The Alchemy of Happiness — trans. Claud Field (1910)

Open to allal-Ghazālī100 segments · 34 pp

The text is shown on its own: no facing layer is held for this issue.

page 19

The translator’s English as printed (Claud Field). The original-language text is not held; names are romanised as the translator printed them.

Passing over the cases where music and dancing rouse into a flame evil desires already dormant in the heart, we come to those cases where they are quite lawful. Such are those of the pilgrims who celebrate the glories of the House of God at Mecca in song, and thus incite others to go on pilgrimage, and of minstrels whose music and songs stir up martial ardour in the breasts of their auditors and incite them to fight against the infidels. Similarly, mournful music which, excites sorrow for sin and failure in the religious life is lawful; of this nature was the music of David. But dirges which increase sorrow for the dead are not lawful, for it is written in the Koran, "Despair not over what you have lost." On the other hand, joyful music at weddings and feasts and on such occasions as a circumcision or the return from a journey is lawful.

We come now to the purely religious use of music and dancing: such is that of the Sufis, who by this means stir up in themselves greater love towards God, and, by means of music, often obtain spiritual visions and ecstasies, their heart becoming in this condition as clean as silver in the flame of a furnace, and attaining a degree of purity which could never be attained by any amount of mere outward austerities. The Sufi then becomes so keenly aware of his relationship to the spiritual world that he loses all consciousness of this world, and often falls down senseless.

It is not, however, lawful for the aspirant to Sufism to take part in this mystical dancing without the permission of his "Pir," or spiritual director. It is related of the Sheikh Abu'l Qasim Girgani that, when one of his disciples requested leave to take part in such a dance, he said, "Keep a strict fast for three days; then let them cook for you tempting dishes; if, then, you still prefer the 'dance,' you may take part in it." The disciple, however, whose heart is not thoroughly purged from earthly desires, though he may have obtained some glimpse of the mystics' path, should be forbidden by his director to take part in such dances, as they will do him more harm than good.

Those who deny the reality of the ecstasies and other spiritual experiences of the Sufis merely betray their own narrow-mindedness and shallow insight. Some allowance, however, must be made for them, for it is as difficult to believe in the reality of states of which one has no personal experience as it is for a blind man to understand the pleasure of looking at green grass and running water, or for a child to comprehend the pleasure of exercising sovereignty. A wise man, though he himself may have no experience of those states, will not therefore deny their reality, for what folly can be greater than his who denies the reality of a thing merely because he himself has not experienced it! Of such people it is written in the Koran, "Those who have not the guidance will say, 'This is a manifest imposture.'"

As regards the erotic poetry which is recited in Sufi gatherings, and to which people sometimes make objection, we must remember that, when in such poetry mention is made of separation from or union with the beloved, the Sufi, who is an adept in the love of God, applies such expressions to separation from or union with Him. Similarly, "dark locks" are taken to, signify the darkness of unbelief; "the brightness of the face" the light of faith, and drunkenness the Sufi's ecstasy. Take, for instance, the verse:

Thou may'st measure out thousands of measures of wine,
But, till thou drink it, no joy is thine.

By this the writer means that the true delights, of religion cannot be reached by way of formal instruction, but by felt attraction and desire. A man may converse much and write volumes concerning love, faith, piety, and so forth, and blacken paper to any extent, but till he himself possesses these attributes all this will do him no good. Thus, those who find fault with the Sufis for being powerfully affected, even to, ecstasy, by these and similar verses, are merely shallow and uncharitable. Even camels are sometimes so powerfully affected by the Arab-songs of their drivers that they will run rapidly, bearing heavy burdens, till they fall down in a state of exhaustion.

The Sufi hearer, however, is in danger of blasphemy if he applies some of the verses which he hears to God. For instance, if he hears such a verse as "Thou art changed from thy former inclination," he must not apply it to God, who cannot change, but to himself and his own variations of mood. God is like the sun, which is always shining, but sometimes for us His light is eclipsed by some object which intervenes between us and Him.

Commentary
page 19 ·
Cross-estate§003

Ghazzali admits love poetry to the Sufi gathering on one condition, and the condition is a rule of reference. When a verse says "Thou art changed from thy former inclination," the hearer "must not apply it to God, who cannot change, but to himself and his own variations of mood." The lover's moods may be lent to the soul, never to God. The Songs of Kabir on this shelf break that rule constantly and on purpose: there the Lord has waited for the soul through countless ages and lost His heart for love of it, and in another song He leaves the sleeping bride in the night. A hearer applying those lines to God would stand in the danger of blasphemy Ghazzali names. Kabir lets the Beloved change.

contrasts with Songs of Kabir — trans. Rabindranath Tagore, with an introduction by Evelyn Underhill (1915)