and their "sans-façon", pleasures and amusements pleasing them greatly.
12The first decanate of Taurus (first 10 degrees) is governed by Mercury and confers intuition, a richly gifted spirit, poetic, with artistic tastes, a tendency to comfort and luxury, and a sensual love of life.
13It grants success in the theatre, music, the fine arts, and through feminine protection.
14The second decanate (degrees 11 to 20) has, besides the influence of Venus over the whole sign, that of the Moon — making the imagination lively, romantic, the character variable, inclined to pleasures and to the good table. It grants successes through journeys, wealth or a comfortable position, especially through real estate.
15The third decanate (degrees 21 to 30) belongs to Saturn, making the person sensitive and sad, faithful in their affections.
16It causes deception in sentimental matters, great difficulty in reaching material fortune, enmities — especially in marriage — sorrows in the home, a situation of dependence or servitude.
17IF WE CONSIDER THE "FACES" OF TAURUS (divisions of 5°), we shall see that, according to classical opinions collected by Dr. Salmon, they signify: 1st FACE (0° to 5°) — Short to medium stature, dark hair, somewhat wavy, matt to swarthy complexion, dark and somewhat pronounced eyebrows.
18In this face is found the star "Horn · 10
Our translation, period-faithful. Citable as our translation, never as the source.
July 1944; the redesigned wrapper of Nº 26 carries forward.
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Masthead unchanged from Nº 26, N. City Bank line included.
The SUMARIO misprints the author of the lead poem as "Mahanuja"; the article signs RAMANUJA — a Brother writing from the United States, the run's first contributor on North American soil.
Ramanuja's ¡Despierta! argues the primacy of feeling over reasoning — "the marvellous tool of pain" as converter — an A∴M∴ manifesto in the direct second person, unusual for the run's courses.
*Victor-Émile Michelet's Incantation of the Ten Divine Names in Spanish* — the French Symbolist poet of Papus's circle (the footnote identifies him only as "man of letters and Martinist Initiate of the epoch of Papus"). The prose-poem walks the ten Sephirothic god-names with their archangels (Raziel, Zaphkiel, Zadkiel, Samael, Raphael, Anael, Michael, Gabriel) and their demons (Zazel, Barzabel, Sorath, Kedemel, Taphthartharat, Hasmodai) — the planetary spirits-and-intelligences table of Agrippa turned into liturgy. A significant translation: Michelet's occult poetry has next to no Spanish-language record.
Reviewed against the concealment mandate: "the races from which I sprang believed they saw your reflection…" is the poet's self-genealogy introducing the Crucified — devotional first-person, no claims about living peoples; it stands. The other two candidates (astral storms; the synoptic table's "in germ in the present races") cleared on the same reading.
The incantation ends at Malkuth with Pan alive and the Eleusinian cup — "I absorbed pain and drank remembrance" — the Symbolist's Greece and the kabbalist's Tree fused in one closing cadence.
Taurus follows Aries: Aphrodite's horns read as Venus not Luna, Apis, Issachar's blessing, the agate talisman — and the era's vernacular slipping in ("what today is called 'sex-appeal'").
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The course names its own ambition: "a true Treatise of Interpretation… APPLY this knowledge" — the zodiac series is being written as a manual, not a column.
The Androgony series closes its first-degree arc with the synoptic table credited to Pitágoras — "the patient labour of the dear Brother" — and announces the next theme: the Quaternary Character of Martinism.
The synoptic table of the sevenfold constitution: Egyptian, Hindu, Chinese, Hebrew, Greek, Latin, Zoroastrian, Persian, Paracelsian, Swedenborgian, spiritist and Theosophical terms aligned across the 3×3→7 scheme the course built over six numbers — with the operational notes (the vital body "NEVER goes out"; the astral "CAN go out consciously (INITIATES) or unconsciously (MEDIUMS)"). The run's densest single doctrinal object, kept whole in the transcription.
The Vaishakh report names the officiants: Swami Asuri Kapila, Jehel, and Sister Upasika "representative of the Maha Boddhi-Shanga" — the new Buddhism teacher of the Nº 26 prospectus appears in ceremony, and Kapila now carries the Swami title in the run's own pages.
Brother Giordano Bruno has translated the Bhagavad Gita — "a beautiful work of more than a year's labour" — now read with commentary in the Montevideo ashrama's small Suddha temple. A second in-house Gita alongside the Chilean official translation announced in Nº 24; the masthead's Giordano gains a full lodge-name.
Janardam's polemic strikes near targets: "Hinduism" called "a name most repugnant", the Vedanta schools "bellicose elements" — and "a Master, of Pondicherry" who "claims to be the inaugurator of a new system of Yoga" — an unmistakable swipe at Sri Aurobindo, printed in Montevideo. The Suddha column's exclusivism ("the only one that leads the aspirant to the Divine Presence") is at its sharpest here, sitting oddly beside the run's own eclecticism — a tension the editors leave unresolved.
The Mitra Deva mantra printed for daily recitation, with its seed-syllables ("JRIM IM NAM NAMAH") — the run's messianic liturgy made practical; the praxis layer carries it.
Johnny Coulon, "the unliftable man" — the Chicago bantamweight whose 1920 Paris demonstrations (unliftable while touching wrist and carotid, liftable on ebonite) ran through Foveau de Courmelles and Régnault's papers, cited here with full bibliography. The science column's most vivid case, marshalled for the earth-contact doctrine.
The 160-volt head-to-feet gradient, the brushed subject firing a frog's gastrocnemius, de Vita's electrometer registering a stroked cat at 6–15 metres — the column's electro-physiology at its most theatrical, all in service of grounding (in both senses).
The sexed polarity doctrine — left hand negative in man, everything inverse in woman — connects the science serial to the magnetism course the GIDEE teaches; Achéff's novel S.O.S. supplies the modern anxiety (rubber tyres, linoleum) and the earthed bracelet its remedy.
Régnault's 1927 "Pantin aux réflexes", Tchijevsky's caged rats, the German terrain-radiation cancer studies, Larvaron's plants at Rennes — the serial closes its earth-contact instalment with its densest apparatus roll-call.
The rebuilt prospectus of Nº 26 (teachers by name, Upasika's Buddhism chair) repeats unchanged.
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Both library advertisements (Ateneo and Editorial Kier) and the Castro y Cía imprint repeat.
Each Name arrives with its full ritual kit — Saturn's black cape and garnets and burning sulphur, Jupiter's tin and topazes, Mars's steel and storax, the Moon's silver crescent and myrrh — Michelet versifying the planetary correspondences the course teaches in prose.
Julevno's Taurus with the era's own voice — "sex-appeal" in quotation marks, sans-façon — the 1944 translation layer visible inside the 1900s French source.
The Venus section's definition — "to possess an ideal is to modify the form of one's life as profoundly as by death" — and the lost half of the androgyne asked back from Lilith and Nahemah: Michelet's erotic kabbalism at its most personal.
Menkar and the "Jaw of the Whale" threatening dangers from large animals; the 15th degree redeeming — Taurus's face-lore keeps the fixed-star layer running through the treatise.
QA gate report
- PASS G1 coverage 361/361
- PASS G11 alignment 316/316
- PASS G0 source kind 1/1
- PASS G6 page anchoring 361/361
- PASS G3 bracket legality 361/361
- PASS G10 numeric fidelity 361/361
- PASS G2 no unanchored English 361/361
- PASS G4 no pipeline scaffolding 361/361