Bird-Parliament — trans. Edward FitzGerald (1889)
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The translator’s English as printed (Edward FitzGerald). The original-language text is not held; names are romanised as the translator printed them.
'O watering with thy melodious Tears
Love's Garden, and who dost indeed the Ears
Of men with thy melodious Fingers mould
As David's Finger Iron did of old:
Why not, like David, dedicate thy Dower
Of Song to something better than a Flower?
Empress indeed of Beauty, so they say, 230
But one whose Empire hardly lasts a Day,
By Insurrection of the Morning's Breath
That made her hurried to Decay and Death:
And while she lasts contented to be seen,
And worshipt, for the Garden's only Queen,
Leaving thee singing on thy Bough forlorn,
Or if she smile on Thee, perhaps in Scorn.'
Like that fond Dervish waiting in the throng When some World-famous Beauty went along, Who smiling on the Antic as she pass'd—240 Forthwith Staff, Bead and Scrip away he cast, And grovelling in the Kennel, took to whine Before her Door among the Dogs and Swine. Which when she often went unheeding by, But one day quite as heedless ask'd him—'Why?'— He told of that one Smile, which, all the Rest Passing, had kindled Hope within his Breast— Again she smiled and said, 'O self-beguiled Poor Wretch, at whom and not on whom I smiled.'
Then came the subtle Parrot in a coat 250
Greener than Greensward, and about his Throat
A Collar ran of sub-sulphureous Gold;
And in his Beak a Sugar-plum he troll'd,
That all his Words with luscious Lisping ran,
And to this Tune—'O cruel Cage, and Man
More iron still who did confine me there,
Who else with him whose Livery I wear
Ere this to his Eternal Fount had been,
And drunk what should have kept me ever-green.
But now I know the Place, and I am free 260
To go, and all the Wise will follow Me.
Some'—and upon the Nightingale one Eye
He leer'd—'for nothing but the Blossom sigh:
But I am for the luscious Pulp that grows
Where, and for which the Blossom only blows:
And which so long as the Green Tree provides
What better grows along Kaf's dreary Sides?
And what more needful Prophet there than He
Who gives me Life to nip it from the Tree?'
To whom the Tajidar—'O thou whose Best 270
In the green leaf of Paradise is drest,
But whose Neck kindles with a lower Fire—
O slip the collar off of base Desire,
And stand apparell'd in Heav'n's Woof entire!
This Life that hangs so sweet about your Lips
But, spite of all your Khizar, slips and slips,
What is it but itself the coarser Rind
Of the True Life withinside and behind,
Which he shall never never reach unto
Till the gross Shell of Carcase he break through?' 280
For what said He, that dying Hermit, whom
Your Prophet came to, trailing through the Gloom
His Emerald Vest, and tempted—'Come with Me,
And Live.' The Hermit answered—'Not with Thee.
Two Worlds there are, and This was thy Design,
And thou hast got it; but The Next is mine;
Whose Fount is this life's Death, and to whose Side
Ev'n now I find my Way without a Guide.'
Then like a Sultan glittering in all Rays
Of Jewelry, and deckt with his own Blaze, 290
The glorious Peacock swept into the Ring:
And, turning slowly that the glorious Thing
Might fill all Eyes with wonder, thus said He.
'Behold, the Secret Artist, making me,
With no one Colour of the skies bedeckt,
But from its Angel's Feathers did select
To make up mine withal, the Gabriel
Of all the Birds: though from my Place I fell
In Eden, when Acquaintance I did make
In those blest days with that Sev'n-headed Snake, 300
And thence with him, my perfect Beauty marr'd
With these ill Feet, was thrust out and debarr'd.
Little I care for Worldly Fruit or Flower,
Would you restore me to lost Eden's Bower,
But first my Beauty making all complete
With reparation of these ugly Feet.'
'Were it,' 'twas answer'd, 'only to return
To that lost Eden, better far to burn
In Self-abasement up thy pluméd Pride,
And ev'n with lamer feet to creep inside—310
But all mistaken you and all like you
That long for that lost Eden as the true;
Fair as it was, still nothing but the shade
And Out-court of the Majesty that made.
That which I point you tow'rd, and which the King
I tell you of broods over with his Wing,
With no deciduous leaf, but with the Rose
Of Spiritual Beauty, smells and glows:
No plot of Earthly Pleasance, but the whole
True Garden of the Universal Soul.' 320
For so Creation's Master-Jewel fell
From that same Eden: loving which too well,
The Work before the Artist did prefer,
And in the Garden lost the Gardener.
Wherefore one Day about the Garden went
A voice that found him in his false Content,
And like a bitter Sarsar of the North
Shrivell'd the Garden up, and drove him forth
Into the Wilderness: and so the Eye
Of Eden closed on him till by and by. 330