La Iniciación Vol. 2, No. 11 - March 1943: Document 1 of 10
The Venerable Figure of Master Cedaior: Complete Biography Part I
From Noble Birth to Musical Excellence and Early Mystical Awakening
By JEHEL, S.I.
THE DOUBLE DUTY AND NECESSARY RESERVATIONS
At the last hour, when the previous issue of our Magazine was almost printed, we were only able to include the laconic notice of the death of Venerable Master Cedaior.
Fulfilling now a double duty, as venerative initiatic homage to him who was my first Master and that of many, and as filial gratitude to the one who, as my father, was always also a very wise friend whose experience and example showed me the Path, I shall expose to you, in successive articles, what can be exposed of the life and work of the Master.
If I see myself obliged to certain reserves, it is only due to the fact that there exist, still living, beings whose activities are strictly linked to those of the Master, and whom the initiatic rule of our Orders does not permit me to expose to the eyes of the profane, while the actors of the Silent Service live.
THE NOBLE BIRTH AND FAMILY ORIGINS
September 1, 1872, in the house that was once the residence of Bayard (the knight without fear and without reproach), in the city of Valence, in the south of France, not far from Lyon and near what was in other epochs the seigniorial domain of the Counts of Mascheville, was born in a modest home, Brother Cedaior (Viscount Albert Raymond Costet de Mascheville).
Family Composition: Son of a Celt and a Latin, he was the eldest of the two children of that home. The second, Daniel, of great talent as a draftsman, died relatively young.
Character Assessment: I will leave for when I treat the initiatic part of Cedaior's life, to speak to you of his birth horoscope. Let us see first the life of the man, which will give us understanding of the life of the Master, or rather said, the price that the MAN had to pay to be able to work as an INITIATE.
THE PRECOCIOUS MUSICAL VOCATION
Early Opposition and Determination
In his paternal home they oppose his precocious musical vocation, and many children would have become discouraged before such difficulty. Cedaior already shows his firm will and obtains, at 9 years of age, the gratuitous lessons of the celebrated French violinist Charles Dancla, whose methods are of world fame.
He reveals, at early age, a virtuosity and, above all, a sonority and interpretive expression that would remain forever as his characteristics as a violinist.