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SERAPHITA
Louis Lambert
The Exiles
Dolume Chwenty-Fibe
WITH ILLUSTRATIONS FROM DRAWINGS ON THE WOOD
BY FAMOUS FRENCH ARTISTS
Spew Pork
PETER FENELON COLLIER & SON
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CONTENTS
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SERAPHITA
To Madame Eveline de Hanska,
née Countess Rzewuska
MaApAME-—Here is the work you desired of me; in dedicating it to you 1am happy to offer you some token of the
respectful affection you allow me to feel for you. If I
should be accused of incapacity after trying to extract
from the depths of mysticism this book, which demanded
the glowing poetry of the Hast under the transparency of
our beautiful language, the blame be yours! Did you not
compel me to the effort—such an effort as Jacob’s—by telling me that even the most imperfect outline of the figure
dreamed of by you, as it has been by me from my infancy,
would still be something in youreyes? Here, then, is that
something.— Why cannot this book be set apart exclusively
for those lofty spirits who, like you, are preserved from
worldly pettiness by solitude! They might impress on it
the melodious rhythm which it lacks, and which, in the
hands of one of our poets, might have made it the glorious
epic for which France still waits. Still, they will accept it
from me as one of those balustrades, carved by some artist
full of faith, on which the pilgrim leans to meditate on the
end of man, while gazing at the choir of a fine church.
I remain, Madame, with respect, your faithful servant,
De Bauzac.
(7)
Paris, August 23, 18365.
i
SERAPHITUS
N SEEING the Norwegian coast as outlined on the
map, what imagination can fail to be amazed at its
fantastic contour—long tongues of granite, round which
the surges of the North Sea are forever moaning? Who
has not dreamed of the majestic spectacle of these beachless shores, these endless creeks, and inlets, and little bays,
no two of which are alike, and each a pathless gulf? Would
it not seem as though Nature had amused herself by representing, in an indestructible hieroglyphic, the symbol of
life in Norway, by giving its coast the configuration of the
bones of an enormous fish? For fishing is the staple of
commerce, and almost the sole article of food toa handful
of men who cling, like a tuft of lichen, to those barren
rocks. Ona land extending over fourteen degrees of longitude there are scarcely seven hundred thousand souls.
Owing to the inglorious dangers and the perpetual snow
that these Norwegian peaks offer to the traveller—the very
name of Norway makes one cold—their sublime beauty remains inviolate and harmonizes with certain human phenomena, which took place there—equally unknown, at
least to romance, and of which this is the story.
When one of these inlets, a mere fissure in the sight of
the eider-ducks, is wide enough to prevent the sea from
freezing over in the rocky prison it tosses and struggles
in, the inhabitants call such a little gulf a. fjord, a word
(8)
SERAPHITA 9
which most geographers have tried to adopt into their respective languages. In spite of the general resemblance of
all these channels, each has its own individuality; the sea
penetrates into all these breaches, but in each the rocks are
differently riven, and their contorted precipices defy the
terms of geometry: here the crest is toothed like a saw;
there its sides are too perpendicular to allow the snow to
rest on them, or the glorious clumps of northern pines to
take root; further on, the convulsions of the globe have
rounded off some soft declivity, a lovely valley furnished
with stage on stage of dark-plumed trees. You feel inclined to call this land Marine Switzerland.
One of these gulfs, lying between Dronthjem and Christiania, is called Stromfiord. If the Stromfiord is not the
most beautiful of these scenes, it has at least the merit of
presenting the earthly magnificence of Norway, and of having been the background to the scenes of a really heavenly
romance.
The general outline of the Stromfiord is, at a first
glance, that of a funnel forced open by the sea. The
entrance made by the waves is the record of a contest between the ocean and the granite, two equally powerful elements—one by its inertia, the other by its motion. The
proof lies in some half-sunken rocks of fantastic shapes
which prohibit the entrance of vessels. The hardy sons
of the soil can in some places leap from rock to rock, undismayed by a gulf a hundred fathoms deep and six feet
wide. Here and there a frail and ill-balanced block of
gneiss, thrown across, joins two crags, or hunters or fishermen have flung some pine trees, by way of a bridge, from
one perpendicular cliff to another, where the sea murmurs
unceasingly below.
10 BALZAC’S WORKS
This dangerous inlet turns to the right with a serpentine
twist, where it meets a mountain rising three hundred fathoms above the surface of the sea, its foot forming a vertical
shelf half a league in length, where the unyielding granite
does not begin to split into rifts and inequalities till at
about two hundred feet above the water. Thus the sea, ©
rushing violently in, is no less violently driven back, by
the resistant inertia of the mountain, toward the opposite
shore, which the rebounding waves have worn into gentle
indentations. The fiord is closed at the head by a cliff of
gneiss, crowned with forest, whence a stream falls in cascades, forms a river when the snows melt, spreads into a
lake of considerable extent, and escapes with a rush, carrying down old pine trees and ancient larches, hardly perceptible in the tumbling torrent. Flung by the fall to the
bottom of the abyss, these trees presently come to the surface again, and combine in a tangle, forming islets which
are stranded on the left bank, where the inhabitants of the
little village built on the Stromfiord find them splintered,
broken, sometimes entire, but always stripped of their
leaves and branches.
The mountain, which thus receives at its feet the assaults of the sea, and on its head the buffeting of the north
wind, is the Falberg. Its summit, always wrapped in a
mantle of ice and snow, is the highest in Norway, where
the vicinity of the Pole produces, at a level of eighteen
hundred feet above the sea, such cold as prevails elsewhere on the highest mountains on the globe. The crest
of this cliff, perpendicular.on the side toward the sea,
shelves gradually away to the east down to the falls of
the Sieg, by a succession of slopes where the cold allows
no vegetation but heath and much-enduring shrubs. That
SERAPHITA 11
part of the fiord where the waters escape under the thick
forests is called Siegdalen, or the valley of the Sieg—the
name of the river.
The bay opposite to the cliffs of the Falberg is the valley of Jarvis—a pretty spot overlooked by hills covered
with fir-trees, larches, and birch, with a few oaks and
beeches, the thickest and most variously colored hangings
Nature ever affords to this wild northern scenery. The eye
can easily distinguish the line where the ground, warmed
by the sun’s rays, first admits of culture and shows the first
signs of the Norwegian flora. At this part the gulf is wide
enough to allow the waters flung back by the Falberg to die
murmuring on the lowest ledge of the hills, where the strand
is softly fringed with fine sand, mingled with mica, tiny crystals, and pretty pebbles of porphyry and many-colored marbles brought from Sweden by the river, with waifs from the
sea, and shells and ocean weeds tossed up by storms from
the Pole or from the South.
At the foot of the Jarvis hills is the village, consisting
of about two hundred wooden houses, inhabited by a population that live there, lost, like the swarms of bees in a
forest, happily vegetating and extorting a living from the
wilderness around them. The unrecognized existence of
this village is easily explained. Few of its men were bold
enough to venture out among the rocks to reach the open
sea and attempt the fishing which the Norwegians carry on
to a great extent on less dangerous parts of the coast. The
various fish in the fiord partly supplies the food of the inhabitants; the pasture land in the valleys affords milk and
butter; a few plots of good land allow them to reap a harvest of rye, of hemp, and vegetables, which they manage to
protect against the bitter cold and the transient but terrible
12 BALZAC’S WORKS —
heat of the sun, showing true Norwegian ingenuity in this
twofold conflict. The absence of communications, either by
land, where roads are impracticable, or by sea, where only
small boats can thread the watery labyrinths of the fiord,
hinders them from acquiring wealth by the sale of their
timber. It would cost an equally enormous sum to clear
the channel at the entrance or to open up a road to the
interior.
The roads from Christiania to Dronthjem all make a
bend round the Stromfiord, crossing the Sieg by a bridge
several leagues above the falls; the coast between the Jarvis valley and Dronthjem is covered with impenetrable
forests, and the Falberg is divided from Christiania by
inaccessible precipices. The village of Jarvis might perhaps have opened communications with Sweden by way of
the Sieg, but to bring it into touch with civilization the
Stromfiord needed a man of genius. The genius indeed
came: a poet, a pious Swede, who died admiring and respecting the beauties of the land as being one of the grandest of the Creator’s works.
Those of my readers who have been gifted by study
with that ‘‘mind’s eye,’’ whose rapid perception can throw
on the soul, as on a canvas, the most diverse landscapes of
the world, may now readily conceive of the general aspect
of the Stromfiord. They alone, perhaps, will be able to
thread their tortuous way through the reef of the inlet
where the sea fights and foams; to glide on its swell below the shelves of the Falberg, whose white peaks mingle
with the misty clouds of a sky that is almost constantly
pearl-gray; to admire the dented margin of the pretty
sheet of water; to hear the falls of the Sieg, which drops
in long streamers on to a picturesque medley of large trees
SERAPHITA 18
tossed in confusion, some upright, some hidden among
-bowlders of gneiss; and at last to rest on the smiling pictures offered to the eye by the lower hills of Jarvis, whence
rise the noblest products of the north in clumps, in myriads:
here, birch trees, as graceful as girls and, like them, gently
stooping; there pillared aisles of beech with centennial, mossy
trunks; all the contrast of these various shades of green, of
white clouds among black pine trees, of heath-grown commons in every shade of purple—all the colors, all the fragrance, the unknown marvels, in short, of this vegetation.
Expand the proportions of this amphitheatre, soar up to
the clouds, lose yourself in the caves of the rocks where the
walruses hide, still your fancy will never be equal to the
riches, the poetry of this Norwegian scene. For can your
thought ever be as vast as the ocean that bounds the land,
as fantastic as the strange forms assumed by the forests, as
the clouds, the shadows, the changes of light?
Do you see now, above the meadows on the shore, on
the furthest fold of the plain that undulates at the foot of
the high hills of Jarvis, two or three hundred houses, roofed
with never, a kind of thatch of birch bark; frail-looking
dwellings, quite low, and suggesting silkworms flung there
on a mulberry leaf brought by the wind? Above these
humble and peaceful dwellings is a church, built with a
simplicity that harmonizes with the poverty of the village.
A graveyard lies round the chancel of this church; the
parsonage is seen beyond. A little higher, on a knoll of
the hillside, stands a dwelling, the only one built of stone
and for that reason called by the natives the Castle—the
Swedish Castle.
In fact, a rich man had come from Sweden thirty years
before this story opens and settled at Jarvis, trying to im14 BALZAO’S WORKS
prove its fortunes. This little mansion, erected with a view
to tempting the inhabitants to build the like, was remarkable for its substantial character, for a garden wall—a rare
thing in Norway, where, in spite of the abundance of stone, _
wood is used for all the fences, even for those that divide
the fields. The house, thus protected from snow, stood on
a mound in the midst of a vast courtyard. The windows
were screened by those verandas of immense depth supported on large squared fir-trunks, which give Northern
buildings a sort of patriarchal expression.
From under their shelter the savage bareness of the Falberg could easily be seen, and the infinitude of the open
ocean be compared with the drop of water in the foamflecked gulf; the portentous rush of the Sieg could be
heard, though from afar the sheet of water looked motionless, where it threw itself into its granite bowl hedged
in for three leagues round with vast glaciers—in short, the
whole landscape where the scene is laid of the supernatural
but simple events of this narrative.
The winter of 1799-1800 was one of the hardest in the
memory of Europe; the Norway sea froze in every fiord,
where the violence of the undertow commonly prevents the
ice from forming. A wind, in its effects resembling the
Spanish desert wind, had swept the ice of the Stromfiord
by drifting the snow to the head of the gulf. It was long
since the good folk of Jarvis had seen the vast mirror of the
pool in winter reflecting the sky—a curious effect here in
the heart of the hills whose curves were effaced under successive layers of snow, the sharpest peaks, like the deepest
hollows, forming mere faint undulations under the immense
sheet thrown by nature over the landscape now so dolefully
SERAPHITA 15
dazzling and monotonous. The long hangings of the Sieg,
suddenly frozen, described a vast arch, behind which the
traveller might have walked sheltered from the storm if any
one had been bold enough to venture across country. But
the dangers of any expedition kept the boldest hunters
within doors, fearing that they might fail to discern under
the snow the narrow paths traced along the edge of the
precipices, the ravines, and the cliffs. Nota creature gave
life to this white desert reigned over by the Polar blast,
whose voice alone was sometimes though rarely heard.
The sky, always gray, gave the pool a hue of tarnished
steel. Now and again an eider-duck might fly across with
impunity, thanks to the thick down that shelters the dreams
of the wealthy, who little know the dangers that purchase
it; but the bird—like the solitary Bedouin who traverses
the sands of Africa—was neither seen nor heard; in the
torpid air, bereft of electric resonance, the rush of its wings
was noiseless, its joyous cry unheard. What living eye
could endure the sparkle of that precipice hung with glittering icicles, and the hard reflections from the snows, scarcely
tinted on the peaks by the beams of the pallid sun which
peeped out now and then like a dying thing anxious to
prove that it still lives? Many a time, when the rack of
gray clouds, driven in squadrons over the mountains and
pine forests, hid the sky with their dense shroud, the earth,
for lack of heavenly lights, had an illumination of its own.
Here, then, were met all the majestic attributes of the
eternal cold that reigns at the Pole, of which the most striking is such royal silence as absolute monarchs dwell in.
Every condition carried to excess has the appearance of
negation, or the stamp of apparent death; is not life the
conflict of two forces? Here nothing showed a sign of life.
PAMMGAY WD VY VLU
One force alone, the barren force of frost, reigned supreme.
The beating of the open sea even did not penetrate to this
silent hollow, so full of sound during the three brief months
when nature hurriedly produces the uncertain harvest needful to support this patient race. A few tall fir trees protruded their dark pyramids loaded with festoons of snow;
and the droop of their boughs, bending under these heavy
beards, gave a finishing touch to the mourning aspect of the
heights, where they were seen as black points.
Every family clung to the fireside in a house carefully
closed, with a store of biscuit, run butter, dried fish, and
_ provisions laid in to stand seven months of winter. Hven
the smoke of these dwellings was scarcely visible; they
were all nearly buried in snow, of which the weight was
broken by long planks starting from the roof, and supported
at some distance from the walls on strong posts, thus forming a covered way round the house. During these dreadful
winters the women weave and dye the stuffs of wool or linen
of which the clothes are made; while the men for the most
part read, or else lose themselves in those prodigious meditations which have given birth to the grand theories, the
mystical dreams of the North, its beliefs and its studies—so
thorough on certain points of science that they have probed
to the core; a semi-monastic mode of life, which forces the
soul back on itself, to feed on itself, and which makes the
Norwegian peasant a being apart in the nations of Europe.
This, then, was the state of things on the Stromfiord in
the first year of the nineteenth century, about the middle
of the month of May.
One morning, when the sun was blazing down into the
heart of this landscape, lighting up the flashes of the ephemeral diamonds produced by the crystallized surface of the
SERAPHITA 17
snow and ice, two persons crossed the gulf and flew along
the shelves of the Falberg, mounting toward the summit
from ledge to ledge. Were they two human beings, or were
they arrows? Any one who should have seen them would
have taken them for two eiders soaring with one consent
below -the clouds. Not the most superstitious fisherman,
not the most daring hunter, would have supposed that human creatures could have the power of pursuing a path
along the faint lines traced on the granite sides, where this
pair were, nevertheless, gliding along with the appalling
skill of somnambulists, when, utterly unconscious of the
laws of gravity and the perils of the least false step, they
run along a roof, preserving their balance under the influence of an unknown power.
“Stop here, Seraphitus,’’ said a pale girl, ‘‘and let me
take breath. I would look only at you as we climbed the
walls of this abyss; if I had not, what would have become
,
of me? But, at the same time, I am but a feeble creature.
Do I tire you?”’
‘‘No,’’ said the being on whose arm she leaned. ‘‘Let
us go on, Minna; the spot where we are standing is not firm
enough to remain on.”’
Once more the snow hissed off from the long boards
attached to their feet, and they presently reached the first
angular crag which chance had thrown out boldly from the
face of the precipice. The person whorn Minna had addressed as Seraphitus poised himself on his right heel to
raise the lath of about six feet long, and as narrow as a
child’s shoe, which was fastened to his boot by two straps
of walrus skin; this lath, about an inch thick, had a sole of
reindeer skin, and the hair, pressed back against the snow,
brought him to a full stop. By turning his left foot, on
18 BALZAC’S WORKS
é
which this snow-shoe (or ski) was not less than twelve feet
in length, he was able to turn nimbly round, he returned to
his timid companion, lifted her up in spite of his awkward
foot gear, and set her down on a rocky seat, after dusting
away the snow with his pelisse.
‘*You are safe here, Minna, and may tremble at your
ease.”’
‘“We have already reached a third of the height of the
Ice-cap,’’ said she, looking at the peak, which she called by
its popular Norwegian name. ‘‘I do not yet believe—”’
But she was too much out of breath to talk; she smiled
at Seraphitus, who, without replying, held her up, his hand
on her heart, listening to its palpitations, as rapid as those
of a startled fledgling.
‘It often beats as fast as that when I have been running,’’ said she.
Seraphitus bowed, without any contempt or coldness.
In spite of the grace of this reply, which made it almost
sweet, it nevertheless betrayed a reserve which in a woman
would have been intoxicatingly provoking. Seraphitus
clasped the girl to him, and Minna took the caress for an
answer, and sat looking at him. As Seraphitus raised his
head, tossing back the golden locks of his hair with an
almost impatient jerk, he saw happiness in his companion’s
eyes.
‘“Yes, Minna,’’ said he, in a paternal tone that was
peculiarly charming in a youth scarcely full grown, ‘‘look
at me. Do not look down.”
“Why ?”’
‘Do you want to know ?—Try then.’’
Minna gave one hasty glance at her feet, and cried out
like a child that has met a tiger. The dreadful influence
SERAPHITA : 19
of the void had seized her, and one look had been enough
to give it to her. The fiord, greedy of its prey, had a loud
voice, stunning her by ringing in her ears, as though to
swallow her up more surely by coming between her and
life. From her hair to her feet, all down her back, ran
a shudder, at first of cold; but then it seemed to fire
her nerves with intolerable heat, throbbed in her veins,
and made her limbs feel weak from electrical shocks, like
those caused by touching the electrical eel. Too weak
to resist, she felt herself drawn by some unknown force to
the bottom of the cliff, where she fancied she could see a
monster spouting venom, a monster whose magnetic eyes
fascinated her, and whose yawning jaws crunched his prey
by anticipation.
‘“‘T am dying, my Seraphitus, having loved no one but
you,’’ said she, mechanically moving to throw herself down.
Seraphitus blew softly on her brow and eyes. Suddenly,
as a traveller is refreshed by a bath, Minna had forgotten
that acute anguish; it had. vanished under that soothing
breath, which penetrated her frame and bathed it in balsamic effluence, as swiftly as the breath had passed through
_ the air. .
‘“Who and what are you?”’ said she, with an impulse of
delicious alarm. ‘‘But I know.—You are my life.—How
can you look down into the gulf without dying ?’’ she asked
after a pause.
Seraphitus left Minna clinging to the granite, and went as
a shadow might have done to stand on the edge of the crag,
his eyes sounding the bottom of the fiord, defying its bewildering depths; his figure did not sway, his brow was as white
and calm as that of a marble statue—deep meeting deep.
‘Seraphitus, if you love me, come back!”’ cried the girl.
20 BALZAC’S WORKS
‘Your danger brings back all my torments. Who—who are
you to have such superhuman strength at your age?’’ she
asked, feeling his arms around her once more. 3
‘‘Why,’’ said Seraphitus, ‘‘you can look into far vaster
space without a qualm’’; and raising his hand, the strange
being pointed to the blue halo formed by the clouds round
a clear opening just over their heads, in which they could
see the stars, though it was daylight, in consequence of some
atmospheric laws not yet fully explained.
‘‘But what a difference!’ she said, smiling.
‘‘You are right,’’ he replied; ‘‘we are born to aspire
skyward. Our native home, like a mother’s face, never
frightens its children.”’ ¥
His voice found an echo in his companion’s soul; she
was silent.
‘‘Come, let us go on,’’ said he.
They rushed on together by the paths faintly visible
along the mountain side, devouring the distance, flying from
shelf to shelf, from ledge to ledge, with the swiftness of the
Arab horse, that bird of the desert. In a few minutes they
reached a green carpet of grass, moss and flowers, on which
no one yet had ever rested.
‘‘What a pretty seter /’’ cried Minna, giving the native
name to this little meadow; ‘‘but how comes it here, so
high up?”
‘‘Here, indeed, the Norwegian vegetation ceases,’’ said
Seraphitus; ‘‘and if a few plants and flowers thrive on this
spot, it is thanks to the shelter of the rock which protects
them from the Polar cold.—Put this spray in your bosom,
Minna,’’ he went on, plucking a flower; ‘‘take this sweet
creature on which no human eye has yet rested, and keep
the unique blossom in memory of this day, unique in your
SERAPHITA 21
life! You will never again find a guide to lead you to this
seeter.”’
_ He hastily gave her a hybrid plant which his eagle eye
had discerned among the growth of silene acaulis and saxifrage, a real miracle developed under the breath of angels.
Minna seized it with childlike eagerness; a tuft of green,
as transparent and vivid as an emerald, composed of tiny
leaves curled into cones, light brown at the heart, shaded
softly to green at the point, and cut into infinitely delicate
teeth. These leaves were so closely set that they seemed to
mingle in a dense mass of dainty rosettes. Here and there
this cushion was studded with white stars edged with a line
of gold, and from the heart of each grew a bunch of purple
stamens without a pistil. A scent that seemed to combine
that of the rose and of the orange-blossom, but wilder and
more ethereal, gave a heavenly charm to this mysterious
flower, at which Seraphitus gazed with melancholy, as
though its perfume had expressed to him a plaintive
thought, which he alone understood. ‘To Minna this
amazing blossom seemed a caprice of Nature, who had
amused herself by endowing a handful of gems with the
freshness, tenderness and fragrance of a plant.
‘‘Why should it be unique? Will it never reproduce
its kind ?”’ said’she to Seraphitus, who colored and changed
the subject. :
‘*Let us sit down—turn round—look! At such a height
you will perhaps not be frightened. The gulfs are so far
below that you cannot measure their depth; they have the
level perspective of the sea, the indefiniteness of the clouds,
the hue of the sky. The ice in the fiord is an exquisite
turquoise, the pine forests are visible only as dim brown
streaks. To us the depths may well be thus disguised.’’
22 BALZAQ’S WORKS
Seraphitus spoke these words with that unction of tone
and gesture which is known only to those who have attained
to the highest places on the mountains of ‘the earth, and
which is so involuntarily assumed that the most arrogant
master finds himself prompted to treat his guide as a brother,
and never feels himself the superior till they have descended
into the valleys where men dwell.
He untied Minna’s snow-shoes, kneeling at her feet.
The girl did not notice it, so much was she amazed at the
imposing spectacle of the Norwegian panorama—the long
stretch of rocks lying before her at a glance, so much was
she struck by the perennial solemnity of those frozen summits, for which words have no expression.
‘‘We have not come here by unaided human strength!”
said she, clasping her hands. ‘‘I must be dreaming!”
‘‘You calla fact supernatural, because you do not know
its cause,’’ he replied.
‘“Your answers are always stamped with some deep
meaning,’’ said she. “‘With you I understand everything
without an effort.—Ah! I am free!”’
‘*Y our snow-shoes are off, that is all.’’
“Oh!” cried she, ‘‘and I would fain have untied yours,
and have kissed your feet!”’
‘‘Keep those speeches for Wilfrid,’’ said Seraphitus,
mildly.
‘*Wilfrid!’’ echoed Minna in a tone of fury, which died
away as she looked at her companion. ‘‘You are never
angry!’ said she, trying, but in vain, to take his hand.
‘“You are in all things so desperately perfect!’’
‘‘Whence you infer that I have no feelings ?”’
Minna was startled at a glance so penetratingly thrown
into her mind.
SERAPHITA 23
“You prove to me that we understand each other,”
replied she, with the grace of a loving woman.
Seraphitus gently shook his head, with a flashing look
that was at once sweet and sad.
‘“You who know everything,’’ Minna went on, ‘‘tell me
why the alarm I felt below, by your side, is dissipated now
that Iam up here; why I dare for the first time to look you
in the face; whereas, down there, [ scarce dare steal a glance
at you?”’
‘*Perhaps up here we have cast off the mean things of
the earth,’’ said he, pulling off his pelisse.
‘‘T never saw you so beautiful,’’ said Minna, sitting down
on a mossy stone, and gazing in contemplation of the being
who had thus brought her to a part of the mountain ee
from afar seemed inaccessible.
Never, in fact, had Seraphitus shone with such brilliant
splendor—the only expression that can do justice to the
eagerness of his face and the aspect of his person. Was
this radiance due to the effulgence given to the complexion
by the pure mountain air and the reflection from the snow?
Was it the result of an internal impetus which still excites
the frame at the moment it is resting after long exertion?
Was it produced by the sudden contrast between the golden
glow of sunshine and the gloom of the clouds through which
this pretty pair had passed?
To all these causes we must perhaps add the effects of
one of tle most beautiful phenomena that human nature
can offer. If some skilled physiologist had studied this
being, who, to judge by the boldness of his brow and the
light in his eyes at this moment, was a youth of seventeen;
if he had sought the springs of this blooming life under the
whitest skin that the North ever bestowed on one of its
24 BALZAC’S WORKS
sons, he would, no doubt, have believed in the existence of
a phosphoric fluid in the sinews that seemed to shine
through the skin, or in the constant presence of an internal
_ glow, which tinted Seraphitus as a light shines through an
alabaster vase. Delicately slender as his hands were—he
had taken off his gloves to loosen Minna’s sandals—they
seemed to have such strength as the Creator has given to
the diaphanous joints of a crab. The fire that blazed in his
eyes rivalled the rays of the sun; he seemed not to receive
but to give out light. His frame, as slight and fragile as a
woman’s, was that of a nature feeble in appearance, but
whose strength is always adequate to its desires, which are
sometimes strong. Seraphitus, though of middle height,
seemed taller as seen in front; he looked as if he fain would
spring upward. His hair, with its light curls, as if touched
by a fairy hand and tossed by a breeze, added to the illusion
produced by his airy attitude; but this absolutely effortless
mien was the outcome rather of a mental state than of
physical habit.
Minna’s imagination seconded this constant hallucination; it would have affected any beholder, for it gave to
Seraphitus the appearance of one: of the beings we see in
our happiest dreams. No familiar type can give any idea
of this face, to Minna so majestically manly, though in the
sight of a man its feminine grace would have eclipsed the
loveliest heads by Rafael. That Painter of Heaven has
frequently given a sort of tranquil joy and tender suavity
to the lines of his angelic beauties; but without seeing
Seraphitus himself, what mind can conceive of the sadness
mingled with hope which half clouded the ineffable feelings
expressed in his features? Who could picture to himself,
even in the artist’s dream, where all things are possible,
SERAPHITA 25
the shadows cast by mysterious awe on that too intellectual
brow, which seemed to interrogate the skies, and always to
pity the earth? That head could tower disdainful, like a
_ noble bird of prey whose cries rend the air, or bow resigned,
like the turtledove whose voice sheds tenderness in the —
depths of the silent forest.
Seraphitus had a complexion of surprising whiteness,
made all the more remarkable by red lips, brown eyebrows,
and silky lashes, the only details that broke the pallor of a
face whose perfect regularity did not hinder the strong expression of his feelings; they were mirrored there without
shock or violence, but with the natural, majestic gravity we
like to attribute to superior beings. Everything in those
monumental features spoke of strength and repose.
Minna stood up to take the young man’s hand, hoping
to draw him down to her so as to press on that fascinating
brow a kiss of admiration rather than of love; but one look
from his eyes, a look that went through her as a sunbeam
goes through a glass prism, froze the poor child. She felt
the gulf between them without understanding it; she turned
away her head and wept. Suddenly a strong hand was
round her waist, and a voice full of kindness said—
‘*Come.”’
She obeyed, resting her head in sudden relief on the
young man’s heart; while he, measuring his steps by hers
in gentle and attentive conformity, led her to a spot whence
they could behold the dazzling beauty of the Polar scenery.
‘‘But before 1 look or listen, tell me, Seraphitus, why
do you repulse me? Have I displeased you? And how?
Tell me. I do not want to call anything my own; I would
that my earthly possessions should be yours, as the riches
of my heart already are; that light should come to me only
(2)—Vol. 25
26 BALZAC’S WORKS
from your eyes, as my mind is dependent on yours; then I
should have no fear of offending you, since I should but
reflect the impulses of your soul, the words of your heart,
the light of your light, as we send up to God the meditations by which He feeds our spirit.—I would be wholly
you!”’
‘‘Well, Minna, a constant aspiration is a promise made
by the future. Hope on!—Still,- if you would be pure
always, unite the thought of the Almighty to your earthly
affections. Thus will you love all creatures, and your
heart will soar high!”’
‘‘] will do whatever you desire,’
’
said she, looking up
at him timidly.
]
‘‘T cannot be your companion,’’ said Seraphitus sadly.
He suppressed some reflections, raised his arms in the
direction of Christiania, which was visible as a speck on the
horizon, and said—
‘‘Look!”
‘‘We are indeed smal!,’’ said she.
‘Yes; but we become great by feeling and intellect,”’
said Seraphitus. ‘‘The knowledge of things, Minna, begins
with us; the little we know of the laws of the visible world
enables us to conceive of the immensity of higher spheres.
{ know not whether the time is ripe for talking thus to you;
but I so long to communicate to you the flame of my hopes!
Some day, perhaps, we may meet in the world where love
never dies.”
‘‘Why not now and forever?’’ said she in a murmur.
‘‘Here nothing is permanent!’’ said he in a tone of
scorn. ‘‘The transient joys of earthly love are false lights
which reveal to some souls the dawn of more durable bliss,
just as the discovery of a law of nature enables certain
SERAPHITA 27
privileged minds to deduct a whole system. Is not our
perishable happiness here below an earnest of some other
more perfect happiness, as the earth, a mere fragment of
the universe, testifies to the universe? We cannot measure
the orbit of the Divine mind, of which we are but atoms as
minute as God is great; but we may have our imtuitions of
its vastness, we may kneel, adore, and wait. Men are constantly mistaken in their science, not seeing that everything
on their globe is relative and subordinate to a general cycle,
an incessant productiveness which inevitably involves progress, and an aim. Man himself is not the final creation; if
he were, God would not exist.”
‘“‘How have you had time to learn so many things?”
said the girl.
‘“‘Phey are memories,’’ replied he.
‘‘To me you are more beautiful than anything I see.”’
‘*We are one of the greatest works of God. Has He not
bestowed on us the faculty of reflecting nature, concentrating it in ourselves by thought, and making it a steppingstone from which to fly to Him? We love each other in
proportion to what is heavenly in our souls.—But do not be
unjust, Minna; look at the scene displayed at our feet; is it
not grand? The ocean lies spread like a floor, the mountains are like the walls of an amphitheatre, the ether above
is like the suspended velarium of the theatre, and we can
inhale the mind of God as a perfume.
‘Look! the storms that wreck vessels filled with men
from hence appear like mere froth; if you look above you
all is serene; we see a diadem of stars. The shades of
earthly expression are here lost. Thus supported by nature -
so attenuated by space, do you not feel your mind to be
deep rather than keen? Are you not conscious of more
28 BALZAQC’S WORKS
loftiness than enthusiasm, of more energy than will? Have
you not feelings to which nothing within us can give utterance? Do you not feel your wings?—Let us pray!”’
Seraphitus knelt, crossing his hands over his bosom, and
Minna fell on her knees weeping. Thus they remained for
some minutes, and for some minutes the blue halo that
quivered in the sky above them spread, and rays of light
fell round the unconscious pair.
‘“Why do you not weep when I cannot help it?’’ said
Minna in a broken voice.
ir
“Those who are pure in spirit shed no tears,’’ replied
Seraphitus, rising. ‘‘Why should I weep? I no longer
see human misery. Here all is good and shines in majesty.
Below I hear the supplications and the lament of the harp
of suffering, sounding under the hands of the spirit held
captive. Here I listen to the concert of harmonious harps.
Below, you have hope, the beautiful rudiment of faith; but
here faith reigns, the realization of hope!”’
‘“You can never love me, | am too imperfect; you disdain me,’’ said the girl.
‘‘Minna, the violet hidden at the foot of the oak says
to itself, ‘The sun does not love me, he never comes.’—The
sun says, ‘If 1 fell on her, that poor little flower would
perish!’ Because he is the Hower’s friend he lets his beams
steal through the oak leaves, subduing them t& tint the
petals of the blossom he loves.—I feel 1 am not sufficiently
shrouded, and fear lest you should see me too clearly; you
would quail if you knew me too well. Listen; I have no
taste for the fruits of the earth; I have understood your
joys too well; like the debauched Emperors of Pagan Rome,
Iam disgusted with all things, for I have the gift of vision.
—Leave me forever,’’ added Seraphitus sorrowfully.
SERAPHITA 29
He went away to sit down on a projecting rock, his head
drooping on his breast.
‘‘Why thus drive me to despair?’ said Minna.
‘Go from me!’ cried Seraphitus; ‘‘I can give nothing
that you want. Your love is too gross for me. Why do
you not love Wilfrid? Wilfrid is a man, a man tested by
passion, who will clasp you in his sinewy arms, and make
you feel his broad, strong hand. He has fine black hair,
eyes full of human feeling, a heart that fires the words of
his lips with a lava torrent. He will crush you with caresses.
He will be your lover, your husband. Go to Wilfrid!”
Minna was crying bitterly.
‘‘Dare you tell me that you do not love him?’’ he added
in a voice that pierced her like a dagger.
‘*Merey! Mercy! My Seraphitus!’’
‘Love him, poor child of earth, to which fate irrevocably
said the terrible Seraphitus, seizing the girl
with such force as dragged her to the brink of the seter,
rivets you,”’
whence the prospect was so extensive that a young creature
full of enthusiasm might easily fancy that she was above
the world. ‘‘I wanted a companion to go with me to the
realm of light; I thought to show her this ball of clay, and
T find you still cling to it. Adieu! Remain as you are,
enjoy through your senses, obey your nature; turn pale
with pale men, blush with women, play with children, pray
with sinners, look up ‘to heaven when you are stricken;
tremble, hope, yearn; you will have a comrade, you still
may laugh and weep, give and receive.—For me—I am an
exile far from heaven; like a monster, far from earth! My
heart beats for none; I live in myself, for myself alone. I
feel through my spirit, I breathe by my brain, I see by my
mind, I am dying of impatience and longing. No one here
30 BALZAC’S WORKS
below can satisfy my wishes or soothe my eagerness; and I
have forgotten how to weep. Iam alone.—I am resigned,
and can wait.”’
Seraphitus looked at the flowery knoll on which he had
placed Minna, and then turned toward the frowning summits, round whose peaks heavy clouds had gathered, into
which he seemed to fling his next thoughts.
“Do you-hear that delightful music, Minna?’’ said he,
in his dovelike tones, for the eagle had ended his ery.
‘‘Might one not fancy that it was the harmony of those
Kolian harps which poets imagine in the midst of forests
and mountains? Do you see the shadowy forms moving
_ among those clouds? Do you discern the winged feet of
those who deck the sky with such hangings? Those
sounds refresh the soul; Heaven will erelong shed the
blossoms of spring, a flash blazes up from the Pole. Let
us fly—it is time!’’
In an instant they had replaced their snow-shoes and
were descending the Falberg by the steep slopes down to
the valley of the Sieg. Some miraculous intelligence
guided their steps—or rather their flight. When a crevasse covered with snow lay before them, Seraphitus seized
Minna, and with a swift rush dashed, scarce the weight of a
bird, across the frail bridge that covered a chasm. Many
a time, by just pushing his companion, he deviated slightly
to avoid a cliff or tree, a block of stone which he seemed
to see through the snow, as certain mariners, accustomed
to the sea, discern a shoal by the color, the eddy, and the
recoil of the water.
When they had reached the roads of the Siegdahl, and
they could proceed without hesitation in a straight line
down to the ice on the fiord, Seraphitus spoke.
SERAPHITA 81
“You have nothing more to say to me?’’ he asked
Minna.
‘“T fancied,’’ replied the girl respectfully, ‘‘that you
wished to think in silence.”’
‘‘Make haste, pretty one, the night is falling,’’ said he.
Minna was startled at hearing the new voice, so to speak,
in which her guide spoke. A voice as clear as a girl’s, dissipating the fantastic flashes of the dream in which she had
been walking. Seraphitus was abdicating his manly strength,
and his looks were losing their too keen insight. Presently
the fair couple were gliding across the fiord; they reached
the snowy level that lay between the margin of the bay and
the first houses of Jarvis; then, urged by the waning light,
they hurried up to the parsonage as if climbing the steps of
an enormous stairway.
‘My father will be uneasy,’
‘*No,’’ said Seraphitus.
At this moment they stopped at the porch of the humble
dwelling where Pastor Becker, the minister of Jarvis, sat
reading while awaiting his daughter’s return to supper.
‘Dear Pastor Becker,’’ said Seraphitus, ‘‘I have brought
your daughter back safe and sound.”’
‘““Thank you, Mademoiselle,’’ said the old man, laying
his spectacles on the book. ‘‘You must be tired.’’
_ “Not in the least,’’ said Minna, on whose brow her
companion had just breathed.
‘Dear child, will you come to tea with me the evening
’ said Minna.
after to-morrow ?”’
‘‘With pleasure, dear.’’
‘Pastor Becker, will you bring her?”’
‘‘Yes, Mademoiselle.”’
Seraphitus nodded prettily, bowed to the old man, and
32 BALZAC’S WORKS
left, and in a few minutes was in the courtyard of the Swedish Castle. An old servant of eighty came out under the
wide veranda carrying a lantern. Seraphitus slipped off
the snow-shoes with a grace of a woman, ran into the sitting-room, dropped on to a large divan covered with skins,
and lay down.
‘‘What will you take?’’ said the old man, lighting the
enormously long tapers that are used in Norway.
‘‘Nothing, David; I am too tired.”
Seraphitus threw off the sable-lined pelisse, wrapped it
about him, and was asleep. The old servant lingered a
few minutes in loving contemplation of the strange being
resting under his gaze, and whcse sex the most learned
man would have been puzzled to pronounce on. Seeing
him as he lay, wrapped in his usual garment, which was
as much like a woman’s dressing-gown as a man’s overccat, it was impossible to believe that the slender feet that
hung down, as if to display the delicacy with which nature
had molded them, were not those of a young girl; but the
brow, the profile, seemed the embodiment of human strength
carried to its highest pitch.
‘She is suffering, and will not tell me,”’ though the old
man. ‘She is dying like a flower scorched by too fierce a
sunbeam.”’
And the old man wept.
SERAPHITA 83
IT
SERAPHITA
N THE COURSE of the evening David came into the
drawing-room.
‘‘T know who is coming,”’
said Seraphita in a sleepy
voice. ‘‘Wilfrid may come in.”’
On hearing these words, a man at once appeared, and
came to sit down by her.
‘‘My dear Seraphita, are you ill? You look paler than
usual.” ;
She turned languidly toward him, after tossing back her
hair like a pretty woman overpowered by sick headache and
- too feeble to complain.
‘tT was foolish enough,’’ said she, ‘‘to cross the fiord with
Minna; we have been up the Falberg.”’
‘Did you want to kill yourself ?’’ cried he, with a lover’s
alarm.
“Do not be uneasy, my good Wilfrid, I took great care
of your Minna.”
Wilfrid struck the table violently with his hand, took
a few steps toward the door with an exclamation of pain;
then he came back and began to reproach her.
‘“Why so much noise if you suppose me to be suffering?’’ said Seraphita.
“T beg your pardon, forgive me,’’ said he, kneeling
down. ‘‘Speak harshly to me, require anything of me
that your cruel woman’s caprice may suggest to you as
34 BALZAC’S WORKS
hardest to be endured, but, my beloved, do not doubt my
love! You use Minna like a hatchet to hit me with again
and again. Have some mercy!”
‘‘Why speak thus, my friend, when you know that such
words are useless ?’’ she replied, looking at him with a gaze
that became at last so soft that what Wilfrid saw was not
Seraphita’s eyes, but a fluid light shimmering like the last
vibrations of a song full of Italian languor.
‘‘Ah! anguish cannot killl’’ cried he.
‘‘Are you in pain?’’ said she, in a voice which produced
on him the same effect as her look. ‘What can I do for
you?”
‘‘Love me, as I love you!”’
‘*Poor Minna!’’ said she.
‘“‘T never bring any weapons!”’ cried Wilfrid.
‘‘You are in a detestable temper,’’ said Seraphita, smiling. ‘‘Have I not spoken nicely, like the Parisian ladies
of whom you tell me love stories ?”’
Wilfrid sat down, folded his arms, and looked gloomily
at Seraphita.
“TI forgive you,’’ said he, ‘‘for you know not what
you do.”’
‘*Oh!’’ retorted she, ‘‘every woman from Eve downward
knows when she is doing good or eyil.”’
‘“‘T believe it,’’ said he.
“‘T am sure of it, Wilfrid. Our intuition is just what
makes us so perfect. What you men have to learn, we
feek”’
‘“Why, then, do you not feel how much I love you?”
‘*Because you do not love me.”’
‘Great God!’’
‘‘Why, then, do you complain of anguish?”’
SERAPHITA 85
“You are terrible this evening, Seraphita. You are a
perfect demon!”’
“‘No; but I have the gift of understanding, and that 1s
terrifying. Suffering, Wilfrid, is a light thrown on life.’
‘“Why did you go up the Falberg?”’
‘Minna will tell you; I am too tired to speak. You
must talk, you who know everything, who have learned
everything and forgotten nothing, and have gone through
so many social experiences. Amuse me; I am listening.”
‘‘What can I tell you that you do not know! Indeed,
your request isa mockery. You recognize nothing that is
worldly, you analyze its terminology, you demolish its
laws, its manners, feelings, sciences, by reducing them to
the proportions they assume when we take our stand outside the globe.”’
‘‘You see, my friend, I am not a woman. You are
wrong to love me. What! I quit the ethereal regions of
strength you attribute to me; I make myself humble and
ins. znificant to stoop after the manner of the poor female
of every species—and you at once uplift me! Then, when
Iam crushed and broken, I crave your help; I want your
arm, and you repulse me! We do not understand each
other.”
‘‘You are more malignant this evening than I have ever
known you.”’
‘Malignant ?’’ said she, with a flashing look that melted
every sentiment into one heavenly emotion. ‘‘No; I am
weary, that is all. Then, leave me, my friend. Will not
that be a due exercise of your rights as a man? We are
always to charm you, to recreate you, always to be cheerful, and have no whims but those that amuse you.— What
shall I do, my friend? Shall I sing, or dance, when fa36 BALZAC’S WORKS
tigue has deprived me of voice and of the use of my legs?
Yes, gentlemen, at our last gasp we still must smile on you!
That, I believe, you call your sovereignty !—Poor women!
I pity them. You abandon them when they are old; tell
me, have they then no longer heart or soul? Well, and
I am more than a hundred, Wilfrid. Go—go to kneel at
Minna’s feet.’’ ,
‘‘Oh, my one, eternal love
‘“‘Do you know what eternity is? Be silent, Wilfrid.—
You desire me, but you do not love me.—Tell me, now,
ie
do not [ remind you of some coquette you have met?”
“T certainly do not see you now as the pure and
heavenly maiden I saw for the first time in the church
at Jarvis.”
As he spoke Seraphita passed her hands over her brow,
and when she uncovered her face Wilfrid was astonished at
the religious and saintly expression it wore.
‘‘You are right, my friend. I am always wrong to set
foot on your. earth.”’
‘Yes, beloved Seraphita, be my star.—Never descend
from the place whence you shed such glorious light on me.”’
He put out his hand to take the girl’s, but she withdrew
it, though without disdain or anger. Wilfrid hastily rose
and went to stand by the window, turning toward it so
that Seraphita should not see a few tears that filled his
eyes.
‘“Why these tears?’’ she asked. ‘Yon are no longer a
boy, Wilfrid. Come back to me, I insist.—You are vexed
with me, when it is I who should be angry. You see I am
not well, and you compel me by some foolish doubts to
think and speak, or participate in whims and ideas that
fatigue me. If you at all understood my nature, you would
SERAPHITA — 837
have given me some music; you would have soothed my
weariness; but you love me for your own sake, not for
myself.’’ .
The storm which raged in Wilfrid’s soul was stilled
by these words; he came back slowly to contemplate the
bewitching creature who reclined under his eyes, softly
pillowed, her head resting on her hand, and her elbow
in an insinuating attitude.
‘*You fancy I do not like you,’’ she wenton. ‘‘You are
mistaken. Listen, Wilfrid. You are beginning to know
a great deal, and you have suffered much. Allow me to
explain your thoughts. You wanted to take my hand.”
She sat up, and her graceful movement seemed to shed
gleams of light.
‘Does not a girl who allows a man to take her hand
make a promise, and ought she not to keep it? You know
full well that I can never be yours. ‘T'wo feelings rule the
love that attracts the women of this earth: either they devote themselves to suffering creatures, degraded and guilty,
whom they desire to comfort, to raise, to redeem; or they
give themselves wholly to superior beings, sublime and
strong, whom they are fain to worship and understand—
by whom they are too often crushed. You have been degraded, but you have purified yourself in the fires of repentance, and you now are great; I feel myself too small to be
your equal, and I am too religious to humble myself to any
power but that of the Most High. Your life, my friend,
may thus be stated; we are in the North, among the clouds,
where abstractions are familiar to our minds.”’
‘“‘Seraphita, you kill me when you talk so,’’ he replied.
‘it is always torture to me to see you thus apply the monstrous science which strips all human things of the proper88 BALZAC’S WORKS
re
ties they derive from time, space, form, when you regard
them mathematically under some ultimate simplest expression, as geometry does with bodies, abstracting dimensions
from substance.’’
‘‘Well, Wilfrid, I submit.—Look at this bearskin rug
which my poor David has spread. What do you think
of it?’
**T like it very well’
‘*You did not know I had that Doucha Greka ?”’
It was a sort of pelisse made of cashmere lined with black
fox-skin; the name means ‘‘warm to the soul.”’
?
‘‘Do you suppose,’’ said she, ‘‘that any sovereign in any
court possesses a fur wrap to match it?”
‘‘It is worthy of her who wears it!’’
‘‘And whom you think very beautiful ?”’
‘‘Human words are inapplicable to her; she must be
addressed heart to heart.’’
‘*Wilfrid, it is kind of you to soothe my griefs with such
sweet words—which you have spoken to others.”
‘*Good-by.”’
“Stay. 1 love you truly, and Minna, too, believe me, .
but to me you two are one being. Thus combined you are
as a brother, or, if you will, a sister to me. Marry each
other, let me see you happy before quitting forever this
sphere of trial and sorrow. Dear me! the most ordinary
women have made their lovers obey their will. They have
said ‘Be silent!’ and their lovers were mute. They have
said ‘Die!’ and men have died. They have said ‘Love me
from afar!’ the lovers have remained at a distance like
courtiers in the presence of a king. They have said ‘Go,
marry!’ and the men have married. Now, | want you to
be happy, and you refuse. Have I then no power ?—Well,
SERAPHITA Be
Wilfrid—come close to me.—Yes, I should be sorry to see
you married to Minna; but when you see me no more, then.
promise me to make her your wife; Heaven intends you for
each other.’’
‘I have heard you with rapture, Seraphita. Incomprehensible as your words are, they are like a charm. But
what, indeed, do you mean?”’
‘To be sure; I forget to be foolish, to be the poor creature in whose weakness you delight. I torture you, and
you came to this wild country to find rest—you who are
racked by the fierce throes of misunderstood genius, worn
out by the patient labors of science, who have almost stained
your hands by crime, and worn the chains of human justice.””
Wilfrid had fallen half dead on the floor. Seraphita
breathed on the young man’s brow, and he fell calmly
_ asleep, lying at her feet.
‘Sleep, rest,’’ said she, rising.
After laying her hands on Wilfrid’s forehead, the following phrases fell from her lips, one by one, each in a different
tone, but alike melodious and full of a kindly spirit that
seemed to emanate from her countenance in misty undulations like the light shed by the heathen goddess on the
beloved shepherd in his sleep:
‘‘T may show myself to you, dear Wilfrid, as I am, to
you who are strong.
‘‘The hour is come, the hour when the shining lights of
the future cast their reflections on the soul, the hour when
the soul moves, feeling itself free.
‘“‘T¢ is granted to me now to tell you how well I love
you. Do you not see what my love is, a love devoid of
self-interest, a feeling full of you alone, a love which fol.
lows you into the future, to light up your future, for such
40 : BALZAOC’S WORKS
love is the true light. Do you now perceive how ardently
I long to see you released from the life that is a burden to
you, and nearer to the world where love rules forever? Is
not love for a lifetime only sheer suffering? Have you not
felt a longing for eternal love? Do you not now understand
to what ecstasy a being can rise when he is double through
loving Him who never betrays his love, Him before whom
all bow and worship ?
‘‘T would I had wings, Wilfrid, to cover you withal;
I would I had strength to give you that you might know
the foretaste of the world where the purest joys of the
purest union known on earth would cast a shadow in the
light that there perennially enlightens and rejoices all
hearts!
‘‘Worgive a friendly soul for having shown you in one
word a vision of your faults with the charitable intention
of lulling the acute torments of your remorse. Listen to
the choir of forgiveness! Refresh your spirit by inhaling
the dawn that shall rise for you beyond the gloom of death!
Yes, for your life lies there.
‘‘My words shall wear for you the glorious garb of
dreams, and appear as forms of flame descending to visit
you. Rise! Rise to the heights whence men see each other
truly, though tiny and crowded as the sands of the seashore.
Humanity is unrolled before you as a ribbon: look at the
endless hues of that flower of the gardens of Heaven.—Do
you see those who lack intelligence, those who are beginning to be tinged by it, those who have been tried, those
who are in the circle of love, and those in wisdom, who
aspire to celestial illumination ?
‘‘Do you understand, through these thoughts made visible, the destination of man—whence he comes, whither he
SERAPHITA 41
is tending? Keep on your road. When you shall reach
your journey’s end, you will hear the trumpet call of omnipotence and loud shouts of victory, and harmonies, only
one of which would shake the earth, but which are lost
in a world where there is neither East nor West.
‘‘Do you perceive, dear, much-tried one, that but for the
torpor and the veil of sleep, such visions would rend and
carry away your intellect, as the wind of a tempest rends
and sweeps away a light sail, and would rob a man forever
of his reason? Do you perceive that the soul alone, raised
to its highest power, and even in a dream, can scarce endure
the consuming effluence of the Spirit?
“Ply, fly again through the realms of light and glory, admire, hurry on. As you fly you are resting, you go forward
without fatigue. Like all men, you would fain dwell always
thus bathed in these floods of fragrance and light, where you
are wandering free of your unconscious body, speaking in
thought only. Hurry, fly, rejoice for a moment in the wings
you will have earned when love is so perfect in you that you
shall cease to have any senses, that you shall be all intellect
and all love! The higher you soar, the less can you conceive of the gulf beneath.—Now, gaze at me for a moment,
for you will henceforth see me but darkly, as you behold
me by the light of the dull sun of the earth!”’
Seraphita stole up with her head gently bent on one side,
her hair flowing about her in the airy pose which the sublimest painters have attributed to messengers from heaven;
the folds of her dress had the indescribable grace which
makes the artist, the man to whom everything is an expression of feeling, stop to gaze at the exquisite flowing veil of
the antique statue of Polyhymnia.
Then she extended her hand and Wilfrid rose.
42 BALZAC’S WORKS
When he looked at Seraphita, the fair girl was lying on
the bearskin, her head resting on her hand, her face calm,
her eyes shining. Wilfrid gazed at her in silence, but his
features expressed respectful awe, and he looked at her
timidly.
’
‘*Yes, dear one,’’ said he at last, as if answering a question, ‘‘whole worlds divide us! I submit; I can only adore
you. But what is to become of me thus lonely?”
‘Wilfrid, have you not your Minna ?”’
He hung his head.
‘‘Oh, do not be so scornful! a woman can understand
everything by love. When she fails to understand, she
feels; when she cannot feel, she sees; when she can neither see, nor feel, nor understand—well, that, angel of earth
divines your need, to protect you and to hide her protection
under the grace of love.’’
‘‘Seraphita, am [ worthy to love a woman ?”’
‘‘You are suddenly grown very modest! ‘Is this a snare?
A woman is always so much touched to find her weakness
glorified!—Well, the evening after to-morrow, come to tea.
You will find our good pastor Becker, and you will see
Minna, the most guileless creature I ever knew in this
world.—Now leave me, my friend; I must say long prayers
this evening in expiation of my sins.”’
‘‘How can you sin?”’
‘‘My poor, dear friend, is not the abuse of power the sin
of pride? I have been, [ think, too arrogant to-day.—Now
go. Tull to-morrow.’’
“Till to-morrow!’ Wilfrid feebly echoed, with a long
look at the being of whom he desired to carry away an
indelible memory. .
Though he meant to leave, he remained standing for
SERAPHITA 43
some moments outside, looking at the lights that beamed
from the windows of the Swedish castle.
‘What was it that I saw?’’ he asked himself. ‘‘No, it
was not a single being, but a whole creation. I retain, of
that world seen through veils and mists, a ringing echo like
the remembrance of departed pain, or like the dizziness
caused by dreams in which we hear the moaning of past
generations mingling with the harmonious voices of higher
spheres, where all is ight and lovee AmTawake? Dol
still slumber? Have I not yet opened my sleeping eyes,
those eyes before whose sight luminous spaces stretch into
infinitude, eyes that can discern those spaces ?—In spite of
the night and the cold, my head is still on fire. I will go
to the manse. Between the pastor and his daughter I may
recover my balance.’’
But he did not yet leave the spot whence he could see
into Seraphita’s sitting-room. This mysterious being seemed
to be the radiant centre of a circle which formed an atmosphere about her rarer than that which surrounds others: he
who came within it found himself involved in a vortex of
light and of consuming thoughts. Wilfrid, obliged to
struggle against this inexplicable force, did not triumph
without considerable efforts; but when he had got out of
the precincts of the house, he recovered his freedom of
will, walked quickly to the parsonage, and presently found
himself under the lofty wooden porch that served as an
entrance hall to Pastor Becker’s house. He pushed open
the first door, packed with birch bark, against which the
snow had drifted, and knocked eagerly at the inner door,
saylng—
‘“Will you allow me to spend the evening with you,
Pastor Becker ?”’
44 BALZAOQ’S WORKS
‘*Yes,’’ was the answer in two voices speaking as one.
On entering the parlor, Wilfrid was gradually brought
back to real life. He bowed very cordially to Minna, shook
hands with the minister, and then looked about him ona
scene which soothed the excitement of his physical nature,
in which a process was going on resembling that which
sometimes takes place in men accustomed to long contemplation. When some powerful conception carries away
a man of science or a poet on its chimera-like wings, and
isolates him from the external surroundings that hedge him
in on earth, soaring with him through those boundless
regions where vast masses of fact appear as abstractions
and the most stupendous works of nature seem but images,
woe to him if some sudden noise rouses his senses and recalls his wandering soul to its prison of bone and flesh!
The collision of the two powers: body and spirit, one of
which has something of the invisible element of lightning;
while the other, like all tangible forms, has a certain soft
resistancy which for the moment defies destruction—this
collision, or, to be accurate, this terrible reunion, gives
rise to unspeakable suffering. The body has cried out for
the fire that consumes it, and the flame has recaptured its
prey. But this fusion cannot take place without the ebullition, the crepitation and convulsions, of which chemistry
affords visible examples when two hostile elements are
sundered that have been joined by its act.
For some days past, whenever Wilfrid went to Seraphita’s house, his body there fell into an abyss. By a single
look this wonderful creature translated him in the spirit to
the sphere whither meditation carries the learned, whither
prayer transports the pious soul, whither his eye can carry
the artist, and sleep can waft some dreamers; for each there
¥ Cae
SERAPHITA 45
is a call bidding him to that empyrean void, for each a
guide to lead him there—for all there is anguish in the return. There alone is the veil rent, there alone is Revelation -
seen without disguise—an ardent and awful disclosure of
the unknown sphere of which the soul brings back naught
but fragments. To Wilfrid, an hour spent with Seraphita
was often like the dream so dear to the opium eater, in
which each nerve-fibre becomes the focus of radiating rap- -
ture. He came away exhausted, like a girl who should try
to keep up with the pace of a giant.
The sharp, punishing cold began to subdue the agony of
trepidation caused by the reamalgamation of the two elements in his nature thus violently wrenched asunder; then
he always made his way to the manse, attracted to Minna
by his thirst for the scenes of homely life, as a European
traveller thirsts for his native land when homesickness
seizes him in the midst of the fairy splendors that tempted
him to the Hast.
At this moment the visitor, more exhausted than he had
ever been before, dropped into a chair and looked about
him for some minutes, like a man aroused from sleep.
Pastor Becker and his daughter, accustomed no doubt
to their guest’s eccentricity, went on with their occupations.
The room was decorated with a collection of Norwegian
insects and shells. These curiosities, ingeniously arranged
on the background of yellow pinewood with which the wall
was wainscoted, formed a colored ornamentation to which
tobacco smoke had imparted a soberer tone. At the further
end, opposite the door, was an enormous wrought-iron
stove, carefully rubbed by the maidservant till it shone
like polished steel.
46 BALZAQ’S WORKS
Pastor Becker was seated in a large armchair, covered
with worsted work, near the stove and in front of a table,
his feet in a foot-muff, while he read from a folio supported
on other books to form a sort of desk. On his right stood a
beer-jug and a glass; on his left a smoky lamp fed with fish
oil. The minister was a man of about sixty years; his face
of the type so often painted by Rembrandt: the small, keen
eyes set in circles of fine wrinkles under thick grizzled
brows; white hair falling in two silky locks from beneath a
black velvet cap; a broad, bald forehead, and the shape of
face which a heavy chin made almost square, and, added to
this, the self-possessed calm that betrays to the observer
some conscious power—the sovereignty conferred by wealth,
by the judicial authority of the burgomaster, by the conviction of Art, or the stolid tenacity of happy ignorance. The
handsome old man, whose substantial build revealed sound
health, was wrapped in a dressing-gown of rough cloth with
no ornament but the binding. He gravely held a long
meerschaum pipe in his mouth, blowing off the tobacco
smoke at regular intervals, and watching its fantastic spirals
with a speculative eye, while endeavoring, no doubt, to
assimilate and digest by meditation the ideas of the author
whose works he was studying.
On the other side of the stove, near the door that led
into the kitchen, Minna was dimly visible through the fog
of smoke, to which she seemed to be inured. In front of
her, on a small table, were the various implements of a
needlewoman; a pile of towels and stockings to be mended,
and a lamp like that which shone on the white pages of the
book in which her father seemed to be absorbed. Her
fresh, young face, delicately pure in outline, harmonized
with the innocence that shone on her white-brow and in her
. Wrens
SERAPHITA 47
bright eyes. She sat forward on her chair, leaning a little
toward the light to see the better, unconsciously showing
the grace of her figure. She was already dressed for the
evening in a white calico wrapper; a plain, cambric cap,
with no ornament but its frill, covered her hair. Though
lost in some secret meditation, she counted without mistake
the threads in the towel, or the stitches in her stocking.
Thus she presented the most complete and typical image of
woman born to earthly duties, whose eye might pierce the
clouds of the sanctuary, while a mind at once humble and
charitable kept her on the level of man. Wilfrid, from his
armchair between the two tables, contemplated the harmonious picture with a sort of rapture; the clouds of smoke
were not out of keeping.
The single window which gave light to the room in the
summer was now carefully closed. For a curtain, an old
piece of tapestry hung from a rod in heavy folds. There
was no attempt at the picturesque or showy—austere simplicity, genuine homeliness, the unpretentiousness of nature,
all the habits of domestic life free from troubles and anxieties. Many dwellings leave the impression of a dream;
the dazzling flash of transient pleasure seems to hide a ruin
under the chill smile of luxury; but this parlor was sublimely real, harmonious in color, and apt to suggest patriarchal ideas of a busy and devout life.
The silence was broken only by the heavy step of the
maid preparing the supper, and by the singing in the pan of
the dried fish she was frying in salt butter, after the fashion
~ of the country.
‘“Will you smoke a pipe?’’ said the pastor presently,
when he thought that Wilfrid would heed him.
‘‘No, thank you, dear Pastor Becker,’’ he replied.
48 BALZAC’S WORKS
“You seem less well than usual this evening,’’ said
Minna, struck by the visitor’s weak voice.
‘‘T am always so when | have been to the castle.’
Minna was startled.
‘‘A strange creature dwells there, Pastor Becker,’’ he
went on after a pause. ‘‘I have been six months in the
village, and have never dared to question you about her;
and to-night I have to do violence to my feelings even to
speak of her. At first I greatly regretted to find my travels
interrupted by the winter, and to be obliged to remain here;
for the last two months, however, the chains binding me to
Jarvis have been more closely riveted, and I fear I may
end my days here.—You know how I first met Seraphita,
and the impression made on me by her eyes and her voice,
and how at last I was admitted to visit her though she receives nobody. On the very first day, I came to you for
information concerning that mysterious creature. Then
began for me the series of enchantments—”’
‘‘Of enchantments?’’ exclaimed the pastor, shaking out
the ashes of his pipe into a coarse pan of sand that served
him as a spittoon. ‘Are enchantments possible ?”’
‘‘You, certainly, who at this very moment are so conscientiously studying Jean Wier’s book of ‘Incantations,’
will understand the account I can give you of my sensations,’ Wilfrid replied quickly. ‘If we study nature
attentively, alike in its great revolutions and in its minutest
works, it is impossible not to admit the possibility of enchantment—giving the word its fullest meaning. Man can
create no force; he can but use the only existing force,
which includes all others, namely, Motion—the incomprehensible Breath of the Sovereign Maker of the Universe.
The elements are too completely separated for the hand of
SERAPHITA 49
man to combine them; the only miracle he can work consists in the mingling of two hostile substances. Even so,
gunpowder is akin to thunder!
‘As to effecting an act of creation, and that suddenly !—
All creation needs time, and time will neither hurry nor
turn backward at our bidding. Hence, outside us, plastic
nature obeys laws whose order and procedure cannot be
reversed by any human effort.
“But after conceding this to mere matter, it would be
unreasonable to deny the existence, within us, of a vast
power, of which the effects are so infinitely various that
past generations have not yet completely classified them. I
will say nothing of man’s faculty of abstracting his mind, of
comprehending nature in the limits of speech, a stupendous
fact, of which common minds think no more than they
think out the act of motion, but which led Indian Theosophists to speak of creation by the Word, to which they
also attributed the contrary power. The tiniest item of
their daily food—a grain of rice, whence proceeds a whole
creature, which presently results in a grain of rice again—
afforded them so complete a symbol of the creative Word
and the synthetical Word that it seemed a simple matter to
apply the system to the creation of worlds.
‘‘Most men would do well to be content with the grain
of rice that lies at the origin of every genesis. Saint John,
when he said that the Word was in God, only complicated
the difficulty. |
‘‘But the fruition, the germination, and the blossoming
of our ideas is but a trifle if we compare this property,
which is distributed among so many men, with the wholly
personal faculty of communicating to it certain more or less
efficient forces by means of concentration, and thus raising
(3)—Vol. 25
Sard; Or las 2 {i =)
50 BALZAC’S WORKS
it to the third, ninth, or twenty-seventh power, giving it a
hold on masses, and obtaining magical results by concentrating the action of Nature. What I call enchantments are
the stupendous dramas played out between two membranes
on the canvas of the brain. In the unexplored realms of
the spiritual world we meet with certain beings armed with
these astounding faculties—comparable only to the terrible
powers of gases in the physical world—-beings who can
combine with other beings, can enter into them as an active
eause, and work magic in them, against which their hapless
victims are defenceless; they cast a spell on them, override
them, reduce them to wretched serfdom, and crush them
with the weight and magnificent sway of a superior nature;
acting, now like the gymnotus which electrifies and numbs
the fisherman; now, again, like a dose of phosphorus which
intensifies the sense of life or hastens its projection; sometimes like opium, which lulls corporeal nature, frees the
spirit from its bondage, sends it soaring above the world,
shows it the universe through a prism, and extracts for it
the nourishment that best pleases it; and sometimes like
catalepsy, which annuls every faculty to enhance a single
vision.
‘‘Miracles, spells, incantations, witchcrafts, in short, all
the facts that are incorrectly called supernatural, can only
be possible and accounted for by the authority with which
some other mind compels us to accept the effects of a mysterious law of optics which magnifies, or diminishes, or
exalts creation, enables it to move within us independently
of our will, distorts or embellishes it, snatches us up to
heaven, or plunges us into hell—the two terms by which we
express the excess of rapture or of pain. These phenomena
are within us, not outside us.
Pele.
SERAPHITA 51
“The being we call Seraphita seems to me to be one of
those rare and awe-inspiring spirits to whom it is given to
constrain men, to coerce nature, and share the occult powers
of God. The course of her enchantments on me began by
her compelling me to silence. Every time I dared wish to
question you about her, it seemed to me that I was about
to reveal a secret of which I was bound to be the impeccable
guardian; whenever I was about to speak, a burning seal
was set on my lips, and I was the involuntary slave of this
mysterious prohibition. You see me now, for the hundredth
time, crushed, broken, by having played with the world of
hallucinations that dwells in that young thing, to you so
gentle and frail, to me the most ruthless magician. Yes—
to me she is a sorceress who bears in her right hand an
invisible instrument to stir the world with, and in her left
the thunderbolt that dissolves everything at her command.
In short, I can no longer behold her face; it is unendurably
dazzling.
‘*T have for the last few days been wandering round this
abyss of madness too helplessly to keep silence any longer.
I have, therefore, seized a moment when [ find courage
enough to resist the monster that drags me to her presence
without asking whether I have strength enough to keep
up with his flight.—Who is she? Did you know her as a
child? Was she ever born? Had she parents? Was she
conceived by the union of sun and ice ?—She freezes and
she burns; she comes forth and then vanishes like some
coy truth; she attracts and repels me; she alternately kills
and vivifies me; I love her and I hate her!—I cannot live
thus. 1 must be either in heaven altogether, or in hell.”’
Pastor Becker, his refilled pipe in one hand and in the
other the stopper, listened to Wilfrid with a mysterious
52 BALZAC’S WORKS
expression, glancing i occasionally at his daughter, who
seemed to understand this speech, in harmony with the
being it referred to. Wilfrid was as splendid as Hamlet
struggling against his father’s ghost, to whom he speaks
when it rises visible to him alone amid the living.
‘‘This is very much the tone of a man in love,’’ said the
good man simply. .
‘In love!’’ cried Wilfrid, ‘tyes, to ordinary apprehensions; but, my dear Mr. Becker, no words can describe the
frenzy with which I rush to meet this wild creature.’’
‘“‘Then you do love her?’’ said Minna reproachfully.
‘‘Mademoiselle, I endure such strange agitation when I
see her, and such deep dejection when I see her not, that in
any other man they would be symptoms of love; but love
draws two beings ardently together, while between her and
me a mysterious gulf constantly yawns, which chills me
through when [ am in her presence, but of which I cease to
be conscious when we are apart. I leave her each time in
greater despair; I return each time with greater ardor, like
a scientific inquirer seeking for Nature’s secrets and forever baffled; like a painter who yearns to give life to his
canvas, and wrecks himself and every resource of art in
the futile attempt.”’
‘‘Yes, that strikes me as very true,”’
said the girl.
‘‘How should you know, Minna?”’ asked the old man.
‘Ah! father, if you had been with us this morning to
the summit of the Falberg, and had seen her praying, you
would not ask me. You would say, as Wilfrid did the first
time he saw her in our place of worship, ‘She is the Spirit
of Prayer!’ ”’
A few moments of silence ensued.
‘Tt is true!l’’ cried Wilfrid. ‘‘She has nothing in
Peper aaron
SERAPHITA 53
common with the creatures who writhe in the pits of
this world.”
“On the Falberg!”’ the old pastor exclaimed. -‘‘How
did you manage to get there?”’
“TI do not know,”’ said Minna. ‘The expedition is
to me now like a dream of which only the remembrance
survives. I should not believe in it, perhaps, but for this
substantial proof.’’
She drew the flower from her bosom and showed it to
him. They all three fixed their eyes on the pretty saxifrage, still quite fresh, which under the gleam of the lamps
shone amid the clouds of smoke like another light.
‘“This is supernatural,’’ said the old man, seeing a flower
in bloom in the winter.
‘‘An abyss!’ cried Wilfrid, fevered by the perfume.
“The flower fills me with rapture,’ said Minna. “I
fancy I can still hear his speech, which is the music of
the mind, as I still see the light of his gaze, which is
love.”’
‘“‘Tet me entreat you, my dear Pastor Becker, to relate
the life of Seraphita—that enigmatical flower of humanity
whose image I see in this mysterious blossom.”’
‘““My dear guest,’’ said the minister, blowing a puff of
tobacco smoke, ‘‘to explain the birth of this being, it will
be necessary to disentangle for you the obscurest of all
Christian creeds; but it is not easy to be clear when discussing the most incomprehensible of all revelations, the
latest flame of faith, they say, that has blazed on our ball
of clay.—Do you know anything of Swedenborg?”’
“Nothing but his name. Of himself, his writings, his
religion, [ am wholly ignorant.”’
‘Well, then, I will tell you all about Swedenborg.”’
54 BALZAC’S WORKS
Ifl
SERAPHITA—SERAPHITUS
FTER A PAUSE, while the pastor seemed to be
collecting his thoughts, he went on as follows:
‘‘Hmanuel von Swedenborg was born at Upsala, in
Sweden, in the month of January, 1688, as some authors
say, or, according to his epitaph, in 1689. His father was
bishop of Skara. Swedenborg lived to the age of eightyfive, and died in London on the 29th March, 1772. I use
the word ‘died’ to express a change of condition only. <According to his disciples, Swedenborg has been at Jarvis and
in Paris since that time.—Permit me, my dear friend,’’ said
the pastor, with a gesture to check interruption, ‘‘I am relating the tale without affirming or denying the facts. Listen, and when I have done you can think what you choose.
I will warn you when I myself judge, criticise, or dispute
the doctrines, so as to show my intellectual neutrality between reason and the man himself.
‘‘Hmanuel Swedenborg’s life was divided into two
distinct phases,’’ Becker went on. ‘‘From 1688 till 1745
Baron Emanuel von Swedenborg was known in the world
as a man of vast learning, esteemed and beloved for his
virtues, always blameless, and invariably heipful. While
filling important public posts in Sweden, he published,
between 1709 and 1740, several important books on ‘mineralogy, physics, mathematics, and astronomy, which were
of value in the scientific world. He invented a method
SERAPHITA 55
of constructing docks to receive vessels; he treated many
very important questions, from the height of the flood-tide
to the position of the earth in space. He discovered the
way to construct more efficient locks on canals, as well as
simpler methods for the smelting of metals. In short, he
never took up a science without advancing it.
‘In his youth he studied Hebrew, Greek, Latin, and
the Oriental languages, and became so familiar with these
tongues that several celebrated professors constantly consulted him, and he was enabled to discover in Tartary
some traces of the earliest book of God’s Word, called
the ‘Book of the Wars of Jehovah,’ and of the Judgments
mentioned by Moses (Numbers xxi. 14, 15), by Joshua, Jeremiah, and Samuel. The wars of the Lord are said to be
the historical portion, and the Judgments the prophetic
portion, of this book, written prior to Genesis. Swedenborg even asserted that the Book of Jasher, or of the
Upright, mentioned by Joshua, existed in Hastern Tartary with the worship by Correspondences. A Frenchman, I have been told, has recently confirmed Swedenborg’s anticipations by announcing the discovery at
Bagdad of several parts of the Bible unknown in
Hurope.
‘‘In 1785, on the occasion of the discussion on animal
magnetism started in Paris, and raised almost throughout
Europe, in which most men of science took an eager part,
Monsieur de Thomé defended Swedenborg’s memory in a
reply to the assertions so rashly made by the Commissioners appointed by the King of France to inquire into
this subject. These gentlemen stated that there was no
theory accounting for the action of the loadstone, whereas
Swedenborg had made it his study so early as in 1720.
56 BALZAC’S WORKS
Monsieur de Thomé took the opportunity to point out the
reasons for the neglect in which the most celebrated savants had left. the name of the learned Swede, so as to be
free to plunder his volumes and use his treasures in their
own works. ‘Some of the most illustrious,’ said Monsieur
de Thomé, alluding to Buffon’s ‘Theory of the Earth,’ ‘are
mean enough to dress in the peacock’s plumage without
giving him the credit.’ Finally, by several convincing
quotations from Swedenborg’s encyclopedic writings, he
proved that this great prophet had outstripped by many
centuries the slow progress of human learning; and, indeed, to read his works is enough to carry conviction on
this point.
‘“‘In one passage he is the precursor of the present system of chemistry, announcing that the products of organic
nature can all be decomposed and resolved into two pure
elements; that water, air, and fire are not elements; in another he goes in a few words to the heart of magnetic
mystery, and thus anticipates Mesmer.—In short,’ said
the minister, pointing to a long shelf between the stove
and the window, on which were books of various sizes,
‘“‘there are seventeen works by him; one of them, published in 1734, ‘Studies in Philosophy and Mineralogy,’
consists of three folio volumes.
‘These books, which bear witness to Swedenborg’s
practical knowledge, were given to me by Baron Seraphitus, his cousin, and Seraphita’s father.
‘‘In 1740 Swedenborg sank into complete silence, never
relaxing it excepting to renounce temporal studies and to
think exclusively of the spiritual world.
‘He received his first commands from heaven in 1745.
This is how he relates his call:
SERAPHITA — 67
“One evening, in London, after he had dined, eating
heartily, a thick mist filled the room. When the darkness
cleared away, a being that had assumed a human form rose
up in a corner of the room, and said in a terrible voice,
‘Do not eat so much.’’ He then fasted completely. Next
evening the same man was visible, radiant with light, and
said to him— ?
““*“Tam sent by God, who has chosen thee to set forth
to men the meaning of His word and His creation. I will
dictate what thou shalt write.’’’
“The vision lasted but a few minutes. The angel, he
said, was clad in purple.
‘During that night the eyes of his inner man were
opened and enabled to see into the heavens, into the world
of spirits, and into hell, three different circles, where he
met persons he had known who had perished from their
human state, some long ago, and some quite recently.
From that time Swedenborg always lived the spiritual
life, and remained in this world as a being sent from God.
“Though his mission was disputed by the incredulous,
his conduct was visibly that of a being superior to human
weakness. In the first instance, though limited by his
means to the strictest necessaries, he gave away immense
sums, and was known to be the means of restoring, in
various commercial towns, some great houses of business
that had failed, or were failing. No one who appealed to
his generosity went away without being helped on the
spot. An incredulous Englishman, going in search of
him, met him in Paris, and he has recorded that Swedenborg’s doors were always left open. One day his
servant complained of this neglect, which exposed him
to suspicion if his master should be robbed.
58 BALZAC’S WORKS
‘*«'Tet him make his mind easy,’ said Swedenborg, smiling; ‘I forgive him want of faith; he cannot see the guardian who keeps watch before my door.’
‘** And, in fact, in whatever country he might be living,
his doors were never shut, and he never lost anything.
‘‘When he was at Gothenburg, a town sixty miles away
from Stockholm, three days before the news arrived of the
great fire that raged at Stockholm, he had announced the
hour at which it had begun, adding that his house was unharmed—which was true.
“The Queen of Sweden, when at Berlin, told the King,
her brother, that one of her ladies being summonsed to repay a sum of money which she knew that her husband had
returned before his death, being unable to find the receipt,
had gone to Swedenborg and begged him to inquire of her
husband where the proof of payment could be. On the following day Swedenborg told her the place where the receipt
was; then, in accordance with the lady’s desire, he called
upon the dead man to appear to his wife, and she saw her
husband, in a dream, in the dressing-gown he had worn
before his death, and he showed her the document in the
place mentioned by Swedenborg, where in fact it lay
hidden.
“One day, on sailing from London in the ship of a
Captain Dixon, he heard a lady asking if there were
a good stock of provisions on board.
‘*“*You will not need a very large quantity,’ said he.
‘In a week, at two o’clock, we shall be in the port of
Stockholm,’ and it was so.
“The state of second-sight, into which Swedenborg
could pass at will in relation to earthly things, astonishing as it was to all who knew him, by its marvellous rejl uishlia
SERAPHITA 59
sults, was no more than a weaker development of his power
of seeing into the skies.
‘‘Of all his visions, those in which he travelled to other
astral worlds are not the least curious, and his descriptions
are no doubt surprisingly artless in their details. A man
whose great scientific acquirements are beyond question,
who combined in his brain conception, will, and imagination, would certainly have invented something better if he
had invented at all. Nor does the fantastic literature of
the Hast contain anything that can have suggested the
idea of this bewildering narrative full of poetic germs, if
we may compare a work of faith to the writings of Arab
fancy.
‘“The account of his being snatched up by the angel who
guided him in his first voyage is sublime to a degree as far
beyond the poems of Klopstock, Milton, Tasso, and Dante,
as the earth, by God’s will, is from the sun. This chapter,
which forms the introduction to his ‘Treatise on the Astral
Worlds,’ has never been published; it remains among the
oral traditions left by Swedenborg to the three disciples
who were dearest to him. M. Silverichm has it in writing.
Baron Seraphitus sometimes tried to tell me of it; but his
memory of his cousin was so vivid that he stopped after a
few words, and fell into a revery from which nothing could
rouse him.
‘The discourse in which the angel proved to Swedenborg that those planets are not created to wander uninhabited, crushes all human science, the Baron assured me, under
the grandeur of its divine logic.
‘‘ According to the Seer, the inhabitants of Jupiter do
not affect the sciences, which they call Shades; those of
Mercury object to the expression of ideas by words, which
60 BALZAO’S WORKS
they think too material, and they have a language of the
eye; those of Saturn are persistently tormented by evil
spirits; those of the Moon are as small as children of six
years old, their voice proceeds from the stomach, and they
creep about; those of Venus are of gigantic stature, but
very stupid, and live by robbery; part of that planet, however, is inhabited by beings of great gentleness, who live
loving to do good. Finally, he describes the customs of the
people who dwell on those globes, and gives an account of
the general purpose of their existence as part of the universe in terms so precise, adding explanations which agree
so well with the effects of their apparent motion in the system of the universe, that some day, perhaps, scientific men
will drink of these luminous founts. Here,’’ said the pastor, taking down a volume and opening it at a page where
a marker was placed, ‘‘these are the words which conclude
this great work: ‘If any one should doubt my haying been
transported to so many astral earths, let him remember my
remarks as to distances in the other life. They exist only
in relation to the external form of man; now 1, having been
inwardly constituted like the angelic spirits of those globes,
have been enabled to know them.’
‘‘The circumstances to which we owed the residence in
this district of Baron Seraphitus, Swedenborg’s dearly loved
cousin, made me intimately familiar with every fact of the
life of that extraordinary man.
‘‘Not long since he was accused of imposture in some
Kuropean newspapers, which reported the following facts
as related in a letter from the Chevalier Beylon. Swedenborg, ‘informed,’ it was said, ‘by some senators of a secret
correspondence between the late Queen of Sweden and her
brother, the Prince of Prussia, revealed the contents to that
SERAPHITA 61
Princess, leaving her to believe that he had acquired the
information by supernatural means. A man of the highest
credit, Monsieur Charles-Léonard von Stahlhammer, Captain
of the King’s Guard and Knight of the Sword, refuted this
calumny in a letter.’ ”’
The pastor hunted through some papers in his tabledrawer, found a newspaper, and handed it to Wilfrid, who
read aloud the following letter:
“STocoKHoLM, May 13, 1788.
“T have read with astonishment the letter reporting
the interview between the famous Swedenborg and Queen
Louisa-Ulrica. All the circumstances are falsified; and I
hope the writer will pardon me if I show him how greatly
he is mistaken, by giving here an exact account, of which
the truth can be attested by several personages of distinction
who were present, and who are still living.
‘In 1758, not long after the Prince of Prussia’s death,
Swedenborg came to Court; he was in the habit of doing
so very regularly. No sooner did the Queen see him than
she asked, ‘By the way, Baron Assessor, have you seen my
brother?’ Swedenborg said he had not, and the Queen
replied, ‘If you should see him, greet him from me.’
‘‘She had no idea in saying this but of a jest; it did
not occur to her to ask for any information concerning her
brother.
‘‘A week later—not twenty-four days, nor for a private
audience—Swedenborg came again, but so early that the
Queen had not yet left her own apartment, known as the
white room, where she was chatting with her ladies of honor
and other ladies about the Court. Swedenborg did not wait
for the Queen to come out. He went into her private room
62 BALZAC’S WORKS
and spoke in her ear. — The Queen, quite astounded, turned
faint, and it took some time to revive her. When she had
recovered herself, she said to those about her, ‘God alone
and my brother could know what he has just told me!’
And she said he had spoken of her last correspondence
with the Prince, of which the subject had been known
to themselves only.
“IT cannot explain how Swedenborg gained his knowledge of this secret; but what I can aver on my honor is that
neither Count H——, as the author of the letter states, nor
any one else, had intercepted or read the Queen’s letters.
The Senate had at that time allowed her to write to her
brother in the strictest confidence, regarding the correspondence as a matter perfectly indifferent to the State. It is
evident that the writer of that letter knew nothing of Count
H——’s character. That distinguished gentleman, who did
his country important service, combines with intellectual
talent fine qualities of the heart, and his advanced years
have not deteriorated his- noble gifts. Throughout his official career he has been equally remarkable for enlightened
political views and the most scrupulous integrity, and he
was always the declared enemy of secret intrigues and
covert devices, which he regarded as the basest means
to any end.
‘Nor did the writer know Swedenborg the Assessor;
the only weak point in this thoroughly honest man was
his belief in apparitions and spirits; but I knew him for
a long time, and I can positively state that he was as well
assured that he certainly did talk and mingle with spirits
as I am at this moment of writing these lines. As a citizen
and as a friend, he was a man of absolute integrity, with
a horror of imposture, and he led an exemplary life.
SERAPHITA 63
‘Hence the account given of the incident by the Chevalier de Beylon is without foundation; and the visit said to
have been paid to Swedenborg, at night, by Counts H——
and TW—— is a pure invention.
‘The writer of the letter may rest assured that I am anything rather than a follower of Swedenborg; nothing but
the love of truth has moved me to relate with accuracy a
fact that has often been told with details that are incorrect;
and I affirm what I have here written to be the truth, and
sign it with my name.”’
“The proofs of his mission given by Swedenborg to the
families of Prussia and Sweden no doubt formed a basis for
the belief he inspired in several personages of the two
”)
Courts,’’ the pastor went on, replacing the newspaper in
his drawer. ‘‘At the same time, I cannot tell you all the
facts of his material and visible life; his habits precluded
their being exactly known. He lived in strict retirement,
never trying to grow rich or to rise to fame. He was even
remarkable for a sort of repugnance to proselytizing; he
spoke freely to very few persons, and never communicated
those gifts but to those who were conspicuous for faith,
wisdom, and*love. He could read at a glance the frame
of mind in which each one approached him, and could make
seers of those whom he desired to touch with his inward
Word.
‘‘After the year 1745 his disciples never saw him do a
single thing from a merely human motive.
‘‘One man only, a Swedish priest named Matthésius,
accused him of madness. By a singular coincidence this
Matthésius, the enemy of Swedenborg and his writings,
went mad not long after, and was living a few years since
64 BALZAC’S WORKS
at Stockholm on a pension allowed him by the King of
Sweden. .
‘‘A discourse in honor of Swedenborg was composed
_ with great care as to the details of his life, and read at
a general meeting in the Hall of the Royal Academy of
Sciences at Stockholm, by Monsieur de Sandel, Councillor
to the College of Mines, in 1786. Finally, a deposition laid
before the Lord Mayor of London testifies to the smallest
circumstances of Swedenborg’s last illness and death under
the ministrations of Pastor Férélius, a Swedish ecclesiastic
of the highest respectability. The persons attesting declared that, far from recanting, Swedenborg always averred
the truth of his writings.
‘‘*TIn a hundred years’ time,’ said he, ‘my doctrines will
govern the Church.’
‘‘He foretold very precisely the day and hour of his
death. On that day, Sunday, March 29, 1772, he asked
what o’clock it was.
‘* ‘Five o'clock,’ was the answer.
‘**Tt is all over,’ said he. ‘God bless you!’
‘‘And ten minutes after he died quite calmly with a gentle sigh. Thus, moderation, simplicity, and solitude were
the features of his life.
‘‘Whenever he had finished writing a treatise, he took
ship to have it printed in London or in Holland, and never
talked about it. He thus published twenty-seven works
in all, written, as he declared, at the dictation of angels.
Whether or no this be true, few men are capable of enduring this flaming language.
‘‘Here they all are,’’ said the minister, pointing to an
upper shelf on which stood about sixty volumes. ‘‘The
seven books on which the Spirit of God has shed its brightSERAPHITA 65
est light are:-—‘The Delights of Wisdom in Conjugal Love;’
‘Meaven and Hell;’ ‘The Apocalypse Explained;’ ‘An Exposition of the Inward Sense;’ ‘On the Divine Love;’ ‘The
True Christian Religion;’ ‘The Angelic Wisdom of the
Omnipotence, Omniscience, and Omnipresence of those who
share the Eternity and Immensity of God.’
‘His explanation of the ‘Apocalypse’ begins with these
words,’’ said the pastor, opening the volume that was lying
near him: ‘‘ ‘Herein I have written nothing of my own; I
have spoken at the bidding of the Lord, who said to John,
by the same angel, ‘‘Thou shalt not seal the words of this
prophecy.
‘‘My dear sir,’’ the good man went on, looking at
a3
Wilfrid, ‘‘many a winter night have I quaked in
every limb while reading the tremendous works in which
this man sets forth the greatest marvels in perfect good
faith.
‘«*T have seen,’ says he, ‘the heavens and the angels.
The spiritual man sees spiritual man far more clearly than
the earthly man sees earthly man. I obey the command of
the Lord who hath given it to me todo. Men are free not
to believe me; I cannot put others into the state into, which
God hath put me. It is not in my power to make them hold
conversation with the angels, nor to work a miracle in predisposing their understanding; they themselves must be the
agents of their angelical exaltation. For twenty-eight years
now I have dwelt in the spiritual world with the angels, and
yet on earth with men; for it hath pleased the Lord to open
the eyes of my spirit as he opened the eyes of Paul, of
Daniel, and of Elisha.’
‘Certain persons, however, have had visions of the
spiritual world through the complete severance of their
66 BALZAC’S WORKS |
external body and their inner man by somnambulism. In
that state, Swedenborg tells us in his ‘Treatise on Angelic
Wisdom,’ man may be raised to celestial light, because, the
physical senses being in abeyance, heavenly influences act
on the inner man without interference.
‘‘A good many persons who do not doubt that Swedenborg had celestial revelations, still do not regard all
his writings as equally stamped with Divine inspiration.
Others insist on a complete acceptance of Swedenborg,
while confessing his obscurities; but they think that it |
was the imperfection of earthly language that hindered the
prophet in expressing his spiritual visions, so that such
obscurities disappear before the eyes of those who are regenerate by faith; to use a striking expression of his
favorite disciple’s, the flesh is begotten externally.
“To poets and writers he is infinitely marvellous; to
seers it is all absolute truth. His descriptions have been a
matter of scandal to some Christians; critics have laughed
at the ‘celestial substance’ of his temples, his golden palaces, his magnificent mansions where angels flutter and
play; others have ridiculed his groves of mystical trees,
and gardens where flowers have speech, where the air is
white, and mystical gems—sardonyx, carbuncle, chrysolite,
chrysoprase, cyanite, chalcedony, and beryl, the Urim and
Thummim—are endowed with motion, express celestial
truths, and may be questioned, since they reply by variations of light (‘True Religion,’ 217, 218). Some very good
men will not recognize his worlds where colors are heard in
delicious concerts, where words are flames, and the Word is
written in inflected letters (‘True Religion,’ 278). Even in
the North some writers have made fun of his gates of pearl,
of the diamonds with which the houses of his New Jerusa-
“1D at Gee
SERAPHITA 67
lem are paved and furnished, where the humblest utensils
are made of the rarest materials.
‘But,’ his disciples argue, ‘though such substances are
sparely distributed in this world, is that any reason why
they should pot be abundant in another? On earth they
are but earthly, while in heaven they are seen under celestial aspects in relation to the angelic state.’ And Swedenborg would quote on such points the great words of Jesus
Christ, ‘If I have told you earthly things and ye believe
not, how shall ye believe if I tell you of heavenly things?’
(John iii. 12.)
“T, sir, have read Swedenborg from beginning to end,”’
the pastor went on, with an emphatic gesture. ‘‘I may say
it with pride, since { have preserved my reason. As you
read you must either lose your wits or become a seer.
Though I have escaped both forms of madness, I have
often felt unknown raptures, deep amazement, inward joy
such as can only come of the fulness of truth, the evidence
of heavenly illumination. Everything here below shrinks,
dwindles, as the soul studies the burning pages of those
writings. It is impossible not to be struck with astonishment on reflecting that within the space of thirty years this
man published twenty-five quarto volumes on the truths of
the spiritual world, written in Latin, the shortest containing
five hundred pages, and all in small print. He left twenty
more, it is said, in London, in the care of his nephew, M.
Silverichm, formerly chaplain to the King of Sweden.
Certainly the man who, between twenty and sixty, spent
himself in publishing a sort of encyclopedia, must have had
supernatural help to enable him to compose these prodigious
treatises, at an age when the powers of man are beginning
to fail.
68 BALZAC’S WORKS
“Tn these works there are thousands of propositions, all
numbered, none of them contradictory. Method, preciseness, and a collected mind are everywhere conspicuous, all
based on the one fact of the existence of angels. His ‘True
Religion,’ in which his whole dogma is summed up, is a
work of powerful lucidity, and was conceived and carried
out when he was eighty-three years of age. His ubiquity,
his omniscience, have indeed never been disproved by his
critics or his enemies.
‘Nevertheless, even when I was soaked, so to speak, in
this torrent of celestial illumination, God did not open my
inward eye; I judged of these writings by the reason of
an unregenerate man. I have often been of opinion that
Swedenborg, the imspired, must have misunderstood the
angels. I laughed at many visions, which, according to
the seers, I ought reverently to believe in. I could not,
for instance, appreciate the inflected writing of the angels,
nor their belts of thicker or thinner gold. Though the
statement, ‘There are solitary angels,’ at first struck me as
singularly pathetic, I could not reconcile this loneliness
with their manner of marriage. I did not see why the
Virgin Mary should wear white satin robes in heaven. I
dared question why the giant demons Enakim and Hephilim
came again and again to fight with the Cherubim in the
Apocalyptic fields of Armageddon. I fail to see how the
Satanic and heavenly angels can still hold discussions.
Baron Seraphitus replied to me that these details referred
to the angels who are yet on earth in human form.
‘The visions of the Swedish prophet are often disfigured
by grotesque touches. One of his ‘Memorabilia’—the name
he gives them—begins with these words: ‘I saw the spirits
met together, and they had hats on their heads.’ In another
SERAPHITA 69
of these ‘Memorabilia’ he received from heaven a small
paper on which, he says, he saw the letters used by primitive races, composed of curved lines with little rings curling
upward. For clearer proof of this communication from
heaven I should have liked him to deposit this document
with the Royal Academy of Sciences at Stockholm.
“After all, I may be wrong; the material absurdities
that are scattered throughout his works have spiritual
meanings perhaps. Otherwise, how can we account for the
growing influence of his doctrine? His followers now
number more than seven hundred thousand souls, partly
in the United States of America, where many sects have
joined them in a body, and partly in England, where there
are seven thousand Swedenborgians in the city of Manchester alone. Men no less distinguished by their learning
than by their worldly rank—some in Germany, and some in
Prussia and the North—have publicly adopted Swedenborg’s beliefs, which indeed are more consolatory than
those of many another Christian communion.
“‘T should now like to expound to you in a few short
words the capital points of the doctrines set forth by
Swedenborg to his Church; but such an abridgment, from
memory, would necessarily be defective. 1 can, therefore,
only enlarge on the arcana connected with the birth of
Seraphita.”’
Here the pastor paused while meditating apparently to
collect his reminiscences, and then he went on:
‘‘Having proved mathematically that man shall live forever in an upper or a lower sphere, Swedenborg gives the
title of angelic spirits to such beings as, in this world, are
prepared for heaven, where they become angels. According
to him, God did not create angels independently; there are
70 BALZAC’S WORKS
none but those who have been human beings on earth.
Thus the earth is the nursery ground for heaven. The
angels are not angels by original nature; they are transformed into angels by an intimate union with God which
God never refuses, the very essence of God being never
negative, but always active (‘Angelic Wisdom’).
‘* Angelic spirits, then, go through three natures of love,
for man can only be regenerate by stages (‘True Religion’).
First, love of self: the supreme expression of it is human
genius, of which the works are worshipped. Next, love of
the world at large, which produces prophets and those great
men whom the earth accepts as guides and hails as divine.
Finally, love of heaven, which forms angelic spirits. These
spirits are, so to speak, the flowers of humanity, which is
epitomized, and strives to be epitomized, in them. They
must have either the love or the wisdom of heaven; but
they must dwell in that love before they dwell in wisdom.
Thus the first transformation of man is to love. To achieve
this first grade, in his previous existences he must have
gone through hope and charity, which engender in him the
gifts of faith and prayer. The ideas gained by the exercise
of these virtues are transmitted to each new human embodiment within which the metamorphoses of the inner man are
hidden. Nothing avails separately; hope is inseparable
from charity, faith from prayer; the four faces of this
figure are equally important. ‘For lack of one virtue,’ says
he, ‘the angelic spirit is as a flawed pear.’ Thus each
existence is a sphere into which are absorbed the celestial
treasures of the former one. The great perfection of the
angelic spirits comes of this mysterious progress, by which
nothing is lost of the qualities successively acquired till
they attain to their most glorious incarnation; for, at
oe
SERAPHITA oA
every fresh transformation, they unconsciously lose something of the flesh and its works. }
““When he lives in love man has thrown off all his evil
passions; hope, charity, faith, and prayer have, to use the
word of Isaiah, winnowed his inner man, which must no
longer be polluted by any earthly affection. Hence the
great lesson in Saint Luke, ‘Provide yourselves a treasure
in the heavens that faileth not,’ and the teaching of Jesus
Christ that we should leave this world to men, for it is
theirs, and purify ourselves and go to the Father.
‘‘The second transformation is to wisdom. Wisdom is
that apprehension of heavenly things to which the spirit
rises through love. The spirit of love has triumphed over
force; as a result of having conquered every earthly
passion, he loves God blindly; but the spirit of wisdom
has intelligence and knowledge of why he loves. The
wings of the first are spread and bear him up to God; the
wings of the second are folded in awe derived from knowledge: he knows God. One incessantly desires to see God,
and soars up to Him; the other stands near to Him and
trembles.
‘The union of a spirit of love with a spirit of wisdom
lifts the creature into the divine state in which the soul is
woman and the body man—the final expression of humanity, in which the spirit is supreme over the form, and the
form still contends with the divine spirit; for the form,
which is the flesh, is ignorant and rebellious, and would
fain remain gross. It is this supreme conflict which gives
rise to the inexpressible anguish which the heavens alone
can see, and which Christ endured in the Garden of Olives.
After death, the first heaven opens to receive this purified
compound human nature. Thus men die in despair, while
72 BALZAC’S WORKS
spirits die in ecstasy. ‘Hence the natural state, in which
are all unregenerate beings; the spiritual state, in which are
the angelic spirits; and the divine state, in which the angel
dwells before bursting its husk, are the three degrees of
existence by which man attains to heaven.
‘‘A sentence of Swedenborg’s will admirably explain to
you the difference between the natural and the spiritual
states: ‘To men,’ says he, ‘the natural passes into the
spiritual; they regard the world under its visible forms,
and perceive it in a reality adjusted to their senses. But
to the angelic spirit the spiritual passes into the natural;
he regards the world in its inmost spirit, not under its
— outer form.’
‘‘Hence our human sciences are but the analysis of
form. The learned of this world are purely superficial,
as their knowledge is; their inner man is of no avail except to preserve an aptitude for apprehension and truth.
The angelic spirit goes far beyond this. His knowledge
is the thought of which human science is the mere utterance; he derives a knowledge of things from the Word by
studying the correspondences through which the worlds are
harmonized with the heavens. The Word of God was written entirely by such correspondences; it contains a hidden
or spiritual meaning which cannot be understood without
the study of correspondences. ‘There are,’ says Swedenborg (‘Celestial Doctrine’), ‘innumerable arcana in the inward meaning of the correspondences.’
‘“Those men who have laughed to scorn the books in
which the prophets have treasured the Word, were in such
a state of ignorance as men are in, who, in this world,
knowing nothing of a science, mock the truths of that
science. To know the correspondences of the Word with
SERAPHITA — 73
heavenly things, to know the correspondences that exist
between the visible and imponderable things of the earthly
globe and invisible and imponderable things of the spiritual world, is to ‘have the heavens in your understanding.’
‘“‘Hvery object of every creation proceeded from the
hand of God, and has, therefore, necessarily a hidden
meaning, as we see in those grand words of Isaiah, ‘The
earth is as a garment’ (Isaiah, li. 6). This mysterious tie
between the smallest atoms of matter and the heavens constitutes what Swedenborg calls a Celestial Arcanum. Indeed, his ‘Treatise on the Celestial Arcana,’ in which he
explains the correspondences or symbolism of the natural
and spiritual, containing, as Jacob Boehm has it, the ‘sign
and sealing of all things,’ contains no less than thirteen
thousand propositions, filling sixteen volumes. ‘This wonderful apprehension of correspondences which the grace
of God vouchsafed to Swedenborg,’ says one of his disciples, ‘is the secret of the interest taken in his works.’
According to this commentator, ‘everything is derived
- from heaven, everything returns to heaven. The prophet’s
words are sublime and lucid; he speaks in the heavens,
and is understood on earth. A volume might be written
on any one of his phrases.’ And, among a thousand others,
-he quotes this text: ‘The realm of heaven,’ says Swedenborg (‘Arcana Celestia’), ‘is the realm of impulsion. Action takes form in heaven, and thence in the world, and
by degrees in the minutest details of earthly life; earthly
effects being thus continuous with heavenly causes, the result in every case is correspondent and symbolical. Man
is the link of union between the Natural and the Spiritual.’
‘Angelic spirits, then, inevitably know the correspondences that link each earthly thing to heaven, and they know
(4)—Vol. 25
the inmost sense of the prophetic words which foretell their
evolution. Thus, to these spirits everything here below has
its hidden meaning. The smallest flower is a thought, a life
answering to some feature of the Great Whole, of whom they
have a persistent intuition. To them the adulteries and debauchery of which the Scripture and the Prophets speak,
and which are often misapprehended by self-styled scribes,
signify the state of the souls who in this world persist in
debasing themselves with earthly affections, and so confirm
their divorce from heaven. Clouds symbolize the veils that
shroud God. The candlesticks, the shewbread, the horses
and riders, the whores, the jewels—everything in the Scriptures has for them a super-sensual meaning, and reveals the
future of earthly history in its relation to heaven. They
can all enter into the truth of the declarations of Saint
John, which human science demonstrates, and substantially proves at a later time, such as this, ‘pregnant,’ says
- Swedenborg, ‘with many human sciences’: ‘I saw a new
heaven and a new earth, for the first heaven and the first
earth were passed away’ (Rev. xxi. 1). They know the
suppers where ‘they eat the flesh of kings, and the flesh of
captives, and the flesh of mighty men,’ to which [the fowls]
are bidden by an angel standing in the sun (Rev. xix. 17,
18). They see the woman with wings, clothed with the
sun, and the man always armed. ‘The horse of the A pocalypse,’ says Swedenborg, ‘is the visible image of the human intellect ridden by death, because it bears in itself the
element of its own destruction.’ Finally, they recognize
the nations hidden under forms which, to the ignorant, seem
grotesque.
‘“When a man is prepared to receive the prophetical insufflation of correspondences, the Spirit of the Word moves
SERAPHITA 75
within him; he then sees that creations are but transformations; it gives vitality to his intellect, and a burning thirst
for truth which can only be quenched in heaven. In proportion to the greater or less perfection of his inner man he
can conceive of the power of the angelic spirit; and guided
by desire, the least perfect state of unregenerate man, he
proceeds to hope, which opens before him the world of
spirits, and thence to prayer, which is the key of heaven.
‘“What human creature could fail to desire to become
worthy of passing into the sphere of those intellects that
live in secret by love or wisdom? During their life on
earth those spirits remain pure; they neither see, nor
think, nor speak as.other men do.
“There are two modes of perception—the external and
the internal. Man is wholly external; the angelic spirit
is wholly internal. The spirit penetrates the sense of numbers; it masters them all and knows their meanings. It is
lord of motion, and is one with everything by ubiquity:
‘One angel is present to another whenever he will,’ says
the Swedish Seer (‘Angelic Wisdom concerning Divine
Love’), for he has the power of escaping from the body,
and sees the heavens as the prophets saw them, and as
Swedenborg himself saw them.
“*Tn this state,’ he says, in the ‘True Religion,’ ‘the
spirit of a man is borne from one place to another, his
body remaining where it is, a state in which I lived for
twenty-six years.’ This is the meaning to be given to the
Bible phrase, ‘The Spirit carried me.’
‘‘Angelic wisdom is to human wisdom what the numberless forces of Nature are to its action, which is single. Everything lives again, moves, and exists in the spirit, for it is in
God, as it is expressed in these words of Saint Paul, Jn Deo
76 BALZAC’S WORKS ~~
sumus, movemur ef vivimus (In God we live and move and
have our being, Acts xvii. 28). Earth offers no obstacle to
it, as the Word offers -no difficulties. Its nearness to the divine state enables it to see the thought of God veiled by the
Word, just as the spirit dwelling inwardly can communicate
with the hidden meaning of all the things of this world.
Science is the language of the temporal world; love is that
of the spiritual world. Man, indeed, describes more than
he explains; while the angelic spirit sees and understands.
Science saddens man; love enraptures the angel; science
is still seeking, love has found. Man judges of Nature in
relation to itself; the angelic spirit judges of it in relation
to heaven. In short, to the spirits everything speaks.
‘“‘The spirits are in the secret of the reciprocal harmony
of creations; they are in accord with the spirit of sounds,
with the spirit of colors, with the spirit of vegetable life;
they can question minerals, and minerals reply to their
thoughts. What, to them, are the learning and the treasures of earth when they can constantly command them by
their sight, and when the worlds of which men think so
much are for the spirits no more than the topmost step
whence they will fly up to God? Heavenly love, or
heavenly wisdom, are visibly with them, seen by the
elect in a halo of light that envelops them. Their innocence, of which a child’s innocence is the external image,
has knowledge which children have not; they are innocent,
and they know.
‘“*And,’ says Swedenborg, ‘the innocence of heaven
makes so deep an impression on the soul, that those who
enjoy it feel a rapture which goes with them all through
life, as I myself have experienced.’ ‘It is_enough, perhaps,’ he says elsewhere, ‘to have the smallest inkling of it
SERAPHITA TT -
to transform one forever, and, by desiring to go to heaven,
to enter into the sphere of hope.’
‘His doctrine of marriage may be summed up in a few
words:
‘“*The Lord took the beauty and grace of man’s life
and infused them into woman. When man is disunited
from this beauty and elegance of life, he is austere, sad,
or savage; when he is reunited to them, he is happy, he is
complete.’
“The angels are forever in the perfection of beauty.
Their marriages take places with miraculous ceremonies.
To such a union, from which no children are born, man
brings Understanding, woman brings Will; they become
one being—one flesh on earth; then, after putting on the
heavenly body, they go to heaven. On earth, in the natural state, the mutual affection of the two sexs leads to
lust, which is an effect, producing fatigue and disgust; but
in their heavenly form, the pair, having become one spirit,
finds in itself a cause of perpetual joys. Swedenborg had
seen such a union of spirits, who, as Saint Luke has written, ‘neither marry nor are given in marriage,’ and this
union leads to none but spiritual pleasures. An angel offered to take him to witness such a marriage, and bore him
away on his wings; the wings are only symbolical, and
not an earthly reality. He clothed him in his festal garment; and Swedenborg, seeing himself arrayed in light,
asked the reason.
‘“*On such occasions,’ replied the angel, ‘our robes
light up and shine and are nuptial garments’ (‘The Delight of Wisdom in Conjugal Love’).
‘‘He then saw two angels who came—one from the
South, and the other from the East. The angel from
78: BALZAC’S WORKS
the South rode in a chariot drawn by two white horses,
whose reins were of the color and the radiance of the morning; but when they came close to him in heaven, he saw
no more of the chariot or horses. The angel from the
Hast, clothed in purple, and the angel from the South, in
hyacinth color, rushed together like two breaths of wind,
and were onc; one was an angel of Love and the other an
angel of Wisdom. Swedenborg’s guide told him that on
earth these two angels had been bound by an inward sympathy, and constantly united, though divided by space.
Consent, which is the essence of happy marriage on earth,
is the habitual condition of angels in heaven. Love is the
light of their world.
‘The perpetual ecstasy of the angels is produced by the
faculty, bestowed on them by God, of giving back to Him
the joy they have in Him. This reciprocity of the infinite
constitutes their life. In heaven they too become infinite
by partaking of the essential nature of God, who is selfsubsistent. Such is the vastness of the heavens where the
angels dwell, that if man were endowed with vision as constantly rapid as the transmission of light from the sun to the
earth, and if he gazed through all eternity, his eyes would
find no horizon to rest on. Light alone can be an emblem
of the joys of heaven. ‘It is,’ says he (‘Angelic Wisdom’),
‘an effluence of the virtue of God, a pure emanation from
His glory, compared to which our most brilliant day is
dark. It is omnipotent, it renews. everything, and cannot
be absorbed; it surrounds the angel, putting him into contact with God by infinite joys which are felt to multiply and
reproduce themselves to infinity. This light kills the man
who is not prepared to receive it. No one on earth, or indeed in the heavens, can look on God and live. This is
SERAPHITA 79
why it is written (Exodus xix. 12, 21-28), ‘‘Set bounds unto
the people round about [the Mount]... lest they break
through . . . and many of them perish.” And again (Hxodus xxxiyv. 29-35), ‘‘When Moses came down with the two
tables of testimony, the skin of his face shone, and Moses
put a veil upon his face till he had done speaking with the
people.”’ The Transfiguration of Jesus Christ also testifies
to the light shed by a messenger from heaven and the extreme joy of the angels in beiag forever bathed in it. ‘‘His
?
face,’’ says Saint Matthew (xvii. 2), ‘‘did shine as the sun,
and His raiment was as white as the light . . . and a bright
cloud overshadowed the disciples.’’’
‘‘When a planet is inhabited only by beings who reject
the Lord and misprize His Word, when the angelic spirits
have gathered from the four winds, God sends a destroying angel to alter the whole mass of that rebellious world,
which, in the vast spaces of the universe, is to Him what
an infertile seed is in the natural world. As he approaches
that globe, the destroying angel, riding on a cornet, reverses
it on its axis and makes the continents become the bottom
of the sea, the highest mountains then are islands, and the
lands hitherto covered by the seas reappear in all their
freshness, obeying the laws of Genesis; thus the Word of
God is in power once more on a new earth, which everywhere shows the effects of terrestrial waters and celestial
fires. The light the angel brings down from heaven makes
the sun pale. Then, as Isaiah saith (ii. 10, 19), men will
enter into the holes of the rocks and hide themselves in the
dust. ‘They will cry to the mountains and rocks, Fall on
us, and bide us from the wrath of the Lamb’ (Rev. vi. 16).
The Lamb is the great emblem of the angels who are unrecognized and persecuted on earth.
80 BALZAC’S WORKS
“Christ Himself hath said, ‘Blessed are they that mourn!
Blessed are the meek! Blessed are the peacemakers.’ Ali
Swedenborg is there: Suffer, believe, and love. To love
truly, must we not have suffered; must we not believe?
Love begets strength, and strength gives wisdom; this is
intelligence, for strength and wisdom include will. Is not
true intellect composed of knowledge, will, and wisdom,
the three attributes of the angelic spirit?
‘‘*Tf the universe has a meaning, that surely is the
worthiest of God,’ said Monsieur Saint-Martin to me when
I saw him during his visit to Sweden.
‘‘But,’’ the minister went on, after a pause, ‘‘of what
value can these shreds be, snatched from a work so vast
that the only way to give you an idea of it is to compare
it to a river of light, a torrent of flame? When a man
plunges into it, he is carried away by an overwhelming
flood. Dante Alighieri’s poem seems a mere speck to the
reader who will dive into the innumerable passages in which
Swedenborg has given actuality to the heavenly spheres, just
as Beethoven builds up palaces of harmony out of thousands
of notes, and architects construct cathedrals of thousands of
stones. He flings you up to infinite heights, where your
mind sometimes fails to bear you up. It is necessary certainly to have a powerful brain if you are to come back sane
_ and safe to our social notions.
‘‘Swedenborg was especially attached to Baron Seraphita,
whose name, according to an old Swedish custom, had from
time immemorial taken the Latin suffix ws. The Baron
was the Swedish prophet’s most zealous disciple; the eyes
of his inner man had been opened by the Seer, who had
prepared him to live in conformity with commands from on
high. He was in search of a woman with the angelic spirit,
SERAPHITA 81
and Swedenborg showed her to him ina vision. His bride
was the daughter of a shoemaker in London; in her, said
Swedenborg, the life of heaven shone brightly, and she had
gone through the first tests. After the prophet was translated, the Baron came to Jarvis to solemnize his heavenly
nuptials in the practice of prayer. For my part, Sir, I, who
am no seer, could only note the earthly life of the couple,
and it was undoubtedly that of the saints whose virtues are
the glory of the Roman Church. They alleviated the sufferings of the inhabitants, giving them a portion which does
not suffice to live on without work, but which is then sufficient for their needs; those who lived with them never saw
them moved to anger or impatience; they were invariably
gentle and beneficent, full of amiability, graciousness, and
true kindness; their marriage was the harmony of two souls
in constant union. Two eider-ducks in equal flight, a sound
and its echo, the thought and the word, are but imperfect
images of that union. Here they were loved by everybody
with an affection which can only be compared to the love of
plants for the sun.
‘‘The wife was simple in her manners and beautiful to
behold; her face was lovely, and her dignity worthy of the
most august personage.
‘‘In 1783, in the twenty-sixth year of her age, this
woman bore a child; it was a time of solemn rejoicing.
The husband and wife took leave of the world, telling
me that they had no doubt that they should be transformed when the child should have shed the garb of
flesh, which would need their care until she should have
received strength to live by herself. The child was born,
and was this Seraphita with whom we are just now concerned; for the nine months before her birth her father and
82 BALZAC’S WORKS
mother lived in greater retirement than before, uplifting
themselves to heaven by prayer. Their hope was that they
might see Swedenborg, and faith procured its fulfilment.
On the day of Seraphita’s birth, Swedenborg appeared in
Jarvis, and filled the room where the babe was born with
light. His words, it is said, were:
‘*«The work is accomplished; the heavens rejoice!’
‘“‘The servants in the house heard strange sounds of
music, brought, they declared, by the winds from the four
points of the compass.
“The spirit of Swedenborg led the father out of the
house and out on the fiord, where it left him. Some men
of Jarvis, going up to the Baron, heard him repeating these
soothing words from Scripture—‘How beautiful upon the
mountains are the feet of him that bringeth good tidings!’
‘‘T was setting out from the manse to go to the castle,
intending to baptize the child, and carry out the duties
enjoined on me by law, when [ met the Baron.
‘**Your ministrations are superfluous,’ said he; ‘our
child is to be nameless on earth. You will not baptize
with earthly waters one who has been bathed in fires from
heaven. This child will always be a flower; you will not
see it grow old; you will see it pass away. You have existence, it has life; you have external senses, it has not; it
is wholly inward.’ The words were uttered in a supernatural voice, which impressed me even more than the brightness of his face, which shed a radiance. His whole appearance was a realization of the fantastic ideas we form of
inspired men, as we read the prophecies in the Bible. Still,
such effects are not rare in our mountains, where the nitre
formed in the permanent snows produces singular effects
on our persons.
SERAPHITA 83
“T asked him the cause of his agitation.
“ *Swedenborg has appeared; I have just parted from
him; I have breathed the air of heaven,’ said he.
‘**Under what form did he appear to you?’ I asked.
‘**Under his mortal aspect, dressed as he was the last
time I saw him in London with Richard Shearsmith, near
Coldbath Fields, in July, 1771. He had on his shot velveteen coat with steel buttons, a high waistcoat, a white cravat, and the same imposing wig, with heavy, powdered curls
at the side, and the hair combed back from the forehead,
showing that broad and luminous brow in harmony with
his large, square face, so full of calm power. I recognized
his nose with its open, ardent nostrils; the mouth that always smiled—an angel’s mouth, from which fell these words
of promised happiness, ‘‘We meet again, soon!’’ And I felt
the glory of heavenly love.’
‘‘The conviction stamped on the Baron’s face prohibited
any discussion; [ listened in silence; his voice had an infectious fervor that warmed me to the core; his enthusiasm
stirred my heart, as another man’s anger can thrill one’s
nerves. I followed him, without speaking, home to his
house, where I saw the nameless child lying mysteriously
wrapped on her mother’s bosom. Seraphita heard me come
in, and raised her head toward me; her eyes were not those
of an ordinary infant; to express the impression they produced on me, I can only say they already saw and understood.
“The childhood of this predestined being was marked
by some extraordinary circumstances of climate. For nine
years our winters were milder and our summers longer than
usual. This phenomenon gave rise to much discussion
among the learned; but their explanations, which seemed
84 BALZAC’S WORKS
inadequate to the Doctors of the Academy, made the Baron
smile when I repeated them to him.
‘‘Seraphita was never seen perfectly nude, as children
are sometimes; she was never touched by the hand of man
or woman; she lay spotless on her mother’s breast, and she
never cried. Old David will confirm these facts if you
question him about his mistress, for whom he feels such
veneration as the king whose name he bears had for the
Ark of God.
‘‘At the age of nine the child began to be absorbed in
prayer. Prayer is her life; you saw her in our churcb on
Christmas Day, the only day she ever comes there. She
is placed apart from the other worshippers by a considerable distance. If this space is not left about her, she is ill.
Indeed, she spends most of her time indoors. The details
of her life are, however, unknown; she never shows herself;
her faculties, her feelings are essentially inward; she is
commonly in the state of mystical contemplation, which,
as Papist writers tell us, was familiar to the first Christian
recluses, in whom dwelt the tradition of Christ’s teaching.
Her understanding, her soul, her body, everything about
her, is as virginal as the snow on our mountains. At ten
years old she was what you see her now.
‘*When she was nine her father and mother died at the
same instant without pain, without any visible malady, after
naming the hour at which they should cease to breathe.
She, standing at their feet, looked on them with a calm
eye, displaying neither grief, nor pain, nor joy, nor curiosity; her father and mother smiled at her.
‘“When we went in to carry away the two bodies, she
said—
‘**Take them away!’
SERAPHITA 85
\
““‘Seraphita,” said I, for we called her by that name,
‘are you not grieved by your father’s and mother’s death?
They loved you so well.’
“**Dead ?’ said she. ‘No, they are still in me. This is
nothing,’ she added, pointing to the bodies they were
taking away.
“This was the third time I had seen her since her birth.
It is difficult to see her in church; she stands near the pillar
that supports the pulpit, in such a dark corner that it 1s
hardly possible to discern her features.
“Of all the servants of the house, none were left at the
time of that event but old David, who, though he is eightytwo years old, manages to do all his mistress needs. Some
of the people of Jarvis have strange tales about the girl.
Their stories having assumed some consistency in a land
that is greatly addicted to mysteries, [ set to work to study
Jean Wier’s ‘Treatise on Sorcery,’ and other works on
demonology, in which the effects on man of the supernatural (so called) are recorded, in search of facts analogous
to what are ascribed to her—’’
‘“‘Then you do not believe in her?’’ asked Wilfrid.
“Indeed, yes,’’ said the pastor with simplicity, ‘‘in so
far that I regard her as a most fantastic creature, spoiled
by her parents, who have a her brain by the Telions
notions I have set forth to you.’
Minna shook her head in a gentle expression of negation.
“Poor girl!’’ the pastor went on, ‘“‘she has inherited
from her parents the fatal enthusiasm which misleads mystics and makes them more or less crazy. She fasts in a way
that drives poor David to despair. The good old man is
like some frail plant that trembles at a breath of wind
and basks in the smallest gleam of sunshine. His mis86 BALZAC’S WORKS
tress, whose incomprehensible language he has adopted,
is to him the breeze and sunshine; to him her feet are
diamonds, her forehead crowned with stars; she moves
environed by a white and luminous halo; her voice has an
accompaniment of music; she has the gift of becoming
invisible. Ask to see her; he will tell you that she is
wandering through astral worlds. It is difficult to believe
such fables. Every such miracle, you know, is more or
less like the story of the Golden Tooth: we have a Golden
Tooth at Jarvis, that is all.
‘For instance, Duncker, the fisherman, declares that he
has seen her plunging into the fiord and coming to the surface in the form of an eider-duck, or walking on the waves
during astorm. Fergus, who tends the herds on the seter,
says that, in rainy weather, he has seen the sky always clear
over the Swedish castle, and always blue over Seraphita’s
head if she goes out. Several women hear the chords of
an immense organ when Seraphita comes to church, and
ask their neighbors quite seriously if they also do not
hear it.
‘‘However, my daughter, to whom Seraphita has taken
a great fancy these two years past, has heard no music, and
has not perceived the heavenly perfumes which embalm the
air, they say, wherever she goes. Minna has often come
home full of a simple girl’s admiration for the beauties of
the spring; she is enraptured by the fragrance of the first
tender larch shoots, the fir trees, and the flowers they have
enjoyed together; but after our long winter nothing can be
more natural than such intense delight. There is nothing
very remarkable in the conversation of that being, is there,
my child ?”’
‘*His secrets are not mine,’’
replied Minna. ‘‘When I
SERAPHITA 87
am with him, I know all things; away from him, I know
nothing; with him, I cease to be myself; away from him,
I forget that more perfect life. Seeing him is as a dream,
of which my remembrance depends on his will. I may
have heard, when with him, the music of which Bancker’s
wife and Erikson’s speak, and forget it when we are apart;
I may have perceived those celestial perfumes and have
beheld marvels, and yet know nothing of them here.”’
‘“What has most surprised me since I first knew her,’”’
said the pastor to Wilfrid, ‘‘is that she should allow you to
approach her.’’
‘To approach her!’’ said the stranger. ‘She has never
allowed me to kiss nor even to touch her hand. The first
time I saw her she abashed me by her look, and said, ‘You
are welcome here; you were due to come.’ It was as though
she knew me. I trembled.—My fear makes me believe in
her.”’
‘*And my love,’ said Minna, without a blush.
‘*Are you making fun of me?” said the pastor, laughing
with good humor; ‘‘you, my child, in calling yourself a °
Spirit of Love; and you, sir, in making yourself out to be
a Spirit of Wisdom ?”’
He drank off a glass of beer, and did not observe a
singular look which Wilfrid gave to Minna.
‘‘Jesting apart,’’ Becker went on, ‘‘I was greatly amazed
to hear that those two crazy girls had gone to-day for the
first time to the top of the Walberg; but is not that some
exaggeration? The girls must have simply climbed some
hill; the summit of the Falberg is inaccessible.’’
‘‘Father,’’ said Minna, in some agitation, ‘‘I must then
have been in the power of the demon; for I climbed the
Falberg with him.”’
88 BALZAC’S WORKS
“This is a serious matter,’’ said the pastor. ‘‘Minna has
never told a lie.’’
‘“‘My dear sir,’’ said Wilfrid, ‘‘I can assure you, Seraphita exerts the most extraordinary power over me; I know
not what words can give any idea of it. She has told me
things which no one but I could know.”’
‘‘Somnambulism!’’ cried the old man. ‘‘Various cases
of that kind are reported by Jean Wier as phenomena easy
to account for, and known of old in Egypt.”’
‘*Gend me the theosophical works of Swedenborg,’’ said
Wilfrid. ‘‘L long to plunge into those lakes of light; you
have made me thirst for them.”’
Pastor Becker handed a volume to Wilfrid, who immediately began to read. It was about nine o’clock in the
evening. The maid had just brought in the supper, and
Minna made the tea. The meal ended, all three sat silently
occupied; the pastor read Jean Wier’s ‘‘Treatise on Demonology’’; Wilfrid lost himself in the study of Swedenborg;
Minna sewed and dreamed over her recollections. It was a
thoroughly Norwegian scene, a peaceful, studious evening,
full of thought—a flower under the snow. Wilfrid, as he
read the writings of the prophet, was alive only to his
inward senses. Now and again the pastor, with a halfserious, half-ironical gesture, pointed him out to Minna,
who smiled rather sadly. To Minna, Seraphitus smiled
down upon them, floating above the cloud of tobacco
smoke in which they were wrapped.
Midnight struck. Suddenly the outer door was violently pushed open; heavy but hasty steps, the steps of a
terrified old man, were heard in the sort of small hall
between the two doors. Then David burst into the room.
‘“*Wiolence! Violence!’’ he cried. ‘‘Come! all of you,
SERAPHITA 89
come! The Satans are unchained; they wear mitres of
flame! Adonis, Vertumnus, the Sirens! They are tempting her as Jesus was tempted on the mountain. Come and
drive them out.”’
‘Do you recognize the language of Swedenborg, pure
and unmixed ?”’ said the pastor, laughing.
But Wilfrid and Minna were gazing in terror at old
David, who, with streaming hair and wild eyes, his legs
trembling, and covered with snow, stood shaking as if he
were buffeted by a stormy wind.
‘*What has happened ?”’ asked Minna.
““Well, the Satans hope and purpose te conquer her.’’
The words made Wilfrid’s heart beat.
‘For nearly five hours she has been standing up with
her eyes raised to heaven, her arms uplifted; she is in
torment; she calls upon God. I cannot cross the line; hell
has set Vertumni to guard it. They have raised a barrier
of iron between her and her old David. If she wants me,
what can[ do? Help me! Come and pray!”
The poor old man’s despair was terrible to behold.
‘The glory of God protects her; but if she were to yield
to violence?’’ he said, with persuasive good faith.
‘*Silence, David, do not talk so wildly. These are facts
9
to be verified.—We will go with you,”’ said the pastor,
‘tand you will see that there are neither Vertumni in the
house, nor Satans, nor Sirens.”’
‘Your father is blind,’’ David whispered to Minna.
Wilfrid, on whom his first reading of a treatise by
Swedenborg, hasty as it had been, had produced a powerful effect, was already in the passage putting on his snowshoes. Minna was ready ina moment. They rushed off to
the Swedish castle, leaving the two old men to follow.
90 BALZAC’S WORKS
“Do you hear that cracking ?’’ said Wilfrid.
“The ice is moving in the fiord,’’ said Minna; ‘‘the
spring will soon be here.”’
Wilfrid said no more. When they were in the courtyard, they both felt that they had no right, no strength, to
enter the house.
‘‘What do you think of her?’’ asked Wilfrid.
‘‘What a blaze of light!’’ cried Minna, standing in front
of the drawing-room window. ‘‘There he is—great God!
and how beautiful! Oh, my Seraphitus, take me to thee!’’
The girl’s outcry was inward and inaudible. She saw
Seraphitus standing lightly shrouded in an opal-tinted mist,
which was diffused for a short distance all about the apparently phosphorescent body.
‘‘How lovely she is!’’ was Wilfrid’s mental exclamation.
Pastor Becker now came up with David; he saw his
daughter and the stranger in front of the window, came
close to them, looked into the room, and said—
‘“Well, David, she is saying her prayers.”’
‘But try to go in, sir.”’
‘“Why disturb her when she is praying?’’ replied the
pastor.
At this moment a ray of moonlight from beyond the
Falberg fell on the window. They all looked round,
startled by this natural phenomenon; but when they turned
again to look at Seraphita, she had vanished.
‘That is strange!’’ said Wilfrid in surprise.
7]
‘‘But I hear exquisite strains,’’ said Minna.
‘Well, what next?’’ said the pastor; ‘‘she is going to
bed, no doubt.”’
David had gone in. They walked home in silence; all
SERAPHITA 91
three interpreted this vision in a different sense. Pastor
Becker felt doubt; Minna felt adoration; Wilfrid, desire.
Wilfrid was a man of six-and-thirty. Though built
on a large scale, he was not ill-proportioned. He was of
a middle height, like most men who are superior to the
common herd; his chest and shoulders were broad, and his
neck was short, as in men whose heart is near their head;
he had thick, fine black hair, and his eyes, of a tawny
brown, had a sunny sparkle in them that showed how eagerly his nature absorbed hght. If his strong and irregular
features were lacking in that internal calm which is given
by a life free from storms, they revealed the inexhaustible
forces of ardent senses and instinctive appetites; just as his
movements showed the perfection of physical structure,
adaptability of nature, and responsive action. This man
might hold his own with the savage; might hear, as he
does, the footfall of the enemy in the depths of the forest,
scent his trail in the air, and see a friendly signal on the
remote horizon. His sleep was light, like that of creatures
alert against surprise. His frame quickly adapted itself to
the climate of any country whither his stormy life might
lead him. Art and Science alike would have admired this
organization as a sort of human model; everything was truly
balanced, heart and movement, intelligence and will.
At first sight he might seem to be classed with those
purely instinctive beings who abandon themselves wholly
to material needs; but, early in life, he had made his way
in the social world to which his feelings had committed
him; reading had raised his intelligence, meditation had
improved his mind, science had expanded his understanding. He had studied the laws of humanity, and the play
92 BALZAO’S WORKS
of interests moved to action by the passions, and he seemed
to have been long familiar with the abstract notions on which
society is founded. He had grown pale over books, which
are human actions in death; he had kept late hours in the
midst of festivities in many a European capital; he had
waked up in many strange beds; he had slept perhaps on
a battlefield on the night before the fight, and the night after
a victory; his tempestuous youth might have tossed him on
to the deck of a pirate ship in the most dissimilar quarters
of the globe; thus he was experienced in living human action. So he knew the present and the past; both chapters
of history—that of the elder and that of the present time.
Many men have been, like Wilfrid, equally strong of
hand, heart, and brain; and, like him, they have generally
misused this threefold power.
But though this man’s outward husk was still akin to
the scum of humanity, he certainly belonged no less to the
sphere where force is intelligent. Notwithstanding the
wrappers in which his soul was shrouded, there were in
him those indescribable symptoms visible to the eye of the
pure-hearted, of children whose innocence has never felt
the blighting breath of evil passions, of old men whe have
triumphed over theirs; and these signs revealed a Cain to
whom hope yet remained, and who seemed to be seeking
absolution at the ends of the earth. Minna suspected the
slave of glory in this man; Seraphita recognized it; both
admired and pitied him. Whence had they this intuition?
Nothing can be simpler or, at the same time, more extraordinary. As soon as man desires to penetrate the secrets of
nature, where there is no real secret, all that is needed is
sight; he can see that the marvellous is the outcome of the
simple.
SERAPHITA 93
“‘Seraphitus,’’ said Minna, one evening a few days after
Wilfrid’s arrival at Jarvis, ‘‘you read this stranger’s soul,
while I have only a vague impression of him. He freezes
or he warms me; but you seem to know the reason of this
frost and this heat; you can tell me, for you know all about
him.”’ :
‘“Yes, I have seen the causes,’’ said Seraphitus, his
heavy eyelids closing over his eyes.
‘‘By what power?’’ asked the inquisitive Minna.
‘“‘[ have the gift of specialism,’’ he replied. ‘‘Specialism constitutes a sort of inward vision which penetrates all
things, and you can understand its processes only by a comparison. In the great cities of Hurope, where works of art
are produced by which the human hand endeavors to represent the effects of moral nature as well as those of physical
nature, there are some sublime geniuses who express their
ideas in marble. The sculptor works on the marble; he
shapes it, and puts into it a world of thought. There are
such marbles to which the hand of man has given the power
of representing a wholly sublime or a wholly evil aspect of
humanity; most beholders see in these a human figure and
nothing more; others, a little higher in the scale of human
beings, discern some part of the thoughts rendered by the
sculptor, and admire the form; but those who are initiated
into the secrets of Art are in sympathy with the sculptor;
when they see his work they recognize in it the whole world
of his thoughts. These are the princes of Art; they bear in
themselves a mirror in which nature is reflected with all its
most trifling details.
‘‘Well, in me there is a mirror in which moral nature is
reflected with all its causes and effects. I can read the past
and the future by thus looking into the conscience. You
94 BALZAC’S WORKS -
still ask me how? Suppose the marble to be a man’s body,
and the sculptor to be feeling passion, vice, or crime, virtue,
error, or repentance; then you will understand how I could
read the stranger’s soul, though you will not understand
specialism; to imagine what that gift is you must possess it.’’
Though Wilfrid was akin to both the primitive and
widely different types of men—men of might and men of
mind—his excesses, his stormy life, and his sins had often
shown him the way of faith; for doubt has two sides—the
side of light and the side of darkness. Wilfrid had too
thoroughly squeezed the world in both its aspects—matter
and spirit—not to have felt the thirst of the unknown, the
longing for the Beyond which comes to most men who
have knowledge, power and will. But neither his knowledge, nor his actions, nor his will had due guidance. He
had escaped from social life from necessity, as a criminal
flies to the cloister. Remorse, the virtue of the weak, could
not touch him. Remorse is impotence; it will sin again.
Only repentance is strong; it can end everything. But
Wilfrid, in travelling through the world, which he had
made his sanctuary, nowhere found balm for his wounds;
nowhere had he found a nature to which he could attach
himself. Despair had dried up in him the wellspring of
desire. His was one of those spirits which, having come
to a conflict with passion, have proved themselves the
stronger, and so have nothing left to clutch in their italons; spirits which, the opportunity failing them for putting themselves at the head of their peers to trample a
whole people under their horse’s hoofs, would pay the
price of a dreadful martyrdom for the gift of a faith to bo
wrecked upon; like lofty rocks waiting for the touch of a
SERAPHITA 95
staff which never comes, to enable them to shed springs of
ranning water.
Tossed among the snows of Norway by one of the purposes of his restless and inquiring life, the winter had taken
him by surprise at Jarvis. On the day when he first saw
Seraphita, the meeting wiped out all memories of his past
life. This girl gave him such intense agitation as he had
fancied was dead forever. The ashes burst into flame again,
and were blown away by the first breath of that voice. Who
has known what it is to become young and pure again after
growing cold with age and foul with impurities? Wilfrid
loved suddenly, as he had never loved; he loved in secret,
with faith and awe and hidden frenzies. His life was disturbed to its very source at the mere thought of seeing Seraphita. When he heard her speak, he was borne away to
unknown worlds; he was dumb in her presence—she bewitched him.
Here, under the snows, amid the ice-fields, this heavenly
flower had blossomed on the stem—the flower to which his
hopes went up, till now deceived, whose mere presence
gave rise to the new aspirations, the ideas, the feelings,
that crowd around us to lft us up to higher realms, as
angels transport the elect to heaven in the symbolical pictures suggested to painters by some familiar spirit. Celestial odors softened the granite of this rock, light endowed
with language poured forth the divine melodies which escort the pilgrim on his way to heaven. Having drained
the cup of earthly love and crushed it with his teeth, he
now saw the cup of election, sparkling with limpid waters,
the chalice that gives a thirst for unfading joys to all who
approach it with lips of faith so ardent that the crystal does
not break at their touch. He had met with the walls of
96 BALZAC’S WORKS
brass he had been seeking throughout the world that he
might climb them.
He flew to Seraphita, intending to express to her the
vehemence of a passion under which he was plunging, like
the horse in the story under the bronze rider whom nothing
can move, who sits firm, and whose weight grows greater as
the fiery steed tries to throw him. He went to tell her his
life, to display the greatness of his soul by the greatness of
his sins, to show her the ruins in his desert. But as soon
as he had entered the precincts, and found himself in the
vast domain surveyed by those eyes whose heavenly blue
knew no limits in the present or in the past, he became as
calm and submissive as a lion when, rushing on his prey in
the African plain, he scents a love message on the wings of
the breeze, and stands still. A gulf opened before him in
which the words of his delirium were lost, and whence a
voice came up that transformed him: he was a boy again,
a boy of sixteen, shy and bashful before this maiden of
the tranquil brow, this white creature whose immovable
calm was like the stern impassibility of human justice.
And the struggle had never ceased till this evening when,
with a single look, she had at length stricken him down
like a hawk, which, after describing bewildering spirals
round its prey, makes it drop stunned before carrying it
off to its eyry.
We have long struggles with ourself, of which the outcome is one of our actions; they are, as it were, the inner
side of human nature. This inner side is God’s; the outer
side belongs to men.
More than once had Seraphita chosen to show Wilfrid
that she knew that motley inner part which forms the second life of most men. She had often said to him, in her
SERAPHITA 97
dovelike tone, when Wilfrid had vowed on the way up
that he would carry her off to be his own possession,
‘““Why so much vehemence?’’ Wilfrid, when alone, was
strong enough to utter the cry of rebellion he had given
vent to at Pastor Becker’s, to be soothed by the old man’s
narrative. This man—a mocker, a scorner—at last saw the
light of a starlike belief rising in his darkness; he wondered
whether Seraphita were not an exile from the upper spheres
on her homeward road. He did not offer this Norwegian
lily the homage of such idealization as lovers of every land
are apt to squander; he really believed in her divinity.
Why was she buried in the depths of this fiord? What
was she doing there? Unanswerable questions crowded on
his mind. Wkat could happen between him and her?
What fate had led him thither?
To him Seraphita was the motionless statue, as light as
a shade, that Minna had just seen standing on the brink of
the abyss. Seraphita could thus confront every abyss, and
nothing could hurt her; the line of her brow would be unmoved, the light in her eye would never tremble. His love,
then, was without hope, but not without curiosity.
From the first moment when Wilfrid suspected the ethereal nature in this sorceress, who had told him the secret of
his life in harmonious dreams, he resolved to try to subjugate her, to keep her, to steal her from heaven, where perhaps they awaited her. He would be the representative of
humanity, of this earth, recapturing their prey. His pride,
the only sentiment which can uplift a man for any length of
time, would make him rejoice in that triumph for the rest
of his life. At the mere thought his blood boiled in his
veins, his heart swelled. If he could not succeed, he would
crush her. It is so natural to destroy what you cannot get
(5)—Vol, 25
98 BALZAC’S WORKS
possession of, to deny what you do not understand, to insult
what you covet.
Next day Wilfrid, full of the ideas to which the extraordinary spectacle he had witnessed had naturally given rise,
wanted to cross-question David, and came to see him, making a pretext of his wish for news of Seraphita. Though
Pastor Becker thought the poor old man was childish, the
stranger trusted to his own perspicacity to guide him in discovering the grains of truth the old serving-man might drop
in the torrent of his wandering talk.
David had the rigid but undecided expression of a man
of eighty; under his white hair his brow showed deep
wrinkles, forming broken stratifications, and his whole face
was furrowed like the dry bed of a torrent. All his vitality
seemed to be concentrated in his eyes, where a spark still
gleamed; but that ight even was hidden behind clouds, and
might be either the fitful activity of a feeble mind, or the
stupid glare of intoxication. His slow, heavy movements
betrayed the chill of old age, and seemed to communicate
it to any one who gazed at him for long, for he had the
strength of inertia. His narrow intelligence awoke only at
the sound of his mistress’s voice, at the sight or the thought
of her. She was the soul of this merely material wreck.
When David was alone you would have thought him a
corpse; if Seraphita appeared, or spoke, or was spoken
of, the dead rose from the grave and recovered motion and
speech.
Never were the dry bones that the breath of God shall
revive in the valley of Jehoshaphat—never was that Apocalyptic parable more vividly realized than in this Lazarus
perennially called forth from the sepulchre by the voice of
this young girl. His mode of speech, always highly figuraSERAPHITA Be Sie)
tive, and often incomprehensible, kept the villagers from
talking to him; but they greatly respected a mind so far
removed from the vulgar routine; it commands the instinctive reverence of common folk.
Wilfrid found David in the outer room apparently asleep,
close to the stove. Like a dog recognizing a friend’s approach, the old man opened his eyes, saw the stranger, and
did not stir.
‘Well, where is she?’’ asked Wilfrid, sitting down by
the old man.
David fluttered his fingers in the air to represent the
flight of a bird.
‘She is not still in pain ?’’ asked Wilfrid.
‘‘None but those beings who are plighted to heaven can |
suffer without any diminution of their love; that is the seal
of true faith,’’ said the old man gravely, like an instrument
responding to a chance touch.
‘‘Who tells you to say that?”
‘‘The spirit.”’
‘*What happened, after all, last evening? Dic you force
your way past the Vertumni on guard? Did you steal in
between the Mammons ?”’
‘*Yes,’’ replied David, waking as if from a dream.
The mist before his eye cleared off under a flash that
came from within, and which made it grow gradually as
bright as an eagle’s, as intelligent as a poet's.
‘‘What then did you see?’’ asked Wilfrid, amazed at
this sudden change.
‘‘T saw Species and Shapes, I heard the Spirit of All
Things; I saw the rebellion of the Wicked, I listened to
the words of the Good. Seven devils appeared, seven archangels came down to them. The archangels stood afar, they
100 BALZAC’S WORKS
were veiled, and looked on. The devils were close at hand,
they glittered and moved. Mammon was there in a shell of
pearl, in the guise of a beautiful naked woman; his body
was as dazzling as the snow, no human form can be so perfect; and he said, ‘I am all pleasure, and thou shalt possess
me!’—Lucifer, the Prince of Serpents, came in his royal
attire; he was as a man, as beautiful as an angel, and he
said, ‘The human race shall serve thee!’—The Queen of the
Covetous, she who never restores that which she has taken—
the Sea herself appeared in her mantle of green; she opened
her bosom and showed her store of gems, she vomited treasures and offered them as a gift; she tossed up waves of sapphire and emerald; her creatures were disturbed, they came
forth from their hiding-places and spoke; the fairest of the
pearls spread butterflies’ wings, she glistened, and spoke in
sea-melodies, saying, ‘We are both daughters of suffering,
we are sisters; wait for me; we will fly together; I have
only to be changed into a woman.’ The bird that has the
talons of an eagle and the legs of a lion, the head of a woman and a horse’s quarters—the Animal—crouched before
her and licked her feet, and promised seven hundred years
of plenty to this well-beloved daughter.
‘The most formidable of all, the Child, came to her very
knee, weeping, and saying, ‘Can you forsake me, so feeble
and helpless? Mother, stay with me!’ He played with the
others, he shed idleness in the air; heaven itself might have
yielded to his lament. The Virgin of pure song brought
music that debauches the soul. The Kings of the Hast
passed by with their slaves, their armies, and their women;
the Wounded clamored for help, the Wretched held out
their hands: ‘Do not leave us, do not leave us!’ was their
cry.
SERAPHITA 10!
“I, too, cried, ‘Do not leave us; we will worship you
—only stay!’ ;
‘Flowers burst from their seeds, and wrapped her in
perfume, which said, ‘Stay!’ The Giant Anakim came
down from Jupiter, bringing Gold and his comrades, and
all the Spirits of the astral worlds who had followed him,
and they all said, ‘We will be thine for seven hundred
years.’ At last Death got off his pale horse and said, ‘I~
will obey thee!’ And they all fell on their faces at her
feet; if you could but have seen them! They filled a vast
plain, and all cried to her, ‘We have fed thee; thou art our
child; do not forsake us!’
‘Life came up from the red waters and said, ‘I will not
desert thee!’ Then, finding Seraphita speechless, she suddenly blazed like the sun, and exclaimed, ‘I am the Light!’
—‘The light is there!’ replied Seraphita, pointing to clouds
where the archangels were astir. But she was worn out;
Desire had broken ber on the rack; she could only cry
aloud, ‘My God!’
‘*How many Angelic Spirits who have climbed the hill,
and are on the point of reaching the summit, have stumbled
on a stone taat has made them fall and roll back into the
depths!—AI! these fallen Spirits marvelled at her constancy;
they stood there a motionless chorus, weeping, and saying,
‘Courage!’ At last she had triumphed over Desire, unchained to rend her in every Shape and Species. She
remained praying; and when she raised her eyes, she saw
the feet of the angels flying back to heaven.”’
‘‘She saw the feet of the angels?” repeated Wilfrid.
‘‘Yes,’’ said the old man.
‘This was a dream that she told you?” asked Wilfrid.
\
' ¥
102 BALZAC’S WORKS —
‘CA dream as real as that you are alive,’’ replied David.
‘“‘T was there.”’
The old servant’s calm conviction struck Wilfrid, who
went away, wondering whether these visions were at all less
extraordinary than those of which Swedenborg wrote, and
of which he had read the evening before.
“Tf spirits exist, they must surely act,’’ said he to himself
as he went into the manse, where he found the pastor alone.
‘‘My dear Pastor,’’ said he, ‘‘Seraphita is human only
in form, and her form is unaccountable. Do not regard me
as mad or in love: conviction cannot be argued away.
Convert my belief into a scientific hypothesis, and let us
try to understand all this. To-morrow we will go to see
her together.”’
‘‘And then ?’’ said the minister.
‘‘If her eye knows no limitation of space, if her thought
is the sight of the intellect, allowing her to apprehend
the essence of things and to connect them with the general evolution of the universe; if, in a word, she knows
and sees everything, let us get the Pythoness on to her
tripod, and compel the eagle to spread its wings, by threats.
Help me! I breathe a consuming fire; I must extinguish
it, or be devoured by it. In short, I see my prey; I will
have it.”
“It will be a conquest difficult of achievement,’’ said the
minister, ‘‘for the poor girl is—’’
‘*Tg— ?’’ said Wilfrid.
‘*Mad,’’ said the pastor.
‘‘T will not dispute her madness,’’ said Wilfrid, ‘‘so long
as you do not dispute her superiority. Dear Pastor Becker,
she has often put me to the blush by her learning. Has she
travelled much ?”’
SERAPHITA 103
*‘From her house to the fiord.’’
‘She has never been away!’’ cried Wilfrid. ‘Then she
must have read a great deal ?’’
‘Not a page, not a jot. I am the only person in Jarvis
who has any books. Swedenborg’s writings, the only works
in the hamlet, are here; she has never borrowed a single
volume.”’
‘‘Have you ever tried to converse with her?’’
“Of what use would it be?”’ =
‘‘No one has dwelt under her roof?”
‘She has no friends but you and Minna; no servant but
old David.”’
‘‘And she has never learned anything of Science or
Ari?’
‘‘From whom?’’ said the pastor.
“Then, when she discusses such matters very pertinently, as she has often done with me, what would you
infer ?”’
‘That the girl may, perhaps, during all these years of
silence, have acquired such faculties as were possessed by
Apollonius of Tyana, and by certain so-called wizards,
who were burned by the Inquisition, which rejected the
idea of second-sight.”’
‘*When she talks Arabic, what can you say?”’
‘‘The history of medicine contains many accredited instances of women who spoke languages they did not understand.”’ .
‘‘What can I do?”’ said Wilfrid. ‘She knows things
concerning my past life of which the secret lay in me.”’
‘‘We will see if she can tell me any thoughts that I have
never spoken to any one,’’ said Pastor Becker.
Minna came into the room.
104 BALZAC’S WORKS
“Well, my child, and how is your Spirit-friend?”
‘‘He is suffering, father,’’ said she, bowing to Wilfrid.
‘The passions of humanity, tricked out in their false splendor, tortured him in the night, and spread incredible pomp
before his eyes.—But you treat all these things as mere
fables.’’
‘Fables as delightful to him who reads them in his
brain as those of the ‘Arabian Nights’ are to ordinary
minds,’’ said her father, smiling.
‘‘Then, did not Satan,’’ she retorted, ‘‘transport the
Saviour to the summit of the Temple and show Him the
kingdoms at His feet?”
“The Evangelists,’’ replied Becker, “did not se effectually correct their text but that several versions exist.”’
‘You, then, believe in the reality of these apparitions ?”’
Wilfrid asked of Minna.
‘‘Who can doubt that hears him tell of them ?”’
‘**Him?—Who?”’ asked Wilfrid.
‘‘He who dwells there,’’ said Minna, pointing to the
castle.
‘*You speak of Seraphita?’’ said Wilfrid, surprised.
The girl hung her head, with a gentle but mischievous
glance at him.
‘Yes, you too take pleasure in confusing my mind.—
Who is she? What is your idea of her?”’
‘‘What I feel is inexplicable,’’ said Minna, coloring.
‘*You are both mad!’ said the pastor.
““M™hen we meet to-morrow,’’ said Wilfrid, as he left.
Miadle ln i.»
SERAPHITA 105
IV
THE CLOUDS OF THE SANCTUARY
HERE ARE spectacles to which all the material
magnificence at man’s command is made to contribute. Whole tribes of slaves or divers go forth to seek
in the sands of the sea, in the bowels of the rocks, the
pearls and diamonds that adorn the spectators. These
treasures, handed down from heir to heir, have blazed on
crewned heads, and might be the most veracious historians
of humanity if they could but speak. Have they not seen
the joys and woes of the greatest as well as of the humblest? They have been everywhere—worn with pride at
high festivals; carried in despair to the money-lender;
stolen amid blood and pillage; treasured in miracles of
artistic workmanship contrived for their safe keeping.
Excepting Cleopatra’s pearl, not one has perished.
The great and the rich are assembled to see a king
crowned—a monarch whose raiment is the work of men’s
hands, but who, in all bis glory, is arrayed in purple less
exquisite than that of a humble flower. These festivities,
blazing with light, bathed in music through which the
words of men strive to be heard in thunder—all these
works of main can be crushed by a thought, a feeling.
The mind of man can bring to his ken light more glorious,
can make him hear more tuneful harmonies, show him
among clouds the glittering constellations he may question;
and the heart can do yet more! Man may stand face to face
106 BALZAC’S WORKS
with a single being and find in a single word, a single look,
a burden so heavy to be borne, a light so intense, a sound
so piercing, that he can but yield and kneel. The truest
splendors are not in outward things, but in ourselves.
To a learned man, is not some secret of science a whole
new world of wonders? But do the clarions of force, the
gems of wealth, the music of triumph, the concourse of
the crowd, do honor to his joy? No. He goes off to some
remote nook, where a man, often pale and feeble, whispers
a single word in his ear. That word, like a torch in an
underground passage, lights up the whole of science.
Every human conception, arrayed in the most attractive
forms that mystery can invent, once gathered round a blind
man sitting in the mud by a roadside. The three worlds—
the Natural, Spiritual, and Divine—were revealed to an
unhappy Florentine exile; as he went he'was escorted by
the happy and by the suffering, by those who prayed and
those who cursed, by angels and by the damned. When
He who came from God, who knew and could do all things,
appeared to three of His disciples, it was one evening at
the common table of a poor little inn; there and then the
Light broke forth, bursting material husks, and showing
its spiritual power. They saw Him in His glory, and the
earth clung to their feet no more than as the sandals they
could slip off them.
The pastor, Wilfrid, and Minna were all three excited to
alarm at going to the house of the extraordinary being they
proposed to question. To each of them the Swedish castle
was magnified into the scene of a stupendous spectacle, like
those of which the composition and color are so skilfully
arranged by poets, where the actors, though imaginary to
men, are real to those who are beginning to enter into the
SERAPHITA 107
spiritual world. On the seats of that amphitheatre the
pastor beheld arrayed the dark legions of doubt, his
gloomy ideas, his vicious syllogisms in argument; he
called up the various philosophical and religious sects,
ever contentious, and all embodied in the shape of a fleshless system, as lean as the figure of Time as imagined by
man—the old mower who with one hand raises the scythe,
and in the other carries a meagre world, the world of
human life.
Wilfrid saw there his first illusions and his last hopes;
he imagined human destiny incarnate there and all its
struggles; religion and its triumphant hierarchies.
Minna vaguely found heaven there, seen through a
vista; love held up a curtain embroidered with mystical
figures, and the harmonious sounds that fell on her ears
increased her curiosity. Hence this evening was to them
what the supper at Emmaus was to the three travellers,
what a vision was to Dante, what an inspiration was to
Homer; to them, too, the three aspects of the world were
to be revealed, veils rent, doubts dispelled, darkness lightened. Human nature in all its phases, and awaiting illumination, could find no better representatives than this young
girl, this man, and these two elders, one of them learned
enough to be sceptical, the other ignorant enough to
believe. No scene could be simpler in appearance or more
stupendous in fact.
On entering, shown in by old David, they found Seraphita standing by the table, on which were spread the
various items constituting a Tea, a meal which takes the
place in the north of the pleasures of wine-drinking, reserved for southern lands. Nothing certainly betrayed in
her—or in him—a wondrous being who had the power of
108 BALZAC’S WORKS _
_ appearing under two distinct forms, nothing that showed
the various forces she could command. With a homely
desire to make her three guests comfortable, Seraphita bid
David to feed the stove with wood.
‘‘Good-evening, neighbors,’’ said she. ‘Dear Pastor
‘Becker, you did well to come; you see me alive, perhaps,
for the last time. This winter has killed me.—Be seated,
pray,’’ she added to Wilfrid.—‘‘ And you, Minna, sit there,”
and she pointed to an armchair near the young man. ‘‘You
have brought your work, I see. Did you find out the
stitch. The pattern is very pretty. For whom is it to
be? For your father or for this gentleman?’’ and she
turned to Wilfrid. ‘‘We must not allow him to leave
without some remembrance of the damsels of Norway.”’
‘‘Then you were in pain again yesterday ?’’ asked Wilfrid.
“That is nothing,’’ she replied. ‘‘Such pain makes me
glad; it is indispensable to escape from life.’
‘*Then you are not afraid of dying?’’ said the minister,
smiling, for he did not believe in her illness. :
‘‘No, dear Pastor; there are two ways of dying—to some
death means victory, to some it is defeat.”
‘**And you think you have won?’’ said Minna.
‘Ido not know,’’ said she. ‘Perhaps it is only a step
more.’’
The milky radiance of her brow seemed to fade, her eyes |
fell under her lids, which slowly closed. This simple circumstance distressed the three inquirers, who sat quite
still. The pastor was the boldest.
‘‘My dear girl,’’ said he, ‘‘you are candor itself; you
are also divinely kind. I want more of you this evening
than the dainties of your tea-table. If we may believe
what some people say, you know some most wonderful
, SERAPHITA 109
things; and if so, would it not be an act of charity to clear
up some of our doubts ?”’
“Oh, yes!’ said Seraphita, with a smile. ‘“‘They say
that I walk on the clouds; Iam on familiar terms with the
eddies in the fiord; the sea is a horse I have saddled and
bridled; I know where the singing flower grows, where the
talking light shines, where living colors blaze that scent the
air; I have Solomon’s ring; I am a fairy; I give my orders
to the wind, and it obeys me like a submissive slave; I can
see the treasures in the mine; [ am the virgin whom pearls
rush to meet, and—’”’
**And we walk unharmed on the Falberg,’’ Minna
put in.
‘“What, you, too?’’ replied the Being with a luminous
glance at the girl, which quite upset her. ‘‘If I had not
the power of reading through your brows the wish that has
brought you here, should I be what you think Iam?”’ she
went on, including them all in her captivating gaze, to
David’s great satisfaction, and he went off rubbing his
hands.—'‘‘Yes,’’ she went on after a pause, ‘‘you all came
overflowing with childish curiosity. You, my dear Pastor,
wondered whether it were possible that a girl of seventeen
should know even one of the thousand secrets which learned
men seek diligently with their noses to the ground instead
of with their eyes raised to heaven! Now, if I were to show
you how and where plant life and animal life mingle, you
would begin to doubt your doubts.—You piotted to crossquestion me, confess ?”’
‘*Yes, beloved Seraphita,’’ said Wilfrid. ‘‘But is not
such a desire natural to man?”’
‘‘And do you want to worry this child?’’ she said, laying her hand on Minna’s hair with a caressing gesture.
110 BALZAC’S WORKS
The girl looked up, and seemed to long to be merged in
the Being before her.
‘The word is given for all,’’ the mysterious Being went |
en very gravely. ‘‘Woe to him who should keep silence
even in the midst of the desert, thinking that none would
hear. Everything speaks, everything hears here below.
The word moves worlds.—I hope, Pastor Becker, not to
speak in vain. I know what difficulties trouble you most:
would it not be a miracle if I could at once apprehend all
the past experiences of your conscience? Well, that miracle
will be accomplished.—Listen to me: you have never confessed your doubts in their full extent; I alone, immovable
in my faith, can set them before you, and frighten you at
your own image. You are on the darkest declivity of
doubt. You do not believe in God, and everything on
earth is of secondary importance to the man who attacks
the first cause of everything.
‘‘Let us set aside the discussions thrashed out without
result by false philosophers. Generations of Spiritualists
have made no less vain efforts to disprove the existence of
matter than generations of Materialists have made to disprove the existence of the spirit. Why these contests?
Does not man, as he is, afford undeniable proofs of both?
Is he not a union of matter and spirit? Only a madman
can refuse to find an atom of matter in the human frame;
when it is decomposed, natural science finds no difference
between its elements and those of other animals. The idea
which is produced in man by the power of comparing
several different objects, on the other hand, does not seem
to come within the domain of matter. On this J give no
opinion; we have to deal with your doubts, not with my
convictions.
SERAPHITA 111
“But to you, as to most thoughtful men, the relations
which you have the faculty of discerning between things,
of which the real existence is made certain to you through
your senses, do not, I suppose, seem material. The natural
Universe, then, of things and beings meets in man with the
supernatural Universe of likeness or difference which he
can discern between the innumerable forms in nature—
relations so various that they seem to be infinite; for if,
till the present day, no one has been able to enumerate
the created things of this earth only, what man can ever
enumerate their relations to each other? Is not the small
fraction with which you are familiar, in regard to = grand
total, as a unit to the infinite?
‘‘Hence here you find yourself already made aware of
the existence of the infinite, and this necessarily leads you
to conceive of a purely spiritual sphere. Hence, too, man
is in himself sufficient evidence of these two modes of life:
Matter and Spirit. In him ends a finite, visible universe;
in him begins an infinite and invisible universe—two worlds
that do not know each other. Have the pebbles of the fiord
any cognizance of their relative shapes, are they conscious
of the colors seen in them by the eye of man, do they hear
the music of the ripples that dance over them? Let us
then leap the gulf we cannot fathom, the unthinkable
union of a material with a spiritual universe, the concept
of a visible, ponderable, tangible creation, conterminous
with an invisible, imponderable, intangible creation; absolutely dissimilar, separated by a void, united by indisputable points of contact, and meeting in a being who belongs
to both! Let us, I say, mingle in one world these two
worlds, which, in your philosophy, can never coalesce,
and which, in fact, do coalesce.
112 BALZAC’S WORKS
“However abstract man may call it, the relation which
binds two things together must stamp its mark. Where?
On what? We have not now to inquire to what degree
of rarity matter may be reduced. If that were indeed the
question, I do not see why He who has linked the stars
together at immeasurable distances by physical laws, to
veil His face withal, should not have created substances
that could think, nor why you will not allow that He
should have given thought a body.
‘‘To you, then, your invisible, moral, or mental universe, and your visible, physical universe, constitute one
and the same matter. We will not divide bodies from
their properties, nor objects from their relations. _Everything that exists, that weighs upon and overwhelms us
from above and beneath us, before us or within us; all
that our eyes or our minds apprehend, all that is named or
nameless, must, to reduce the problem of Creation to the
standard of your logic, be a finite mass of matter; if it were
infinite, God could not be its master. Thus, according to
you, dear Pastor, by whatever scheme you propose to introduce God, who is infinite, into this finite mass of matter,
God could no longer exist with such attributes as are
ascribed to Him by man. If we seek Him through facts,
He is not; if we seek Him through reason, still He is not;
both spiritually and materially God is impossible. Let us
hearken to the word of human reason driven to its utmost
conseg ences.
“Tf we now conceive of God face to face with this
stupendous whole, we find only two conditions of relationship possible: Hither God and Matter were contemporaneous, or God was alone and pre-existent. If all the wisdom
that has enlightened the human race from the first day of
SERAPHITA 118
its existence could be collected in one vast brain, that monstrous brain could invent no third mode of being, short of
denying both God and Matter. Human philosophers may
pile up mountains of words and ideas, Religions may accumulate emblems and beliefs, revelations and mysteries, still
we are forced on to this terrible dilemma, and must choose
one of the two propositions it offers. However, you have
not much choice, for each leads the human mind to
scepticism.
‘‘The problem being thus stated, what signifies Spirit or
Matter? What does it signify which way the worlds are
moving if once the Being who guides them is proved to be
absurd? Of what use is it to inquire whether man is advancing toward heaven or coming back from it, whether
Creation is tending upward toward the spirit, or downward
toward matter, if the worlds we question can give no
answer? Of what consequence are theogonies and their
armies, theologies and their dogmas, when, whichever alternative man chooses in answer to the problem, his God
is no more?
‘‘Let us examine the first: Suppose God and matter to
have been coexistent from the beginning. Can He be God
who suffers the action and coexistence of a substance that
is not Himself? On this theory God is but a secondary
agent constrained to organize matter. Who constrained
Him? And as between that coarser other half and Him,
who was to decide? Who paid the Great Workman for
the six days’ labor attributed to Him? If there were,
indeed, some coercing force which was neither God nor
matter, if God were compelled to make the machinery of
the universe, it would be no less absurd to call Him God
than to call a slave set to turn a mill a Roman citizen.
114 BALZAO’S WORKS
And, in fact, the difficulty is just as insoluble in the case
of that Supreme Intelligence as in that of God Himself.
It only carries the problem a step further back; and is not
this like the Indian philosophers, who place the world on a
tortoise, and the tortoise on an elephant, but cannot say on
what their elephant’s feet rest? Can we conceive that this
Supreme Will, evolved from the conflict of God with matter
—this God greater than God—should have existed during
eternity without Willing what He Willed, granting that
eternity can be divided into two periods? Wherever God
may be, if He knew not what His future Will would be,
what becomes of His intuitive perceptions? And of these
two eternities, which is the superior—uncreated eternity or
created eternity ?
“Tf God from all eternity willed that the world should
be what it is, this fresh view of necessity, which is in harmony no doubt with the notion of a Sovereign Intelligence,
implies the coeternity of matter. Whether matter be coeternal by the Divine Will, which must at all times be at.
one with itself, or whether it be independently coeternal,
since the power of God must be absolute, it perishes if He
has not His free-will. He would always have found within
Himself a supreme reason which would have ruled Him. Is
God God if He cannot separate Himself from the works of
His creation in subsequent as well as in anterior eternity?
‘This aspect of the problem is then insoluble so far as
cause is concerned. Let us examine it in its effects.
“If God the Creator, under compulsion to create the universe from all eternity, is inconceivable, He is no less so as
perpetually one with His work. God, eternally constrained
to exist in His creatures, is no less dishonored than in His
former position asa workmen. Can you conceive of a God
SERAPHITA 115
who can no more be independent of His work than dependent on it? Can He destroy it without treason to Himself?
Consider and make your choice: Whether He should some
day destroy it, or not destroy it; either alternative is equally
fatal to attributes, without which He cannot subsist. Is the
world a mere experiment, a perishable mold which must be
destroyed? Then God must be inconsistent and impotent.
Inconsistent—for ought He not to have known the issue
before making the experiment, and why does He delay
destroying that which is to be destroyed? Impotent
—or how else could He have created an imperfect
world ?
‘‘And if an imperfect creation belies the faculties that
man ascribes to God, let us, on the other hand, suppose it
to be perfect. This idea is in harmony with our conception of a God of supreme intelligence who could make no
mistake; but, then, why any deterioration? Why Regeneration? Then a perfect world is necessarily indestructible, its forms must be imperishable; it can neither advance —
nor retrocede; it rolls on in an eternal orbit whence it can
never deviate. Thus is God dependent on His work; thus -
is it coeternal with Him, which brings us back to one of
the propositions which most audaciously attacks God. If
the universe is imperfect, it allows of advance and progress; if perfect, it is stationary. If it is impossible to
conceive of a progressive God, not knowing from all eternity what the result would be of His creation, can we then
admit a stationary God? Would not that be the apotheosis of matter, the greatest possible negation? Under the
first hypothesis, God deceases by want of power; under the
second, He deceases by the force of inertia.
‘Hence, alike in the conception and the execution of
£16 _ BALZAC’S- WORKS”
creation, to every ‘honest mind the notion of matter as
contemporaneous with God is a denial of God.
‘“‘Compelled to choose between these two aspects of the
- question, in order to govern the nations, many generations
of great thinkers have chosen the second. This gave rise
to the dogma of two moral elements, as conceived of by
the Magians, which has spread in Europe under the image
of Satan contending with the Father of all. But are not
this dogmatic formula and the endless deifications that are
derived from it crimes of high treason to the divine Majesty? By what other name can we call a belief that makes
the personification of Evil the rival of God, forever struggling in the throes of a supreme intellect without any hope
of victory? The laws of statics show that two forces thus
placed must neutralize each other.
‘‘Now, turn to the other side of the problem: God was
pre-existent and alone.
‘‘We need not reproduce the former arguments, which
are equally strong in relation to the division of eternity
into two periods—uncreated and created. We will also set
aside the question of the motion or the immobility of worlds,
and restrict ourselves to the inherent difficulties of this second thesis.
“Tf God pre-existed alone, the universe proceeded from
Him; matter is the emanation of His essence. Then matter
is not. Hvery form is buta veil hiding the Divine Spirit.
Then, the world is eternal; then, the world is God! But is
not this formula even more fatal than the former one to the
attributes assigned to God by human reason? Does matter,
as emanating from God, and always one with Him, account
for the existing conditions of matter? How are we to believe that the Almighty, supremely good in His nature and
SERAPHITA — 117
His acts, could beget things so unlike Himself that He is
not in all things and everywhere the same? Were there
in Him certain evil constituents which He rejected from
Him ?—A conjecture more terrible than offensive or ridiculous, inasmuch as it includes the two theorems which, in
our former argument, we proved to be inadmissible. God
must be One, and cannot divide Himself without infringing the most important of His attributes. Is it possible to
conceive of a portion of God which is not God?
‘‘This hypothesis seemed so impious to the Roman
Church, that she made God’s Omnipresence, even in the
smallest fragments of the Hucharist, an article of Faith.
‘‘How, then, are we to conceive of an Omnipotent Intelligence which yet cannot conquer? How unite it with
Nature, unless by direct conquest? But Nature seeks and
combines, reproduces, dies, and is born again; it is evenmore agitated in the creative effort than when all is in a
state of fusion; it suffers and groans; it is ignorant, degenerate, does evil, makes mistakes, destroys itself, disappears, and begins again. How are we to justify the almost
universal eclipse of the Divine element? . Why is death?
Why was the spirit of evil, the monarch of this earth, sent
forth from a supremely good God—good alike in His essence and His faculties, who could have produced nothing
that was not like Himself?
‘‘And if, setting aside this relentless issue which leads
us at once to the absurd, we go into details, what purpose
can we ascribe to the world? If all is God, all is at once
effect and cause; or, more accurately, cause and effect do
not exist. Like God, all is one; and you can discern no
starting-point and no end. Can the real end be, possibly,
a rotation of matter growing more and more rare? But
118 BALZAQ’S WORKS
whatever the end may be, is not the mechanism of such
matter proceeding from God and returning to God a mere
child’s plaything? Why should He embody Himself so
grossly? Under what form is God most completely God?
Which wins the day, spirit or matter, when neither of those
modes of being can be wrong? Who can possibly discern
God in this perennial toil by which He divides Himself into
two natures—one omniscient, the other knowing nothing?
Can you conceive of God as playing at being man, laughing His own labors to scorn, dying on Friday to rise again
on Sunday, and carrying on the farce from age to age while
knowing the end from all eternity; and never telling Himseif, the Creature, what He is doing as Creator?
“The God of the former hypothesis, null as He is by
sheer inertia, seems more possible—if we had to choose between impossibilities—than that stupid mocking God who
destroys Himseif when two portions of humanity meet
weapon in hand. Comical as this ultimate expression of
the second aspect of the problem may be, it was that
chosen by half the human race among nations that had
created certain gay mythologies. These amorous nations
were consistent; to them everything was a god, even fear
and its cowardice, even crime and its bacchanals. If we
accept Pantheism, the faith of some great human geniuses,
who can tell where reason lies? Is it with the savage running free in the desert, clothed in his nakedness, lordly and
always right in his actions whatever they may be, listening
to the sun and talking to the sea? Is it with the civilized
man, whose greatest pleasures are due to falsehoods, whe
hews and hammers Nature to make the gun he carries on
his shoulder, who has applied his intelligence to hasten
the hour of his death and create maladies that taint his
oN
SERAPHITA 119
pleasures? When the scourge of pestilence, or the plowshare of war, or the genius of the desert had passed over
a spot of earth, annihilating everything, which came off
best—the Nubian savage or the patrician of Thebes?
‘“Your scepticism permeates from above downward.
Your doubts include everything, the end as well as the
means. If the physical world seems inexplicable, the
moral world proves even more against God. Where,
then, is progress? If everything goes on improving,
why do we die as children? Why do not nations, at
any rate, perpetuate themselves? Is the world that proceeded from God, that is contained in God, stationary?
Do we live but once? Or do we live forever? If we
live but once, coerced by the advance of the Great All, of
which we have no knowledge given us, let us do what we
will! If we are eternal, let everything pass! Can the creature be guilty because it exists when changes are going on?
If it sins at the moment of some great transformation, shall
it be punished for it after having been the victim? What
becomes of divine goodness if it refuses to place us at once
in the realms of happiness—if such there be? What besomes of God’s foreknowledge if He does not know the
results of the trials to which He subjects us? What is
this alternative proposed to man by all his creeds, between
stewing in an eternal caldron and wandering in a white
robe with a palm in his hand and a halo to crown
him? Can this pagan invention be the supreme promise
of God?
‘‘And what magnanimous spirit but sees how unworthy
of man and God alike is virtue out of self-interest, the eternity of joys offered by every creed to those who, during a
few brief hours of existence, fulfil certain monstrous and
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often unnatural conditions? Is it not preposterous to endow man with vehement senses and then forbid his gratifying them? :
‘‘Besides, to what end these trivial objections when good
and evil alike are negatived? Does evil exist? If matter
in all its manifestations is evil, evil is God.
‘“‘The faculty of reason, as well as the faculty of feeling,
being bestowed on man for his use, nothing can be more
pardonable than to seek a meaning in human suffering and
to inquire into the future; if this rigid and rigorous logic
leads us to such conclusions, what confusion is here? The
world has then no stability; nothing moves on, and nothing stands still; everything changes, but nothing is destroyed; everything renews itself and reappears; for, if
your mind cannot unanswerably prove an end, it is equally
impossible to prove the annihilation of the smallest atom of
matter: 1t may be transformed, but not destroyed. Though
blind force may prove the atheist’s position, intelligent force
is inscrutable; for, if it proceeds from God, ought it to encounter any obstacles; ought it not to conquer them immediately ?
‘‘Where is God? If the living are not aware of Him,
will the dead find Him?
“Crumble into dust, O idolatries and creeds! Fall, O
too feeble keystones of the social arches, for ye have never
retarded the destruction, the death, the oblivion, that have
come upon all the nations of the past, however securely they
were founded. Fall, O morality and justice! . Our crimes
are but relative, they are divine results of which the causes
are unknown to us! Everything is God. Hither we are
God, or God is not! Child of an age of which each year
has left on your brow the cold touch of its.scepticism—Old
SERAPHITA 121
Man! this is the sum-total of your science and your long
meditations!
‘Dear Pastor Becker, you have rested your head on the
pillow of doubt, finding it the easiest solution, acting indeed
like the majority of the human race. They say to themselves, We will think no more of this question if God will
not vouchsafe us an algebraic demonstration for its solution,
while He has given us so many that lead us safely up from
the earth to the stars—
‘‘Now, are not these your secret thoughts? Have I
missed them? Have I not, on the contrary, precisely
stated them?—Hither the dogma of the two elementary
principles, an antagonism in which God is destroyed by
the very fact that He—who is Almighty—plays at a struggle; or the ridiculous Pantheism in which all things being
God, God is no more—these two founts, whence flow the
creeds to whose triumph the earth is devoted, are equally
pernicious.
‘“There, between us, lies the two-edged axe with which
you behead the white-haired Ancient of Days whom you
enthrone on painted clouds! :
‘‘Now, give me the axe!”’
The pastor and Wilfrid looked at the girl in a sort of
dismay.
‘‘Belief,’’ said Seraphita in her gentle voice—for the
man had been speaking hitherto—‘‘belief is a gift! Belief
is feeling. To believe in God, you must feel God. This
sense is a faculty slowly acquired by the human being, as
those wonderful powers are acquired which you admire in
great men—in warriors, artists, men of science—those who
act, those who produce, those who know. Thought, a bundle of the relations which you discern between different
(6)—Vol. 25
LZ2 BALZAC’S WORKS
things, is an intellectual language that may be learned, is —
it not? Belief, a bundle of heavenly truths, is in the same
way a language, but as far above thought as thought is
above instinct. This language too can be learned.
‘‘The believer answers in a single cry, a single sign;
faith places in his hand a flaming sword which cuts and
throws light on everything. The seer does not come down
again from heaven; he contemplates it and is silent. There
is a being who both believes and sees, who has knowledge
and power, who loves, prays, and waits. That being is resigned, and aspires to the realm of light; he has neither the
believer’s lofty scorn, nor the Seer’s dumbness; he both listens and replies. To him the doubt of the dark ages is not
a lethal weapon, but a guiding clew; he accepts the battle
in whatever guise; he can accommodate his tongue to every
language; he is never wroth, he pities; he neither condemns
nor kills, he redeems and comforts; he has not the harshness of an aggressor, but rather the mild fluidity of light
which penetrates and warms and lights up every place. In
his eyes scepticism is not impiety, is not blasphemy, is not
a crime; it is a stage of transition whence a man must go
forward toward the light, or back into the darkness.
‘‘So now, dear Pastor, let us reason together. You do
not believe in God. Why ?—God, as you express it, is incomprehensible and inexplicable. I grant it. I will not
retort that to comprehend God altogether is to be God. I
will not tell you that you deny what you think inexplicable
simply to give myself a right of affirming what seems to me
believable. ‘T'o you there is an evident fact dwelling within
you. In you matter is conterminous with intelligence; and
yet you think that human intelligence will end in darkness,
in doubt, in nothingness? Even if God seems to you inSERAPHITA 128
comprehensible and inexplicable, confess at least that in all
physical phenomena you recognize in Him a consistent and
exquisite Craftsman.
‘“‘Then why should His logic end at man, as His most
finished work? Though the question may not be convincing, it deserves some consideration at any rate. Though
you deny God, to give a basis to your doubts, you happily
can appreciate certain double-edged truths which demolish
your arguments as effectually as your arguments demolish
God.
‘‘We both admit that matter and spirit are two separate —
creations, neither of which contains the other; that the
spiritual world consists of infinite relations to which the
finite material world gives rise; and that whereas no one
on earth has ever been abie to identify himself by a sheer
effort of mind with the sum-total of earthly creations, all
the more certainly can he not rise to an apprehension of the
relations which the spirit discerns between these creations.
So I might end the matter with one blow by denying you
the faculty of understanding God, just as you deny the
pebbles by the fiord the faculty of counting or of seeing
themselves. How do you know that they may not deny
the existence of man, though man uses them to build his
house with?
‘There is one fact which overthrows you—Infinitude.
If you feel it within you, how is it that you do not recognize the consequences? Can the finite fully apprehend the
infinite? If you cannot comprehend the relations which,
by your own admission, are infinite, how can you comprehend the remote finality in which they are summed up?
Order, of which the manifestation is one of your needs,
being infinite, can your finite reason comprehend it?
124 BALZAC’S WORKS
“Nor need you inquire why man cannot comprehend all
he can conceive of, for he likewise can conceive of much
that he cannot comprehend. If I were to prove to you that
your mind is ignorant of everything that lies within its
‘grasp, would you grant me that it is imposible for it to
conceive of what lies beyond it? Should I not be justified,
then, in saying, ‘One of the alternatives which bring God to
naught at the bar of your judgment must be true and the
other false; Creation exists, you feel the need for an ena;
must not that end be a noble one? Now, if in man matter
is conterminous with intelligence, why can you not be satisfied to grant that human intelligence ends where the light
begins of those superior spheres for which is reserved the
intuition of the God who, to you, is merely an insoluble
problem ?
“The species lower than man have no comprehension of
the universe; you have. Why should there not be, above
man again, species more intelligent than he? Before using
his powers to take measure of God, would not man do well
to know more about himself? Before defying the stars that
give him light, before attacking transcendent truths, ought
he not rather to verify the truths that immediately concern
him?
‘‘But I should answer the negations of doubt by negation. Well, then, I ask you: Is there here on earth a single
thing so self-evident that I am bound to believe in it? I
will show you in a minute that you believe firmly in things
that can act and yet are not beings, that can give birth to
thought and yet are not spirits, in living abstractions which
the understanding cannot grasp under any shape, which nowhere exist, but: which you can everywhere find; which
have no possible names—though you haye given them
SERAPHITA 125
names; which, like the God in human form whom you
conceive of, perish before the inexplicable, the incomprehensible, and the absurd. And I will ask you: If you
admit these things, why do you reserve your doubts for
God?
*“You believe in Number as the foundation on which
rests the edifice of what you call the exact sciences. Without number mathematics are impossible. Well, then, what
impossible being, to whom life everlasting should be
granted, could ever finish counting—and in what sufficiently concise language could he utter—the numbers
contained in the infinite number of which the existence
is demonstrated by your reason. Ask the greatest human
genius, and suppose him to sit for a thousand years leaning
on a table, his head in his hands, what would he answer?
“You know neither where number begins, where it
pauses, nor where it ends. Now you call it time, anon
you call it space; by number only does anything exist;
but for number all substance would be one and the same;
it alone differentiates and modifies matter. Number is to
your mind what it is to matter, an intangible agent. But
will you then make a god of it? Is it a being? Is ita
breath of God sent forth to organize the material universe,
wherein nothing takes shape but as a result of divisibility
which is an effect of number? The most minute as well as
the most immense objects in creation are distinguished from
each other by quantity, quality, dimension, and force—are
not these all conditions of number? That number is infinite is a fact proved to your intellect, but of which no
material proof is obtainable. A mathematician will tell
you that infinity of number is certain, but cannot be demonstrated. And, my dear Pastor, believers will tell you
4
126 BALZAC’S WORKS
that God is Number endowed with motion, to be felt but
not proved. He, like the unit, is the origin of number
though having nothing in common with numbers. The
existence of Number depends on that of the unit, which
is not a number, but the parent of them all. And God,
dear Pastor Becker, is a stupendous Unit, having nothing
in common with His creations, but their Parent nevertheless.
‘‘You must grant me that you are equally ignorant as
to where number begins or ends, and as to where created
eternity begins or ends? Why, then, if you believe in
number, should you deny God? Does not creation hold
a place between the infinite of inorganic substances and
the infinite of the Divine spheres, as the unit stands between the infinite of fractions—lately termed decimals—and
the infinite numbers you call whole numbers? Men alone
on earth comprehend number, the first step to the forecourt
leading to God, and even there reason stumbles. What!
you can neither measure nor grasp the primary abstraction
proposed to you, and you want to apply your puny standard to the ends of God's purpose? What if I should cast
you into the bottomless depths of Motion, the force which
organizes number?
‘“‘If I were to tell you that the universe is nothing but
Number and Motion, we should already, you see, be speaking a different language. I understand both terms; you do
not. - What, then, if I should go on to say that motion and
number are generated by the Word? This term, the Supreme Reason of seers and prophets, who of old heard the
voice of God that overthrew St. Paul, is a laughing-stock
to you—you men, though your own visible works—communities; Monuments, actions, and passions—all are the outSERAPHITA 127
come of your own feeble Word; and though without speech
you would still be no higher than the Orang of the woods,
the great ape that is so nearly akin to the Negro.
“Well, you believe firmly in number and motion, inexplicable and incomprehensible as force and result, though
I might apply to their existence the same logical dilemma
as just now relieved you of the necessity of acknowledging
that of God. You, a powerful reasoner, will surely relieve
me of the necessity for proving that the Infinite must be
everywhere the same, and that it is inevitably one? God
alone is the Infinite, for there obviously cannot be two Infinites. If, to use words in their human sense, anything
proved to you here on earth strikes you as infinite, you may
be sure you have in that a glimpse of one aspect of God.
‘“To proceed: you have found for yourselves a place in
the Infinite of number; you have fitted it to your stature
by creating arithmetic—if you can be said to create anything—the basis on which everything is built up, even
society. Arithmetic, or the use of number, has organized
the moral world, just as number, the only thing in which
your professing Atheists believe, organizes physical creation. This science of numbers ought to be absolute, like
everything that is intrinsically true; but it is, in fact,
purely relative, it has no absolute existence. You can
give no proof of its reality.
“To begin with, though this science is apt at summing
up organized substances, it is impotent as applied to organizing forces, since these are infinite, whereas the former are
finite. Man, whose intellect can conceive of the Infinite,
cannot deal with it as a whole; if he could, he would be
God. Hence your arithmetic, as applied to finite things
and not to the Infinite, is true in relation to the details you
128 BALZAC’S WORKS —
apprehend, but false in relation to the whole which you
cannot apprehend. Though nature does not vary in her
organizing forces and her elementary causes, which are
infinite, she is never the same in her finite results. Hence
in all nature you will find no two objects exactly alike.
“Thus, in the order of nature, two and two can never
really make four, since the units would have to be exactly
equal; and you know that it is impossible to find two leaves
alike on one tree, or two specimens alike of the same species
of tree. This axiom of arithmetic then, which is false as
regards visible nature, is no less false in the invisible
nature of your abstractions, where there is the same dissimilarity in your ideas which are derived from the objects
of the visible world, only extended in their relations; in
fact, differences are even more strongly marked there than
elsewhere. Everything there being modified by the temperament, the strength, the manners, and the habits of
individuals, who are never alike, the most trifling matters
are representative of personal character.
‘if man has ever succeeded in creating a unit, it was,
no doubt, by assigning equal weight and value to certain
pieces of gold. Well, add a rich man’s ducat to a poor
man’s, and tell yourself that to the public treasury these
are equal quantities; but in the eyes of a thoughtful man,
one, morally speaking, is unquestionably greater than the
other; one represents a month’s happiness, the other the
most-transient caprice. Two and two only make four in
the sense of a false and monstrous abstraction.
‘‘A fraction, again, has no existence in nature, since
what you call a part is a thing complete in itself; and does
it not often happen—and have we not proof of the fact—
that the hundredth part of some substance may be stronger
SERAPHITA 129
than what you call the whole? And if a fraction has no
existence in the natural world, far less does it exist in the
moral world, where ideas and feelings may be as various as
the species of the vegetable kingdom, but are always a
whole. The theory of fractions, then, is another concession of the mind. Number, with its ‘infinitely small’ and
its ‘infinite total,’ is a power of which a small part only is
known to you, while its extent evades you. You have
built a little cottage in the infinitude of number; you -
have adorned it with hieroglyphics very learnedly designed
and painted; and you have said, ‘Everything is here!’
‘From abstract number we will pass on to number as
applied to solids. Your geometry states it as an axiom that
a straight line is the shortest way from one point to another;
and astronomy shows you that God has given motion only
in curves. Here, then, in the same science, are two facts
equally weli proved—one by the evidence of your senses,
aided by the telescope; the other by the testimony of your
mind; but one contradicts the other. Man, who is liable to
error, asserts one, and the Maker of the worlds—whom you
have never found in error—contradicts it. Who can decide
between rectilinear and curvilinear geometry ?/—between the
theory of straight lines and the theory of curved lines? If,
in His work, the mysterious Maker, who attains His ends
with miraculous directness, only makes use of the straight
line to divide it at a right angle and obtain a curve, man
himself cannot rely on it: the bullet a man wishes to send
in a straight line follows a curve, and when you want to
hit a point in space with certainty you propel the ball on
its cruel parabola. Not one of your learned men has
arrived at the simple induction that the curved line is
that of the material world, and the straight line that of the
¢.>S.
130 BALZAC’S WORKS —
spiritual world; that one is the theory of finite creation,
and the other the theory of the infinite. Man alone—he
alone here on earth having any consciousness of the infinite
—can know the straight line; he alone, in a special organ,
has the sense of the vertical. May not the predilection for
curved lines in some men be an indication of the impurity
of their nature, still too closely allied to the material substances which engender us? and may not the love for
straight lines, seen in lofty minds, be in them a presentiment of heaven? Between these two lines lies a gulf as
wide as between the Finite and the Infinite, between Matter
and Spirit, between Man and the Idea, between Motion
and the Thing moved, between the Creature and God.
Borrow the wings of Divine Love and you may cross that
gulf. Beyond it the revelation of the Word begins!
‘The things you call material are nowhere devoid of
thickness; lines are the edges of solids having a power of
action which you ignore in your theorems, and that makes
them false in relation to bodies regarded as a whole; hence
the constant destruction of human works, to which you
have unwittingly given active properties. Nature knows
nothing but solid bodies; your science deals only with
combinations of surfaces. And so nature constantly gives
the lie to all your laws: can you name one to which no fact
makes an exception? The laws of statics are contradicted
by a thousand incidents in physics; a fluid overthrows the
most stupendous mountains, and so proves that the heayiest substances may be upheaved by imponderable agents.
Your laws of acoustics and optics are nullified by the
sounds you hear in your brain during sleep, and by the
light of an electric flash, of which the rays are often overpowering. You do not know how light is brought to your
Geist 33).
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SERAPHITA 181
intelligence, any more than you know the simple and
natural process by which it is changed to ruby, sapphire,
opal, and emerald on the neck of an Indian bird, while it
lies dim and gray on the same bird under the misty sky. of
Kurope, nor why it beams perpetually white here in the
heart of the polar regions. You cannot tell whether color
is a faculty with which bodies are endowed, or an effect
produced by the diffusion of light.
“You believe the whole sea to be salt without having
ascertained that it is so in its deepest places.
‘“You recognize the existence of various substances
which traverse what you call the Void: substances intangible under any known form assumed by matter, and which
meet and combine with it in spite of every obstacle. That
being the case, you believe in the results obtained by
chemistry, though as yet it knows no method of estimating
the changes produced by the currents to and fro of those
substances as they pass through your crystals and your
instruments on the inappreciable waves of heat or of light,
conducted or repelled by the affinities of metals or vitrified
flint. You obtain no substances but what are dead, out of
which you have driven the unknown force which resists
decomposition in all earthly things, the force of which
attraction, undulation, cohesion, and polarity are manifestations.
‘life is the mind of body; bodies are but a mode of
detaining it, of delaying it in its transit; if bodies were
themselves living things, they would be a cause; they
would not die. When a man establishes the results of the :
motion of which every form of creation has its share in proportion to its power of absorbing it, you call him a Learned
Man, as though genius consisted in explaining what exists,
182 BALZAC’S WORKS
Genius should lift its eyes above effects. All your learned
men would laugh if you should say to them, ‘There is a
certain connecting relation between two beings, such as
that if one of them were here and the other in Java, they
might feel the same sensation at the same instant, and be
aware of the fact, and question and answer each other without a mistake.’ And yet there are some mineral substances
which exhibit sympathies as far-reaching as that of which I
speak. You believe in the power of electricity when it is
fixed in the loadstone, but you deny it as emanating from
the soul. According te you, the moon, whose influence
over the tides seems to you proven, has none over the
winds, over vegetation, or over men; it can move the sea
and eat into glass, but it cannot affect the sick; it has undoubted effects on one-half of the human race; none on the
other half. These are your most precious convictions.
‘‘We may go further: You believe in physics; but your
physics are based, like the Catholic religion, on an act of
faith. Do they not recognize an external force apart from
bodies to which it imparts movement? You see its effects,
but what is a? Where is it? What is its essence, its
life? Has it any limits?—And you deny God!
‘Thus most of your scientific axioms, though true in
relation to man, are false in relation to the Whole. Science
is one, and you have divided it. To know the true sense of
the laws of phenomena, would it not be necessary to know
the correlations existing between the phenomena and the
laws of the whole? ‘There is in all things an appearance, a
presentment, which strikes your sense; behind this presentment there is a soul moving—the body, and the faculty.
Where are the relations which hold things together studied
or taught? Nowhere. Have you, then, no absolute finalSERAPHITA 133
ity? Your best ascertained theses rest on an analysis of
the forms of matter, while the spirit is constantly neglected.
“There is a supreme science of which some men—too
late—get a glimpse, though they dare not own it. These
men perceive the necessity for considering all bodies, not
merely from the point of view of their mathematical properties, but also from that of their whole relations and occult
affinities.
“The greatest of you ali discerned, toward the end of
his hfe, that all things were at the same time cause and _
effect reciprocally; that the visible worlds were co-ordinated
to each other and captive to invisible spheres. He groaned
over having tried to establish absolute principles. When
counting his worlds, like grains of sand scattered throughout the ether, he explained their connection by the laws of
planetary and molecular attraction. You hailed that man.—
Well, and [I tell you that he died in despair. Assuming
that the centrifugal and centripetal forces, which he invented to account for the universe, were absolutely equal,
the universe would stand still, and he insisted on motion,
though in an undefined direction; but assuming the forces
to be unequal, the worlds must at once fall into confasion.
Thus his laws were not final; there was another problem
still higher than that of attraction, on which his spurious
glory was founded. The pull of the stars against each -
other, and the centripetal tendency of their individual
motion, did not hinder him from seeking the branch from
which the whole cluster was hanging. Unhappy man; the
more he extended space, the heavier was his load. He told
you that every part was in equilibrium; but whither was
the whole bound?
‘‘He contemplated the space, infinite in the eyes of men,
134 BALZAC’S WORKS
that is filled with the groups of worlds, of which a small
number are registered by our telescopes, while its immensity is proved by the rapidity of light. This sublime contemplation gave him a conception of the infinitude of worlds,
planted in space like flowers in a meadow, which are born
like infants, grow like men, die like old men, which live
by assimilating from their atmosphere the substances proper
to nourish them, which have a centre and principle of life,
which protect themselves from each other by an intervening
space, which constitute a grand whole, that has its own life,
its own destination.
‘‘At this prospect the man trembled. He knew that life
is produced by the union of the Thing with its first Principle; that death, or inertia—or gravitation—is caused by a
rupture between the Thing and the motion proper to it;
and he thus foresaw the crash of worlds, in ruins if God
should withhold His Word. Then he set to work to seek
the traces of that Word in the Apocalypse. You all
thought him mad. Know this: he strove to earn forgiveness for his genius.
‘‘Wilfrid, you came to request me to resolve equations,
to fly on a rain-cloud, to plunge into the fiord and reappear
asa swan. If science or miracle were the end of humanity,
Moses would have left you a calculus of fluxions; Jesus
Christ would have cleared up the dark places of science;
His apostles would have told you whence come those immepse trains of gas or of fused metals which rush revolving
on a nucleus, solidifying as they seek a place in the ether,
and are sometimes violently projected within range of a system where they are absorbed by a star, or crash into it by
their shock, or dissolve it by the infusion of deadly vapors...
St. Paul, instead of bidding you live in God, would have
SERAPHITA 135
explained to you that nutrition is the secret bond among
all creation, and the visible bond among all living animals.
In our own day, the greatest miracle would be to square the
circle, a problem which you pronounce impossible, but
which has no doubt been solved in the progress of worlds
by the intersection of some mathematical line, whose curves
are apparent to the eye of spirits elevated to the highest
spheres.
‘Believe me, miracles are within us and not without us.
Thus have natural effects been wrought, which the nations
deemed to be supernatural. Would not God have been
unjust if He had vouchsafed to show His power to some
generations, and had refused it to others? The Brazen Rod
belongs to all. Neither Moses nor Jacob, neither Zoroaster
nor Paul, nor Pythagoras nor Swedenborg, neither the most
obscure evangelists nor the most amazing of God’s ‘prophets,
have been superior to what you might become. Only, nations have their day of faith. If positive science were indeed the end of all human effort, how is it—confess now—
that every social community, every great centre to which
men gather, is invariably broken up by Providence? If
civilization were the final cause of the human species, could
intelligence perish? Would it perennially continue to be a
purely individual possession ?
“The greatness of all the nations that have ever been
great has been founded on exceptions: when the exception
ceased to be, the power was dead. Would not the Seers,
the Prophets, the Evangelists, have laid their hand on science instead of relying on faith; would they not have hammered at your brains rather than have touched your hearts ?
They all came to drive the nations to God; they all proelaimed the way of life in the simple words which lead to
136. BALZAC’S WORKS
the Heavenly Kingdom; and fired with love and faith, and
inspired by the Word which hovers over the nations, compels them, vivifies them, and uplifts them, they never used
it for any human end. Your great geniuses, poets, kings,
and sages are swallowed up with their towns, and the desert
has buried them under a shroud of sand; while the names
of these good shepherds still are blessed and survive every
catastrophe.
‘‘We can never agree on any point. Gulfs lie between
us. You are on the side of darkness, I live in the true
hight.
“Ts this the word you desired of me? I utter it with
joy; it may change you. Know, then, that there are sciences of Matter and sciences of the Spirit. Where you see
bodies, I see forces tending toward each other by a creative
impulse. To me the character of a body is the sign-manual
of its first principles and the expression of its properties.
These principles give rise to certain affinities which elude
you, but which are connected with centres. The different
species to which life is distributed are unfailing springs
which communicate with each other. Hach has its specific
function.
‘‘Man is at once cause and effect; he is nourished, but
he nourishes in return. When you call God the Creator,
you belittle Him. He did not, as you imagine, create
plants, animals, and the stars; could He act by such various means? Must He not have proceeded by unity of purpose? He emitted principles which were compelled to
develop in accordance with His general laws, and subject
to the conditions of their environment.
‘“‘In point of fact, all the affinities are bound together
by immediate similarities; the life of worlds is attracted to
SERAPHITA 187
centres by a greedy aspiration, just as you are all driven
by hunger to seek nourishment. To give you an instance
of affinities linked to similarities: the secondary law on
_which the creations of your mind rest—music, a celestial
art—is the active evidence of this principle: is it not an assemblage of sounds harmonized by number? [s not sound
a condition of the air under compression, dilatation, and
repercussion? You know of what the air is composed?
Azote, carbon, and oxygen. Since you can produce no
sound in a vacuum, it is evident that music and the hu- ~
man voice are the result of organic chemical elements, acting in unison with the same substances prepared within you
by your mind, and co-ordinated by means of light, the great
foster-mother of this globe; for can you have cogitated on
the quantities of nitre deposited by the snows, on the discharge of thunder, on plants which derive from the air the
elements they contain, and have failed to conclude that it
is the sun that fuses and diffuses the subtle essence which
nourishes all things here below? Swedenborg truly said,
‘The earth is a man.’ .
‘* All your sciences of to-day, which make you so great
in your own eyes, are a mere trifle compared with the light
that floods the Seer.
“Cease, cease to question me; we speak a different language. I have used yours for cnce, to throw a flash of faith
upon your souls, to cast a corner of my mantle over you,
and tempt you away to the glorious regions of prayer. Is
it God’s part to stoop to you? Is it not yours rather to rise
to Him? If human reason has so soon exhausted the limits
of its powers merely by laying God out to prove His existence, without succeeding in doing so, is it not evident that
it must seek some other way of knowing Him? That other
a
188 BALZAC’S WORKS
way is in ourselves. “The Seer and the believer have within
themselves eyes more piercing than are those eyes which are
bent on things of earth, and they discern a dawn.
‘‘Understand this saying: Your most exact sciences, your
boldest speculations, your brightest flashes of light, are but
clouds. Above them all is the sanctuary whence the true
Light is shed.”’ os
She sat down and-was silent; and her calm features betrayed not the least sign of the trepidation which commonly
disturbs an orator after his least inflamed speech.
Wilfrid whispered into the pastor’s ear, leaning over him
to do so—
‘*Who told her all this?”
””
‘‘T do not know,’’ was the reply.
‘‘He was milder on the Falberg,’’ Minna remarked.
Seraphita passed her hands over her eyes, and said with
a smile—
‘‘You are very pensive this evening, gentlemen. You
treat me and Minna like men to whom you would talk politics or discuss trade, while we are but girls to whom you
should tell fairy-tales while drinking tea, as is the custom
in our evenings in Norway.—Come, Pastor Becker, tell me
some Saga which I do not know. That of Frithiof, in
which you believe, and which you promised to tell me,
or the story of the peasant’s son who has a ship that speaks
and hasasoul? I dream of the frigate ‘Ellida.’ Is it not
on that fairy vessel that girls should sail the seas ?”’
‘‘Since we have come down to Jarvis again,’’ said Wilfrid, whese eyes were fixed on Seraphita as those of a robber
hidden in the gloom are fixed on the spot where treasure
lies, ‘‘tell me why you do not marry ?”’
’
‘You are all born widowers or widows,’’ replied she.
“has
SERAPHITA 1389
“My marriage was decided on at my birth; I am_ betrothed—”’
‘To whom ?”’ they all asked in a breath.
‘‘Allow me to keep my secret,’’ said she. ‘‘I promise,
if our father will grant it, to invite you to that mysterious
wedding.”’
‘Ts it to be soon ?”’
‘‘Tam waiting.”
A long silence ensued.
‘‘The spring is come,’’
said Seraphita. ‘‘The noise of
waters and of breaking ice has begun; will you not come
to hail the first springtime of the new century ?”’
She rose and, followed by Wilfrid, went to a window
which David had thrown open. After the long stillness
of winter, the vast waters were stirring beneath the ice, and
sang through the fiord like music; for there are sounds
which distance glorifies, and which reach the ear in waves
that seem to bring refreshment and light. .
‘‘Cease, Wilfrid,’’ said she, ‘‘cease to cherish evil
thoughts whose triumph will be a torment to endure. Who
could fail to read your wishes in the sparkle of your eyes?
Be good; take a step in well-doing! Is it not a step beyond
the mere love of men to sacrifice yourself entirely to the
happiness of the one you love? Submit to me, and I will
lead you into a path where you will attain to all the greatness you dream of, and where love will be really infinite.”’
She left Wilfrid lost in thought. :
‘‘Can this gentle creature really be the prophetess who
but now flashed lightnings from her eyes, whose words
thundered about the worlds, whose hand wielded the axe
of Doubt in defiance of our sciences?’’ said he to himself.
‘‘Have we been asleep for these few minutes ?”’
140 BALZAC’S WORKS
‘*Minna,”’ said Seraphitus, returning to the pastor’s daughter, ‘‘the eagles gather where the dead lie, the turtle-dove
flies to the springs of living water under green and peaceful
groves. The eagle soars to the skies, the dove descends
from them. Venture no more into regions where you will
find neither fountains nor shade. If this morning you could
not look into the gulf without destruction, keep your powers”
for him who will love you. Go, poor child, I am betrothed,
as you know.”’
Minna rose and went with Seraphitus to the window,
where Wilfrid still was standing. They could all three
hear the Sieg leaping under the force of the upper waters,
which were bringing down tke trees that had been frozen
- into the ice. The fiord had found its voice again. LIllusion was over. They wondered at Nature bursting her
bonds, and answering in noble harmonies to the Spirit
whose call had awakened her. t
When the three guests had left this mysterious being,
they were filled with an indefinable feeling which was not
sleep, nor torpor, nor astonishment, but a mixture of all
three, which was neither twilight nor daybreak, but which
made them long for light. They were all very thoughtful.
‘‘T begin to think that she is a spirit veiled in human
form,’’ said the pastor.
Wilfrid, in his own room again, calmed and convinced,
knew not how to contend with powers so divinely majestic.
Minna said to herself—
‘“Why will he not allow me to love him?”
3
SERAPHITA - mt 5S Sa
Vv
THE FAREWELL
HERE IS IN MAN a phenomenon which is the despair of those reflective minds who endeavor to find
some meaning in the march of social vicissitudes, and to
formulate some laws of progress for the movement of intellect. However serious a fact may be, or, if supernatural facts could exist, however magnificent a miracle could
be publicly performed, the lightning flash of the fact, the
thunderbolt of the miracle would be lost in the moral ocean,
and the surface, rippled for an instant by some slight ebullition, would at once resume the level of its ordinary swell.
Does the Voice, to be more surely heeded, pass through an
animal’s jaws? Does the Hand write in strange characters
on the cornice of the hall where the Court is revelling? Does
the Eye light up the King’s slumbers? Does the Prophet
read the dream? Does Death, when summoned, stand in
the luminous space where a man’s faculties revive? Does
the Spirit crush matter at the foot of the mystical ladder of
the seven spiritual worlds hung one above another in space,
and seen by the floods of light that fall in cascades down the
steps of the heavenly floor? Still, however deep the inner
revelation, however distinct the outward sign, by the morrow Balaam doubts both his ass and himself; Belshazzar
and Pharaoh call in seers to explain the sign—Daniel or
Moses.
The Spirit descends, snatches a man above the earth,
opens the seas and shows him the bottom of them, calls
142 BALZAC’S WORKS
up vanished generations, gives life to the dry bones thickly
strewn in the great valley; the Apostle writes the Apocalypse; and twenty centuries later human science confirms
the Apostle and translates his figures of speech into axioms. What difference does it make? The mass of people
live to-day as they lived yesterday, as they lived in the first
Olympiad, as they lived the first day after creation, and on
the eve of the great-cataclysm. Doubt drowns everything
in its waters. ‘The same waves beat, with the self-same
ebb and flow, on the human granite that hems in the sea
of intellect.
Man asks himself whether indeed he saw what he saw,
whether he, really heard the words- that were spoken,
whether the fact was a fact, and the idea really an idea;
and then he goes on his way, he thinks of his business, he
obeys the inevitable servitor of Death—Forgetfulness—who
throws his black cloak over the old humanity of which the
younger has no remembrance. Man never ceases to move,
to go on, to grow as a vegetable grows, till the day when
the axe falls. If this floodlike force, this mounting pressure of bitter waters, hinders all progress, it also, no doubt,
is a warning of death. None but the loftier spirits open to
faith can discern Jacob’s mystical stair.
After listening to the reply in which Seraphita, being so
urgently questioned, had unrolled the divine scroll, as an
organ fills a church with its roar, and shows the power of
the musical universe by flooding the most inaccessible
vaults with its solemn notes, playing, hke light, among
the frail wreaths of the capitals, Wilfrid went home, appalled at having seen the world in ruins, and, above the
ruins, a light unknown, shed by the hand of that young
creature.
iN 4.
=) SERAPHITA . 143
On the following day he was still thinking of it, but his
terrors were allayed; he was not in ruins, nor even changed
—his passions and ideas woke up fresh and vigorous.
He went to breakfast with the minister, and found him
lost in the study of Jean Wier’s treatise, which he had been
looking through that morning to be able to reassure his visitor. With the childlike simplicity of a sage, the pastor
had turned down the leaves at some pages where Jean
Wier adduced authentic evidence demonstrating the pos.
sibility of such things as had happened the day before;
for to the learned an idea is an event, whereas the greatest events are to them hardly an idea.
By the time these two philosophers had swallowed their
fifth cup of tea, that mystical evening seemed quite natural.
The heavenly truths were more or less substantial arguments, and open to discussion. Seraphita was a more or
less eloquent girl; allowance must be made for her exquisite voice, her enchanting beauty, her fascinating manner, all the oratorical skill by which an actor can put a
world of feelings and ideas into a sentence which in itself
is often quite commonplace.
‘*Pooh!’’ said the good minister, with a little philosophical grimace, as he spread a slice of bread with salt butter, ‘‘the answer to all these riddles is six feet beneath
the mould!’
‘‘At the same time,’’ said Wilfrid, sugaring his tea, ‘‘T
cannot understand how a girl of seventeen can know so many
things; for she squeezed everything into her speech as if it
were in a vise.’’
‘“‘But only read the story of the Italian girl who, at
twelve years old, could speak forty-two languages, ancient
and modern,’’ said the pastor. ‘‘And again, that of the
144 BALZAC’S WORKS
monk who read thought by smell. These are in Jean
Wier, and in a dozen other treatises which I will give
you to read, a thousand proofs rather than one.”’
“IT dare say, my dear Pastor; but Seraphita remains to
me a wife it would be divine joy to possess.”
“She is all intellect,’’ replied the minister dubiously.
Some days passed by, during which the snow in the
valleys insensibly melted away; the greenery of the forests peeped through like a fresh growth; Norwegian nature made itself beautiful in anticipation of its brief bridal
day. All this time, though the milder temperature allowed
of open-air exercise, Seraphita remained in solitary seclusion. ‘Thus Wilfrid’s passion was enhanced by the aggravating vicinity of the girl he loved, and who refused to
be seen. When the inscrutable being admitted Minna,
Minna could detect the symptoms of an imward fever;
Seraphita’s voice was hollow, and her complexion was
wan; whereas hitherto its transparency might have been
compared by a poet to that of the diamond, it now had
the sheen of the topaz.
‘‘Have you see her?’’ asked Wilfrid, who had prowled
round the house, awaiting Minna’s return.
**We shall lose him!’’ said the girl, her eyes filling with
tears.
“Do not try to fool me!” cried the stranger, controlling
the vehemence of tone that expressed his fury. ‘‘You can
only love Seraphita as one girl loves another, not with such
love as I feel for her. You cannot conceive what peril you
would be in if there were anything to alarm my jealousy.
—Why can I not go to see her? Is it you who raise
difficulties ?”’
‘“‘P cannot think,’’ said Minna, calm on the surface, but
ibs
i aa oe
SERAPHITA 145
quaking with mortal terror, ‘‘what right you have to sound ©
the depths of my heart.—Yes, I love him,’’ she went on,
summoning the courage of conviction to confess the faith
of her soul. ‘‘But my jealousy, though natural to love,
fears nobody here. Alas! What I am jealous of is some
unconfessed feeling in which he is absorbed. Between him
and me lies a space I can never abridge. I want to know
whether the stars love him more than I, whether they or
I would be the more eagerly devoted to his happiness?
Why, why, should i not be free to declare my affection?
In the presence of death we may all confess our attachment
—and Seraphitus is dying.”
‘‘Minna, indeed you are under a mistake; the siren
round whom my desires have so often hovered, who allows me to admire her as she reclines on her couch, so
graceful, fragile, and suffering, is not a man.”’
‘‘Nay,’’ replied Minna, in some agitation, ‘the whose
powerful hand guided me over the Falberg to the seter
under the shelter of the Ice-cap up there’’—and she
pointed to the peak—‘‘is certainly not a mere, weak girl.
If you had but heard her prophesy! Her poetry is the
music of thought. No young girl could have had the
solemn depth of voice which stirred my soul.”
‘‘What certainty have you—?’’ Wilfrid began.
‘‘None but that of my heart!’’ replied Minna in confusion, and hastily interrupting the speaker.
‘‘Well, but I,’’ cried Wilfrid, with a terrible glance of
murderous eagerness and desire, ‘‘l, who know what the
extent of her power is over me—I will prove your mistake.”’
At this moment, when words were rushing to Wilfrid’s
tongue as vehemently as ideas in his head, he saw Seraphita
(H—Vol. 25
146 BALZAO’S WORKS
come out of the Swedish castle, followed by David. The
sight of her soothed his effervescent state.
‘‘Look,’’ said he; ‘‘none but a woman can have that
grace and languor.”’
‘‘He is ill; it is his last walk!’’ said Minna.
At a sign from his mistress, David left her, and she
advanced toward Wilfrid and Minna.
‘‘het us go to the falls of the Sieg,’’ said the mysterious being; it was the wish of a sufferer which all hasten
to accede to.
A thin, white haze hung over the heights and dales of
the fiord, and the peaks, glittering like stars, pierced above
it, giving it the effect of a milky way moving onward.
Vhrough this earth-born vapor the sun was visible as a
globe of red-hot iron. In spite of these last freaks of
winter, gusts of mild air, bringing the scent of the birch
trees, already covered with their yellow flowers, and the
rich perfume exhaled by the larches, whose silky tufts
were ail displayed—breezes warm with the incense and
the breathing of the earth testified to the exquisite
springtime of Northern lands, the brief rapture of a
most melancholy nature.
The wind was beginning to roll away the veil of mist
that hardly hid the view of the gulf. The birds were
singing,
Where the sun had not dried off the frost that trickled
down the road in murmuring rills, the bark of the trees was
pleasing to the eye by its fantastic appearance.
They all three went along the strand in silence. Wilfrid
and Minna were lost in contemplation of the magical scene
after their long endurance of the monotonous winter landscape. Their companion was pensive, and walked as
SERAPHITA 147
though trying to distinguish one voice in the concert.
They reached the rocks between which the Sieg tumbles,
at the end of the long avenue of ancient fir trees which the
torrent had cut in meandering through the forest, a path
covered in by a groined arch of boughs, meeting like those
of a cathedral. From thence the whole of the fiord was
seen, and the sea sparkled on the horizon like a steel blade.
At this instant the clouds vanished, showing the blue sky.
Down in the hollows and round the trees the air was full
of floating sparkles, the diamond dust swept up by a light
breeze, and dazzling gems of drops were hanging at the tip
of the branches of each pyramid. The torrent was rolling
below; a smoke came up from the surface, tinted ia the
sunshine with every hue of light; its beams, decomposed,
displayed perfect rainbows of the seven colors, like the
play of a thousand prisms meeting and crossing there.
This wild shore was curtained with various kinds of lichen,
a rich web, sheeny with moisture, like some gorgeous hanging of silk. Heath, already in blossom, crowned the rocks
with flowers in skilful disorder. All this stirring foliage,
tempted by the living waters, hung their heads over it like
hair; the larches waved their lacelike arms, as if caressing
the pines that stood rigid like careworn old men.
This luxuriant display was a contrast to the solemnity of
the antique colonnades of the forests, range upon range on
the hillsides, and to the broad sheet of the fiord, in which
the torrent drowned its fury at the feet of the three spectators. Beyond it all, the open sea closed im this picture,
traced by the greatest of poets—Chance—to which we owe
the medley beauty of creation when left, as it would seem,
to itself. Jarvis was a speck almost lost in this landscape,
in this immensity—sublime, as everything is, which, having
148 BALZAC’S WORKS -
but a brief existence, offers a transient image of perfection;
for by a law, fatal only to ovr sight, creations that appear
perfect, the delight of our heart and of our eyes, have but
one spring to live here.
At the top of that cliff these three beings might easily
fancy themselves alone in all the world.
‘How exquisite!’’ exclaimed Wilfrid.
‘‘Nature sings its hymns,’’ said Seraphita. ‘‘Is not this
music delicious? Confess now, Wilfrid, no woman you
ever knew could create for herself so magnificent a retreat.
Here I experience a feeling that the sight of great cities
rarely inspires, and which makes me long to remain here,
lying among these grasses of such rapid growth. Then,
with my eyes on the sky, my heart laid bare, lost in the
sense of immensity, I could let myself listen to the sighs
of the flower, which, scarcely released from its primitive
nature, would fain run about; and to the cries of the eider,
aggrieved at having only wings, while I thought of: the
cravings of man, who has something of everything, and
who also is forever full of desires!—But this, Wilfrid, is a
woman’s poetic fancy! You can find a voluptuous thought
in that hazy expanse of water; in those fantastic veils, behind which nature plays like some coquettish bride; and in
this atmosphere, where she perfumes her green hair for her
bridal. You would fain see the form of a naiad in that
wreath of mist, and I, as you think, ought to hear a manly
voice in the torrent.”’
‘‘And is not love in it all, like a bee in a flower?’’ re.
plied Wilfrid, who, seeing in her for the first time some
trace of earthly feeling, thought it a favorable moment for
the expression of his fervent affection.
‘Always the same?’’ said Seraphita, laughing, Minna
Ween
SERAPHITA 149
having left them; the girl was climbing a erag where she
had seen some blue saxifrages,
‘“‘Always!’’ exclaimed Wilfrid. ‘‘Listen,’’ he said, with
an imperious glance that mét a panoply of adamant, ‘‘you
know not who I am, nor what my power is, nor what I demand. Do not reject my last entreaty. Be mine, for the
sake of the world within your heart! Be mine, that my
conscience may be pure, that a heavenly voice may sound
in my ears and inspire me aright in the undertaking I have
vowed. to carry out, impelled by my hatred of the nations,
but to be achieved for their welfare if only you are with
me. What nobler mission may a woman dream of ?—I
came to these lands meditating a great scheme.”’
‘‘And you are prepared to sacrifice it and its glories,”
said she, ‘‘to a very simple girl, whom you will love, and
who will guide you into a peaceful path ?”’
‘‘What do I care? I only want you! This is my
secret,’’ he replied, going on with his speech. ‘‘I have
travelled all over the North, the great workshop where
the new races are produced who overspread the earth like
floods of humanity sent forth to renew worn-out civilization.
I wanted to have begun my work on one of these points,
conquering there the ascendency that force and intellect can
assert over a small race; to have trained it to battle, to have
declared war, and have sent it raging like a conflagration to
consume Europe, while shouting to these ‘Liberty!’ to
those ‘Plunder!’ to some ‘Glory!’ to others ‘Pleasure!’ I,
standing meanwhile like the image of Fate, pitiless and
cruel, moving like the storm which assimilates from the
atmosphere the atoms of which the lightning is compounded, and feeding on men like a rapacious monster. 1
should then have conquered Europe; she is now at a period
150 BALZAG-'S WORKS —
when she looks for the coming of the new Messiah, who is
to devastate the world and to reform the nations. Europe
can believe in no one but Him who will trample her under
foot.
‘‘Some day historians and poets would have justified my
existence, have magnified me, have ascribed great ideas to
me—to me, to whom this huge pleasantry, written in blood,
is but revenge.
‘‘But, dear Seraphita, what I have seen has disgusted
me with the North; force here is too blind, and I crave for
the Indies. A duel with a selfish, cowardly, and mercenary
government fascinates me more. Besides, it is easier to
arouse the imagination of the races that dwell at the foot
of Caucasus than to convince the minds of men in these
frozen lands. I am tempted to cross the Russian steppes,
to reach the frontiers of Asia, to cover it as far as the Ganges
with my victorious flood of human beings, and then IJ shall
overthrow the English rule. Seven men, at different
periods, have already carried out such a scheme. I shall
renew Art, as the Saracens did when Mahomet cast them
over Hurope. I will not be so sordid a king as those who
now govern the ancient provinces of the Roman Empire,
quarrelling with their subjects over custom-house dues.
No, nothing shall arrest the flash of my gaze or the storm
of my speech! My feet, like those of Genghis Khan, shall
cover a third of the globe; my hand shall grasp Asia as
did that of Aurung Zeeb.
‘‘Be my partner; take your seat, fair and lovely being,
on a throne. I have never doubted my success, but with
you to dwell in my heart, I should be certain of it.”’
‘*T have reigned already,’’ said Seraphita.
The words were like the blow dealt by the axe of a
SERAPHITA 151
skilful woodsman at the root of a sapling, felling it at once.
Men alone can know what a storm a woman can rouse ina
man’s soul when he has been trying to impress her with his
strength or his power, his intellect or his superiority, and
the capricious fair nods her head and says, ‘‘Oh, that is
nothing!’’ or, with a bored smile, observes, ‘‘I know all
that,’’ when power is as naught to her.
‘What!’ eried Wilfrid in despair, ‘‘the riches of Art,
the wealth of the world, the splendor of a eourt—”’
She checked him by a mere curl of her lips, and said—-
‘‘Beings more powerful than you are have offered me more.”’
‘‘Well, have you no soul, then, that you are not fascinated by the prospect of consoling a great man who will
sacrifice everything to dwell with you in a little home by
the side of a lake?”’
‘“Why,’’ said she, ‘‘IT am loved with a boundless love.”’
“By whom?’’ cried Wilfrid, going toward Seraphita
with a frenzied gesture, as if to fling her into the foaming
falls of the Sieg.
She looked at him; his arm dropped; and she pointed to
Minna, who came running down, all rose and white, and as
pretty as the flowers she carried in her hand.
‘*My child!”’ said Seraphitus, going forward to meet ier:
Wilfrid stood on the edge of the cliff as motionless as a
statue, lost in thought, longing to cast himself into the flow
of the torrent, like one of the fallen trees that passed under
his eyes and vanished in the abyss beneath. .
‘‘T gathered them for you,’’ said Minna, giving the nosegay to the being she adored. ‘‘One of them—this one,”’
said she, picking out a particular blossom, “‘is like the
flower we gathered on the Falberg.”’
Seraphitus looked at the blossom and then at Minna.
152 BALZAC’S WORKS —
‘“Why do you question me thus? Do you doubt me?’”
‘‘No,’’ said the girl, ‘‘my confidence in you is unbounded. While you are far more beautiful to me than
this beautiful scenery, you also seem to me to be superior
in intelligence to all the rest of humanity. When I have
been with you, I seem to have communed with God. I
only wish—”’
““What?’’? asked Seraphitus, with a flashing look that
revealed to the girl the vast distance that divided them.
‘*{ wish [ could. suffer in your stead.”’
‘‘This is the most dangerous of Thy creatures,’’ thought
Seraphitus. ‘‘Is it a criminal thought, O God, to long to
present her to Thee ?—Have you forgotten,’’ he said aloud,
‘tall [ told you up there?’’ and he pointed upward to the
peak of the Ice-cap.
‘‘Now heis terrible again!’’ thought Minna with a shudder.
The roar of the Sieg formed an accompaniment to the
thoughts of these three beings, who stood together for a few
minutes on a projecting slab of rock, parted, as they were,
by immeasurable gulfs in the spiritual world.
‘‘Teach me then, Seraphitus,’’ said Minna, in a voice
as silvery as a pearl and as gentle as the movements of a
sensitive plant. ‘Teach me what I must do to avoid loving
you? Who could fail to admire you? And love is the
admiration that is never tired.’’
‘‘Poor child!’ said Seraphitus, turning pale, “only one
Being can be loved thus.’’
‘‘Who is that?’’ asked Minna.
‘*You shall know!’’ was the reply in the weak voice of
one who lies down to die.
“Help! He is dying!’ cried Minna.
Wilfrid hastened forward, and seeing this being reSERAPHITA 153
clining gracefully on a block of gneiss over which time
had thrown its carpet of velvet, its glistening lichens, and
dusky mosses, lustrous in the sunshine—
‘She is lovely!’’ he exclaimed.
‘“This is the last glance I may give to nature in travail,’
said Seraphita, collecting all her strength to rise. She went
to the edge of the cliff, whence she could see the whole of
the sublime landscape, but lately wrapped in*its mantle
of snow,’ now full of life, green and flowery.
‘‘Farewell,’’ said she, ‘‘oh, burning hotbed of love!
whence everything tends from the centre to the utmost
circumference, while the extremities are gathered up, like
a woman’s hair, to be spun into the unknown plait by which
thou art linked, in the invisible ether, to the Divine Idea!
‘‘Behold him who is bending over the furrow, watered
with his sweat, and pausing for an instant to look up to
heaven; behold her who gathers the children in to feed
them from her breast; him who knots the ropes in the fury
of the tempest; her who sits in the niche of a rock awaiting
her father; and, again, all those who hold out their hands
for help after spending their life in thankless toil! Peace
and courage to them all, and to all farewell!
‘‘Do you hear the cry of the soldier who dies unknown,
the wrath of the man who laments, disappointed, in the desert? Peace and courage to all, to all farewell! Farewell,
you who die for the kings of the earth; but farewell, too,
ye races without a native land, and farewell, lands without
a people—seeking each other. Farewell, above ail, to thee,
sublime exile, who knowest not where to lay thy head!
Farewell, dear innocents, dragged away by the hair of your
head for having loved too well! Farewell, mothers sitting
by your dying sons! Farewell, holy, broken-hearted wives!
154 | BALZAC’S WORKS _
Farewell, O ye who are poor, young, weak, and suffering,
whose woes I have so often made my own! Farewell, all ye
who gravitate in the sphere of instinct, suffering there for
others!
‘*Farewell, ye discoverers who seek the Hast through the
thick darkness of abstractions as grand as first principles;
and ye martyrs of thought, led by thought to the true light!
Farewell, realms of inquiry, where I can hear the moans of
insulted genius, the sigh of the sage to whom light comes
—too late!
‘‘T perceive the angelic harmonies, the wafted fragrance,
the incense from the heart exhaled by those who move on,
praying, comforting, diffusing divine light and heavenly
balm to sorrowing souls. Courage, Choir of Love! to whom
the nations cry, ‘Comfort us! Protect us!’ Courage, and
farewell!
‘‘Farewell, rock of granite, thou shalt become a flower;
farewell, flower, thou shalt be a dove; farewell, dove, thou
shalt be a wo.nan; farewell, woman, thou shalt be Suffering;
farewell, man, thou shalt be Belief; farewell, you, who-shall
be all love and prayer!”’
Exhausted by fatigue, this inexplicable being for the
first time leaned on Wilfrid and Minna to support her back
to her house. Wilfrid and Minna felt some mysterious contagion from her touch. They had gone but a few steps
when they met David in tears.
‘She is going to die; why have you brought her here ?”’
he exclaimed from afar.
Seraphita was lifted up by the old: man, who had recoyered the strength of youth, and he flew with her to the door
of the Swedish castle, like an eagle carrying some white
lamb. to. his eyry.
SERAPHITA 155
VI
THE ROAD TO HEAVEN
O* THE DAY after Seraphita had had this foretaste
of her end, and had bidden farewell to the earth,
as a prisoner looks at his cell before quitting it forever,
she was suffering such pain as compelled her to remain in
the absolute quietude of those who endure extreme anguish.
Wilfrid and Minna went to see her, and found her lying on
her couch of furs. Her soul, still shrouded in the flesh,
shone through the veil, bleaching it, as it were, from day to
day. The progress made by the spirit in undermining the
last barrier which divided it from the infinite was called
sickness; the hour of life was named death. David wept to
see his mistress suffering, and refused to listen to her consolations; the old man was as unreasonable as a child. The
pastor was urgent on Seraphita to take some remedies; but
all was in vain.
One morning she asked for the two she had been so fond
of, telling them that this was the last of her bad days.
Wilfrid and Minna came in great alarm; they knew that
they were about to lose her. Seraphita smiled at them, as
those smile who are departing to a better world; her head
drooped like a flower overweighted with dew, which opens
its cup for the last time and exhales its last fragrance to the
air. She looked at them with sadness, of which they were
the cause; she had ceased to think of herself, and they felt
this without being able to express their grief, mingled as it
was with gratitude.
158 : BALZAC’S WORKS _
Wilfrid remained standing, silent and motionless, lost in
such contemplation as is suggested by things so vast that
they make us understand, here on earth, the Supreme Immensity. Minna, emboldened by the weakness of this powerful being, or perhaps by her dread of losing her beloved
forever, bent down and murmured, ‘‘Seraphitus—let me
follow you!”’
**Can I hinder you ?”’
**But why do you not love me enough to remain here ?”’
“T could not love anything here.”’
‘‘What, then, do you love ?”’
“Heaven.”
‘*Are you worthy of heaven if you thus despise God’s
creatures here ?”’
‘‘Minna, can we love two beings at the same time? Is
the Best-beloved really the Best-beloved if He does not fili
the whole heart? Ought He not to be the first and last and
only One? Does not she who is all love quit the world for
her Beloved? Her whole family becomes but a memory;
she has but one relation—it is He! Her soul is no longer
her own, but His! If she keeps anything within her that is
not His, she does not love; no, she does not love! Is loving half-heartedly loving at all? The voice of the Beloved
makes her all glad and flows through her veins like a purple
tide, redder than the blood; His look is a light that flashes
through her, she is fused with Him; where He is all is beautiful. He is warmth to her soul, He lights everything; near
Him, is it ever cold or dark to her? He is never absent;
He is always within us, we think in Him, with Him, for
Him. That, Minna, is how I love Him.”’
‘“Whom?’’ said Minna, gripped by consuming jealousy.
‘““Godl’’ replied Seraphitus, whose voice flashed upon
a —
a
SERAPHITA 157
their souls like a beacon light of freedom blazing from hill
to hill—‘‘God, who never betrays us! God, who does not
desert us, but constantly fulfils our desires, and who alone
ean perennially satisfy His creatures with infinite and unmixed joys! God, who is never weary, and who only has
smiles! God, ever new, who pours His treasures into the
soul, who purifies it without bitterness, who is all harmony,
all flame! God, who enters into us to blossom there, who
fulfils all our aspirations, who never calls us to account
if we are His, but gives Himself wholly, ravishes us, and
expands and multiplies us in Himself—God, in short!
*‘Minna, I love you because you may be His! I love
you because if you ecme to Him you will be mine.”
‘Then lead me to Him,”’ said she, kneeling down.
“Dake me by the hand; 1 will leave you no more.”’
‘‘head us, Seraphita,”’ cried Wilfrid vehemently, coming
forward to kneel with Minna. ‘‘Yes, you have made me
thirst for the Light and thirst for the Word; I thirst with
the love you have implanted in my heart, [ will cherish
your soul in mine; impart your Will, and [ will do whatsoever you bid me do. If I may not win you, I will treasure every feeling that you can infuse into me as part of you!
Tf I cannot be united to you but by my strength alone, f
will cling as flame clings to what it consumes.—Speak!”’
‘“‘Angel!’’ cried the incomprehensible being, with a look
that seemed to enfold them in an azure mantle. ‘Angel!
heaven is thine inheritance!”’
And a great silence fell after this cry, which rang in the
souls of Wilfrid and Minna like the first chord of some celestial symphony.
‘Tf you desire to train your feet to walk in the way that
leads to heaven, remember that the first steps are rovgh,”’
158 BALZAC’S WORKS ‘ _
said the suffering soul. ‘God must be sought for His own
sake. In that sense He is a jealous God, He will have you
altogether His; but when you have given yourself to Him,
He never abandons you. I will leave you the keys of the
kingdom where His light shines, where you will everywhere
be in the bosom of the Father, in the heart of the Bridegroom. No sentinel guards the gates; you can enter from
any side; His palace, His treasures, His sceptre, nothing is
forbidden; He says to all, ‘Take them freely!’ But you
must will to go thither. You must start as for a journey,
leave your home, give up your plans, bid farewell to your
friends—father, mother, sister, even the infant brother that
cries—an eternal farewell, for you vill never return, any
more than martyrs bound for the stake returned to their
homes; you must, in short, strip yourself of the feelings
and possessions to which men cling; otherwise, you will
not be wholly given up to your enterprise.
‘‘Do for God what you would have done for your ambitious schemes; what you do when you take up an art, what
you did when you loved a creature more than Him, or when
you were studying some secret of human knowledge. Is not
God Knowledge itself, Love itself, the Fount of all poetry ?
Is not His treasure a thing to covet? His treasure is inexhaustible, His poetry is infinite, His love unchangeable, His
knowledge infallible and full of mysteries. Cling to nothing, then; He will give you All! Yes, in His heart you
will find possessions beyond all compare with. those you
leave on earth.
‘“What I tell you is the truth. You will have His
power, you will be allowed to use it as you use anything
that belongs to your lover or your mistress.
‘‘Alas! most men doubt, lack faith, will, and persever-
“4
SERAPEITA 159
ance. Though some set out on the road, they presently
look back and return. Few are they who know how to
choose between these two extremes—to go or to stay;
heaven or the muck-heap. All hesitate. Weakness leads
to wandering, passion to evil ways, vice as a habit clogs
the feet, and man makes no progress toward a better state.
“Hvery being passes a preliminary life in the Sphere
of Instinct, laboring with endless toil to amass earthiy
treasures, only to recognize their futility at last. But
how many times must we live through this first life before quitting it fit to begin another stage of triai in the
Sphere of Abstractions, where the mind is exercised in
false science, and the spirit is at last weary of human
speech—for, matter being exhausted, the spirit prevails?
How many forms must the being elect to heaven wear
out, before he has learned the preciousness of silence,
and of the solitude whose star-strewn steppes are the
floor of the spiritual world? It is after testing and trying the void that his eyes turn to the right path. Then
there are other existences to be worn through or ever he
may reach the road where the Light shines.
‘‘Death marks a stage on this journey. After that, his
experience is in a reversed order; it takes a whole life,
perhaps, to acquire the virtues that are the antithesis of
the errors in which he has previously lived.
‘““Phus, first we live the life of suffering, where torments make us thirst for love. Next comes the life of
loving, where devotion to the creature teaches us devotion to the Creator; where the virtues of love, its thousand sacrifices, its angelic hope, its joys paid for by grief,
its patience and resignation excite an appetite for thirgs
divine. After this comes the life during which we seck,
166 BALZAC’S WORKS
in silence, the traces of the Word, and become humble
and charitable. Then the life of high desirc; finally, the
life of prayer. There we find eternal sunshine; there are
flowers, there is fruition!
“The qualities we acquire, and which shea grow up in
us, are the invisible bonds binding each of these existences
to the next; the soul alone remembers them, since matter
has no memory for spiritual things. The mind alone preserves a tradition of former states. This unbroken legacy
of the past to the present, and of the present to the future,
is the secret of human genius; some have the gift of form,
some the gift of number, some the gift of harmony; these
are all steps in the way to the Light. Yes, whoever possesses one of these gifts, touches the infinite at one spot.
‘‘The Word, of which I have here uttered a few axioms,
has been distributed over the earth, which has reduced it
to powder, and infused it into its works, its doctrines, its
poetry. If the tiniest speck of it shines on a work, you
say, ‘This is great; this is true; this is sublime!’ And that
mere atom vibrates within you, giving you a foretaste of
heaven. “Thus, one has sickness, to divide him from the
world; another has solitude, bringing him near to God; a
third has poetry; in short, everything that throws you in
on yourself, striking you and crushing you, is a ringing
call from the Divine Sphere.
‘‘When a being has traced the first furrow straight, it is
enough to make the others by; one single profound thought,
a voice once heard, an acute pang, a single echo that finds
the Word in you, changes your soul forever. Every road
leads to God; hence you have many chances of finding Him
if you walk straight on. When the happy day dawns that
finds you with your foot on the road, starting-on your pilSERAPHITA 16l
grimage, the earth knows no more of you, it understands
you no more, you are no longer in harmony with it, it rejects you.
‘Those who come to know these things, and who speak
a few utterances of the true Word, find not where to lay
their head; they are hunted lke wild beasts, and often
perish on the scaffold amid the rejoicing of the assembled
populace; but angels open the gates of heaven to them.
So your destination is a secret between you and God, as
love is a secret between two hearts. You are as the hidden treasure over which men trample, greedy for gold, but
not knowing that it is there.
‘‘Your life is one of incessant activity. Each act has a
purpose that tends to God, just as when you love your acts
and thoughts are full of the creature you love; but love and
its joys, love and its sensual pleasures, is but an imperfect
image of the infinite love that unites you to the Celestial
Bridegroom. Every earthly joy is succeeded by anguish
and dissatisfaction; for love to bring no disgust in its
train, death must quench it at the fiercest or ever you
see the ashes; but God transforms our miseries into raptures, joy is multiplied by itself, it constantly increases,
and knows no bounds.
“Thus, in the earthly life a transient love is ended by
enduring tribulations; whereas, in the spiritual life, the
tribulations of a day end in infinite joys. Your seul is
forever glad. You feel God close to you, in you; He
gives a flavor of holiness to all things, He shines in your
soul, He seals you with His sweetness, He weans you from
the earth for your own sake, and makes you care for it for
His sake by suffering you to use His power. You do, in
His name, the works He inspires you to do; you wipe
162 BALZAC’S WORKS
away tears; you act for Him; you have nothing of your
own; like Him, you love all creatures with inextinguishable love; you long to see them all marching toward Him,
as a truly loving woman would fain see all the nations of
the earth obedient to her Beloved.
‘The last life—that in which all previous lives are
summed up—is the life of prayer; in it every power is
strung to the highest pitch, and its merits will open the
gates of heaven to the being made perfect. Who can make
you understand the greatness, the majesty, the power of
prayer? Ob, that my voice may be as thunder in your
hearts, and that it may change them! Be now, forthwith,
what you will become after trials. There are certain privileged beings—prophets, seers, evangelists, martyrs, ali who
suffer for the Word or who have declared it—these souls
cross the human spheres at a single bound, and rise at once
to prayer. So, too, do those who are consumed by the flame
of faith. Be ye then such a daring pair! God accepts such
temerity; He loves those who take Him with violence, He
never rejects such as can force their way to Him. Understand this: Desire, the torrent of will, is so potent in a man,
that a single jet forcibly emitted is enough to win anything,
a single cry is often enough when uttered under the stress
of faith. Be ye one of those beings, full of force, will, and
love! Be victorious over the earth! Let the hunger and
thirst for God possess you wholly; run to Him as the thirsting hart runs to the water-brook. Desire will give you wings;
tears, the flowers of repentance, will fall like a heavenly baptism, whence your nature will come forth purified. From the
bosom of these waters leap into prayer!
‘‘Silence and meditation are efficacious means of entering
on this road; God always reveals Himself to the solitary and
SERAPHITA 163
contemplative man. By this method the necessary separation is effected between matter, which has so long held you
‘shrouded in darkness, and the spirit, which is born in
you and gives you light, any day will dawn in your soul.
Your broken heart receives the light which floods it; you
no longer feel convictions, but dazzling certainties. The
poet has expression, the sage meditates, the righteous man
acts; but he who is on the frontier of the divine worlds
prays, and his prayer is expression, meditation, and action
all in one! Yes, his prayer contains everything, includes
everything; it completes your nature by showing you the
Spirit and the Way.
‘‘Prayer is the fair and radiant daughter of all the human virtues, the arch connecting heaven and earth, the
sweet companion that is alike the lion and the dove; and
prayer will give you the key of heaven. As pure and as
bold as innocence, as strong as all things are that are entire
and single, this fair and invincible queen rests on the material world; she has taken possession of it; for, like the
sun, she casts about it a sphere of light. The universe
belongs to him who will, who can, who knows how to
pray; but he must will, he must be able, and he must
know how—in one word, he must have power, faith, and
wisdom. And, indeed, when prayer is the outcome of so
many trials, it is the consummation of all truth, of all
power, of all emotion. The offspring of the laborious,
slow, and persistent development of every natural property, and alive by the divine insufflation of the Word,
she has enchantments in her hand, she is the crown of
worship—neither material worship, which has its symbols,
nor spiritual worship, which has its formulas, but worship
of the divine order.
164 BALZAC’S WORKS _
“We do not then say prayers; prayer lights up within
us, and is a faculty which acts of itself: it acquires the
vital activity which lifts it above all forms; it links the soul
to God, and you are joined to Him as the root of a tree is
joined to the earth; the elements of things flow in your
veins, and you live the life of the worlds themselves.
Prayer bestows external conviction by enabling you to
penetrate the world of matter through a cohesion of all
your faculties with elementary substances; it bestows internal conviction by evolving your very essence, and mingling it with that of the spiritual spheres.
‘“'o pray thus you must attain to absolute freedom from
the flesh; you must be refined in the furnace to the purity
of a diamond; for that perfect communion can only be
achieved by absolute quiescence, the stilling of every
storm. Yes, prayer, literally an aspiration of the soul
set wholly free from the body, bears up every power,
applying them all to the constant and persistent union of
the visible and the invisible. When you possess the gift
of praying without weariness, with love, assurance, force,
and intelligence, your spiritualized nature soon attains to
power. It passes beyond everything, like the whirlwind
or the thunder, and partakes of the nature of God. You
acquire alacrity of spirit; in one instant you can be present in every region; you are borne, like the Word itself,
from one end of the world to the other. There is a harmony—you join in it; there is a light—you see it; there is
a melody—its counterpart is in you. In that frame you will
feel your intellect expanding, growing, and its insight reaching to prodigious distances; in fact, to the spirit, time and
space are not. Distance and duration are proportions proper
to matter; and spirit and matter have nothing in common.
SERAPHITA 165
“Although these things proceed in silence and stillness,
without disturbance or external motion, everything is action
in prayer; but vital action, devoid of all substantiality, refined like the motion of worlds into a pure and invisible
force. It comes down from above like light, and gives life
to the souls that lie in its rays, as nature lies in those of the
sun. It everywhere resuscitates virtue, purifies and sanctifies action, peoples the solitude, and gives a foretaste of eternal bliss. When once you have known the ecstasy of the
divine transport that comes of your internal struggles, there
is no more to be said; when once you have grasped the sistrum on which to praise God, you will never lay it down.
Hence the isolation in which angelic spirits dwell and their
scorn of all that constitutes human joys.
‘‘T say unto you, they are cut off from the number of
those who must die; if they understand their speech, they
no longer understand their ideas; they are amazed by their
doings, by what is termed politics, by earthly laws and
communities; to them there are no mysteries, nothing but
truth. Those who have attained the degree at which their
eyes can discern the gates of heaven, and who, without
casting a single glance behind, without expressing a single
regret, can look down upon the worlds and read their
destinies—those, I say, are silent, and wait and endure the
last conflict; the last is the hardest, resignation is the
supreme virtue. To dwell in exile and make no complaint,
to have no care for things on earth and yet to smile, to
belong to God and be left among men!
“Do you not plainly hear the voice that cries to you,
‘On! on!’ Often in a celestial vision the angels descend
and wrap you in song. Then you must see them soar back
to the hive without a tear, without a murmur. To murmur
168 BALZAC’S WORKS —
would be to fail. Resignation is the fruit that ripens at the
gate of heaven. How impressive and beautiful are the calm
smile, the unruffled brow of the resigned creature! How
radiant the light that adorns his face! Those who come
within his range grow better; his look is penetrating and
pathetic. He triumphs merely by his presence, more eloquent in his silence than the prophet in his speech. He
stands alert like a faithful dog listening fer his master.
‘Stronger than love, more eager than hope, greater than
faith, Resignation is the adorable maiden who, prone on the
earth, clings for an instant to the paim she has won by
leaving the print of her pure white feet; and when she is
no more, men come in crowds and say, ‘Behold!’ God
preserves. her there as an image, and at her feet creep all
the shapes and species of animal life seeking their way.
Now and again she shakes and sheds the light that emanates
from her hair, and we see; she speaks, and we listen; and
all say to one another, ‘A miracle!’
‘Often she triumphs in the name of God; men in their ©
terror deny her and put her to death; she lays down her
sword and smiles at the stake after saving the nations!
‘‘How many pardoned angels have stepped from martyrdom to heaven! Sinai and Golgotha are not here nor there.
The angel is crucified. everywhere, and in every sphere.
Sighs go up to God from every world. The earth on which
we live is one ear of the harvest; humanity is but a species
in the vast field where flowers are grown for heaven.
‘‘In short, God is everywhere the same, and it is easy
everywhere to go up to Him by prayer.”’
After these words, falling as from the lips of a second
Hagar in the desert, and stirring the souls they pierced like
the spears shot by the fiery word of Isaiah, the Being was
SERAPHITA 167
silent to collect some little remaining strength. Neither
Wilfrid nor Minna dared to speak. Then on a sudden HE
sat up to die.
‘Soul of the universe, O God, whom J love for Thyself!
Thou, Judge and Father, gauge a fervor that knows no
limit but Thine infinite goodness! Impart to me Thine
essence and Thy faculties, that I may be more truly Thine!
Take me, that I may no longer be my own. If I am not
duly purified, cast me back into the furnace. If I am not
finely molded, let me be made into some useful plowshare
or victorious sword. Grant me some glorious martyrdom
to proclaim Thy word. Even if Thou reject me, I will
bless Thy justice. If my exceeding love may win in a
moment what hard and patient labor may not obtain, snatch
me up in Thy chariot of fire! Whether Thou shalt grant
me to triumph or to suffer again, blessed be Thou! But if
I suffer for Thee, is not that a triumph! Take me—seize,
snatch, drag me away! Or, if Thou wilt, reject me! Thou
art He whom I worship, and who can do no wrong.—Ah!”’
he cried after a pause, ‘‘the bonds are breaking. Pure
spirits, holy throng, come forth from the depths, fly over
the surface of the luminous flood! The hour has struck,
come, gather round me. We will sing at the gates of the
sanctuary, our chants shall disperse the last lingering
clouds. We will unite to hail the morn of everlasting
day. Behold the dawn of the true Light! Why cannot I
take my friends with me?—Farewell, poor earth, farewell!”’
168 BALZAO’S WORKS _
Vil
THE ASSUMPTION
AIS LAST HYMN was not uttered in words, nor
expressed by gestures, nor by any of the signs which
serve men as a means of communicating their thoughts, but
as the soul speaks to itself; for at the moment when Seravhita was revealed in her true nature her ideas were no
longer enslaved to human language. ‘The vehemence of
her last prayer had broken the bonds. Like a white dove
the soul hovered for a moment above this body of which
the exhausted materials were about to dissever.
The aspiration of this soul to heaven was so infectious
that Wilfrid and Minna failed to discern death as they saw
the radiant spark of life.
They had fallen on their knees when Seraphitus had
turned to the dawn and they were inspired by his ecsiasy.
The fear of the Lord who creates man anew and purges
him of his dross consumed their hearts. Their eyes were
closed to the things of the earth and opened to the glories
of heaven.
Though surprised by the trembling before God which
overcame some of those seers known to men as prophets
they still trembled like them when they found themselves
within the circle where the glory of the Spirit was shining.
Then the veil of the flesh which had hitherto hidden
him from them insensibly faded away revealing the divine
substance. They were left in the twilight of the dawn
whose pale light prepared them to see the true light and
to hear the living word without dying of it.
j i
Var en)!.
fee =e |.
SERAPHITA 169
In this condition they both began to understand the immeasurable distances that divide the things of earth from
the things of heaven.
The life on whose brink they stood, trembling and
dazzled in a close embrace, as two children take refuge
side by side to gaze at a conflagration—that Life gave no
hold to the senses. The Spirit was above them; it shed
fragrance without odor, and melody without the help of
sound; here, where they knelt, there were neither surfaces,
nor angles, nor atmosphere. They dared no longer question him nor gaze on him, but remained under his shadow,
as under the burning rays of the tropical sun we dare not
raise our eyes for fear of being blinded.
They felt themselves near to him, though they could
not tell by what means they thus found themselves, as in a
dream, on the border line of the visible and the invisible,
nor how they had ceased to see the visible and perceived
the invisible.
They said to themselves, ‘‘If he should touch us, we
shall die!’’ But the Spirit was in the infinite, and they
did not know that in the infinite time and space are not,
that they were divided from him by gulfs, though apparently so near. Their souls not being prepared to receive a
complete knowledge of the faculties of that life, they only
perceived it darkly, apprehending it according to their
weakness.
Otherwise, when the Living Word rang forth, of which
the distant sound fell on their ear, its meaning entering into
their soul as life enters into a body, a single tone of that
Word would have swept them away, as a whirl of fire
seizes a straw.
Thus they beheld only what their nature, upheld by the
(8)—V ol.-25
170 BALZAO’S WORKS
power of the Spirit, allowed them to see; they heard only
so much as they were able to hear.
Still, in spite of these mitigations, they shuddered as
they heard the voice of the suffering soul, the hymn of the
spirit awaiting life, and crying out for it. That cry froze
the very marrow in their bones.
The Spirit knocked at the sacred gate.
‘‘What wilt thou?” asked a choir, whose voice rang
through all the worlds.
‘“To go to God.”
‘Hast thou conquered ?”’
‘‘T have conquered the flesh by abstinence; [ have
vanquished false speech by silence; I have vanquished
false knowledge by humility; I have vanquished pride by
charity; I have vanquished the earth by love; I have paid
my tribute of suffering; I am purified by burning for the
faith; I have striven for life by prayer; I wait adoring, and
f am resigned.”’
But no reply came.
‘‘The Lord be praised!’’ said the Spirit, believing himself rejected. His tears flowed, and fell in dew on the
kneeling witnesses, who shuddered at the judgments of
God.
On a sudden, the trumpets sounded for the victory of
the Angel in this last test; their music filled space, like a
sound met by an echo; it rang through it, making the
universe tremble. Wilfrid and Minna felt the world shrink
under their feet. They shivered, shaken by the terrors of
apprehending the mystery that was to be accomplished.
There was, in fact, a vast stir, as though the eternal
legions were forming to march, and gathering in spiral
order. The worlds spun round, like clouds swept away
SERAPHITa 171
by a mad whirlwind. It was all in a moment. The veils
were rent; they saw far above them, as it were, a star immeasurably brighter than the brightest star in the skies; it
fell from its place like a thunderbolt, still flashing like the
lightning, paling in its flight all that they had ever hitherto
thought to be light.
This was the messenger bearing the good tidings, and
the plume in his helmet was a flame of life. He left behind
him a wake, filled up at once by the waves of the luminous
flood he passed through.
He bore a palm and a sword; with the palm he touched
the Spirit, and it was transfigured; its white wings spread
without a sound.
At the communication of the Light, which changed the
Spirit into a seraph, the garb of heavenly armor that clothed
its glorious form, shed such radiance that the two seers were
blinded. And, like the three apostles to whose sight Jesus
appeared, Wilfrid and Minna were conscious of the burden
of their bodies, which hindered them from complete and
unclouded intuition of the Word and the True Life.
They saw the nakedness of their souls, and could measure
their lack of brightness by comparison with the halo of the
seraph, in which they stood as a shameful spot. They felt
an ardent desire to rush back into the mire of the universe,
to endure trial there, so as to be able some day to utter at
the sacred gate the answer spoken by the glorified Spirit.
That seraph knelt down at the gate of the sanctuary,
which he could at last see face to face, and said, pointing to
them—
‘‘Grant them to see more clearly. They will love the
Lord, and proclaim His Word.”’
In answer to this prayer, a veil fell. Whether the un172 BALZAC’S WORKS —
known power that laid a hand on the two seers did fora
moment annihilate their physical bodies, or whether it
released their spirit to ‘soar free, they were aware of a
separation in themselves of the pure from the impure.
Then the seraph’s tears rose round them in the form of
a vapor which hid the lower worlds from their eyes, and
wrapped them round and carried them away, and gave
them oblivion of earthly meanings, and the power of understanding the sense of divine things. The True Light appeared; it shed light on all creation, which, to them, looked
barren indeed when they saw the source whence the worlds,
earthly, spiritual, and divine, derive motion.
Each world had a centre to which tended every atom of
the sphere;: these worlds were themselves each an atom
tending to the centre of their species. Hach species had its
centre in the vast celestial region that is in communion with
the inexhaustible and flaming motor power of all that exists.
Thus, from the most vast to the smallest of the worlds, and
from the smallest sphere to the minutest atom of the creation that constitutes it, each thing was an individual, and
yet all was one.
What, then, was the purpose of the Being, immutable in
Essence and Faculty, but able to communicate them without
loss, able to manifest them as phenomena without separating
them from Himself, and causing everything outside Himself
to be a creation immutable in its essence and mutable in
its form? The two guests bidden to this high festival
could only see the order and arrangement of beings, and
wonder at their immediate ends. None but angels could go
beyond that, and know the means and understand the
purpose.
But that which those two chosen ones could contemSERAPHITA £78
plate, and of which they carried away the evidence to be a
light to their souls forever after, was the certainty of the
action of worlds and beings, and a knowledge of the effort
with which they all tend to a final result. They heard the
various parts of the infinite forming a living melody; and
at each beat, when the concord made itself felt as a deep
expiration, the worlds, carried on by this unanimous
motion, bowed to the Omnipotent One, who in His unapproachable centre made all things issue from Him and
return to Him. This ceaseless alternation of voices and
silence seemed to be the rhythm of the holy hymn that
was echoed and sustained from age to age.
Wilfrid and Minna now understood some of the mysterious words of the being who on earth had appeared to them
under the form which was intelligible to each—Seraphitus
to one, Seraphita to the other—seeing that here all was
homogeneous. Light gave birth to melody, and melody to
light; colors were both light and melody; motion was
number endowed by the Word; in short, everything was
at once sonorous, diaphanous, and mobile; so that, everything existing in everything else, extension knew no liuuits,
and the angels could traverse it everywhere to the utmost
depths of the infinite.
They saw then how puerile were the human sciences of
which they had heard. Before them lay a view without any
horizon, an abyss into which ardent craving invited them to
plunge; but burdened with their hapless bodies, they had
the desire without the power.
The seraph lightly spread his wings to take his flight,
and did not look back at them—he had nothing now in
common with the earth.
He sprang upward; the vast span of his dazzling pinions
174 BALZAC’S WORKS
covered the two seers like a beneficent shade, allowing them
to raise their eyes and see him borne away in his glory
escorted by the rejoicing archangel. He mounted like a
beaming sun rising from the bosom of the waters; but,
more happy he than the-day star, and destined to more
glorious ends, he was not bound, like inferior creatures, to
a circular orbit; he followed the direct line of the infinite,
tending undeviatingly to the central one, to be lost there in
life eternal, and to absorb into his faculties and into his
essence the power of rejoicing through love and the gift of
comprehending through wisdom.
The spectacle that was then suddenly unveiled to the
eyes of the two seers overpowered them by its vastness, for
they felt like atoms whose smallness was comparable only
to the minutest fraction which infinite divisibility allows
man to conceive of, brought face to face with the infinitely
numerous which God alone can contemplate as He contemplates Himself.
What humiliation and what greatness in those two
points, strength and love, which the seraph’s first desire
had placed as two links uniting the immensity of the inferior universe to the immensity of the superior universe!
They understood the invisible bonds by which material
worlds are attached to the spiritual worlds. As they recalled the stupendous efforts of the greatest human minds,
they discerned the principle of meiody as they heard the
songs of heaven which gave them all the sensations of color,
perfume, and thought, and reminded them of the innumerable details of all the creations, as an earthly song
can revive the slenderest memories of love.
Strung by the excessive exaltation of their faculties to
a pitch for which there is no word in any language, for a
SERAPHITA 175
‘moment they were suffered to glance into the divine sphere.
There all was gladness! Myriads of angels winged their
way with one consent and without confusion, all alike but
all different, as simple as the wild rose, as vast as worlds.
Wilfrid and Minna did not see them come nor go; they
suddenly pervaded the: infinite with their presence, as stars
appear in the unfathomable ether. The blaze of all their
diadems flashed into light in space, as the heavenly fire is
lighted when the day rises among mountains. Waves of
light fell from their hair, and their movements gave rise
to undulating throbs like the dancing waves of a phosphorescent sea.
The two seers could discern the seraph as a darker object amid deathless legions, whose wings were as the mighty
plumage of a forest swept by the breeze. And then, as
though all the arrows of a quiver were shot off at once, the
spirits dispelled with a breath every vestige of his former
shape; as the seraph mounted higher he was purified, and
erelong he was no more than a filmy image of what they
had seen when he was first transfigured—lines of fire with
no shadow. Up and up, receiving a fresh gilt at each circle,
while the sign of his election was transmitted to the highest
heaven, whither he mounted purer and purer.
None of the voices ceased; the hymn spread in all its
modes—
‘‘Hail to him who rises to life! Come, flower of the
worlds, diamond passed through the fire of affliction, pearl
without spot, desire without flesh, new link between earth
and heaven, be thou Light! Conquering spirit, queen of
the world, fly to take thy crown; victorious over the earth,
receive thy diadem! Be one of us!”
The angel’s virtues reappeared in all their beauty. His
176 BALZAC’S WORKS _
first longing for heaven was seen in the grace of tender infancy. His deeds adorned him with brightness like constellations; his acts of faith blazed like the hyacinth of the
skies, the hue of the stars. Charity decked him with oriental pearls, treasured tears. Divine love bowered him in
roses, and his pious resignation by its whiteness divested
him of every trace of earthliness.
Soon, to their eyes; he was no more than a speck of
flame, growing more and more intense, its motion lost in the
melodious acclamations that hailed his arrival in heaven.
The celestial voices made the two exiles weep.
Suddenly the silence of death spread like a solemn veil
from the highest to the lowest sphere, throwing Wilfrid and
Minna into unutterable expectancy. At that instant the
seraph was lost in the heart of the sanctuary, where he
received the gift of eternal life.
Then they were aware of an impulse of intense adoration, which filled them with rapture mingled with awe.
They felt that every being had fallen prostrate in the divine spheres, in the spiritual spheres, and in the worlds
of darkness. The angels bent the knee to do honor to his
glory, the spirits bent the knee to testify to their eagerness,
and in the abyss all knelt, shuddering with awe.
A mighty shout of joy broke out, as a choked spring
breaks forth again, tossing up its thousands of flower-like
jets, mirroring the sun which turns the sparkling drops to
diamond and pearl, at the instant when the seraph emerged,
a blaze of light, crying:
‘‘Kternal! Eternal! Eternal!’
The worlds heard him and acknowledged him; he became one with them as God is, and took possession of the
infinite.
SERAPHITA ‘Wi eee
The seven divine worlds were aroused by his voice and
answered him.
At this instant there was a great rush, as if whole stars
were purified and went up in dazzling glory to be eternal.
Perhaps the seraph’s first duty was to call all creations filled
with the Word to come to God.
But the hallelujah was already dying away in the ears
of Wilfrid and Minna, like the last waves of dying music.
The glories of heaven were already vanishing, like the hues
of a setting sun amid curtains of purple and gold.
Death and impurity were repossessing themselves of
their prey.
As they resumed the bondage of the flesh from which
their spirit had for a moment been released by a sublime
trance, the two mortals felt as on awaking in the morning
from a night of splendid dreams, of which reminiscences
float in the brain, though the senses have no knowledge
of them, and human language would fail to express them.
The blackness of the limbo into which they fell was the
sphere where the sun of visible worlds shines.
‘We must go down again,’’ said Wilfrid to Minna.
‘‘We will do as he bids us,’’ replied she. ‘‘Having seen
the worlds moving on toward God, we know the right way.
—Our starry diadems are above!”’
They fell into the abyss, into the dust of the lower
worlds, and suddenly saw the earth as it were a crypt, of
which the prospect was made clear to them by the light
they brought back in their souls, for it still wrapped them
in a halo, and through it they still vaguely heard the vanishing harmonies of heaven. This was the spectacle which
of old fell on the mind’s eye of the prophets. Ministers of
178 BALZAC 8 WORKS _
various religions, all calling themselves true, kings consecrated by force and fear, warriors and conquerors sharing
the nations, learned men and rich lording it over a refractory and suffering populace whom they trampled underfoot
—-these were all attended by their followers and their
- women, all were clad in robes of gold, silver, and azure,
covered with pearls and gems torn from the bowels of the
earth or from the depths_of the sea by the perennial toil of
sweating and blaspheming humanity. But in the eyes of
the exiles this wealth and splendor, harvested with blood,
were but filthy rags.
‘‘What do ye here in motionless ranks?” asked Wilfrid.
They made no answer.
‘‘What do ye here in motionless ranks ?”’
But they made no answer.
Wilfrid laid his hands on them and shouted—
‘*What do ye here in motionless ranks ?”’
By a common impulse they all opened the robes and
showed him their bodies, dried up, eaten by worms, corrupt,
falling to dust, and consumed by horrible diseases. ‘‘Ye
lead the nations to death,’’ said Wilfrid; ‘tye have defiled
the earth, perverted the Word, prostituted justice. Ye
have eaten the herb of the field, and now ye would kill
the lambs! Do ye think that there is justification in showing your wounds? J shall warn those of my brethren who
atill can hear the Voice, that they may slake their thirst
at the springs that you have hidden.”’
‘‘Let us save our strength for prayer,’’ said Minna. ‘‘It
is not your mission to be a prophet, nor a redeemer, nor an
evangelist. We are as yet only on the margin of the lowest
sphere; let us strive to cleave through space on the pinicns
of prayer.”’
he
.
SERAPHITA 179
“You are my sole love!”
‘You are my sole strength!’’
““We have had a glimpse of the higher mysteries; we
are, each to the other, the only creatures here below with
whom joy and grief are conceivable. Come then, we will
pray; we know the road, we will walk in it.”
“Give me your hand,’’ said the girl. ‘‘If we always
walk together, the path will seem less rough and not so
long.”’ :
“Only with you,’’ said the young man, ‘‘could I traverse
that vast desert without allowing myself to repine.’’
‘‘And we will go to heaven together!’’ said she.
The clouds fell, forming a dark canopy. Suddenly the
lovers found themselves kneeling by a dead body, which
old David was protecting from prying curiosity, and insisted on burying with his own hands.
Outside, the first summer of the nineteenth century was
in all its glory; the lovers fancied they could hear a voice
in the sunbeams. They breathed heavenly perfume from
the new-born flowers, and said as they took each other by
the hand—
‘“The vast ocean that gleams out there is an image of
that we saw above!”’
‘‘Whither are you going ?’’ asked Pastor Becker.
‘‘We mean to go to God,”’ said they. ‘‘Come with us,
father.’’
GENEVA AND PARIS,
December, 18383—November, 1835.
LOUIS LAMBERT
DEDICATION
**Ht nune et semper dilectee dicatum”
OUIS LAMBERT was born in 1797 at Montoire, a little town in the Vendomois, where his father owned
a tannery of no great magnitude, and intended that his son
should succeed him; but his precocious bent for study modified the paternal decision. For, indeed, the tanner and his
wife adored Louis, their only child, and never contradicted
him in anything.
At the age of five Louis had begyn by reading the Old
and New Testaments; and these two Books, including se
many books, had sealed his fate. Could that childish imagination understand the mystical depths of the Scriptures?
Could it so early follow the flight of the Holy Spirit across
the worlds? Or was it merely attracted by the romantic
touches which abound in those Oriental poems! Our narrative will answer these questions to some readers.
One thing resulted from this first reading of the Bible:
Louis went all over Montoire begging for books, and he
obtained them by those winning ways peculiar to children,
which no one can resist. While devoting himself to these
studies under no sort of guidance, he reached the age of ten.
At that period substitutes for the army were scarce; rich
families secured them long beforehand to have them ready
when the lots were drawn. ‘The poor tanner’s modest for-
(180\
‘ LOUIS LAMBERT 181
tune did not allow of their purchasing a substitute for their
son, and they saw no means allowed by law for evading the
conscription but that of making him a priest; so, in 1807,
they sent him to his maternal uncle, the parish priest of
Mer, another small town on the Loire, not far from Blois.
This arrangement at once satisfied Louis’s passion for knowledge, and his parents’ wish not to expose him to the dreadful chances of war; and, indeed, his taste for study and precocious intelligence gave grounds for hoping that he might
rise to high fortunes in the Church. _
After remaining for about three years with his uncle, an
old and not uncultured Oratorian, Louis left him early in
1811 to enter the College at Vendome, where he was maintained at the cost of Madame de Staél.
Lambert owed the favor and patronage of this celebrated
lady to chance, or shall we not say to Providence, who can
smooth the path of forlorn genius. ‘To us, indeed, who do
not see below the surface of human things, such vicissitudes,
of which we find many examples in the lives of great men,
appear to be merely the result of physical phenomena; to
most biographers the head of a man of genius rises above
the herd as some noble plant in the fields attracts the eye
of the botanist by its splendor. ‘This comparison may
well be applied to Louis Lambert’s adventure; he was
accustomed to spend the time allowed him by his uncle
for holidays at his father’s house; but instead of indulging, after the manner of schoolboys, in the sweets of the
delightful far niente that tempts us at every age, he set out
every morning with part of a loaf and his books, and went
to read and meditate in the woods, to escape his mother’s
remonstrances, for she believed such persistent study to
be injurious. How admirable is a mother’s instinct!
182 BALZAC’S WORKS
From that time reading was in Louis a sort of appetite
which nothing could satisfy; he devoured books of every
kind, feeding indiscriminately on religious works, history,
philosophy, and physics. He has told me that he found
indescribable delight in reading dictionaries for lack of
other books, and I readily believed him. What scholar
has not many a time found pleasure in seeking the probable meaning of some unknown word? The analysis of a
word, its physiognomy and history, would be to Lambert
matter for long dreaming. But these were not the instine.
tive dreams by which a boy accustoms himself to the phenomena of life, steels himself to every moral or physical
perception—an involuntary education which subsequently
brings forth fruit both in the understanding and character of
aman; no, Louis mastered the facts, and he accounted for
them after seeking out both the principle and the end
with the mother wit of a savage. Indeed, from the age
of fourteen, by one of those startling freaks in which
nature sometimes indulges, and which proved how anomalous was his temperament, he would utter quite simply
ideas of which the depth was not revealed to me till a
long time after.
‘‘Often,’’ he has said to me when speaking of his studies,
‘often have I made the most delightful voyage, floating on
a word down the abyss of the past, like an insect embarked
on a blade of grass tossing on the ripples of a stream. Starting from Greece, I would get to Rome, and traverse the whole
extent of modern ages. What a fine book might be written
of the life and adventures of a word! It has, of course,
received various stamps from the occasions on which it has
served its purpose; it has conveyed different ideas in different places; but is it not still grander to think of it under the
_
LOUIS LAMBERT 183
three aspects of soul, body, and motion? Merely to regard
it in the abstract, apart from its functions, its effects, and
its influence, is enough to cast one into an ocean of medita.-
tions. Are not most words colored by the idea they represent? Then, to whose genius are they due? If it takes
great intelligence to create a word, how old may human
speech be? The combination of letters, their shapes, and
the look they give to the word, are the exact reflection, in
accordance with the character of each nation, of the unknown beings whose traces survive in us.
‘“Who can philosophically explain the transition from
sensation to thought, from thought to word, from the word
to its hieroglyphic presentment, from hieroglyphics to the
alphabet, from the alphabet to written language, of which
the eloquent beauty resides in a series of images, classified
by rhetoric, and forming, in a sense, the hieroglyphics of
thought? Was it not the ancient mode of representing
human ideas as embodied in the forms of animals that
gave rise to the shapes of the first signs used in the Hast for
writing down language? Then has it not left its traces by
tradition on our modern languages, which have all seized
some remnant of the primitive speech of nations, a majestic and solemn tongue whose grandeur and solemnity decrease aS communities grow old; whose sonorous tones
ring in the Hebrew Bible, and still are noble in Greece,
but grow weaker under the progress of successive phases
of civilization?
‘‘Ig it to this time-honored spirit that we owe the mysteries lying buried in every human word? In the word
True do we not discern a certain imaginary rectitude?
Does not the compact brevity of its sound suggest a
vague image of chaste nudity and the simplicity of Truth
184° _ BALZAC’S WORKS
in all things? The syllable seems to me singularly crisp
and fresh.
“‘T chose the formula of an abstract idea on purpose, not
wishing to illustrate the case by a word which should make
it too obvious to the apprehension, as the word Flight for instance, which is a direct appeal to the senses.
‘*But is it not so with every root word? They all are
stamped with a living power that comes from the soul,
and which they restore to the soul through the mysterious and wonderful action and reaction between thought
and speech. Might we not speak of it as a lover who
finds on his mistress’s lips as much love as he gives?
Thus, by their mere physiognomy, words call to life in
our brain the beings which they serve to clothe. Like
all beings, there is but one place where their properties
are at full liberty to act and develop. But the subject
demands a science to itself perhaps!’’
And he would shrug his shoulders, as much as to say,
‘‘But we are too high and too low!”’
Louis’s passion for reading had on the whole been very
well satisfied. The curé of Mer had two or three thousand
volumes. This treasure had been derived from the plunder committed during the Revolution in the neighboring
chateaux and abbeys. As a priest who had taken the
oath, the worthy man had been able to choose the best
books from among these precious libraries, which were
sold by the pound. In three years Louis Lambert had
assimilated the contents of all the books in his uncle’s
library that were worth reading. The process of absorbing ideas by means of reading had become in him a very
strange phenomenon. His eye took in six or seven lines
at once, and his mind grasped the sense with a swiftness
LOUIS LAMBERT . 185
as remarkable as that of his eye; sometimes even one word
in a sentence was enough to enable him to seize the gist of
the matter.
His memory was prodigious. He remembered with equal
exactitude the ideas he had derived from reading, and those
which had occurred to him in the course of meditation or
conversation. Indeed, he had every form of memory—for
places, for names, for words, things, and faces. He not
only recalled any object at will, but he saw them in his
mind, situated, lighted, and colored as he had originally
seen them. And this power he could exert with equal
effect with regard to the most abstract efforts of the intellect. He could remember, as he said, not merely the position of a sentence in the book where he had met with it, but
the frame of mind he had been in at remote dates. Thus
his was the singular privilege of being able to retrace in
memory the whole life and progress of his mind, from the
ideas he had first acquired to the last thought evolved in
it, from the most obscure to the clearest. His brain, accustomed in early youth to the mysterious mechanism by which
human faculties are concentrated, drew from this rich treasury endless images full of life and freshness, on which he fed
his spirit during these lucid spells of contemplation.
‘‘Whenever I wish it,’’ said he to me in his own language, to which a fund of remembrance gave precocious
originality, ‘‘I can draw a veil over my eyes. Then I
suddenly see within me a camera obscura, where natural
objects are reproduced in purer forms than those under
which they first appeared to my external sense.’’
At the age of twelve his imagination, stimulated by the
perpetual exercise of his faculties, had developed to a point
which permitted him to have such precise concepts of things
186 BALZAC’S WORKS
which he knew only from reading about them, that the im- =
age stamped on his mind could not have been clearer if he
had actually seen them, whether this was by a process of
analogy or that he was gifted with a sort of second-sight
by which he could command all nature.
‘‘When I read the story of the battle of Austerlitz,’’ said |
he to me one day, “‘I saw every incident. The roar of the
cannon, the cries of the fighting men rang in my ears, and
made my inmost self quiver; I could smell the powder; |
heard the clatter of horses and the voices of men; I looked
down on the plain where armed nations were in collision,
just as if I had been on the heights of Santon. The scene
was as terrifying as a passage from the Apocalypse.’
On the occasions when he brought all his powers into
play, and in some degree lost consciousness of his physical
existence, and lived on only by the remarkable energy of
his mental powers, whose sphere was enormously expanded,
he left space behind him, to use his own words.
But I will not here anticipate the intellectual phases of
his life. Already, in spite of myself, I have reversed the
order in which I ought to tell the history of this man, who
transferred all his activities to thinking, as others throw all
their life into action.
A strong bias drew his mind to mystical studies.
‘‘ Abyssus abyssum,’’ he would say. ‘‘Our spirit is abysmal and loves the abyss. In childhood, manhood, and old
age we are always eager for mysteries in whatever form they
present. themselves.”’
This predilection was disastrous; if indeed his life can
be measured by ordinary standards, or if we may gauge
another's happiness by our own or by social notions. This
taste for the ‘‘things of heaven,’’ another phrase he was
LOUIS LAMBERT 187
fond of using, this mens divinior, was due perhaps to the
influence produced on his mind by the first books he read
at his uncle’s. Saint Theresa and Madame Guyon were a
sequel to the Bible; they had the first-fruits of his manly
intelligence, and accustomed him to those swift reactions
of the soul of which ecstasy is at once the result and the
means. This line of study, this peculiar taste, elevated
his heart, purified, ennobled it, gave him an appetite for
‘the divine nature, and suggested to him the almost womanly refinement of feeling which is instinctive in great
men; perhaps their sublime superiority is no more than
the desire to devote themselves which characterizes woman, only transferred to the greatest things.
As a result of these early impressions, Louis passed immaculate through his school life; this beautiful virginity
of the senses naturally resulted in the richer fervor of his
blood, and in increased faculties of mind.
The Baroness de Staél, forbidden to come within forty
leagues of Paris, spent several months of her banishment
on an estate near Vendome. One day, when out walking,
she met on the skirts of the park the tanner’s son, almost
in rags, and absorbed in reading. The book was a translation of ‘‘Heaven and Hell.’’ At that time Monsieur
Saint-Martin, Monsieur de Gence, and a few other French
or half German writers were almost the only persons in
the French Empire to whom the name of Swedenborg was
known. Madame de Staél, greatly surprised, took the book
from him with the roughness she affected in her questions,
looks, and manners, and with a keen glance at Lambert—
‘Do you understand all this?’’ she asked.
‘“‘Do you pray to God ?”’ said the child.
‘“Why? yes!”
188 BALZAC’S WORKS
And do you understand Him?”
The Baroness was silent for a moment; then she sat
down by Lambert, and began to talk to him. Unfortu- —
nately, my memory, though retentive, is far from being so
trustworthy as my friend’s, and I have forgotten the whole
of the dialogue excepting those first words.
Such a meeting was of a kind to strike Madame de Staél
very greatly; on her return home she said but little about
it, notwithstanding an effusiveness which in her became
mere loquacity; but it evidently occupied her thoughts.
The only person now living who preserves any recollection of the incident, and whom I catechized to be informed
of what few words Madame de Staél had let drop, could
with difficulty recall these words spoken by the Baroness as
describing Lambert, ‘‘He is a real seer.”’
Louis failed to justify in the eyes of the world the high
hopes he had inspired in his protectress. The transient
favor she showed him was regarded as a feminine caprice,
one of the fancies characteristic of artist souls. Madame
de Staél determined to save Louis Lambert alike from
serving the Hmperor or the Church, and to preserve him
for the glorious destiny which, she thought, awaited him;
for she made him out to be a second Moses snatched from
the waters. Before her departure she instructed a friend
of hers, Monsieur de Corbigny, to send her Moses in due
course to the High School at Vendome; then she probably
forgot him.
Having entered this college at the age of fourteen, early
in 1811, Lambert would leave it at the end of 1814, when
he had finished the course of Philosophy. I doubt whether
during the whole time he ever heard a word -of his benefacss
Z
LOUIS LAMBERT 189
tress—if indeed it was the act of a benefactress to pay for a
lad’s schooling for three years without a thought of his
future prospects, after diverting him from a career in which
he might have found happiness. The circumstances of the
time, and Louis Lambert’s character, may to a great extent
absolve Madame de Staél for her thoughtlessness and her
generosity. The gentleman who was to have kept up communications between her and the boy left Blois just at the
time when Louis passed out of the college. The political
events that ensued were then a sufficient excuse for this
gentleman’s neglect of the Baroness’s protégé. The authoress of ‘‘Corinne’’ heard no more of her little Moses.
A hundred louis, which she placed in the hands of Monsieur de Corbigny, who died, I believe, in 1812, was not a
sufficiently large sum to leave lasting memories in Madame
de Staél, whose excitable nature found ample pasture
during the vicissitudes of 1814 and 1815, which absorbed
all her interest.
At this time Louis Lambert was at once too proud and
too poor to go in search of a patroness who was travelling
all over Europe. Mowever, he went on foot from Blois to
Paris in the hope of seeing her, and arrived, unluckily, on
the very day of her death. Two letters from Lambert
to the Baroness remained unanswered. The memory of
Madame de Staél’s good intentions with regard to Louis
remains, therefore, only in some few young minds, struck,
as mine was, by the strangeness of the story.
No one who had not gone through the training at our
college could understand the effect usually made on our
minds by the announcement that a ‘‘new boy’’ had arrived,
or the impression that such an adventure as Louis Lambert’s
was calculated to produce.
190 BALZAC’S WORKS —
And here a little information must be given as to the
primitive administration of this institution, originally halfmilitary and half-monastic, to explain the new life which
there awaited Lambert. Before the Revolution, the Oratorians, devoted, like the Society of Jesus, to the education
of youth—succeeding the Jesuits, in fact, in certain of their
establishments—had various provincial houses, of which the
most famous were the colleges of Vendome, of Tournon, of
la Fléche, Pont-Levoy, Sorréze, and Juilly. That at Vendome, like the others, I believe, turned out a certain
number of cadets for the army. The abolition of educational bodies, decreed by the Convention, had but little
effect on the college at Vendome. When the first erisis
had blown over, the authorities recovered possession of
their buildings; certain Oratorians, scattered about the
country, came back to the college and reopened it under
the old rules, with the habits, practices, and customs which
gave this school a character with which I have seen nothing
at all comparable in any that I have visited since I left that
establishment.
Standing in the heart of the town, on the little river
Loir which flows under its walls, the college possesses extensive precincts, carefully inclosed by walls, and including
all the buildings necessary for an institution on that scale:
a chapel, a theatre, an infirmary, a bakehouse, gardens, and
water supply. This college is the most celebrated home of
learning in ali the central provinces, and receives pupils
from them and from the colonies. Distance prohibits any
frequent visits from parents to their children.
The rule of the House forbids holidays away from it.
Once entered there, a pupil never leaves till his studies are
finished. With the exception of walks taken under the
LOUIS LAMBERT 191
guidance of the Fathers, everything is calculated to give
the School the benefit of conventual discipline; in my day
the tawse was still a living memory, and the classical
leather strap played its terrible. part with all the honors.
The punishments originally invented by the Society of
Jesus, as alarming to the moral as to the physical man,
were still in force in all the integrity of the original code.
Letters to parents were obligatory on certain days, so
was confession. ‘Thus our sins and our sentiments were all
according to pattern. Everything bore the stamp of monastic rule. I well remember, among other relics of the ancient
order, the inspection we went through every Sunday. We
were all in our best, placed in file like soldiers to await the
arrival of the two inspectors who, attended by the tutors
and the tradesmen, examined us from the three points of
view of dress, health, and morals.
The two or three hundred pupils lodged in the establish.
ment were divided, according to ancient custom, into the
minimes (the smallest), the little boys, the middle boys, and
the big boys. The division of the minimes included the
eighth and seventh classes; the little boys formed the sixth,
fifth, and fourth; the middle boys were classed as third and
. second; and the first class comprised the senior students—
of philosophy, rhetoric, the higher mathematics, and chemistry. Hach of these divisions had its own building, classrooms, and playground, in the large common precincts on to
which the class-rooms opened, and beyond which was the
refectory.
This dining-hall, worthy of an ancient religious Order,
accommodated all the school. Contrary to the usual practice in educational institutions, we were allowed to talk at
our meals, a tolerant Oratorian rule which enabled us to
192 BALZAC’S WORKS
exchange plates according to our taste. This gastronomical —
barter was always one of the chief pleasures of our college
life. If one of the ‘‘middle’’ boys at the head of his table
wished for a helping of lentils instead of dessert—for we —
had dessert—the offer was passed down from one to another: —
‘Dessert for lentils!’’ till some other epicure had accepted;
then the plate of lentils was passed up to the bidder from
hand to hand, and the plate of dessert returned by the same
road. Mistakes were never made. If several identical
offers were made, they were taken in order, and the formula
would be, ‘‘Lentils number one for dessert number one.”’
The tables were very long; our incessant barter kept everything moving; we transacted it with amazing eagerness;
and the chatter of three hundred lads, the bustling to and
fro of the servants employed in changing the plates, setting
down the dishes, handing the bread, with the tours of inspection of the masters, made this refectory at Vendome a
scene unique in its way, and the amazement of visitors.
To make our life more tolerable, deprived as we were of
all communication with the outer world and of family affection, we were allowed to keep pigeons and io have gardens.
Our two or three hundred pigeon-houses, with a thousand
birds nesting all round the outer wall, and above thirty
garden plots, were a sight even stranger than our meals.
But a full account of the peculiarities which made the
college at Vendome a place unique in itself and fertile in
reminiscences to those who spent their boyhood there,
would be weariness to the reader. Which of us all but
remembers with delight, notwithstanding the bitterness of
learning, the eccentric pleasures of that cloistered life?
The sweetmeats purchased by stealth in the course of our
walks, permission obtained to play cards and devise
LOUIS LAMBERT 193
theatrical performances during the holidays, such tricks
and freedom as were necessitated by our seclusion; then,
again, our military band, a relic of the cadets; our academy, —
our chaplain, our Father professors, and all our games
permitted or prohibited, as the case might be; the cavalry
charges on stilts, the long slides made in winter, the clatter
of our clogs; and, above all, the trading transactions with
“the shop’’ set up in the courtyard itself.
This shop was kept by a sort of cheap-jack, of whom
big and little boys could procure—according to his prospectus—boxes, stilts, tools, Jacobin pigeons, and Nuns,
Mass-books—an article in small demand—penknives, paper,
pens, pencils, ink of all colors, balls and marbles; in short,
the whole catalogue of the most treasured possessions of
boys, including everything from sauce for the pigeons we
were obliged to kill off, to the earthenware pots in which
we set aside the rice from supper to be eaten at next morning’s breakfast. Which of us is so unhappy as to have
forgotten how his heart beat at the sight of this booth,
open periodically during play-hours on Sundays, to which
we went, each in his turn, to spend his little pocket-money;
while the smallness of the sum allowed by our parents for
these minor pleasures required us to make a choice among
all the objects that appealed so strongly to our desires?
Did ever a young wife, to whom her husband, during the
first days of happiness, hands, twelve times a year, a purse
of gold, the budget of her personal fancies, dream of so
many different purchases, each of which would absorb the
whole sum, as we imagined possible on the eve of the first
Sunday in each month? For six francs during one night
we owned every delight of that inexhaustible shop! and
during Mass every response we chanted was mixed up in
(9)—Vol. 26
194 BALZAC’S WORKS —
our minds with our secret calculations. Which of us all
can recollect ever having had a sou left to spend on the
Sunday following? And which of us but obeyed the instinctive law of social existence by pitying, helping, and
despising those pariahs who, by the avarice or poverty of
their parents, found themselves penniless?
Any one who forms a clear idea of this huge college,
with its monastic buildings in the heart of a little town,
and the four plots in which we were distributed as by a
monastic rule, will easily conceive of the excitement that
we felt at the arrival of a new boy, a passenger suddenly
embarked on the ship. No young duchess, on her first appearance at Court, was ever more spitefully criticised than
the new boy by the youths in his division. Usually, during
the evening play-hour before prayers, those sycophants who
were accustomed to ingratiate themselves with the Fathers
who took it in turns two and two for a week to keep an eye
on us, would be the first to hear on trustworthy authority:
‘There will be a new boy to-morrow!” and then suddenly
the shout, ‘‘A New Boy!—A New Boy!”’ rang through the
courts. We hurried up to crowd round the superintendent
and pester him with questions—
‘“Where was he coming from? What was his name?
Which class would he be in?’’ and so forth.
Louis Lambert’s advent was the subject of a romance
worthy of the ‘‘ Arabian Nights.’
)
I was in the fourth class
at the time—among the httle boys. Our house-masters were
two men whom we called Fathers from habit and tradition,
though they were not priests. In my time there were indeed but three genuine Oratorians to whom this title legitimately belonged: in 1814 they all left the college, which
had gradually become secularized, to find occupation about
LOUIS LAMBERT Bat 54
the altar in various country parishes, like the curé of Mer.
Father Haugoult, the master for the week, was not a bad
man, but of very moderate attainments, and he lacked the
tact which is indispensable for discerning the different characters of children, and graduating their punishment to their
powers of resistance. Father Haugoult, then, began very
obiigingly to communicate to his pupils the wonderful
events which were to end on the morrow in the advent
of the most singular of ‘‘new boys.’’ Games were at an
end. All the children came round in silence to hear the
story of Louis Lambert, discovered, like an aerolite, by
Madame de Staél, in a corner of the wood. Monsieur Haugoult had to tell us all about Madame de Staél; that evening she seemed to me ten feet high; I saw at a later time
the picture of Corinne, in which Gérard represents her as
so tall and handsome; and, alas! the woman painted by my
imagination so far transcended this, that the real Madame
de Staél fell at once in my estimation, even after I read her
book of really masculine power, ‘‘De |’ Allemagne.”’
But Lambert at that time was an even greater wonder.
Monsieur Mareschal, the headmaster, after examining him,
had thought of placing him among the senior boys. It was
Louis’s ignorance of Latin that placed him so low as the
fourth class, but he would certainly leap up a class every
year; and, as a remarkable exception, he was to be one of
the ‘‘Academy.’’ Proh pudor! we were to have the honor
of counting among the ‘“‘little boys’’ one whose coat was
adorned with the red ribbon displayed by the ‘‘ Academicians’’ of Vendome. These Academicians enjoyed distinguished privileges; they often dined at the director’s table,
and held two literary meetings annually, at which we were
all present to hear their lucubrations. An Academician
196 - BALZAO’S WORKS _
was a great many in ‘embryo. And if every Vendome
scholar would speak the truth, he would confess that, in
later life, an Academician of the great French Academy
seemed to him far less remarkable than the stupendous boy
who wore the cross and the imposing red ribbon which were
the insignia of our ‘‘Academy.”’
It was very unusual to be one of that illustrious body
before attaining to the second class, for the Academicians
were expected to hold public meetings every Thursday during the holidays, and to read tales in verse or prose, epistles, essays, tragedies, dramas—compositions far above the
intelligence of the lower classes. I long treasured the memory of a story called the ‘‘Green Ass,’’ which was, I think,
the masterpiece of this unknown Society. In the fourth,
and an Academician! This boy of fourteen, a poet already,
the protégé of Madame de Staél, a coming genius, said Father Haugoult, was to be one of us! a wizard, a youth capable of writing a composition or a translation while we were
being called in to lessons, and of learning his lessons by
reading them through but once. Louis Lambert bewildered
all our ideas. And Father Haugoult’s curiosity and impatience to see this new boy added fuel to our excited fancy.
‘If he has pigeons, he can have no pigeon-house; there
is not room for another. Well, it cannot be helped,’’ said
one boy, since famous as an agriculturist.
‘Who will sit next to him?’’ said another.
‘Oh, I wish I might be his chum!’’ cried an enthusiast.
In school language, the word here rendered chum—
faisant, or, in some schools, copin—expressed a fraternal
sharing of the joys and evils of your childish existence, a
community of interests that was fruitful of squabbling and
making friends again, a treaty of alliance offensive and deLOUIS LAMBERT 497
fensive. It is strange, but never in my time did I know
brothers who were chums. If man lives by his feelings,
he thinks perhaps that he will make his life the poorer if
he merges an affection of his own choosing in a natural tie.
The impression made upon me by Father Haugoult’s
harangue that evening is one of the most vivid reminiscences of my childhood; I can compare it with nothing but
” Indeed, I owe to
my first reading of ‘‘Robinson Crusoe.’
my recollection of these prodigious impressions an observation that may perhaps be new as to the different sense attached to words by each hearer. The word in itself has no
final meaning; we affect a word more than it affects us; its
value is in relation to the images we have assimilated and
grouped round it; but a study of this fact would require
considerable elaboration, and lead us too far from our immediate subject.
Not being able to sleep, I had a long discussion with my
next neighbor in the dormitory as to the remarkable being
who on the morrow was to be one of us. This neighbor,
who became an officer, and is now a writer with lofty philosophical views, Barchou de Penhoén, has not been false to
his predestination, nor to the hazard of fortune by which
the only two scholars of Vendome, of whose fame Vendome
ever hears, were brought together in the same class-room, on
the same form, and under the same roof. Our comrade
Defaure had not, when this book was published, made his
appearance in public life as a lawyer. The translator of
Fichte, the expositor and friend of Ballanche, was already
interested, as I myself was, in metaphysical questions; we
often talked nonsense together about God, ourselves, and
nature. He at that time affected pyrrhonism. Jealous of
his place as leader, he doubted Lambert’s precocious gifts;
198 BALZAC’S WORKS _
while I, having lately read ‘‘Les Enfants célébres,’’ overwhelmed him with evidence, quoting young Montcalm, Pico
della Mirandola, Pascal—in short, a score of early developed brains, anomalies that are famous in the history of the
human mind, and Lambert’s predecessors.
I was at the time passionately addicted to reading. My
father, who was ambitious to see me in the Ecole Polytechnique, paid for me to have a special course of private lessons
in mathematics. My mathematical master was the librarian
of the college, and allowed me to help myself to books without much caring what I chose to take from the library, a
quiet spot where I went to him during play-hours to have
my lesson. Hither he was no great mathematician, or he
was absorbed in some grand scheme, for he very willingly
left me to read when I ought to have been learning, while
he worked at I knew not what. So, by a tacit understanding between us, I made no complaints of being taught nothing, and he said nothing of the books I borrowed.
Carried away by this ill-timed mania, I neglected my
studies to compose poems, which certainly can have shown
no great promise, to judge by a line of too many feet which |
became famous among my companions—the beginning of an
epic on the Incas—
“<O Inca! O roi infortuné et malheureux!’’
In derision of such attempts, [ was nicknamed the Poet,
but mockery did not cure me. I was always rhyming, in
spite of good advice from Monsieur Mareschal, the headmaster, who tried to cure me of an unfortunately inveterate
passion by telling me the fable of a linnet that fell out of
the nest because it tried to fly before its wings were grown.
I persisted in my reading; I became the least emulous, the
“4
LOUIS LAMBERT 199
idlest, the most dreamy of all the division of ‘‘little boys,”’
and consequently the most frequently punished.
This autobiographical digression may give some idea of
the reflections I was led to make in anticipation of Lambert's arrival. I was then twelve years old. I felt sympathy from the first for the boy whose temperament had some
points of likeness to my own. I was at last to have a companion in day-dreams and meditations. Though I knew not
yet what glory meant, [ thought it glory to be the familiar
friend of a child whose immortality was foreseen by Madame
de Stael. To me Louis Lambert was as a giant.
The looked-for morrow came at last. A minute before
breakfast we heard the steps of Monsieur Mareschal and of
the new boy in the quiet courtyard. Every head was turned
at once to the door of the class-room. Father Haugoult,
who participated in our torments of curiosity, did not sound
the whistle he used te reduce our mutterings to silence and
bring us back to our tasks. We then saw this famous new
boy, whom Monsieur Mareschal was leading by the hand.
The superintendent descended from his desk, and the headmaster said to him solemnly, according to etiquette: ‘‘Monsieur, I have brought you Monsieur Louis Lambert; will
you place him in the fourth class, he will begin work
to-morrow.”’
Then, after speaking a few words in an undertone to the
class-master, he said—
‘‘Where can he sit ?”’
It would have been unfair to displace one of us for a
new-comer; so, as there was but one desk vacant, Louis
Lambert came to fill it, next to me, for I had last joined
the class. Though we still had some time to wait before
lessons were over, we all stood up to look at Louis Lam200 BALZAC’S WORKS
bert. Monsieur Mareschal heard our mutterings, saw how
eager we were, and said, with the kindness that endeared
him to us all—
‘Well, well, but make no noise; do not disturb the other
classes.”’
These words set us free to play some little time before
breakfast, and we all gathered round Lambert while Monsieur Mareschal walked up and spe the courtyard with
Father Haugoult.
There were about eighty of us little demons, as bold as
birds of prey. Though we ourselves had all gone through
this cruel novitiate, we showed no mercy on a new-comer,
never sparing him the mockery, the catechism, the impertinence, which were inexhaustible on such occasions, to the
discomfiture of the neophyte, whose manners, strength, and
temper were thus tested. Lambert, whether he was stoical
or dumfounded, made no reply to any questions. One of
us thereupon remarked that he was no doubt of the school
of Pythagoras, and there was a shout of laughter. The
new boy was thenceforth Pythagoras through ali his life at
the college. At the same time, Lambert’s piercing eye,
the scorn expressed in his face for our childishness, so
far removed from the stamp of his own nature, the easy
attitude he assumed, and his evident strength in proportion to his years, infused a certain respect into the veriest
scamps among us. For my part, I kept near him, absorbed |
in studying him in silence.
Louis Lambert was slightly built, nearly five feet in
height; his face was tanned, and his hands were burned
brown by the sun, giving him an appearance of manly
vigor, which, in fact, he did not possess.. Indeed, two
LOUIS LAMBERT 201
months after he came to the college, when study in the
class-room had faded his vivid, so to speak, vegetable coloring, he became as pale and white as a woman.
His head was unusually large. His hair, of a fine,
bright black in masses of curls, gave wonderful beauty to
his brow, of which the proportions were extraordinary even
to us heedless boys, knowing nothing, as may be supposed,
of the auguries of phrenology, a science still in its cradle.
The distinction of this prophetic brow lay principally in
the exquisitely chiselled shape of the arches under which
his black eyes sparkled, and which had the transparency
of alabaster, the line having the unusual beauty of being
perfectly level to where it met the top of the nose. But
when you saw his eyes it was difficult to think of the rest
of his face, which was indeed plain enough, for their look
was full of a wonderful variety of expression; they seemed
to have a soul in their depths. At one moment astonishingly clear and piercing, at another full of heavenly sweetness, those eyes became dull, almost colorless, as it seemed,
when he was lost in meditation. They then looked likea
window from which the sun had suddenly vanished after
lighting it up. His strength and his voice were no less
variable; equally rigid, equally unexpected. His tone
could be as sweet as that of a woman compelled to own
her love; at other times it was labored, rough, rugged, if
I may use suck words in a new sense. As to his strength,
he was habitually incapable of enduring the fatigue of any
game, and seemed weakly, almost infirm. But during the
early days of his school-life, one of our little bullies having made game of this sickliness, which rendered him unfit
for the violent exercise in vogue among his fellows, Lambert took hold with both hands of one of the class-tables,
202 | BALZAO’S WORKS
=
consisting of twelve large desks, face to face and sloping
from the middle; he leaned back against the class-master’s
desk, steadying the table with his feet on the eross-bar below, and said—
‘‘Now, ten of you try to move it!’’
I was present, and can vouch for this strange display of
strength; it was impossible to move the table. ~
Lambert had the gift of summoning to his aid at certain
times the most extraordinary powers, and of concentrating
all his forces on a given point. But children, like men, are
wont to judge of everything by first impressions, and after
the first few days we ceased to study Louis; he entirely belied Madame de Stael’s prognostications, and displayed none
of the prodigies we looked for in him.
After three months at school, Louis was looked upon
as a quite ordinary scholar. I alone was allowed really to
know that sublime—why should I not say divine ?—soul,
for what is nearer to God than genius in the heart of a
child? The similarity of our tastes and ideas made us
friends and chums; our intimacy was so brotherly that
our school-fellows joined our two names; one was never
spoken without the other, and to call either they always
shouted ‘‘Poet-and-Pythagoras!’’ Some other names had
been known coupled in a like manner. Thus for two
years I was the school friend of poor Louis Lambert;
and during that time my life was so identified with his,
that IT am enabled now to write his intellectual biography.
It was long before I fully knew the poetry and the
wealth of ideas that lay hidden in my companion’s heart
and brain. It was not till I was thirty years of age, till
my experience was matured and condensed, till the flash
of an intense illumination had thrown a fresh light upon
LOUIS LAMBERT 203
it, that [I was capable of understanding all the bearings of
the phenomena which I witnessed at that early time. I
benefited by them without understanding their greatness or
their processes; indeed, I have forgotten some, or remember
only the most conspicuous facts; still, my memory is now
able to co-ordinate them, and I have mastered the secrets
of that fertile brain by looking back to the delightful days
of our boyish affection. So it was time alone that initiated
me into the meaning of the events and facts that were
crowded into that obscure life, as into that of many another man who is lost to science. Indeed, this narrative,
so far as the expression and appreciation of many things
is concerned, will be found full of what may be termed
moral anachronisms, which perhaps will not detract from
its peculiar interest.
In the course of the first few months after coming: to
Vendome, Louis became the victim of a malady which,
though the symptoms were invisible to the eye of our
superiors, considerably interfered with the exercise of his
remarkable gifts. Accustomed to live in the open air, and
to the freedom of a purely haphazard education, happy in
the tender care of an old man who was devoted to him,
used to meditating in the sunshine, he found it very hard
to submit to college rules, to walk in the ranks, to live
within the four walls of a room where eighty boys were
sitting in silence on wooden forms each in front of his
desk. His senses were developed to such perfection as
gave them the most sensitive keenness, and every part of
him suffered from this life in common.
The effluvia that vitiated the air, mingled with the
odors of a.class-room that was never clean or free from
204 BALZAC’S WORKS
the fragments of our breakfasts or snacks, affected his
sense of smell, the sense which, being more immediately
connected than: the others with the nerve-centres of the
brain, must, when shocked, cause invisible disturbance
to the organs of thought.
Besides these elements of impurity in the atmosphere,
there were lockers in the class-rooms in which the boys kept
their miscellaneous plunder—pigeons killed for féte days,
or tidbits filched from the dinner-table. In each class-room,
too, there was a large stone slab, on which two pails full of
water were kept standing, a sort of sink, where we every
morning washed our faces and hands, one after another, in
the master’s presence. We then passed on to a table, where
women combed and powdered our hair.. Thus the place,
being cleaned but once a day before we were up, was always more or less dirty. In spite of numerous windows
and lofty doors, the air was constantly fouled by the smells
from the washing-place, the hair-dressing, the lockers, and
the thousand messes made by the boys, to say nothing of
their eighty closely packed bodies. And this sort of
humus, mingling with the mud we brought in from the
playing-yard, produced a suffocatingly pestilent muckheap.
The loss of the fresh and fragrant country air in which
he had hitherto lived, the change of habits and strict discipline, combined to depress Lambert. With his elbow on
his desk and his head supported on his left hand, he spent
the hours of study gazing at the trees in the court or the
clouds in the sky; he seemed to be thinking of his lessons;
but the master, seeing his pen motionless, or the sheet before him still a blank, would eall out—
‘‘Lambert, you are doing nothing!”’
ne
LOUIS LAMBERT 208
This ‘‘you are doing nothing !/’’ was a pin-thrust that
wounded Louis to the quick. And then he never earned
the rest of play-time; he always had impositions to write.
The imposition, a punishment which varies according to
the practice of different schools, consisted at Vendome of
a certain number of lines to be written out in play hours.
Lambert and I were so overpowered with impositions that
we had not six free days during the two years of our school
friendship. But for the books we took out of the library,
which maintained some vitality in our brains, this system
of discipline would have reduced us to idiocy. Want of
exercise is fatal to children. The habit of preserving a
dignified appearance, begun in tender infancy, has, it is
said, a visible effect on the constitution of royal personages when the faults of such an education are not counteracted by the life of the battlefield or the laborious sport of
hunting. And if the laws of etiquette and Court manners
can act on the spinal marrow to such an extent as to affect
the pelvis of kings, to soften their cerebral tissue, and so
degenerate the race, what deep-seated mischief, physical
and moral, must result in schoolboys from the constant
lack of air, exercise, and cheerfulness!
Indeed, the rules of punishment carried out in schools
deserve the attention of the Office of Public Instruction
when any thinkers are to be found there who do not think
exclusively of themselves.
We incurred the infliction of an imposition in a thousand ways. Our memory was so good that we never
learned a lesson. It was enough for either of us to hear
our class-fellows repeat the task in French, Latin, or grammar, and we could say it when our turn came; but if the
master, unfortunately, took it into his head to reverse the
206 BALZAC’S WORKS -
usual order and call upon us first, we very often did not
even know what the lesson was; then the imposition fell
in spite of our most ingenious excuses. Then we always
put off writing our exercises till the last moment; if there
were a book to be finished, or if we were lost in thought,
the task was forgotten—again an imposition. How often
-have we scribbled an exercise during the time when the
head-boy, whose business it was to collect them when we
‘came into school, was gathering them from the others!
In addition to the moral misery which Lambert went
through in trying to acclimatize himself to college life,
there was a scarcely less cruel apprenticeship through
which every boy had to pass: to those bodily sufferings
which seemed infinitely varied. The tenderness of a
child’s skin needs extreme care, especially in winter,
when a schoolboy is constantly exchanging the frozen
air of the muddy playing-yard for the stuffy atmosphere
of the class-room. The ‘‘little boys’’ and the smallest of
all, for lack of a mother’s care, were martyrs to chilblains
and chaps so severe that they had to be regularly dressed
during the breakfast hour; but this could only be very indifferently done to so many damaged hands, toes, and heels.
A good many of the boys indeed were obliged to prefer the
evil to the remedy; the choice constantly lay between their
lessons waiting to be finished or the joys of a slide, and waiting for a bandage carelessly put on, and still more carelessly
cast off again. Also it was the fashion in the school to gibe
at the poor, feeble creatures who went to be doctored; the
bullies vied with each other in snatching off the rags which
the infirmary nurse had tied on. Hence, in winter, many of
us, with half-dead feet and fingers, sick with pain, were
incapable of work, and punished for not working. The
LOUIS LAMBERT 207
Fathers, too often deluded by shammed ailments, would
not believe in real suffering.
The price paid for our schooling and board also covered
the cost of clothing. The committee contracted for the
shoes and clothes supplied to the boys; hence the weekly
inspection of which I have spoken. This plan, though
admirable for the manager, is always disastrous to the —
managed. Woe to the boy who indulged in the bad habit
of treading his shoes down at heel, of cracking the shoeleather, or wearing out the soles too fast, whether from a
defect in his gait, or by fidgeting during lessons in obedience to the instinctive need of movement common to all
children. That boy did not get through the winter without
great suffering. In the first place, his chilblains would ache
and shoot as badly as a fit of the gout; then the rivets and
pack-thread intended to repair the shoes would give way,
or the broken heels woud prevent the wretched shoes from
keeping on his feet; he was obliged to drag them wearily
along the frozen roads, or sometimes to dispute their possession with the clay soil of the district; the water and snow
got in through some unnoticed crack or ill-sewn patch, and
the foot would swell.
Out of sixty boys, not ten perhaps could walk without
some special form of torture; and yet they all kept up with
the body of the troop, dragged on by the general movement,
as men are driven through life by life itself. Many a time
some proud-tempered boy would shed tears of rage while
summoning his remaining energy to run ahead and get home
again in spite of pain, so sensitively afraid of laughter or of
pity—two forms of scorn—is the still tender soul at that age.
At school, as in social life, the strong despise the feeble
without knowing in what true strength consists.
208 BALZAC’S WORKS
Nor was this all. “No gloves. If by good hap a boy’s
parents, the infirmary nurse, or the headmaster gave gloves
to a particularly delicate lad, the wags or the big boys of
the class would put them on the stove, amused to see them
dry and shrivel; or if the gloves escaped the marauders,
after getting wet they shrunk as they dried for want of
care. No, gloves were impossible. Gloves were a privilege, and boys insist-on equality.
Louis Lambert fell a victim to all these varieties of torment. Like many contemplative men, who, when lost in
thought, acquire a habit of mechanical motion, he had a
mania for fidgeting with his shoes, and destroyed them very
quickly. His girlish complexion, the skin of his ears and
lips, cracked with the least cold. His soft, white hands
grew red and swollen. He had perpetual colds. Thus he
was a constant sufferer till he became inured to school life.
Taught at last by cruel experience, he was obliged to ‘‘look
after his things,’’ to use the school phrase. He was forced
to take care of his locker, his desk, his clothes, his shoes;
to protect his ink, his books, his copy-paper, and his pens
from pilferers; in short, to give his mind to the thousand
details of our trivial life, to which more selfish and commonplace minds devoted such strict attention—thus infallibly
securing prizes for ‘‘proficiency’’ and ‘‘good conduct’’—
while they were overlooked by a boy of the highest
promise, who, under the hand of an almost divine imagination, gave himself up with rapture to the flow of his ideas.
This was not all. There is a perpetual struggle going
on between the masters and the boys, a struggle without
truce, to be compared with nothing else in the social world,
unless it be the resistance of the opposition to the ministry
in a representative government. But journalists and oppoLOUIS LAMBERT 209
sition speakers are probably less prompt to take advantage
of a weak point, less extreme in resenting an injury, and
less merciless in their mockery than boys are in regard to
those who rule over them. It is a task to put angels out
of patience. An unhappy class-master must then not be
too severely blamed, ill-paid as he is, and consequently not
too competent, if he is occasionally unjust or out of temper.
Perpetually watched by a hundred mocking eyes, and surrounded with snares, he sometimes revenges himself for his
own blunders on the boys who are only too ready to detect
them.
Unless for serious misdemeanors, for which there were
other forms of punishment, the strap was regarded at Vendome as the ultima ratio Patrum. Exercises forgotten, lessons ill learned, common ill behavior were sufficiently punished by an imposition, but offended dignity spoke in the
master through the strap. Of all the physical torments to
which we were exposed, certainly the most acute was that
inflicted by this leathern instrument, about two fingers wide,
applied to our poor little hands with all the strength and all
the fury of the administrator. To endure this classical form
of correction, the victim knelt in the middle of the room.
He had to leave his form and go to kneel down near the
master’s desk under the curious and generally merciless
eyes of his fellows. To sensitive natures these preliminaries were an introductory torture, like the journey from
the Palais de Justice to the Place de Gréve which the
condemned used to make to the scaffold.
Some boys cried out and shed bitter tears before or after
the application of the strap; others accepted the infliction
with stoic calm; it was a question of nature; but few could
control an expression of anguish in anticipation.
210 BALZAC’S WORKS
Louis Lambert was constantly enduring the strap, and
owed it to a peculiarity of his physiognomy of which he was
for a long time quite unconscious. Whenever he was suddenly roused from a fit of abstraction by the master’s cry,
‘‘You are doing nothing!’’ it often happened that, without —
knowing it, he flashed at his teacher a look full of fierce
contempt, and charged with thought, as a Leyden jar is
charged with electricity. ‘This look, no doubt, discomfited
the master, who, indignant at this unspoken retort, wished
to cure his scholar of that thunderous flash.
The first time the Father took offence at this ray of
scorn, which struck him like a lightning-flash, he made
this speech, as I well remember— .
“Tf you look at me again in that way, Lambert, you will
get the strap.” . .
At these words every nose was in the air, every eye
looked alternately at the master and at Louis. The observation was so utterly foolish that the boy again looked at
the Father, overwhelming him with another flash. From
this arose a standing feud between Lambert and his master,
resulting in a certain amount of ‘‘strap.’’ Thus did he first
discover the power of his eye.
The hapless poet, so full of nerves, as sensitive as a
woman, under the sway of chronic melancholy, and as sick
with genius as a girl with love that she pines for, knowing
nothing of it;—this boy, at once so powerful and so weak,
transplanted by ‘‘Corinne’’ from the country he loved, to be
squeezed in the mold of a collegiate routine to which every
spirit and every body must yield, whatever their range or
temperament, accepting its rule and its uniform as gold is
crushed into round coin under the press; Louis Lambert
suffered in every spot where pain can touch the soul or the
LOUIS LAMBERT 911
flesh. Stuck on a form, restricted to the acreage of his
desk, a victim to the strap and to a sickly frame, tortured in
every sense, environed by distress—everything compelled
him to give his body up to the myriad tyrannies of school
life; and, like the martyrs who smiled in the midst of suffering, he took refuge in heaven, which lay open to his mind.
Perhaps this life of purely inward emotions helped him to
see something of the mysteries he so entirely believed in!
Our independence, our illicit amusements, our apparent
waste of time, our persistent indifference, our frequent punishments and aversion for our exercises and impositions,
- earned us a reputation, which no one cared to controvert,
for being an idle and incorrigible pair. Our masters treated
us with contempt, and we fell into utter disgrace with our
companions, from whom we concealed our secret studies for
fear of being laughed at. This hard judgment, which was
injustice in the masters, was but natural in our schoolfellows. We could neither play ball, nor run races, nor walk
on stilts. On exceptional holidays, when amnesty was proclaimed and we got a few hours of freedom, we shared in
none of the popular diversions of the school. Aliens from
the pleasures enjoyed by the others, we were outcasts,
sitting forlorn under a tree in the playing-ground. The
Poet-and-Pythagoras formed an exception and led a life
apart from the life of the rest.
The penetrating instinct and unerring conceit of schoolboys made them feel that we were of a nature either far
above or far beneath their own; hence some simply hated
our aristocratic reserve, others merely scorned our ineptitude. These feelings were equally shared by us without
our knowing it; perhaps I have but now divined them.
We lived exactly like two rats, huddled into the corner of
212 BALZAC’S WORKS
the room where our desks were, sitting there alike during —
lesson time and play hours. This strange state of affairs
inevitably and in fact placed us on a footing of war with all
the other boys in our division. Forgotten for the most part,
we sat there very contentedly; half happy, like two plants,
two images who would have been missed from the furniture
of the room. But the most aggressive of our schoolfellows
would sometimes torment us, just to show their malignant
power, and we responded with stolid contempt, which brought
many a thrashing down on the Poet-and-Pythagoras.
Lambert’s homesickness lasted for many months. I
know no words to describe the dejection to which he was
a prey. Louis has taken the glory of many a masterpiece
for me. We had both played the part of the ‘‘Leper of
Aosta,’’ and had both experienced the feelings described
in Monsieur de Maistre’s story, before we read them as
expressed by his eloquent pen, A book may, indeed, revive the memories of our childhood, but it can never
compete with them successfully. Lambert’s woes had
taught me many a chant of sorrow far more appealing
than the finest passages in ‘‘Werther.’? And, indeed,
there is no possible comparison between the pangs of a
passion condemned, whether rightly or wrongly, by every
law, and the grief of a poor child pining for the glorious
sunshine, the dews of the valley, and liberty. Werther is
the slave of desire; Louis Lambert was an enslaved soul.
Given equal talent, the more pathetic sorrow, founded on
desires which, being purer, are the more genuine, must
transcend the wail even of genius.
After sitting for a long time with his eyes fixed on a
lime tree in the playground, Louis would say just a word;
but that word would reveal an infinite speculation.
_
LOUIS LAMBERT ; 213
‘Happily for me,’’ he exclaimed one day, ‘'there are
hours of comfort when I feel as though the walls of the
room had fallen and I were away—away in the fields!
What a pleasure it is to let one’s self go on the stream
of one’s thoughts as a bird is borne up on its wings!”’ |
‘“Why is green a color so largely diffused throughout
creation ?’’ he would ask me. ‘‘Why are there so few
straight lines in nature? Why is it that man, in his
structures, rarely introduces curves? Why is it that he
alone, of all creatures, has a sense of straightness ?’’
These queries revealed long excursions in space. He
had, I am sure, seen vast landscapes, fragrant with the
scent of woods. He was always silent and resigned, a
living elegy, always suffering but unable to complain cf
suffering. An eagle that needed the world to feed him,
shut in between four narrow, dirty walls; and thus his life
became an ideal life in the strictest meaning of the words.
Filled as he was with contempt of the almost useless studies
to which we were harnessed, Louis went on his skyward
way absolutely unconscious of the things about us.
I, obeying the imitative instinct that is so strong in
childhood, tried to regulate my life in conformity with
his. And Louis the more easily infected me with the sort
of torpor in which deep contemplation leaves the body, because I was younger and more impressionable than he.
Like two lovers, we got into the habit of thinking together
in a common revery. His intuitions had already acquired
that acuteness which must surely characterize the intellectual perceptiveness of great poets and often bring them to
the verge of madness.
‘Do you ever feel,’’ said he to me one day, ‘‘as though
imagined suffering affected you in spite of yourself? If, for
eee!
214 BALZAC’S WORKS
instance, I think with concentration of the effect that the
blade of my penknife would have in piercing my flesh,
I feel an acute pain as if I had really cut myself; only
the blood is wanting. But the pain comes suddenly, and
startles me like a sharp noise breaking profound silence. _
Can an idea cause physical pain!—What do you say to
that, eh?”
When he gave-utterance to such subtle reflections, we
both fell into artless meditation; we set to work to detect
in ourselves the inscrutable phenomena of the origin of
thoughts, which Lambert hoped to discover in their earliest germ, so as to describe some day the unknown process.
Then, after much discussion, often mixed up with childish
notions, a look would flash from Lambert’s eager eyes; he
would grasp my hand, and a word from the depths of his
soul would show the current of his mind.
‘Thinking is seeing,’’ said he one day, carried away by
some objection raised as to the first principles of our organization. ‘‘Kvery human science is based on deduction,
which is a slow process of seeing by which we work up
from the effect to the cause; or, in a wider sense, all
poetry, like every work of art, proceeds from a swift
vision of things.”’
He was a spiritualist (as opposed to materialism); but I
would venture to contradict him, using his own arguments
to consider the intellect as a purely physical phenomenon.
We both were right. Perhaps the words materialism and
spiritualism express the two faces of the same fact. His
considerations on the substance of the mind led to his aecepting, with a certain pride, the life of privation to which
we were condemned in consequence of our idleness and our
indifference to learning. He had a certain consciousness
LOUIS LAMBERT . 215
of his own powers which bore him up through his spiritual
cogitations. How delightful it was to me to feel his soul
wting on my own! Many a time have we remained sitting
on our form, both buried in one book, having quite forgotten each other’s existence, and yet not apart; each conscious
of the other’s presence, and bathing in an ocean of thought,
like two fish swimming in the same waters.
Our life, apparently, was merely vegetating; but we lived
through our heart and brain.
Lambert’s influence over my imagination left traces that
still abide. I used to listen hungrily to his tales, full of the
marvels which make men, as well as children, rapturously
devour stories in which truth assumes the most grotesque
forms. His passion for mystery, and the credulity natural
to the young, often led us to discuss Heaven and Hell.
Then Louis, by expounding Swedenborg, would try to
make me share in his beliefs concerning angels. In his
least logical arguments there were still amazing observations as to the powers of man, which gave his words that
color of truth without which nothing can be done in any
art. The romantic end he foresaw as the destiny of man
was calculated to flatter the yearning which tempts blameless imaginations to give themselves up to beliefs. Is it not
during the youth of a nation that its dogmas and idols are
conceived? And are not the supernatural beings before
whom the people tremble the personification of their feelings and their magnified desires?
All that I can now remember of the poetical conversations we held together concerning the Swedish prophet,
whose works I have since had the curiosity to read, may
be told in a few paragraphs.
In each of us there are two distinct beings. According
216 BALZAC’S WORKS
to Swedenborg, the angel is an individual in whom the inner
being conquers the external being. If a man desires to earn
his call to be an angel, as soon as his mind reveals to him
his twofold existence, he must. strive to foster the delicate
angelic essence that exists within him. If, for lack ofa
lucid appreciation of his destiny, he allows bodily action
to predominate, instead of confirming his intellectual being,
all his powers willbe absorbed in the use of his external
senses, and the angel will slowly perish by the materialization of both natures. In the contrary case, if he nourishes
his inner being with the aliment needful to it, the soul triumphs over matter and strives to get free.
When they separate by the act of what we call death, the
angel, strong enough then to cast off its wrappings, survives
and begins its real life. The infinite variety which differentiates individual men can only be explained by this twofold
existence, which, again, is proved and made intelligible by
that variety.
In point of fact, the wide distance between a man whose
torpid intelligence condemns him to evident stupidity, and
one who, by the exercise of his inner life, has acquired the
gift of some power, allows us to suppose that there is as
great a difference between men of genius and other beings
as there is between the blind and those who see. This
hypothesis, since it extends creation beyond all limits,
gives us, as it were, the clew to heaven. The beings who,
here on earth, are apparently mingled without distinction,
are there distributed, according to their inner perfection, in
distinct spheres whose speech and manners have nothing in
common. In the invisible world, as in the real world, if
some native of the lower spheres comes, all unworthy, into
a higher sphere, not only can he never understand the cus-
—
=
LOUIS LAMBERT 217
toms and language there, but his mere presence paralyzes
the voice and hearts of those who dwell therein. .
Dante, in his ‘Divine Comedy,’’ had perhaps some slight
intuition of those spheres which begin in the world of torment, and rise, circle on circle, to the highest heaven. Thus
Swedenborg’s doctrine is the product of a lucid spirit noting
down the innumerable signs by which the angels manifest
their presence among men.
This doctrine, which I have endeavored to sum up ina
more or less consistent form, was set before me by Lambert
with all the fascination of mysticism, swathed in the wrappings of the phraseology affected by mystical writers: an
obscure language full of abstractions, and taking such effect
on the brain that there are books by Jacob Boehm, Swedenborg, and Madame Guyon, so strangely powerful that they
give rise to fantasies as various as the dreams of the opiumeater. Lambert told me of mystical facts so extraordinary,
he so acted on my imagination, that he made my brain reel.
Still, I loved to plunge into that realm of mystery, invisible
to the senses, in which every one likes to dwell, whether
he pictures it to himself under the indefinite ideal of the
Future, or clothes it in the more solid guise of romance.
These violent revulsions of the mind on itself gave me,
without my knowing it, a comprehension of its power, and
accustomed me to the workings of the mind.
Lambert himself explained everything by his theory of
the angels. To him pure love—love as we dream of it in
youth—was the coalescence of two angelic natures. Nothing could exceed the fervency with which he longed to meet
a woman angel. And who better than he could inspire or
feel love? If anything could give an impression of an exquisite nature, was it not the amiability and kindliness that
(10)—Vol. 25
218 BALZAC’S WORKS.
marked his feelings, his words, his actions, his slightest
gestures, the conjugal regard that united us as boys, and
that we expressed when we called ourselves chums ?
There was no distinction for us between my ideas and
his. We imitated each other’s handwriting, so that one
might write the tasks of both. Thus, if one of us had a
book to finish and to return to the mathematical master, he
could read on without interruption while the other scribbled off his exercise and imposition. We did our tasks as
though paying a task on our peace of mind. If my memory
does not play me false, they were sometimes of remarkable
merit when Lambert did them. But on the foregone conclusion that we were both of us idiots, the master always
went through them under a rooted prejudice, and even
kept them to read to be laughed at by our schoolfellows.
I remember one afternoon, at the end of the lesson,
which lasted from two till four, the master took possession
of a page of translation by Lambert. The passage began
with, Caius Gracchus, vir nobilis; Lambert had construed
that by ‘‘Caius Gracchus had a noble heart.”’
‘‘Where do you find ‘heart’ in nobilis ?’’ said the Father
sharply.
And there was a roar of laughter, while Lambert looked
. at the master in some bewilderment.
‘“What would Madame la Baronne de Stael say if she
could know that you make such nonsense of a word that
means of noble family, of patrician rank ?”’
“She would say that you were an ass!’’ said I in a
muttered tone.
‘Master Poet, you will stay in for a week,’’ replied the
master, who unfortunately overheard me.
LOUIS LAMBERT 219
Lambert simply repeated, looking at me with inexpressible affection, ‘‘ Vir nobilis /”’
Madame de Stael was, in fact, partly the cause of Lambert’s troubles. On every pretext masters and pupils threw
the name in his teeth, either in irony or in reproof.
Louis lost no time in getting himself ‘‘kept in’ to share
my imprisonment. reer thus than in any other circumstances, we could talk the whole day long in the silence
of the dormitories, where each boy had a cubicle six feet
square, the partitions consisting at the top of open bars.
The doors, fitted with gratings, were locked at night and
opened in the morning under the eye of the Father whose
duty it was to superintend our rising and going to bed.
The creak of these gates, which the college servants unlocked with remarkable expedition, was a sound peculiar to
that college. These little cells were our prison, and boys
were sometimes shut up there for a month ata time. The
boys in these coops were under the stern eye of the prefect,
a sort of censor who stole up at certain hours, or at unexpected moments, with a silent step, to hear if we were talking instead of writing our impositions. But a few walnut
shells dropped on the stairs, or the sharpness of our hearing, almost always enabled us to beware of his coming, so
we could give ourselves up without anxiety to our favorite
studies. However, as books were prohibited, our prison
hours were chiefly filled up with metaphysical discussions,
or with relating singular facts connected with the phenomena of mind.
One of the most extraordinary of these incidents beyond
question is this, which I will here record, not only because
it concerns Lambert, but because it perhaps was the turningpoint of his scientific career. By the law of custom in all
220 BALZAO’S WORKS
schools, Thursday and Sunday were holidays; but the services, which we were made to attend very regularly, so
completely filled up Sunday that we considered. Thursday
our only real day of freedom. After once attending mass,
we had a long day before us to spend in walks in the country round the town of Vendome. The manor of Rochambeau was the most interesting object of our excursions, perhaps by reason of its distance; the smaller boys were very
seldom taken on so fatiguing an expedition. However,
once or twice a year the class-masters would hold out
Rochambeau as a reward for diligence.
In 1812, toward the end of the spring, we were to go
there for the first time. Our anxiety to see this famous
Chateau of Rochambeau, where the owner sometimes
treated the boys to milk, made us all very good, and
nothing hindered the outing. Neither Lambert nor I had
ever seen the pretty valley of the Loir where the house
stood. So his imagination and mine were much excited
by the prospect of this excursion, which filled the school
with traditional glee. We talked of it all the evening,
planning to spend in fruit or milk such money as we had
saved, against all the habits of school-life.
After dinner next day, we set out at half-past twelve,
each provided with a square hunch of bread, given to us
for our afternoon snack. And off we went, as gay as
swallows, marching in a body on the famous chateau with
an eagerness which would at first allow of no fatigue.
When we reached the hill, whence we looked down on
the house standing half-way down the slope, on the devious
valley through which the river winds and sparkles between
meadows in graceful curves—a beautiful landscape, one of
those scenes to which the keen emotions of early youth or
LOUIS LAMBERT 221
of love lend such a charm that it is wise never to see them
again in later years—Louis Lambert said to me, ‘‘Why, I
saw this last night in a dream.”’
He recognized the clump of trees under which we were
standing, the grouping of the woods, the color of the water,
the turrets of the chateau, the details, the distance, in fact
every part of the prospect which.he looked on for the first
time. We were mere children; I, at any rate, who was
but thirteen; Louis, at fifteen, might have the precocity
of genius, but at that time we were incapable of falsehood
in the most trivial matters of our life as friends. Indeed,
if Lambert’s powerful mind had any presentiment of the
importance of such facts, he was far from appreciating their
whole bearing; and he was quite astonished by this incident.
T asked him if he had not perhaps been brought to Rochambeau in his infancy, and my question struck him; but after
thinking it over, he answered in the negative. This incident, analogous to what may be known of the phenomena
of sleep in several persons, will illustrate the beginnings of
Lambert’s line of talent; he took it, in fact, as the basis
of a whole system, using a fragment—as Cuvier did in another branch of inquiry—as a clew to the reconstruction of
a complete system.
At this moment we were sitting together on an old
oak-stump, and, after a few minutes’ refiection, Louis said
to me—
“if the landscape did not come to me—which it is absurd to imagine—I must have come here. If I was here
while I was asleep in my cubicle, does not that constitute
a complete severance of my body and my inner being?
Does it not prove some inscrutable locomotive iaculty
in the spirit with effects resembling those of locomotion in
222 BALZAC’S WORKS ~
the body? Well, then, if my spirit and my body can be
severed during sleep, why should I not insist on their
separating in the same way while | am awake? I see no
half-way mean between the two propositions.
‘‘But if we go further into details: Hither the facts are
due to the action of a faculty which brings out a second
being to whom my body is merely a husk, since I was in
my cell, and yet I saw the landscape—and this upsets
many systems; or the facts took place either in some
nerve centre, of which the name is yet to be discovered,
where our feelings dwell and move; or else in the cerebral
centre, where ideas are formed. This last hypothesis gives
rise to some strange questions. I walked, I saw, I heard.
Motion is inconceivable but in-space, sound acts only at certain angles or on surfaces, color is caused only by light. — If,
in the dark, with my eyes shut, I saw, in myself, colored objects; if I heard sounds in the most perfect silence and without the conditions requisite for the production of sound;
if without stirring I traversed wide tracts of space, there
must be inner faculties independent of the external laws of
physics. Material nature must be penetrable by the spirit.
‘‘ How is it that men have hitherto given so little thought
to the phenomena of sleep, which seem to prove that man
has a double life? May there not be a new science lying
beneath them ?’’ he added, striking his brow with his hand.
“Tf not the elements of a science, at any rate the revelation
of stupendous powers in man; at least they prove a frequent
severance of our two natures, the fact | have been thinking
out for a very long time. At last, then, [ have hit on evidence to show the superiority that distinguishes our latent
senses from our corporeal senses! Homo duplex!
‘‘And yet,’’ he went on, after a pause, with a doubtful
mie
LOvIS LAMBERT 223
shrug, ‘‘perhaps we have not two natures; perhaps we are
merely gifted with personal and perfectible qualities, of
which the development within us produces certain unobserved phenomena of activity, penetration, and vision. In
our love of the marvellous, a passion begotten of our pride,
we have translated these effects into poetical inventions,
because we did not understand them. It is so convenient
to deify the incomprehensible! .
‘“‘T should, I own, lament over the loss of my illusions.
I so much wished to believe in our twofold nature and in
Swedenborg’s angels. Must this new science destroy them?
Yess for the study of our unknown properties involves us
in a science that appears to be materialistic, for the Spirit
uses, divides, and animates the Substance; but it does not
destroy it.”’
He remained pensive, almost sad. Perhaps he saw the
dreams of his youth as swaddling clothes that he must soon
shake off.
‘‘Sight and hearing are, no doubt, the sheaths for a very
marvellous instrument,’’ said he, laughing at his own figure
of speech.
Always when he was talking to me of Heaven and Hell,
he was wont to treat of Nature as being master; but now,
as he pronounced these last words, big with prescience, he
seemed to soar moré boldly than ever above the landscape,
and his forehead seemed ready to burst with the afflatus of
genius. His powers—mental powers we must call them till
some new term is found—seemed to flash from the organs
intended to express them. His eyes shot out thoughts; his
uplifted hand, his silent but tremulous lips were eloquent;
his burning glance was radiant; at last his head, as though
too heavy, or exhausted by too eager a flight, fell on his
224 BALZAC’S WORKS
breast. This boy-—-this giant—bent his head, took my
hand and clasped it in bis own, which was damp, so
fevered was he for the search for truth; then, after a
pause, he said—
“‘T shall be famous!—And you, too,’”’ he added after a
pause. ‘‘We will both study the Chemistry of the Will.”
Noble soul! I recognized his superiority, though he
took great care never to make me feel it. He shared with
me all the treasures of his mind, and regarded me as instrumentai in his discoveries, leaving me the credit of my
insignificant contributions. He was always as gracious as
fi woman in love; he had all the bashful feeling, the delicacy of soul which make life happy and pleasant to endure.
On the following day he began writing what he called
a ‘Treatise on the Will’; his subsequent reflections led to
many changes in its plan and method; but the incident of
that day was certainly the germ of the work, just as the
electric shock always felt by Mesmer at the approach of a
particular manservant was the starting-point of his discoveries in magnetism, a science till then interred under the
mysteries of Isis, of Delphi, of the cave of Trophonius,
and rediscovered by that prodigious genfus, close on Lavater, and the precursor of Gall.
Lambert’s ideas, suddenly illuminated by this flash of
light, assumed vaster proportions; he disentangled certain
truths from his many acquisitions and brought them into
order; then, iike a founder, he cast the model of bis work.
At the end of six months’ indefatigable labor, Lambert’s
writings excited the curiosity of cur companions, and became the object of cruel practical jokes which led te a fatal
issue,
LOUIS LAMBERY 225
One day one of the masters, who was bent on seeing
the manuscripts, enlisted the aid of our tyrants, and came
to seize, by force, a box that contained the precious papers.
Lainbert and I defended it with incredible courage. The
trunk was locked, our aggressors could not open it, but
they tried to smash it in the struggle, a stroke of malignity at which we shrieked with rage. Some of the boys,
with a sense of justice, or struck perhaps by our heroic defence, advised the attacking party to leave us in peace,
crushing us with insulting contempt. But suddenly,
brought to the spot by the noise of a battle, Father
Haugoult roughly intervened, inquiring as to the cause
of the fight. Our enemies had interrupted us in writing
our impositions, and the class-master came to protect his
slaves. The foe, in self-defence, betrayed the existence
of the manuscript. The dreadful Haugoult insisted on
our giving up the box; if we should resist, he would
have it broken open. Lambert gave him the key; the
master took out the papers, glanced through them, and
said, as he confiscated them—
‘‘And it is for such rubbish as this that you neglect
your lessons!”
Large tears fell from Lambert’s eyes, wrung from him
as much by a sense of his offended moral superiority as by
the gratuitous insult and betrayal that we had suffered.
We gave the accusers a glance of stern reproach: had they
not delivered us over to the common enemy? If the common law of school entitled them to thrash us, did it not
require them to keep silence as to our misdeeds?
In a moment they were no doubt ashamed of their
baseness.
Father Haugoult probably sold the ‘‘Treatise on the
226 BALZAC’S WORKS ©
Will’ to a local grocer, unconscious of the scientific treasure, of which the germs thus fell into unworthy hands.
Six months later I left the school, and I do not know
whether Lambert ever recommenced his labors. Our parting threw him into a mood of the darkest melancholy.
It was in memory of the disaster that befell Louis’s
book that, in the tale which comes first in these ‘‘Htudes,’’
I adopted the title invented by Lambert for a work of fiction, and gave the name of a woman who was dear to him
to a girl characterized by her self-devotion; but this is not
all I have borrowed from him: his character and occupations were of great value to me in writing that book, and
the subject arose from some reminiscences of our youthful
meditations. This present volume is intended as a modest
monument, a broken column, to commemorate the hie of
the man who bequeathed to me all he had to leave—his
thouchts.
In that boyish effort Lambert had enshrined the ideas of
aman. ‘T'en years later, when [ met some learned men who
were devoting serious attention to the phenomena that had
struck us and that Lambert had so marveilously analyzed,
1 understood the value of his work, then already forgotten
as childish. I at once spent several months in recalling
the principal theories discovered by my poor schoolmate.
Having collected my reminiscences, I can boldly state that,
by 1812, he had proved, divined, and set forth in his Treatise several important facts of which, as he had declared,
evidence was certain to come sooner or later. His philosophical speculations ought undoubtedly to gain him recognition as one of the great thinkers who have appeared at
wide intervals among men, to reveal to them the bare
ees |
LOUIS LAMBERT 227
skeleton of some science to come, of which the roots spread
slowly, but which, in due time, bring forth fair fruit in
the intellectual sphere. Thus a humble artisan, Bernard
Palissy, searching the soil to find minerals for glazing pottery, proclaimed, in the sixteenth century, with the infallible intuition of genius, geological facts which it is now the
glory of Cuvier and Buffon to have demonstrated.
I can, I believe, give some idea of Lambert’s Treatise by
stating the chief propositions on which it was based; but, in
spite of myself, I shal! strip them of the ideas in which they
were clothed, and which were indeed their indispensable
accompaniment. I started on a different path, and only
made use of those of his researches which answered the
purpose of my scheme. I know not, therefore, whether as
his disciple I can faithfully expound his views, having
assimilated them in the first instance so as to color them
with my own.
New ideas require new words, or a new and expanded
use of old words, extended and defined in their meaning.
Thus Lambert, to set forth the basis of his system, had
adopted certain common words that answered to his notions.
The word Will he used to connote the medium in which the
mind moves, or, to use a less abstract expression, the mass
of power by which man can reproduce, outside himself, the
actions constituting his external life. Volition—a word
due to Locke—expressed the act by which a man exerts
his will. The word Mind, or Thought, which he regarded
as the quintessential product of the Will, also represented
the medium in which the ideas originate to which thought
gives substance. The Idea, a name common to every creation of the brain, constituted the act by which man uses his
mind. Thus the Will and the Mind were the two generata
228 BALZAC’S WORKS ~
ing forces: the Volition and the Idea were the two products.
Volition, he thought, was the Idea evolved from the abstract
state to a concrete state, from its generative fluid toa solid
expression, so to speak, if such words may be taken to
formulate notions so difficult of definition. According to
him, the Mind and Ideas are the motion and the outcome
of our inner organization, just as the Will and Volition are
of our external activity.
He gave the Will precedence over the Mind.
‘*You must will before you can think,’’ he said. ‘*Many
beings live in a condition of Willing without ever attaining
to the condition of Thinking. In the North, life is long;
in the South, it is shorter; but in the North we see torpor,
in the South a constant excitability of the Will, up to the
point where from an excess of cold or of heat the organs are
almost nullified.”’
The use of the word ‘‘medium’’ was suggested to him by
an observation he had made in his childhood, though, to be
sure, he had no suspicion then of its importance, but its
singularity naturally struck his delicately alert imagination.
His mother, a fragile, nervous woman, all sensitiveness and
affection, was one of those beings created to represent
womanhood in all the perfection of her attributes, but relegated by a mistaken fate to too low a place in the social
scale. Wholly loving, and consequently wholly suffering,
she died young, having thrown all her energies into her
motherly love. Lambert, a child of six, lying, but not
always sleeping, in a cot by his mother’s bed, saw the
electric sparks from her hair when she combed it. The
man of fifteen made scientific application of this fact which
had amused the child, a fact beyond dispute, of which there
is ample evidence in many instances, especially of women
/
LOUIS LAMBERT . 229
who by a sad fatality are doomed to let unappreciated feelings evaporate in the air, or some superabundant power run
to waste. 2
In support of his definitions, Lambert propounded a
variety of problems to be solved, challenges flung out to
science, though he proposed to seek the solution for himself. He inquired, for instance, whether the element that
constitutes electricity does not enter as a base into the
specific fluid whence our Ideas and Volitions proceed?
Whether the hair, which loses its color, turns white, falls
out, or disappears, in proportion to the decay or crystallization of our thoughts, may not be in fact a capillary system, either absorbent or diffusive, and wholly electrical?
Whether the fluid phenomena of the Will, a matter generated within us, and spontaneously reacting under the
impress of conditions as yet unobserved, were at all more
extraordinary than those of the invisible and intangible
fluid produced by a voltaic pile, and applied to the nervous
system of a dead man? Whether the formation of Ideas
and their constant diffusion was less incomprehensible than
evaporation of the atoms, imperceptible indeed, but so violent in their effects, that are given off from a grain of musk
without any loss of weight. Whether, granting that the
function of the skin is purely protective, absorbent, excretive, and tactile, the circulation of the blood and all its
mechanism would not correspond with the transubstantiation of our Will, as the circulation of the nerve fluid corresponds to that of the Mind? Finally, whether the more
or less rapid affluence of these two real substances may
not be the result of a certain perfection or imperfection
of organs whose conditions require investigation in every
manifestation ?
230 BALZAC’S WORKS
Having set forth these principles, he proposed to class
the phenomena of human life in two series of distinct results, demanding, with the ardent insistency of conviction,
a special analysis for each. In fact, having observed in
almost every type of created thing two separate motions,
he assumed, nay, he asserted, their existence in our human
nature, and designated this vital antithesis Action and
Reaction.
‘‘A desire,’’ he said, ‘‘is a fact completely accomplished
in our will before it is accomplished externally.”’
Hence the sum-total of our Volitions and our Ideas constitutes Action, and the sum-total of our external acts he
called Reaction. ‘
When I subsequently read the observations made by
Bichat on the duality of our external senses, I was really
bewildered by my recollections, recognizing the startling
coincidences between the views of that celebrated physiologist and those of Louis Lambert. They both died too
young, and they had with equal steps arrived at the same
strange truths. Nature has in every case been pleased to
give a twofold purpose to the various apparatus that constitute her creatures; and the twofold action of the human
organism, which is now ascertained beyond dispute, proves
' by a mass of evidence in daily life how true were Lambert’s
deductions as to Action and Reaction.
The inner Being, the Being of Action—the word he
used to designate an unknown specialization—the mysterious nexus of fibrils to which we owe the inadequately
investigated powers of thought and will—in short, the
nameless entity which sees, acts, foresees the end, and
accomplishes everything before expressing itself in any
physical phenomenon—must, in conformity with its nature,
? a
p/n
LOUIS LAMBERT 231
be free from the physical conditions by which the external _
Being of Reaction, the visible man, is fettered in its manifestation. From this followed a multitude of logical expla-.
nation as to those results of our twofold nature which appear
_ the strangest, and a rectification of various systems in which
truth and falsehood are mingled.
Certain men, having had a glimpse of some phenomena
of the natural working of the Being of Action, were, like
Swedenborg, carried away above this world by their ardent
soul, thirsting for poetry, and filled with the Divine Spirit.
Thus, in their ignorance of the causes and their admiration
of the facts, they pleased their fancy by regarding that inner
man as divine, and constructing a mystical universe. Hence
we have angels! A lovely Hiusion which Lambert would
never abandon, cherishing it even when the sword of his
logic was cutting off their dazzling wings.
‘“‘Heaven,’”’ he would say, ‘‘must, after all, be the survival of our perfected faculties, and hell the void into which
our unperfected faculties are cast away.”’
But how, then, in the ages when the understanding had
preserved the religious and spiritualist impressions, which
prevailed from the time of Christ till that of Descartes, between faith and doubt, how could meu help avcountiug for
the mysteries of our nature otherwise than by divine interposition? Of whom but of God Himseif could sages demand an account of an invisible creature so actively and
so reactively sensitive, gifted with faculties so extensive,
so improvable by use, and so poweriul under certain occult influences, that they could sometimes see it annihilate,
by some phenomenon of sight-or movement, space in its
two manifestations—Time and Distance—of which the former is the space of the intellect, the latter is physical
Dae BALZAC’S WORKS
space? Sometimes they found it reconstructing the past,
either by the power of retrospective vision, or by the mystery of a palingenesis not unlike the power a man might
have of detecting, in the form, integument and embryo in
a seed, the flowers of the past, and the numberless variations of their color, scent, and shape; and sometimes, again,
it could be seen vaguely foreseeing the future, either by its
appreliension of final causes, or by some phenomenon of
physical pre-sentiment.
Other men, less poetically religious, cold, and argumentative—quacks perhaps, but enthusiasts in brain at least, if
not in heart—recognizing some isolated examples of such
phenomena, admitted their truth while refusing to consider
them as radiating from a common centre. Hach of these
was, then, bent on constructing a science out of a simple
-fact. Hence arose demonology, judicial astrology, the black
arts, in short, every form of divination founded on circumstances that were essentially transient, because they varied
according to men’s temperament, and to conditions that are
still completely unknown.
But from these errors of the learned, and from the ecclesiastical trials under which fell so many martyrs to their
own powers, startling evidence was derived of the prodigious faculties at the command of the Being of Action, which,
according to Lambert, can abstract itself completely from
the Being of Reaction, bursting its envelope, and piercing
walls by its potent vision; a phenomenon known to the
Hindoos, as missionaries tell us, by the name of Tokeiad;
or again, by another faculty, can grasp in the brain, in spite
of its closest convolutions, the ideas which are formed or
forming there, and the whole of past consciousness.
“If apparitions are not impossible,’’ said Lambert, ‘‘they
LOUIS LAMBERT 258
must be due to a faculty of discerning the ideas which represent man in his purest essence, whose life, imperishable
perhaps, escapes our grosser senses, though they may become perceptible to the inner being when it has reached a
high degree of ecstasy, or a great perfection of vision.’
I know—though my remembrance is now vague—that
Lambert, by following the results of Mind and Will step
by step, after he had established their laws, accounted for
a multitude of phenomena which, tiil then, had been regarded with reason as incomprehensible. Thus wizards,
men possessed, those gifted with second-sight, and demoniacs of every degree—the victims of the Middle Ages—became the subject of explanations so natural that their very
simplicity often seemed to me the seal of their truth. The
marveilous gifts which the Church of Rome, jealous of all
mysteries, punished with the stake, were, in Louis’s opinion, the result of certain affinities between the constituent
elements of matter and those of mind, which proceed from
the same source. The man holding a hazel rod when he
found a spring of water was guided by some antipathy or
sympathy of which he was unconscious; nothing but the
eccentricity of these phenomena could have availed to give
some of them historic certainty.
Sympathies have rarely been proved; they afford a kind
of pleasure which those who are so happy as to possess them
rarely speak of unless they are abnormally singular, and
even then only in the privacy of intimate intercourse, where
everything is buried. But the antipathies that arise from
the inversion of affinities have, very happily, been recorded
when developed in famous men. Thus, Bayle had hysterics
when he heard water splashing, Scaliger turned pale at the
sight of water-cress, Hrasmus was thrown into a fever by the
234 BALZAC’S WORKS
smell of fish. These three antipathies were connected with
water. The Duc d’Epernon fainted at the sight of a hare,
Tycho-Brahe at that of a fox, Henri III. at the presence of
a cat, the Maréchal d’Albret at the sight of a wild hog;
these antipathies were produced by animal emanations, and
often took effect at a great distance. The Chevalier de
Guise, Marie de’ Medici, and many other persons, have
felt faint at seeing a rose even in a painting. Lord Bacon,
whether he were forewarned or no of an eclipse of the moon,
always fell into a syncope while it lasted; and his vitality,
suspended while the phenomenon lasted, was restored as
soon as it was over without his feeling any further inconvenience. These effects of antipathy, all well authenticated,
and chosen from among many which history has happened
to preserve, are enough to give a clew to the sympathies
which remain unknown.
This fragment of Lambert’s investigations, which I remember from among his essays, will throw a light on the
method on which he worked. I need not emphasize the
obvious connection between this theory and the collateral
sciences projected by Gall and Lavater; they were its natural corollary; and every more or less scientific brain will
discern the ramifications by which it is inevitably connected
with the phrenological observations of one and the speculations on physiognomy of the other.
Mesmer’s discovery, so important, though as yet so little
appreciated, was also embodied in a single section of this
treatise, though Louis did not know the Swiss doctor’s
writings—which are few and brief.
A simple and logical inference from these principles led
him to perceive that the will might be accumulated by a
contractile effort of the inner man, and then, by another
LOUIS LAMBERT 235
effort, projected, or even imparted, to material objects.
Thus, the whole force of a man must have the property
of reacting on other men, and of infusing into them an essence foreign to their own, if they could not protect themselves against such an aggression. The evidence of this
theorem of the science of humanity is, of course, very multifarious; but there is nothing to establish it beyond question. We have only the notorious disaster of Marius and
his harangue to the Cimbrian commanded to kill him, or
the august injunction of a mother of the Lion of Florence,
in historic proof of instances of such lightning flashes of
mind. To Lambert, then, Will and Thought were living
forces; and he spoke of them in such a way as to impress
his belief on the hearer. To him these two forces were, in
a way, visible, tangible. Thought was slow or alert, heavy
or nimble, light or dark; he ascribed to it all the attributes
of an active agent, and thought of it as rising, resting, waking, expanding, growing old, shrinking, becoming atrophied,
or resuscitating; he described its life, and specified all its
actions by the strangest words in our language, speaking of
its spontaneity, its strength, and all its qualities with a kind
of intuition which enabled him to recognize all the manifestations of its substantial existence.
‘‘Often,’’ said he, ‘‘in the midst of quiet and silence,
when our inner faculties are dormant, when we have given
ourselves up to sweet repose, when a sort of darkness reigns
within us, and we are lost in the contemplation of things
outside us, an idea suddenly flies forth, and rushes with
the swiftness of lightning across the infinite space which
our inner vision allows us to perceive. This radiant idea,
springing into existence like a will-o’-the-wisp, dies out
never to return; an ephemeral life, like that of babes who
236 BALZAC’S WORKS
give their parents such infinite joy and sorrow; a sort of
still-born blossom in the fields of the mind. Sometimes
an idea, instead of springing forcibly into life and dying
unembodied, dawns gradually, hovers in the unknown
limbo of the organs where it has its birth; exhausts us
by long gestation, develops, is itself fruitful, grows outwardly in all the grace of youth and the promising attributes of a long life; it can endure the closest inspection,
invites it, and never tires the sight; the investigation it
undergoes commands the admiration we give to works
slowly elaborated. Sometimes ideas are evolved in a
swarm; one brings another; they come linked together;
they vie with each other; they fly in clouds, wild and headlong. Again, they rise up pallid and misty, and perish for
want of strength or of nutrition; the vital force is lacking.
Or again, on certain days, they rush down into the depths
to light up that immense obscurity; they terrify us and
leave the soul dejected. ;
‘Ideas are a complete system within us, resembling a
natural kingdom, a sort of flora, of which the iconography
will one day be outlined by some man wao will perhaps be
accounted a madman.
‘Yes, within us and without, everything testifies to the
livingness of those exquisite creations, which I compare
with flowers in obedience to some unutterable revelation
of their true nature!
‘‘Their being produced as the final cause of man is, after
all, not more amazing than the production of perfume and
color in a plant. Perfumes are ideas, perhaps!
‘‘When we consider that the line where flesh ends and
the nail begins contains the invisible and inexplicable mystery of the constant transformation of a fluid into horn, we
LOUIS LAMBERT 237
must confess that nothing is impossible in the marvellous
modifications of human tissue. .
‘‘And are there notin our inner nature phenomena of
weight and motion comparable to those of physical nature?
Suspense, to choose an example vividly familiar to everybody, is painful only as a result of the law in virtue of
which the weight of a body is multiplied by its velocity.
The weight of the feeling produced by suspense increases
by the constant addition of past pain to the pain of the
moment. :
‘‘And then, to what, unless it be to the electric fluid,
are we to attribute the magic by which the Will enthrones
itself so imperiously in the eye to demolish obstacles at the
behest of genius, thunders in the voice, or filters, in spite
of dissimulation, through the human frame? The current
of that sovereign fluid, which, in obedience to the high
pressure of thought or of feeling, flows in a torrent or is
reduced to a mere thread, and collects to flash in lightnings, is the occult agent to which are due the evil or the
beneficent efforts of Art and Passion—intonation of voice,
whether harsh or suave, terrible, lascivious, horrifying or
seductive by turns, thrilling the heart, the nerves, or the
brain at our will; the marvels of the touch, the instrument
of the mental transfusions of a myriad artists, whose creative fingers are able, after passionate study, to reproduce
the forms of nature; or, again, the infinite gradations of the
eye from dull inertia to the emission of the most terrifying
gleams.
“By this system God is bereft of none of His rights.
Mind, as a form of matter, has brought me a new conviction
of His greatness.”’
After hearing him discourse thus, after receiving into
238 BALZAC’S WORKS
my soul his look like a ray of light, it was difficult not to —
be dazzled by his conviction and carried away by his arguments. The Mind appeared to me as a purely physical
power, surrounded by its innumerable progeny. It was a
new conception of humanity under a new form.
This brief sketch of the laws which, as Lambert maintained, constitute the formula of our intellect, must suffices
to give a notion of the prodigious activity of his spirit feeding on itself. Louis had sought for proofs of his theories in
the history of great men, whose lives, as set forth by their
biographers, supply very curious particulars as to the operation of their understanding. His memory allowed him to_
recall such facts as might serve to support his statements;
he had appended them to each chapter in the form of demonstrations, so as to give to many of his theories an almost
mathematical certainty. The works of Cardan, a man gifted
with singular powers of insight, supplhed him with valuable
materials. He had not forgotten that Apollonius of Tyana
had, in Asia, announced the death of the tyrant, with every
detail of his execution, at the very hour when it was taking
place in Rome; nor that Plotinus, when far away from Porphyrius, was aware of his friend’s intention to kill himself,
and flew to dissuade him; nor the incident in the last
century, proved in the face of the most incredulous mockery ever known—an incident most surprising to men who
were accustomed to regard doubt as a weapon against the
fact alone, but simple enough to believers—the fact that
Alphonze-Maria di Liguori, Bishop of Saint-Agatha, administered consolations to Pope Ganganelli, who saw him,
heard him, and answered him, while the Bishop himself, at
a great distance from Rome, was in a trance at home, in the
chair where he commonly sat on his return from Mass. On
LOUIS LAMBERT 239
recovering consciousness, he saw all his attendants kneeling beside him, believing him to be dead: ‘‘My friends,’’ ©
said he, ‘‘the Holy Father is just dead.’’ Two days later
a letter confirmed the news. The hour of the Pope’s death
coincided with that when the Bishop had been restored to
his natural state.
Nor had Lambert omitted the yet more recent adventure
of an English girl who was passionately attached to a sailor,
and set out from London to seek him. She found him, without a guide, making her way alone in the North American
wilderness, reaching him just in time to save his life.
Louis had found confirmatory evidence in the mysteries
of the ancients, in the acts of the martyrs—in which glorious
instances may be found of the triumph of human will, in
the demonology of the Middle Ages, in criminal trials and
medical researches; always selecting the real fact, the probable phenomenon, with admirable sagacity.
All this rich collection of scientific anecdotes, culled
from so many books, most of them worthy of credit,
served no doubt to wrap parcels in; and this work, which
was curious, to say the least of it, as the outcome of a most
extraordinary memory, was doomed to destruction.
Among the various cases which added to the value of
Lambert’s ‘‘Treatise’’ was an incident that had taken place
in his own family, of which he had told me before he wrote
his essay. This fact, bearing on the post-existence of the
inner man, if I may be allowed to coin a new word for a
phenomenon hitherto nameless, struck me so forcibly that
I have never forgotten it. His father and mother were
being forced into a lawsuit, of which the loss would leave
them with a stain on their good name, the only thing they
had in the world. Hence their anxiety was very great when
240 BALZAC’S WORKS 1
the question first arose as to whether they should yield to ~
the plaintiff’s unjust demands, or should defend themselves
against him. The matter came under discussion one autumn
evening, before a turf fire in the room used by the tanner and
his wife. Two or three relations were invited to this family
council, and among others Louis’s maternal great-grandfather,
an old laborer, much bent, but with a venerable and dignified
countenance, bright eyes, and a bald, yellow bead, on which
grew a few locks of thin, white hair. Like the Obi of the
Negroes, or the Sagamore of the Indian savage, he was a
sort of oracle, consulted on important occasions. His land
was tilled by his grandchildren, who fed and served him;
he predicted rain and fine weather, and told them when to
mow the hay and gather the crops. The barometric exactitude of his forecasts was quite famous, and added to
the confidence and respect he inspired. For whole days
he would sit immovable in his armchair. This state of:
rapt meditation often came upon him since his wife’s
death; he had been attached to her with the truest and
most faithful affection.
This discussion was held in his presence, but he did
not seem to give much heed to it.
‘‘My children,’’ said he, when he was asked for his
opinion, ‘‘this is too serious a matter for me to decide on
alone. I must go and consult my wife.”
The old man rose, took his stick, and went out, to the
great astonishment of the others, who thought him daft.
He presently came back and. said—
‘“‘! did not have to go so far as the graveyard; your
mother came to meet me; I found her by the brook. She
tells me that you will find some receipts in the hands of a
notary at Blois, which will enable you to gain your suit.”
LOUIS LAMBERT 241
The words were spoken in a firm tone; the old man’s
demeanor and countenance showed that such an apparition
was habitual with him. In fact, the disputed receipts were
found, and the lawsuit was not attempted.
This event, under his father’s roof and to his own
knowledge, when Louis was nine years old, contributed
largely to his belief in Swedenborg’s miraculous visions,
for in the course of that philosopher’s life he repeatedly
gave proofs of the power of sight developed in his Inner
Being. As he grew older, and as his intelligence was developed, Lambert was naturally led to seek in the laws of
nature for the causes of the miracle which, in his childhood, had captivated his attention. What name can be
given to the chance which brought within his ken so
many facts and books bearing on such phenomena, and
made him the principal subject and actor in such marvellous manifestations of mind?
If Lambert had no other title to fame than the fact of
his having formulated, in his sixteenth year, such a psychological dictum as this:—‘‘The events which bear witness to
the action of the human race, and are the outcome of its
intellect, have causes by which they are preconceived,
as our actions are accomplished in our mind before they
are reproduced by the outer man; presentiments or predictions are the perception of these causes.’’—I think
we may deplore in him a genius equal to Pascal, Lavoisier, or Laplace. His chimerical notions about angels
perhaps overruled his work too long; but was it not in
trying to make gold that the alchemists unconsciously
created chemistry? At the same time, Lambert, at a later
period, studied comparative anatomy, physics, geometry,
and other sciences bearing on his discoveries, and this
(11)—Vol. 25
242 BALZAC’S WORKS
was undoubtedly with the purpose of collecting facts and
submitting them to analysis—the only torch that can guide
us through the dark places of the most inscrutable work of
nature. He had too much good sense to dwell among the
clouds of theories which can all be expressed in a few
words. In our day, is not the simplest demonstration
based on facts more highly esteemed than the most specious system though defended by more or less ingenious
inductions? But as I did not know him at the period
of his life when his cogitations were, no doubt, the most
productive of results, I can only conjecture what the bent
of his work must have been from that of his first efforts of
thought.
It is easy to see where his ‘‘Treatise on the Will’’ was
faulty. Though gifted already with the powers which
characterize superior men, he was but a boy. His brain,
though endowed with a great faculty for abstractions, was
still full of the delightful beliefs that hover around youth.
Thus his conception, while at some points it touched the
ripest fruits of his genius, still, by many more, clung to
the smaller elements of its germs. To certain readers,
lovers of poetry, what he chiefly lacked must have been
a certain vein of interest.
But his work bore the stamp of the struggle that was
going on in that noble Spirit between the two great principles of Spiritualism and Materialism, round which so many
a fine genius has beaten its way without ever daring to amalgamate them. Louis, at first purely Spiritualist, had been
irresistibly led to recognize the Material conditions of Mind.
Confounded by the facts of analysis at the moment when his
heart still gazed with yearning at the clouds that floated in
Swedenborg’s heaven, he had not yet acquired the necesLOUIS LAMBERT 248
sary powers to produce a coherent system, compactly cast
in a piece, as it were. Hence certain inconsistencies that
have left their stamp even on the sketch here given of his
first attempts. Still, incomplete as his work may have been,
was it not the rough copy of a science of which he would
have investigated the secrets at a later time, have secured
the foundations, have examined, deduced, and connected
the logical sequence ?
Six months after the confiscation of the ‘‘Treatise on
the Will’? I left school. Our parting was unexpected.
My mother, alarmed by a feverish attack which for some
months I had been unable to shake off, while my inactive
life induced symptoms of coma, carried me off at four or
five hours’ notice. The announcement of my departure
reduced Lambert to dreadful dejection.
‘*Shall I ever see you again ?’’ said he in his gentle voice,
as he clasped me in his arms. ‘‘You will live,’”’ he went on,
“but I shall die. If I can, I will come back to you.”
Only the young can utter such words with the accent of
conviction that gives them the impressiveness of prophecy,
of a pledge, leaving a terror of its fulfilment. For a long
time indeed I vaguely looked for the promised apparition.
Even now there are days of depression, of doubt, alarm,
and loneliness, when [I am forced to repel the intrusion of
that sad parting, though it was not fated to be the last.
When I crossed the yard by which we left, Lambert was
at one of the refectory windows to see me pass. By my request my mother obtained leave for him to dine with us at
the inn, and in the evening [ escorted him back to the fatal
gate of the college. No lover and his mistress ever shed
more tears at parting.
244 BALZAQ’S WORKS —
“Well, good-by; I shall be left alone in this desert!”’
said he, pointing to the playground where two hundred
boys were disporting themselves and shouting. ‘‘When I
come back half dead with fatigue from my long excursions
through the fields of thought, on whose heart can I rest?
I could tell you everything in a look. Who will understand me now?—Good-by! I could wish I had never met
you; I should not know all I am losing.”’
‘‘And what is to become of me?’’ said I. ‘‘Is not my
position a dreadful one? J have nothing here to uphold
me!’’ and I slapped my forehead.
He shook his head with a gentle gesture, gracious and
sad, and we parted.
At that time Louis Lambert was about five feet five
inches in height; he grew no more. His countenance,
which was full of expression, revealed his sweet nature.
Divine patience, developed by harsh usage, and the constant concentration needed for his meditative life, had bereft his eyes of the audacious pride which is so attractive
in some faces, and which had so shocked our masters.
Peaceful mildness gave charm to his face, an exquisite
serenity that was never marred by a tinge of irony or
satire; for his natural kindliness tempered his conscious
strength and superiority. He had pretty hands, very
slender, and almost always moist. His frame was a marvel, a model for a sculptor; but our iron-gray uniform,
with gilt buttons and knee-breeches, gave us such an ungainly appearance that Lambert’s fine proportions and firm
muscles could only be appreciated in the bath. When we
swam in our pool in the Loir, Louis was conspicuous by
the whiteness of his skin, which was unlike the different
shades of our schoolfellows’ bodies mottled by the cold, or
LOUIS LAMBERT 245.
blue from the water. Gracefully formed, elegant in his attitudes, delicate in hue, never shivering after his bath, perhaps because he avoided the shade and always ran into the
sunshine, Louis was like one of those cautious blossoms that
close their petals to the blast and refuse to open unless to a
clear sky. He ate little, and drank water only; either by
instinct or by choice he was averse to any exertion that
made a demand on his strength; his movements were few
and simple, like those of Orientals or of savages, with
whom gravity seems a condition of nature.
As a rule, he disliked everything that resembled any
special care for his person. He commonly sat with his
head a little inclined to the left, and so constantly rested
his elbows on the table that the sleeves of his coats were
soon in holes.
To this slight picture of the outer man I must add a
sketch of his moral qualities, for [ believe I can now
judge him impartially.
Though naturally religious, Louis did not accept the
minute practices of the Roman ritual; his ideas were more
intimately in sympathy with Saint Theresa and Fénelon,
and several Fathers and certain Saints, who, in our day,
would be regarded as heresiarchs or atheists. He was
rigidly calm during the services. His own prayers went
up in gusts, in aspirations, without any regular formality;
in all things he gave himself up to nature, and would not
pray, any more than he would think, at any fixed hour. In
chapel he was equally apt to think of God or to meditate on
some problem of philosophy.
To him Jesus Christ was the most perfect type of his
system. Et Verbum caro factum est seemed a sublime statement intended to express the traditional formula of the
246 BALZAC’S WORKS
Will, the Word, and the Act made visible. Christ’s unconsciousness of His Death—having so perfected His inner
Being by divine works that one day the invisible form of
it appeared to His disciples—and the other Mysteries of the
Gospels, the magnetic cures wrought by Christ, and the
gift of tongues, all to him confirmed his doctrine. I remember once hearing him say on this subject that the
greatest work that could be written nowadays was a History
-of the Primitive Church. And he never rose to such poetic
heights as when, in the evening, as we conversed, he
would enter onan inquiry into miracles worked by the
power of Will during that great age of faith. He dis- |
cerned the strongest evidence of his theory in most of the
martyrdoms endured during the first century of our era,
which he spoke of as the great era of the Mind.
‘Do not the phenomena observed in almost every instance of the torments so heroically endured by the early
Christians for the establishment of the faith amply prove
that Material force will never prevail against the force of
Ideas or the Will of man?’’ he would say. ‘‘From this
effect, produced by the Will of all, each man may draw
conclusions in favor of his own.”’
I need say nothing of his views on poetry or history,
nor of his judgment on the masterpieces of our language.
There would be little interest in the record of opinions
now almost universally held, though at that time, from the
lips of a boy, they might seem remarkable. Louis was
capable of the highest’ flights. To give a notion of his
talents in two words, he could have written ‘‘Zadig’’ as
wittily as Voltaire; he could have thought out the Dialogue between Sylla and Hucrates as powerfully as Montesquieu. His rectitude of character made him desire above
LOUIS LAMBERT 247
all else in a work that it should bear the stamp of utility;
at the same time, his refined taste demanded novelty of
thought as well as of form. One of his most remarkable
literary observations, which will serve as a clew to all the
others, and show the lucidity of his judgment, is this,
which has ever dwelt in my memory, ‘‘The Apocalypse is
written ecstasy.’’ He regarded the Bible as a part of the
traditional history of the antediluvian nations which had
taken for its share the new humanity. He thought that
the mythology of the Greeks was borrowed both from the
Hebrew Scriptures and from the sacred Books of India,
adapted after their own fashion by the beauty-loving
Hellenes.
‘‘It is impossible,’’ said he, ‘‘to doubt the priority of
the Asiatic Scriptures; they are earlier than our Sacred
Books. The man who is candid enough to admit this historical fact sees the whole world expand before him. Was
it not on the Asiatic highland that the few men took refuge
who were able to escape the catastrophe that ruined our
globe—if, indeed, men had existed before that cataclysm
or shock? A serious query, the answer to which lies at
the bottom of the sea. The anthropogeny of the Bible is
merely a genealogy of a swarm escaping from the human
hive which settled on the mountainous slopes of Thibet
between the summits of the Himalaya and the Caucasus.
_“The character of the primitive ideas of that horde,
called by its lawgiver the people of God, no doubt to
secure its unity, and perhaps also to induce it to maintain
his laws and his system of government—for the Books of
Moses are a religious, political, and civil code—that character bears the authority of terror; convulsions of nature
are interpreted with stupendous power as a vengeance from
?
248 BALZAC’S WORKS
on high. In fact, since this wandering tribe knew none of
the ease enjoyed by a community settled in a patriarchal
home, their sorrows as pilgrims inspired them with none
but gloomy poems, majestic but blood-stained. In the
Hindoos, on the contrary, the spectacle of the rapid recoveries of the natural world, and the prodigious effects
of sunshine, which they were the first to recognize, gave
rise to happy images of blissful love, to the worship of
Fire and of the endless personifications of reproductive
force. These fine fancies are lacking in the Book of the ©
Hebrews. A constant need of self-preservation amid all
the dangers and the lands they traversed to reach the
Promised Land engendered their exclusive race-feeling
and their hatred of all other nations.
‘These three Scriptures are the archives of an engulfed
world. Therein lies the secret of the extraordinary splendor of those languages and their myths. A grand human
history lies beneath those names of men and places, and
those fables which charm us so irresistibly, we know not
why. Perhaps it is because we find in them the native
air of renewed humanity.”
Thus, to him, this threefold literature included all the
thoughts of man. Not a book could be written, in his
opinion, of which the subject might not there be discerned
in its germ. This view shows how learnedly he had pursued his early studies of the Bible, and how far they had
led him. Hovering, as it were, over the heads of society,
and knowing it solely from books, he could judge it coldly.
““The law,’’ said he, ‘tnever puts a check on the enterprises of the rich and great, but crushes the poor, who, on
the contrary, need protection.”’
His kind heart did not therefore allow him to sympathize
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LOUIS LAMBERT 249
in political ideas; his system led rather to the passive obedience of which Jesus set the example. During the last hours
of my life at Vendome, Louis had ceased to feel the spur
to glory; he had, in a way, had an abstract enjoyment
of fame; and having opened it, as the ancient priests of
sacrifice sought to read the future in the hearts of men,
he had found nothing in the entrails of his chimera.
Scorning a sentiment so wholly personal: ‘‘Glory,’
he, ‘‘is but beatified egoism.”’ :
Here, perhaps, before taking leave of this exceptional
boyhood, I may pronounce judgment on it by a rapid
7
said
glance.
A short time before our separation, Lambert said to me:
‘* Apart from the general laws which I have formulated—
and this, perhaps, will be my glory—laws which must be
those of the human organism, the life of man is Movement
determined in each individual by the pressure of some inscrutable influence—by the brain, the heart, or the sinews.
All the innumerable modes of human existence result from
the proportions in which these three generating forces are
more or less intimately combined with the substances they
assimilate in the environment they live in.”’
He stopped short, struck his forehead, and exclaimed:
**How strange! In every great man whose portrait I have
remarked the neck is short. Perhaps nature requires that
in them the heart should be nearer to the brain!”’
Then he went on:
‘*Krom that, a sum-total of action takes its rise which
constitutes social life. The man of sinew contributes action or strength; the man of brain, genius; the man of
heart, faith. But,’’ he added sadly, ‘‘faith sees only the
clouds of the sanctuary; the Angel alone has light.”’
250 BALZAC’S WORKS
So, according to his own definitions, Lambert was all
brain and all heart. It seems to me that his intellectual
life was divided into three marked phases.
Under the impulsion, from his earliest years, of a precocious activity, due, no doubt, to some malady—or to some
special perfection—of organism, his powers were concentrated on the functions of the inner senses and a superabundant flow of nerve-fluid. As a man of ideas, he
craved to satisfy the thirst of his brain, to assimilate every
idea. Hence his reading; and from his reading, the reflections that gave him the power of reducing things to their
simplest expression, and of absorbing them to study them
in their essence. Thus, the advantages of this splendid
stage, acquired by other men only after long study, were
achieved by Lambert during his bodily childhood: a happy
childhood, colored by the studious joys of a born poet.
The point which most thinkers reach at last was to him
the starting-point, whence his brain was to set out one day
in search of new worlds of knowledge. Though as yet he
knew it not, he had made for himself the most exacting life
possible, and the most insatiably greedy. Merely to live,
was he not compelled to be perpetually casting nutriment
into the gulf he had opened in himself? Like some beings
who dwell in the grosser world, might he not die of inanition for want of feeding abnormal and disappointed crayings? Was not this a sort of debauchery of the intellect
which might lead to spontaneous combustion, like that of
bodies saturated with alcohol?
I had seen nothing of this first phase of his braindevelopment; it is only now, at a later day, that I can
thus give an account of its prodigious fruit and results.
Lambert was now thirteen.
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LOUIS LAMBERT 251
I was so fortunate as to witness the first stage of the
second period. Lambert was cast into all the miseries of
school-life—and that, perhaps, was his salvation—it absorbed the superabundance of his thoughts. After passing
from concrete ideas to their purest expression, from words
to their ideal import, and from that import to principles,
after reducing everything to the abstract, to enable him to
live he yearned for yet other intellectual creations. Quelled
by the woes of school and the critical development of his
physical constitution, he became thoughtful, dreamed of
feeling, and caught a glimpse of new sciences—positively
masses of ideas. Checked in his career, and not yet strong
enough to contemplate the higher spheres, he contemplated
his inmost self. I then perceived in him the struggle of
the Mind reacting on itself, and trying to detect the secrets
of its own nature, like a physician who watches the course
of his own disease.
At this stage of weakness and strength, of childish grace
and superhuman powers, Louis Lambert is the creature
who, more than any other, gave mea poetical and truthful
image of the being we call an angel, always excepting one
woman whose name, whose features, whose identity, and
whose life I would fain hide from all the world, so as to
be sole master of the secret of her existence, and to bury
it in the depths of my heart.
The third phase I was not destined to see. It began
when Lambert and I were parted, for he did not leave college till he was eighteen, in the summer of 1815. He had
at that time lost his father and mother about six months
before. Finding no member of his family with whom his
soul could sympathize, expansive still, but, since our part252 BALZAC’S WORKS
ing, thrown back on himself, he made his home with his
uncle, who was also his guardian, and who, having been
turned out of his benefice as.a priest who had taken the
oaths, had come to settle at Blois. There Louis lived for
some time; but, consumed erelong by the desire to finish
his incomplete studies, he came to Paris to see Madame de
Staél, and to drink of science at its highest fount. The old
priest, being very fond of his nephew, left Louis free to
spend his whole little inheritance in his three years’ stay
in Paris, though he lived very poorly. This fortune consisted of but a few thousand francs.
Lambert returned to Blois at the beginning of 1820,
driven from Paris by the sufferings to which the impecunious are exposed there. He must often have been a victim to the secret storms, the terrible rage of mind by which
artists are tossed, to judge from the only fact his uncle recollected, and the only letter he preserved of all those which
Louis Lambert wrote to him at that time, perhaps because
it was the last and the longest.
To begin with the story. Louis one evening was at the
Théatre-Frangais, seated on a bench in the upper gallery,
near to one of the pillars which, in those days, divided off
the third row of boxes. On rising between the acts, he saw
a young woman who had just come into the box next him.
The sight of this lady, who was young, pretty, well dressed,
in a low bodice no doubt, and escorted by a man for whom
her face beamed with all the charms of love, produced such
a terrible effect on Lambert’s soul and senses that he was
obliged to leave the theatre. If he had not been controlled
by some remaining glimmer of reason, which was not wholly
extinguished by this first fever of burning passion, he might
perhaps have yielded to the almost irresistible desire that
LOUIS LAMBERT 2538
came over him to kill’ the young man on whom the lady’s
looks beamed. Was not this a reversion, in the heart of the
Paris world, to the savage passion that regards woman as its
prey, an effect of animal instinct combining with the almost
luminous flashes of a soul crushed under the weight of
thought? In short, was it not the prick of the penknife
so vividly imagined by the: boy, felt by the man as the
thunderbolt of his most vital craving—for love?
And now, here is the letter that depicts the state of his
mind as it was struck by the spectacle of Parisian civilization. His feelings, perpetually wounded no doubt in that
whirlpool of self-interest, must always have suffered there;
he probably had no friend to comfort him, no enemy to give
tone to his life. Compelled to live in himself alone, having
no one to share his subtle raptures, he may have hoped to
solve the problem of his destiny by a life of ecstasy, adopting an almost vegetative attitude, like an anchorite of the
early Church, and abdicating the empire of the intellectual
world.
This letter seems to hint at such a scheme, which is a
temptation to all lofty souls at periods of social reform.
But is not this purpose, in some cases, the result of a vocation? Do not some of them endeavor to concentrate their
powers by long silence, so as to emerge fully capable of
governing the world by word or by deed? Louis must,
assuredly, have found much bitterness in his intercourse
with men, or have. striven hard with Society in terrible
irony, without extracting anything from it, before uttering
so strident a cry, and expressing, poor fellow, the desire
which satiety of power and of all earthly things has \ed
even monarchs to indulge!
And perhaps, too, he went back to solitude to carry out
254 BALZAC’S WORKS —
some great work that was floating inchoate in his brain.
We would gladly believe it as we read this fragment of
his thoughts, betraying the struggle of his soul at the time
when youth was ending and the terrible power of production was coming into being, to which we might have owed
the works of the man.
This letter connects itself with the adventure at the theatre. The incident and the letter throw light on each other,
body and soul were tuned to the same pitch. This tempest
of doubts and asseverations, of clouds and of lightnings that
flash before the thunder, ending by a starved yearning for
heavenly illumination, throws such a light on the third
phase of his education as enables us to understand it perfectly. As we read these lines, written at chance moments,
taken up when the vicissitudes of life in Paris allowed, may
we not fancy that we see an oak at that stage of its growth
when its inner expansion bursts the tender green bark, covering it with wrinkles and cracks, when its majestic stature
is in preparation—if indeed the lightnings of heaven and
the axe of man shall spare it?
This letter, then, will close, alike for the poet and the
philosopher, this portentous childhood and unappreciated
youth. It finishes off the outline of this nature in its germ.
Philosophers will regret the foliage frost-nipped in the bud;
but they will, perhaps, find the flowers expanding in regions
far above the highest places of the earth.
“Paris, September—October, 1819
‘‘DeAR UncLEe—I shall soon be leaving this part of the
world, where I could never bear to live. I find no.one here
who likes what I like, who works at my work, or is amazed
at what amazes me. Thrown back on myself, I eat my heart
ibe
ye e
“he Le
Ys .
LOUIS LAMBERT 255
out in misery. My long and patient study of Society here
has brought me to melancholy conclusions, in which doubt
predominates.
“Here, money is the mainspring of everything. Money
is indispensable, even for going without money. But
though that dross is necessary to any one who wishes
to think in peace, I have not courage enough to make it
the sole motive power of my thoughts. To make a fortune,
I must take up a profession; in two words, I must, by aequiring some privilege of position or of self-advertisement,
either legal or ingeniously contrived, purchase the right of
taking day by day out of somebody else’s purse a certain
sum which, by the end of the year, would amount to a small
capital; and this, in twenty years, would hardly secure an
income of four or five thousand frances to a man who deals
honestly. An advocate, a notary, a merchant, any recognized professional, has earned a living for his later days
in the course of fifteen or sixteen years after ending his
apprenticeship.
“But I have never felt fit for work of this kind. I prefer thought to action, an idea to a transaction, contemplation
to activity. I am absolutely devoid of the constant attention indispensable to the making of a fortune. Any mercantile venture, any need for using other people’s money
would bring me to grief, and I should be ruined. Though
I have nothing, at least at the moment, I owe nothing. The
man why gives his life to the achievement of great things in
the sphere of intellect, needs very little; still, though twenty
sous a day would be enough, I do not possess that small income for my laborious idleness. When I wish to cogitate,
want drives me out of the sanctuary where my mind has its
being. What is to become of me?
256 . BALZAC’S WORKS
“T am not frightened at poverty. If it were not that
beggars are imprisoned, branded, scorned, I would beg, to
enable me to solve at my leisure the problems that haunt
me. Still, this sublime resignation, by which I might
emancipate my mind, through abstracting it from my body,
would not serve my end. I should still need money to
devote myself to certain experiments. But for that, I
would accept the outward indigence of a sage possessed
of both heaven and earth. A man need only never stoop,
to remain lofty in poverty. He who struggles and endures,
while marching on to a glorious end, presents a noble spectacle; but who can have the strength to fight here? We
can climb cliffs, but it is unendurable to remain forever
tramping the mud. Everything here checks the flight of
a spirit that strives toward the future.
‘‘T should not be afraid of myself in a desert cave; I am
afraid of myself here. In the desert I should be alone with
myself, undisturbed; here man has a thousand wants which
drag him down. You go out walking, absorbed in dreams;
the voice of the beggar asking an alms brings you back to
this world of hunger and thirst. You need money only to
take a walk. Your organs of sense, perpetually wearied by
trifles, never get any rest. The poet’s sensitive nerves are
perpetually shocked, and what ought to be his glory becomes his torment; his imagination is his cruelest enemy.
The injured workman, the poor mother in childbed, the
prostitute who has fallen ill, the foundling, the infirm and
aged—even vice and crime here find a refuge, and charity;
but the world is merciless to the inventor, to the man who
thinks. Here everything must show an immediate and practical result. Fruitless attempts are mocked at, though they
may lead to the greatest discoveries; the deep and untiring
LOUIS LAMBERT 257
study that demands long concentration of every faculty is
not valued here. The State might pay talent as it pays the
bayonet; but it is afraid of being taken in by mere cleverness, as if genius could be counterfeited for any length of
time.
‘*Ah, my dear uncle, when monastic solitude was destroyed, uprooted from its home at the foot of mountains,
under green and silent shade, asylums ought to have been
provided for those suffering souls who, by an idea, promote
the progress of nations or prepare some new and fruitful
development of science.
*<“September 20th
“The love of study brought me hither, as you know.
I have met really learned men, amazing for the most part;
but the lack of unity in scientific work almost nullifies their
efforts. There is no Head of instruction or of scientific research. At the Museum a professor argues to prove that
another in the Rue Saint-Jacques talks nonsense. The lecturer at the College of Medicine abuses him of the Collége
de France. When I first arrived, I went to hear an old
Academician who taught five hundred youths that Corneille
was a haughty and powerful genius; Racine, elegiac and
graceful;. Moliére, inimitable; Voltaire, supremely witty;
Bossuet and Pascal, incomparable in argument. A professor of philosophy may make a name by explaining
how Plato is Platonic. Another discourses on the history
of words, without troubling himself about ideas. One
explains Aischylus, another tells you that communes were
communes, and neither more nor less. These original and
brilliant discoveries, diluted to last several hours, constitute the highest education which is to lead to giant strides
in human knowledge.
258 BALZAC’S WORKS —
“Tf the Government could have an idea, I should suspect it of being afraid of any real superiority, which, once
roused, might bring Society under the yoke of an intelligent
rule. Then nations would go too far and too fast; so professors are appointed to produce simpletons. How else can
we account for a scheme devoid of method or any notion of
the future ?
“The Institut might be the central government of the
moral and intellectual world; but it has been ruined lately
by its subdivision into separate academies. So human
science marches on, without a guide, without a system,
and floats haphazard with no road traced out.
‘‘This vagueness and uncertainty prevails in politics as
well as in science. In the order of nature means are simple, the end is grand and marvellous; here in science, as
in government, the means are stupendous, the end is mean.
The force which in nature proceeds at an equal pace, and
of which the sum is constantly being added to itself—the
A+ A from which everything is produced—is destructive
in society. Politics, at the present time, place human
forces in antagonism to neutralize each other, instead of
combining them to promote their action to some definite
end.
‘‘Looking at Europe alone, from Cesar to Constantine,
from the puny Constantine to the great Attila, from the
Huns to Charlemagne, from Charlemagne to Leo X., from
Leo X. to Philip II., from Philip I. to Louis XIV.; from
Venice to England, from England to Napoleon, from Napoleon to England, I see no fixed purpose in politics; its
constant agitation has led to no progress.
‘Nations leave witnesses to their greatness in monuments, and to their happiness in the welfare of individLOUIS LAMBERT 259
uals. Are modern monuments as fine as those of the
ancients? I doubt it. The arts, which are the direct
outcome of the individual, the products of genius or of
handicraft, have not advanced much. The _ pleasures
of Lucullus were as good as those of Samuel Bernard,
of Beaujon, or of the King of Bavaria. And then human longevity has diminished.
‘“Thus, to those who will be candid, man is still the
same; might is still his only law, and success his only
wisdom.
‘Jesus Christ, Mahomet, and Luther only lent a
different hue to the arena in which youthful nations
disport themselves.
‘‘No development of politics has hindered civilization,
with its riches, its manners, its alliance of the strong
against the weak, its ideas, and its delights, from moving from Memphis to Tyre, from Tyre to Baalbek, from
Tadmor to Carthage, from Carthage to Rome, from Rome
to Constantinople, from Constantinople to Venice, from
Venice to Spain, from Spain to England—while no trace
is left of Memphis, of Tyre, of Carthage, of Rome, of
Venice, or Madrid. The soul of those great bodies has
fled. Not one of them has preserved itself from destruction, nor formulated this axiom: When the effect produced ceases to be in a ratio to its cause, disorganization
follows.
‘‘The most subtle genius can discover no common bond
between great social facts. No political theory has ever
lasted. Governments pass away, aS men do, without handing down any lesson, and no system gives birth to a system
better than that which came before it. What can we say
about politics when a Government directly referred to God
260 BALZAQ’S WORKS
perished in India and Egypt; when the rule of the Sword
and of the Tiara are past; when Monarchy is dying; when
the Government of the People has never been alive; when
no scheme of intellectual power as applied to material interests has ever proved durable, and everything at this
day remains to be done all over again, as it has been at
every period when man has turned to ery out, ‘I am in
torment!’
“The Code, which is considered Napoleon’s greatest
achievement, is the most Draconian work I know of.
Territorial subdivision carried out to the uttermost, and
its principle confirmed by the equal division of property
generally, must result in the degeneracy of the nation and
the death of the Arts and Sciences. The land, too much
broken up, is cultivated only with cereals and small crops;
the forests, and consequently the rivers, are disappearing;
oxen and horses are no longer bred. Means are lacking
both for attack and for resistance. If we should be invaded, the people must be crushed; it has lost its mainspring—its leaders. This is the history of deserts!
‘Thus the science of politics has no definite principles,
and it can have no fixity; it is the spirit of the hour, the
perpetual application of strength proportioned to the necessities of the moment. The man who should foresee
two centuries ahead would die on the place of execution,
loaded with the imprecations of the mob, or else—which
seems worse—would be lashed with the myriad whips of
ridicule. Nations are but individuals, neither wiser nor
stronger than man, and their destinies are identical. If
we reflect on man, is not that to consider mankind ?
‘By studying the spectacle of society perpetually stormtossed in its foundations as well as in its results, in its causes
LOUIS LAMBERT : 261
as well as in its actions, while philanthropy is but a splendid mistake, and progress is vanity, I have been confirmed
in this truth: Life is within and not without us; to rise
above men, to govern them, is only the part of an aggrandized schoolmaster; and those men who are capable of rising to the level whence they can enjoy a view of the world
should not look at their own feet.
: “November 4th
‘‘T am no doubt occupied with weighty thoughts, I am
on the way to certain discoveries, an invincible power bears
me toward a luminary which shone at an early age on the
darkness of my moral life; but what name can I give to
the power that ties my hands and shuts my mouth, and
drags me in a direction opposite to my vocation? I must
leave Paris, bid farewell to the books in the libraries, those
noble centres of illumination, those kindly and always accessible sages, and the younger geniuses with whom I
sympathize. Who is it that drives me away? Chance
or Providence?
‘‘The two ideas represented by those words are irreconcilable. If Chance does not exist, we must admit fatalism,
that is to say, the compulsory co-ordination of things under
the rule of a general plan. Why then do we rebel? If
man is not free, what becomes of the scaffolding of his
moral sense? Or, if he can control his destiny, if by his
own free will he can interfere with the execution of the
general plan, what becomes of God?
‘‘Why did I come here? If I examine myself, I find
the answer: I find in myself axioms that need developing.
But why then have I such vast faculties without being suffered to use them? If my suffering could serve as an example, I could understand it; but no, I suffer unknown.
262: BALZAOC’S WORKS
“This is perhaps as:much the act of Providence as the ©
fate of the flower that dies unseen in the heart of the virgin forest, where no one can enjoy its perfume or admire
its splendor. Just as that blossom vainly sheds its fragrance to the solitude, so do [, here in a garret, give birth
to ideas that no one can grasp.
“Yesterday evening I sat eating bread and grapes in
front of my window with a young doctor named Meyraux.
We talked as men do whom misfortune has joined in
brotherhood, and I said to him—
‘“*T am going away; you are staying. ‘Take up my
ideas and develop them.’
‘“*T cannot!’ said he, with bitter regret; ‘my feeble
health cannot stand so much work, and I shall die young
of my struggle with penury.’
‘*We looked up at the sky and grasped hands. We first
met at the Comparative Anatomy course, and in the galleries of the Museum, attracted thither by the same study
—the unity of geological structure. In him this was the
presentiment of genius sent to open a new path in the fallows of intellect; in me it was a deduction from a general
system. .
‘““My point is to ascertain the real relation that may
exist between God and man. Is not this a need of the
age? Without the highest assurance, it is impossible to
put bit and bridle on the social factions that have been
let loose by the spirit of scepticism and discussion, and
which are now erying aloud: ‘Show us a way in which
we may walk and find no pitfalls in our way!’
‘“You will wonder what comparative anatomy has to
do with a question of such importance to the future of
society. Must we not attain to the conviction that man
re
\ ¥
LOUIS LAMBERT 2638
is the end of all earthly means before we ask whether he
too is not the means to some end? If man is bound up
with everything, is there not something above him with
which he again is bound up? If he is the end-all of the
unexplained transmutations that lead up to him, must he
not be also the link between the visible and invisible
creations ?
“The activity of the universe is not absurd; it must
tend to an end, and that end is surely not a social body
constituted as ours is! There is a fearful gulf between us
and heaven. In our present existence we can neither be
always happy nor always in torment; must there not be
some tremendous change to bring about Paradise and
Hell, two images without which God cannot exist to the
mind of the vulgar? I know that a compromise was made
by the invention of the Soul; but it is repugnant to me to
make God answerable for human baseness, for our disenchantments, our aversions, our degeneracy.
‘‘Again, how can we recognize as divine the principle
within us which can be overthrown by a few glasses. of
rum? How conceive of immaterial faculties which matter
can conquer, and whose exercise is suspended by a grain
of opium? How imagine that we shall be able to feel
when we are bereft of the vehicles of sensation? Why
must God perish if matter can be proved to think? Is
the vitality of matter in its innumerable manifestations—
the effect of its instincts—at all more explicable than the
effects of the mind? Is not the motion given to the worlds
enough to prove God’s existence, without our plunging into
absurd speculations suggested by pride? And if we pass,
after our trials, from a perishable state of being to a higher
existence, is not that enough for a creature that is distin264 BALZAC’S WORKS
guished from other creatures only by more perfect instincts? -
If in moral philosophy there is not a single principle which
does not lead to the absurd, or cannot be disproved by evidence, is it not high time that we should set to work to
seek such dogmas as are written in the innermost nature of
things? Must we not reverse philosophical science?
‘‘We trouble ourselves very little about the supposed
void that must have pre-existed for us, and we try to
fathom the supposed void that lies before us. We make
God responsible for the future, but we do not expect Him
to account for the past. And yet it is quite as desirable to
know whether we have any roots in the past as to discover
whether we are inseparable from the future.
‘‘We have been Deists or Atheists in one direction only.
‘‘Is the world eternal? Was the world created? We
can conceive of no middle term between these two propositions; one, then, is true and the other false! Take your
choice. Whichever it may be, God, as our reason depicts -
Him, must be deposed, and that amounts to denial. The
world is eternal: then, beyond question, God has had it
foreed upon Him. The world was created: then God is
an impossibility. How could He have subsisted through
an eternity, not knowing that He would presently want to
create the world? How could He have failed to foresee
all the results?
‘‘Whence did He derive the essence of creation? Evidently from Himself. If, then, the world proceeds from
God, how can you account for evil? That Evil should
proceed from Good is absurd. If evil does not exist, what
do you make of social life and its laws? On all hands we
find a precipice! On every side a gulf in which reason is
lost! Then social science must be altogether reconstructed.
LOUIS LAMBERT 265
“Listen to me, uncle; until some splendid genius shall
have taken account of the obvious inequality of intellects
and the general sense of humanity, the word God will be
constantly arraigned, and Society will rest on shifting
sands. The secret of the various moral zones through
which man passes will be discovered by the analysis of the
animal type as a whole. That animal type has hitherto
been studied with reference orly to its differences, not to
its similitudes; in its organic manifestations, not in its
faculties. Animal faculties are perfected in direct transmission, in obedience to laws which remain to be discovered. These faculties correspond to the forces which
express them, and those forces are essentially material
and divisible. ,
‘‘Material faculties! Reflect on this juxtaposition of
words. Is not this a problem as msoluble as that of the
first communication of motion to matter—an unsounded
gulf of which the difficulties were transposed rather than
removed by Newton’s system? Again, the universal assimilation of light by everything that exists on earth demands a new study of our globe. The same animal diifers
in the tropics of India and in the North. Under the angular or the vertical incidence of the sun’s rays nature is
developed the same, but not the same; identical in its
principles, but totally dissimilar in its outcome. The
phenomenon that amazes our eyes in the zodlogical world,
when we compare the butterflies of Brazil with those of
Europe, is ever more startling in the world of Mind. A
particular facial angle, a certain amount of brain convolutions, are indispensable to produce Columbus, Rafael,
Napoleon, Laplace, or Beethoven; the sunless valley produces the cretin—draw your own conclusions. Why such
(12)—Vol. 25
266 BALZAC’S WORKS
differences, due to the more or less ample diffusion of light
to men? The masses of suffering humanity, more or less
active, fed, and enlightened, are a difficulty to be accounted
for, crying out against God.
‘‘Why in great joy do we always want to quit the
earth? whence comes the longing to rise which every
creature has known or will know? Motion is a great Soul,
and its alliance with matter is just as difficult to account
for as the origin of thought in man. In these days science is one; it is impossible to touch politics independent
of moral questions, and these are bound up with scientific
questions. It seems to me that we are on the eve of a
great human struggle; the forces are there; only I do
not see the General.
“November 25
‘‘Believe me, dear uncle, it is hard to give up the life
that is in us without a pang. [am returning to Blois with
a heavy grip at my heart; I shall die then, taking with me
some useful truths. No personal interest debases my regrets. Is earthly fame a guerdon to those who believe that
they will mount to a higher sphere?
‘‘Tam by no means in love with the two syllables Lam
and bert; whether spoken with respect or with contempt
over my grave, they can make no change in my ultimate
destiny. I feel myself strong and energetic; I might become a power; I feel in myself a life so luminous that it
might enlighten a world, and yet I am shut up in a sort
of mineral, as perhaps indeed are the colors you admire on
the neck of an Indian bird. I should need to embrace the
whole world, to clasp and recreate it; but those who have
done this, who have thus embraced and remolded it began—
did they not?—by being a wheel in the machine. I can
" alia
LOUIS LAMBERT 267
only be crushed. Mahomet had the sword; Jesus had the
cross; I shall die unknown. I shall be at Blois fora day,
and then in my coffin.
“Do you know why I have come back to Swedenborg
after vast studies of all religions, and after proving to myself, by reading all the works publisked within the last
sixty years by the patient English, by Germany, and by
France, how deeply true were my youthful views about
the Bible? Swedenborg undoubtedly epitomizes all the
religions—or rather the one religion—of humanity. Though
forms of worship are infinitely various, neither their true
meaning nor their metaphysical interpretation has ever
varied. In short, man has, and has had, but one religion.
‘‘Sivaism, Vishnuism, and Brahminism, the three primitive creeds, originating as they did in Thibet, in the valley
of the Indus, and on the vast plains of the Ganges, ended
their warfare some thousand years before the birth of Christ
by adopting the Hindoo Trimourti. The Trimourti is our
Trinity. From this dogma Magianism arose in Persia; in
Egypt, the African beliefs and the Mosaic law; the worship
of the Cabiri, and the polytheism of Greece and Rome.
While by this ramification of the Trimourti the Asiatic
myths became adapted to the imaginations of various races
in the lands they reached by the agency of certain sages
whom men elevated to be demi-gods—Mithra, Bacchus,
Hermes, Hercules, and the rest—Buddha, the great reformer of the three primeval religions, lived in India, and
founded his Church there, a sect which still numbers two
hundred millions more believers than Christianity can show,
while it certainly influenced the powerful Will both of Jesus
and of Confucius.
“Then Christianity raised her standard. Subsequently
268 BALZAC’S WORKS
Mahomet fused Judaism and Christianity, the Bible and
the Gospel, in one book, the Koran, adapting them to the
apprehension of the Arab race. Finally, Swedenborg borrowed from Magianism, Brahminism, Buddhism, and Christian mysticism all the truth and divine beauty that those
four great religious books hold in common, and added to
them a doctrine, a basis of reasoning, that may be termed
mathematical.
‘‘Any man who plunges into those religious waters, of
which the sources are not all known, will find proofs that
Zoroaster, Moses, Buddha, Confucius, Jesus Christ, and
Swedenborg had identical principles and aimed at identical
ends. —
“The last of them all, Swedenborg, will perhaps be the
Buddha of the North. Obscure and diffuse as his writings
are, we find in them the elements of a magnificent conception of society. His Theocracy is sublime, and his creed is.
the only acceptable one to superior souls. He alone brings
‘ man into immediate communion with God, he gives a thirst
for God, he has freed the Majesty of God from the trappings
in which other human dogmas have disguised Him. He
left Him where He is, making His myriad creations and
creatures gravitate toward Him through successive transformations which promise a more immediate and more
natural future than the Catholic idea of Eternity. Swedenborg has absolved God from the reproach attaching to Him
in the estimation of tender souls for the perpetuity of revenge to punish the sin of a moment—a system of injustice
and cruelty.
‘‘Kach man may know for himself what hope he has of
life eternal, and whether this world has any rational sense.
I mean to make the attempt. And this attempt may save
LOUIS LAMBERT 269
the world, just as much as the cross at Jerusalem or the
sword at Mecca. These were both the offspring of the
desert. Of the thirty-three years of Christ’s life, we only
know the history of nine; His life of seclusion prepared
Him for His life of glory. And I too crave for the desert!”’
Notwithstanding the difficulties of the task, I have felt:
it my duty to depict Lambert’s: boyhood, the unknown life
to which I owe the only happy hours, the only pleasant
memories, of my early days. Excepting during those two
years I had nothing but annoyances and weariness. Though
some happiness was mine at a later time, it was always
incomplete.
I have been diffuse, I know; but in default of entering
into the whole wide heart and brain of Louis Lambert—two
words which inadequately express the infinite aspects of his
inner life—it would be almost impossible to make the second
part of his intellectual history intelligible—a phase that was
unknown to the world and to me, but of which the mystical
outcome was made evident to my eyes in the course of a few
hours. Those who have not already dropped this volume,
will, I hope, understand the events I still have to tell,
forming as they do a sort of second existence lived by this
creature—may I not say this creation?—in whom everything was to be so extraordinary, even his end.
When Louis returned to Blois, his uncle was eager to
procure him some amusement; but the poor priest was regarded as a perfect leper in that godly-minded town. No
one would have anything to say to a revolutionary who had
taken the oaths. His society, therefore, consisted of a few
individuals of what were then called liberal or patriotic, or
270° BALZAO’S WORKS
constitutional opinions, on whom he would call for a rubber
of whist or of boston.
At the first house where he was introduced by his uncle,
Louis met a young lady, whose circumstances obliged her to
remain in this circle, so contemned by those of the fashionable world, though her fortune was such as to make it
probable that she might by and by marry into the highest
aristocracy of the province. Mademoiselle Pauline de Villenoix was sole heiress to the wealth amassed by her grandfather, a Jew named Salomon, who, contrary to the customs
of his nation, had, in his old age, married a Christian and
a Catholic. He had an only son, who was brought up in
his mother’s faith. At his father’s death young Salomon
purchased what was known at that time as a savonnette
@ vilain (literally a cake of soap for a serf), a small estate
called Villenoix, which he contrived to get registered with
a baronial title, and took its name. He died unmarried,
but he left a natural daughter, to whom he bequeathed the
. greater part of his fortune, including the lands of Vilienoix.
He appointed one of his uncles, Monsieur Joseph Salomon,
to be the girl’s guardian. The old Jew was so devoted to his
ward that he seemed willing to make great sacrifices for the
sake of marrying her well. But Mademoiselle de Villenoix’s
birth, and the cherished prejudice against Jews that prevails
in the provinces, would not allow of her being received in
the very exclusive circle which, rightly or wrongly, considers itself noble, notwithstanding her own large fortune
and her guardian's. |
Monsieur Joseph Salomon was resolved thet if she
could not secure a country squire, his niece should go
to Paris and make choice of a husband among the peers
of France, liberal or monarchical; as to happiness, that
Thais f> ...
LOUIS LAMBERT 271
he believed he could secure her by the terms of the marriage contract.
Mademoiselle de Villenoix was now twenty. Her remarkable beauty and gifts of mind were surer guarantees
of happiness than those offered by money. Her features
were of the purest type of Jewish beauty; the oval lines,
so noble and maidenly, have an indescribable stamp of the
ideal, and seem to speak of the joys of the East, its unchangeably blue sky, the glories of its lands, and the fabulous riches of life there. She had fine eyes, shaded by
deep eyelids, fringed with thick, curled lashes. Biblical
innocence sat on her brow. Her complexion was of the
pure whiteness of the Levite’s robe. She was habitually
silent and thoughtful, but her movements and gestures betrayed a quiet grace, as her speech bore witness to a woman’s sweet and loving nature. She had not, indeed, the
rosy freshness, the fruit-like bloom which blush on a girl’s
cheek during her careless years. Darker shadows, with here
and there a redder vein, took the place of color, symptomatic of an energetic temper and nervous irritability, such
as many men do not like to meet with in a wife, while to
others they are an indication of the most sensitive chastity
and passion mingled with pride.
As soon as Louis saw Mademoiselle de Villenoix, he
discerned the angel within. The richest powers of his soul,
and his tendency to ecstatic revery, every faculty within
him was at once concentrated in boundless love, the first
love of a young man, a passion which is strong indeed in
all, but which in him was raised to incalculable power by
the perennial ardor of his senses, the character of his ideas,
and the manner in which he lived. This passion became a
gulf, into which the hapless fellow threw everything; a gulf
ITZ BALZAC’S WORKS
whither the mind dare not venture, since his, flexible and
firm as it was, was lost there. There all was mysterious,
for everything went on in that moral world, closed to most
men, whose laws were revealed to him—perhaps to his
sorrow.
When an accident threw me in the way of his uncle, the
good man showed me into the room which Lambert had at
that time lived in. I wanted to find some vestiges of his
writings, if he should have left any. There, among his
papers, untouched by the old man from that fine instinct
of grief that characterizes the aged, I found a number of
letters, too illegible ever to have been sent to Mademoiselle
de Villenoix. My familiarity with Lambert’s writing enabled me in time to decipher the hieroglyphics of this
shorthand, the result of impatience and a frenzy of passion. Carried away by his feelings, he had written without being conscious of the irregularity of words too slow
to express his thoughts. He must have been compelled to
copy these chaotic attempts, for the lines often ran into
each other; but he was also afraid perhaps of not having
sufficiently disguised his feelings, and at first, at any rate,
he had probably written his love-letters twice over.
It required all the fervency of my devotion to his memory, and the sort of fanaticism which comes of such a task,
to enable me to divine and restore the meaning of the five
letters that here follow. These documents, preserved by
me with pious care, are the only material evidence of his
overmastering passion. Mademoiselle de Vilienoix has no
doubt destroyed the real letters that she received, eloquent
witnesses to the delirium she inspired.
The first of these papers, evidently a rough sketch, betrays by its style and by its length the many emendations,
LOUIS LAMBERT 273
the heartfelt alarms, the innumerable terrors caused by a desire to please; the changes of expression and the hesitation
between the whirl of ideas that beset a man as he indites his
first love-letter—a letter he never will forget, each line the
result of a revery, each word the subject of long cogitation,
while the most unbridled passion known to man feels the
necessity of the most reserved utterance, and like a giant
stooping to enter a hovel, speaks humbly and low, so as
not to alarm a girl’s soul.
No antiquary ever handled his palimpsests with greater
respect than I showed in reconstructing these mutilated documents of such joy and suffering as must always be sacred
to those who have known similar joy and grief.
I
‘*Mademoiselle, when you have read this letter, if you.
ever should read it, my life will be in your hands, for I love
you; and to me, the hope of being loved is life. Others,
perhaps, ere now, have, in speaking of themselves, misused
the words I must employ to depict the state of my soul;
yet, I beseech you to believe in the truth of my expressions; though weak, they are sincere. Perhaps I ought
not thus to proclaim my love. Indeed, my heart counselled me to wait in silence till my passion should touch
you, that I might the better conceal it if its silent demonstrations should displease you; or till I could express it
even more delicately than in words if I found favor in your
eyes. However, after having listened for long to the coy
fears that fill a youthful heart with alarms, I write in obedience to the instinct which drags useless lamentations from
the dying.
‘‘T¢ has needed all my courage to silence the pride of
274 _ BALZAQC’S WORKS
poverty, and to overleap the barriers which prejudice erects
between you and me. I have had to smother many reflections to love you in spite cf your wealth; and as [ write to
you, am I not in danger of the scorn which women often
reserve for professions of love, which they accept only as
one more tribute of flattery? But-we cannot help rushing
with all our might toward happiness, or being attracted to
the life of love as a plant is to the light; we must have
been very unhappy before we can conquer the torment, the
anguish, of those secret deliberations when reason proves to
us by a thousand arguments how barren our yearning must
be if it remains buried in our hearts, and when hopes bid
us dare everything.
‘‘T was happy when I admired you in silence; I was so
lost in the contemplation of your beautiful soul that only
to see you left me hardly anything further to imagine.
And I should not now have dared to address you if I
had not heard that you were leaving. What misery has
that one word brought upon me! Indeed, it is my despair
that has shown me the extent of my attachment—it is unbounded. Mademoiselle, you will never know—at least, I
hope you may never know—the anguish of dreading lest
you should lose the only happiness that has dawned on you
on earth, the only thing that has thrown a gleam of light in
the darkness of misery. I understood yesterday that my
life was no more in myself, but in you. There is but one
woman in the world for me, as there is but one thought in
my soul. I dare not tell you to what a state I am reduced
by my love for you. I would have you only as a gift from
yourself; [ must therefore avoid showing myself to you in
all the attractiveness of dejection-—for is it not often more
impressive to a noble soul than that of good fortune?
a ie
LOUIS LAMBERT 275
There are many things I may not tell you. Indeed, I
have too lofty a notion of love to taint it with ideas that
are alien to its nature. If my soul is worthy of yours, and
my life pure, your heart will have a sympathetic insight,
and you will understand me!
‘It is the fate of man to offer himself to the woman who
can make him believe in happiness; but it is your prerogative to reject the truest passion if it is not in harmony with
the vague voices in your heart—that I know. If my lot, as
decided by you, must be adverse to my hopes, Mademciselle, let me appeal to the delicacy of your maiden soul and
the ingenuous compassion of a woman to burn my letter.
On my knees I beseech you to forget all! Do not mock at
a feeling that is wholly respectful, and that is too deeply
graven on my heart ever to be effaced. Break my heart,
but do not rend it! Let the expression of my first love, a
pure and youthful love, be lost in your pure and youthful
heart! Let it die there as a prayer rises up to die in the
bosom of God!
‘“‘T owe you much gratitude: I have spent delicious hours
occupied in watching you, and giving myself up to the faint
dreams of my life; do not crush these long but transient
joys by some girlish irony. Be satisfied not to answer me.
I shall know how to interpret your silence; you will see
me no more. If I must be condemned to know forever
what happiness means, and to be forever bereft of it; if,
like a banished angel, I am to cherish the sense of celestial joys while bound forever to a world of sorrow—well, I
can keep the secret of my love as well as that of my griefs.
~And farewell!
‘Yes, I resign you to God, to whom I will pray for you,
beseeching Him to grant you a happy life; for even if lam
276 BALZAC’S WORKS
driven from your heart, into which I have crept by stealth,
still I shall ever be near you. Otherwise, of what value
would the sacred words be of this letter, my first and perhaps my last entreaty? If I should ever cease to think of
you, to love you whether in happiness or in woe, should
I not deserve my punishment ?”’
Il
‘“You are not going away! ‘And Iam loved! I, a poor,
insignificant creature! My beloved Pauline, you do not
yourself know the power of the look I believe in, the look
you gave ime to tell me that you had chosen me—you so
young and lovely, with the world at your feet!
“To enable you to understand my happiness, I should
have to give you a history of my life. If you had rejected
me, all was over for me. I have suffered too much. Yes,
my love for you, my comforting and stupendous love, was
a last effort of yearning for the happiness my soul strove to
reach—a soul crushed by fruitless labor, consumed by fears
that make me doubt myself, eaten into by despair which has
often urged me to die. No one in the world can conceive of
the terrors my fateful imagination inflicts on me. It often
bears me up to the sky, and suddenly flings me to earth
again from prodigious heights. Deep-seated rushes of
power, or some rare and subtle instance of peculiar
lucidity, assure me now and then that I am capable of
great things. Then I embrace the universe in my mind,
I knead, shape it, inform it, I comprehend it—or fancy
that I do; then suddenly I awake—alone, sunk in blackest night, helpless and weak; I forget the light I saw but
now, I find no succor; above all, there is no heart where
I may take refuge.
LOUIS LAMBERT 277
~
“This distress of my inner life affects my physical existence. The nature of my character gives me over to the
raptures of happiness as defenceless as when the fearful
light of reflection comes to analyze and demolish them.
Gifted as I am with the melancholy faculty of seeing
obstacles and success with equal clearness, according to
the mood of the moment, I am happy or miserable by
turns.
“Thus, when first I met you, I felt the presence of an
angelic nature, I breathed an air that was sweet to my
burning breast, I heard in my soul the voice that never can
be false, telling me that here was happiness; but perceiving
all the barriers that divided us, I understood for the first
time what worldly prejudices were; I understood the vastness of their pettiness, and these difficulties terrified me
more than the prospect of happiness could delight me. At
once I felt the awful reaction which casts my expansive scul
back on itself; the smile you had brought to my lips suddenly turned to a bitter grimace, and I could only strive to
keep calm, while my soul was boiling with the turmoil of
contradictory emotions. In short, I experienced that gnawing pang to which twenty-three years of suppressed sighs
and betrayed affections have not inured me.
‘“‘Well, Pauline, the look by which you promised that I
should be happy suddenly warmed my vitality, and turned
all my sorrows into joy. Now,I could wish that I had
_ suffered more. My love is suddenly full-grown. My soul
was a wide territory that lacked the blessing of sunshine,
and your eyes have shed light on it. Beloved providence!
you will be all in all to me, orphan as I am, without a relation but my uncle. You will be my whole family, as you
are my whole wealth, nay, the whole world to me. Have
278 BALZAO’S . WORKS
you not bestowed on me every gladness-man can desire in
that chaste—lavish—timid glance?
‘‘You have given me incredible self-confidence and audacity. I can dare-all things now. I came back to Blois in
deep dejection. Five years of study in the heart of Paris
had made me look on the world as a prison. I had conceived of vast schemes, and dared not speak of them.
Fame seemed to me a prize for charlatans, to which a
really noble spirit should not stoop. Thus, my ideas could
only make their way by the assistance of a man bold enough
to mount the platform of the press, and to harangue loudly
the simpletons he scorns. This kind of courage I have not.
I plowed my way on, crushed by the verdict of the crowd,
in despair at never making it hear me. I was at once too
humble and too lofty! I swallowed my thoughts as other
men swallow humiliations. I had even come to despise
knowledge, blaming it for yielding no real happiness.
‘‘But since yesterday I am wholly changed. For your
sake 1 now covet every palm of glory, every triumph of
success. When I lay my head on your knees, I could wish
to attract to you the eyes of the whole world, just as I long
to concentrate in my love every idea, every power that is in
me. The most splendid celebrity is a possession that genius
alone can create. Well, I can, at my will, make for you a
bed of laurels. And if the silent ovation paid to science is
not all you desire, I have within me the sword of the Word;
I could run in the path of honor and ambition where others
only crawl.
‘‘Command me, Pauline; I will be whatever you will.
My iron will can do anything—I am loved! Armed with
that thought, ought not a man to sweep everything before
him? The man who wants all can do all. If you are the
LOUIS LAMBERT 279
prize of success, I enter the lists to-morrow. To win such
a look as that you bestowed on me I would leap the deepest
abyss. Through you I understand the fabulous achievements of chivalry and the most fantastic tales of the
‘Arabian Nights.’ I can believe now in the most fantastic
excesses of love, and in the success of a prisoner’s wildest
attempt to recover his liberty. You have aroused the thousand virtues that lay dormant within me—patience, resignation, all the powers of my heart, all the strength of my soul.
I live by you and—heavenly thought!—for you. Everything now has a meaning for me in life. I understand
everything, even the vanities of wealth.
“T find myself shedding all the pearls of the Indies at
your feet; I fancy you reclining either on the rarest flowers,
or on the softest tissues, and all the splendor of the world
seems hardly worthy of you, for whom I would I could
command the harmony and the light that are given out by
the harps of seraphs and the stars of heaven! Alas! a poor,
studious poet, I offer you in words treasures [I cannot bestow; I can only give you my heart, in which you reign
forever. I have nothing else. But are there no treasures
in eternal gratitude, in a smile whose expression will perpetually vary with perennial happiness, under the constant
eagerness of my devotion to guess the wishes of your loving
soul? Has not one celestial glance given us assurance of
always understanding each other?
‘“‘T have a prayer now to be said to God every night—a
prayer full of you: ‘Let my Pauline be happy!’ And will
you fill all my days as you now fill my heart?
‘Farewell, [ can but trust you to God alone!”’
280 BALZAC’S WORKS
IIT
“Pauline! tell me if I can in any way have displeased
you yesterday? Throw off the pride of heart which inflicts
on me the secret tortures that can be caused by one we
love. Scold me if you will! Since yesterday, a vague,
unutterable dread of having offended you pours grief on
the life of feeling which you had made so sweet and so
rich. The lightest veil that comes between two souls sometimes grows to be a brazen wall. There are no venial crimes
in love! If you have the very spirit of that noble sentiment,
you must feel all its pangs, and we must be unceasingly
careful not to fret each other by some heedless word.
‘‘No doubt, my beloved treasure, if there is any fault,
it is in me. I cannot pride myself in the belief that I
understand a woman’s heart in all the expansion of its
tenderness, all the grace of its devotedness; but I will
always endeavor to appreciate the value of what you
vouchsafe to show me of the secrets of yours.
‘Speak to me! Answer me soon! The melancholy into
which we are thrown by the idea of a wrong done is frightful; it casts a shroud over life, and doubts on everything.
‘‘T spent this morning sitting on the bank by the sunken
road, gazing at the turrets of Villenoix, not daring to go to
our hedge. If you could imagine all I saw in my soul!
What gloomy visions passed before me under the gray sky,
whose cold sheen added to my dreary mood! I had dark
presentiments! I was terrified lest I should fail to make
you happy.
‘“‘T must tell you everything, my dear Pauline. There
are moments when the spirit of vitality seems to abandon
me. I feel bereft of all strength. Everything is a burden
to me; every fibre of my body is inert, every sense is
LOUIS LAMBERT 281
flaccid, my sight grows dim, my tongue is paralyzed, my
imagination is extinct, desire is dead—nothing survives but
my mere human vitality. At such times, though you were
in all the splendor of your beauty, though you should
lavish on me your subtlest smiles and tenderest words, an
evil influence would blind me, and distort the most ravishing melody into discordant sounds. At those times—as I
believe—some argumentative demon stands before me,
showing me the void beneath the most rea! possessions.
This pitiless demon mows down every flower, and mocks —
at the sweetest feelings, saying: ‘Well—and then?’ He
mars the fairest work by showing me its skeleton, and
reveals the mechanism of things while hiding the beautiful
results.
‘‘At those terrible moments, when the evil spirit takes
possession of me, when the divine light is darkened in my
soul without my knowing the cause, I sit in grief and
anguish, I wish myself deaf and dumb, I long for death to
give me rest. These hours of doubt and uneasiness are
perhaps inevitable; at any rate, they teach me not to be
proud after the flights which have borne me to the skies
where I have gathered a full harvest of thoughts; for it is
always after some long excursion in the vast fields of the
intellect, and after the most luminous speculations, that [
tumble, broken and weary, into this limbo. At such a
moment, my angel, a wife would doubt my love for her—
at any rate, she might. If she were capricious, ailing, or
depressed, she would need the comforting overflow of ingenious affection, and I should not have a glance to bestow
on her. It is my shame, Pauline, to have to tell you that
at such times I could weep with you, but that nothing
could make me smile.
282 ¥ BALZAC’S WORKS
‘‘A woman can always conceal her troubles; for her
child, or for the man ‘she loves, she can laugh in the midst
of suffering. And could not I, for you, Pauline, imitate
the exquisite reserve of a woman? Since yesterday I have
doubted my own power. [If I could displease you once, if I
failed once to understand you, I dread lest I should often
be carried out of our happy circle by my evil demon.
Supposing I were to have many of those dreadful moods,
or that my unbounded love could not make up for the dark
hours of my hife—that I were doomed to remain such as I
am ?—Fatal doubts!
‘‘Power is indeed a fatal possession if what I feel within
me is power. Pauline, go! Leave me, desert me! Sooner
would I endure every ill in life than endure the misery of
knowing that you were unhappy through me.
‘‘But, perhaps, the demon has had such empire over me
only because I have had no gentle, white hands about me
to drive him off. No woman has ever shed on me the balm
of her affection; and I know not whether, if love should
wave his pinions over my head in these moments of exhaustion, new strength might not be given to my spirit. This
terrible melancholy is perhaps a result of my isolation, one
of the torments of a lonely soul which pays for its hidden
treasures with groans and unknown suffering. Those who
enjoy little shall suffer little; immense happiness entails
unutterable anguish!
‘‘How terrible a doom! If it be so, must we not shudder for ourselves, we who are superhumanly happy? If
nature sells us everything at its true value, into what pit
are we not fated to fall? Ah! the most fortunate lovers are
those who die together in the midst of their youth and love!
How sad it all is! Does my soul foresee evil in the future ?
LOUIS LAMBERT 2838
T examine myself, wondering whether there is anything in
me that can cause you a moment’s anxiety. I love you too
selfishly perhaps? I shall be laying on your beloved head
a burden heavy out of all proportion to the joy my love can
bring to your heart. If there dwells in me some inexorable
power which I must obey—if I am compelled to curse when
you pray, if some dark thought coerces me when I would
fain kneel at your feet and play as a child, will you not be
jealous of that wayward and tricky spirit?
‘*You understand, dearest heart, that what I dread is
not being wholly yours; that I would gladly forego all the
sceptres and the palms of the world to enshrine you in one
eternal thought, to see a perfect life and an exquisite poem
in our rapturous love; to throw my soul into it, drown my
powers, and wring from each hour the joys it has to give!
‘‘Ah, my memories of love are crowding back upon me,
the clouds of despair will lift. Farewell. I leave you now
to be more entirely yours. My beloved soul, I look for a
line, a word that may restore my peace of mind. Let me
know whether I really grieved my Pauline, or whether
some uncertain expression of her countenance misled me.
I could not bear to have to reproach myself after a whole
life of happiness for ever having met you without a smile
of love, a honeyed word. To grieve the woman I love—
Pauline, I should count it a crime. Tell me the truth,
do not put me off with some magnanimous subterfuge, but
forgive me without cruelty.”’
FRAGMENT
“Ts so perfect an attachment happiness? Yes, for years
of suffering would not pay for an hour of love.
‘Yesterday, your sadness, as I suppose, passed into my
284 BALZAC’S. WORKS
soul as swiftly as a shadow falls. Were you sad or suffering? Iwas wretched. Whence came my distress? Write
to me at once. Why did I not knowit? We are not yet
completely one in mind. At two leagues’ distance or at a
thousand 1 ought to feel your pains and sorrows. I shall
not believe that I love you till my life is so bound up with
yours that our life is one, till our hearts, our thoughts are
one. I must be where you are, see what you see, feel what
you feel, be with you in thought. Did not I know, at once,
that your carriage had been overthrown and you were bruised ?
But on that day I had been with you, I had never left you,
I could see you. When my uncle asked me what made me
turn so pale, I answered at once, ‘Mademoiselle de Villenoix
has had a fall.’
‘‘Why, then, yesterday, did I fail to read your soul?
Did you wish to hide the cause of your grief? However,
T fancied I could feel that you were arguing in my favor,
though in vain, with that dreadful Salomon, who freezes
my blood. That man is not of our heaven.
‘“Why do you insist that our happiness, which has no
resemblance to that of other people, should conform to the
laws of the world?) And yet I delight too much in your
bashfulness, your religion, your superstitions, not to obey
your lightest whim. What you do must be right; nothing
can be purer than your mind, as nothing is lovelier than
your face, which reflects your divine soul.
“T shall wait for a letter before going along the lanes
to meet the sweet hour you grant me. Oh! if you could
know how the sight of those turrets makes my heart throb
when I see them edged with light by the moon, our only
confidante.”
sero
LOUIS LAMBERT 285
IV
“Farewell to glory, farewell to the future, to the life I
had dreamed of! Now, my well-beloved, my glory is that
I am yours, and worthy of you; my future lies entirely in
the hope of seeing you; and is not my life summed up in
sitting at your feet, in lying under your eyes, in drawing
deep breaths in the heaven you have created forme? All
my powers, all my thoughts must be yours, since you could
speak those thrilling words, ‘Your sufferings must be mine!’
Should I not be stealing some joys from love, some moments
from happiness, some experiences from your divine spirit, if
I gave my hours to study—ideas to the world and poems to
the poets? Nay, nay, my very life, I will treasure everything for you; I will bring to you every flower of my soul.
Is there anything fine enough, splendid enough, in all the
resources of the world or of intellect, to do honor to a heart
so rich, so pure as yours—the heart to which I dare now and
again to unite my own? Yes, now and again, I dare believe
that I can love as much as you do.
‘‘And yet, no; you are the angel-woman; there will always be a greater charm in the expression of your feelings,
more harmony in your voice, more grace in your smile, more
purity in your looks than in mine. Let me feel that you are
the creature of a higher sphere than that I live in; it will be
your pride to have descended from it; mine, that I should
have deserved you; and you will not perhaps have fallen
too far by coming down to me in my poverty and misery.
Nay, if a woman’s most glorious refuge is in a heart that
is wholly her own, you will always reign supreme in mine.
Not a thought, not a deed, shall ever pollute this heart,
this glorious sanctuary, so long as you vouchsafe to dwell
in it—and will you not dwell in it forever? Did you not
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enchant me by the words, ‘Now and forever’? Nunc et —
semper! And I have written these words of our ritual
below your portrait—words worthy of you, as they are
of God. He is mune et semper, as my love is.
‘‘Never, no, never, can [ exhaust that which is immense, infinite, unbounded—and such is the feeling 1 have
for you; I have imagined its immeasurable extent, as we
measure space by the dimensions of one of its parts. I
have had ineffable joys, whole hours filled with delicious
meditation, as I have recalled a single gesture or the tone
of a word of yours. Thus there will be memories of which
the magnitude will overpower me, if the reminiscence of a
sweet and friendly interview is enough to make me shed
tears of joy, to move and thrill my soul, and to be an inexhaustible wellspring of gladness. Love is the life of angels!
‘“*T can never, I believe, exhaust my joy in seeing you.
This rapture, the least fervid of any, though it never can
last long enough, has made me apprehend the eternal contemplation in which seraphs and spirits abide in the presence of God; nothing can be more natural, if from His
essence there emanates a light as fruitful of new emotions
as that of your eyes is, of your imposing brow, and your
beautiful countenance—the image of your soul. Then, the
soul, our second self, whose pure form can never perish,
makes our love immortal. I would there were some other
language than that 1 use to express to you the ever-new
ecstasy of my love; but since there is one of our own creating, since our looks are living speech, must we not meet
face to face to read in each other’s eyes those questions and
answers from the heart, that are so living, so penetrating,
that one evening you could say to me, ‘Be silent!’ when I
was not speaking. Do you remember it, dear life?
LOUIS LAMBERT 287
‘*When I am away from you in the darkness of absence,
am I not reduced to use human words, too feeble to express
“heavenly feelings? But words at any rate represent the
marks those feelings leave in my soul, just as the word
God imperfectly sums up the notions we form of that mysterious First Cause. But, in spite of the subtleties and infinite variety of language, I have no words that can express
to you the exquisite union by which my life is merged into
yours whenever [ think of you.
‘‘And with what word can I conclude when I cease writing to you, and yet do not part from you? What can farewell mean, unless in death? But is death a farewell? Would
not my spirit be then more closely one with yours? Ah! my
first and last thought; formerly I offered you my heart and
life on my knees; now what fresh blossoms of feeling can I
discover in my soul that [ have not already given you? It
would be a gift of a part of what is wholly yours.
‘‘Are you my future? How deeply I regret the past! I
would I could have back all the years that are ours no more,
and give them to you to reign over, as you do over my present life. What indeed was that time when I knew you not?
It would be a void but that I was so wretched.”’
FRAGMENT
‘Beloved angel, how delightful last evening was! How
full of riches your dear heart is! And is your love endless, like mine? Each word brought me fresh joy, and each
look made it deeper. The placid expression of your countenance gave our thoughts a limitless horizon. It was all
as infinite as the sky, and as bland as its blue. The refinement of your adored features repeated itself by some
inexplicable magic in your pretty movements and your
288 BALZAC’S WORKS
least gestures. I knew that you were all graciousness, all
love, but I did not know how variously graceful you could
be. Everything combined to urge me to tender solicitations, to make me ask the first kiss that a woman always
refuses, no doubt that it may be snatched from her. You,
dear soul of my life, will never guess beforehand what you
may grant to my love, and will yield perhaps without knowing it! You are utterly true, and obey your heart alone.
‘‘The sweet tones of your voice blended with the tender
harmonies that filled the quiet air, the cloudiess sky. Not
a bird piped, not a breeze whispered—solitude, you, and I.
The motionless leaves did not quiver in the beautiful sunset hues which are both light and shadow. You felt that
heavenly poetry—you who experienced so many various
emotions, and who so often raised your eyes to heaven to
avoid answering me. You who are proud and saucy,
humble and masterful, who give yourself to me so completely in spirit and in thought, and evade the most bashful caress. Dear witcheries of the heart! They ring in
my ears; they sound and play there still. Sweet words
but half spoken, like a child’s speech, neither promise
nor confession, but allowing love to cherish its fairest
hopes without fear or torment! How pure a memory for
life! What a free blossoming of all the flowers that
spring from the soul, which a mere trifle can blight, but
which, at that moment, everything warmed and expanded.
‘‘And it will be always so, will it not, my beloved?
As TI recall, this morning, the fresh and living delights revealed to me in that hour, I am conscious of a joy which
makes me conceive of true love as an ocean of everlasting
and ever-new experiences, into which we may plunge with
increasing delight. Every day, every word, every kiss,
ee
LOUIS LAMBERT 289
every glance, must increase it by its tribute of past happiness. Hearts that are large enough never to forget must
live every moment in their past joys as much as in those
promised by the future. This was my dream of old, and
now it is no longer a dream! Have [ not met on this
earth with an angel who has made me know all its happiness, as a reward, perhaps, for having endured all its torments? Angel of heaven, I salute thee with a kiss.
“shall send you this hymn of thanksgiving from my
heart, I owe it to you; but it can hardly express my gratitude or the morning worship my heart offers up day by
day to her who epitomized the whole gospel of the heart
9 9?
in this divine word: ‘Believe.
Vv
‘*What! no further difficulties, dearest heart! We shall
be free to belong to each other every day, every hour, every
minute, and forever! We may be as happy for all the days
of our life as we now are by stealth, at rare intervals! Our
pure, deep feelings will assume the expression of the thousand fond acts I have dreamed of. For me your little foot
will be bared, you will be wholly mine! Such happiness
kills me; it is too much for me. My head is too weak, it
will burst with the vehemence of my ideas. I ery and I
laugh—I am possessed! Every joy is as an arrow of flame;
it pierces and burns me. In fancy you rise before my eyes,
ravished and dazzled by numberless and capricious images
of delight.
‘In short, our whole future life is before me—its torrents, its still places, its joys; it seethes, it flows on, it lies
sleeping; then again it awakes fresh and young. I see
myself and you side by side, walking with equal pace,
(13)—Vol. 25
290 BALZAC’S WORKS
living in the same thought; each dwelling in the other’s
heart, understanding each other, responding to each other
as an echo catches and repeats a sound across wide distances.
‘Can life be long when it is thus consumed hour by
hour? Shall we not die in a first embrace? What if our
souls have already met in that sweet evening kiss which
almost overpowered us—a feeling kiss, but the crown of my
hopes, the ineffectual expression of all the prayers I breathe
while we are apart, hidden in my soul like remorse ?
‘‘f, who would creep back and hide in the hedge only to
hear your footsteps as you went homeward—I may henceforth admire you at my leisure, see you busy, moving, smiling, prattling! An endless joy! You cannot imagine all
the gladness it is to me to see you going and coming; only
a man can know that deep delight. Your least movement
gives me greater pleasure than a mother even can feel as she
sees her child asleep or at play. I love you with every kind
of love in one. The grace of your least gesture is always
new tome. I fancy I could spend whole nights breathing
your breath; I would I could steal into every detail of your
life, be the very substance of your thoughts—be your very
self.
‘“Well, we shall, at any rate, never part again! No
human alloy shall ever disturb our love, infinite in its
phases and as pure as all things are which are One—our
love, vast as the sea, vast as the sky! You are mine! all
mine! I may look into the depths of your eyes to read the
sweet soul that alternately hides and shines there, to anticipate your wishes.
‘My best-beloved, listen to some things I have never yet
dared to tell you, but which I may confess to you now. I
LOUIS LAMBERT 291
felt a certain bashfulness of soul which hindered the full
expression of my feelings, so I strove to shroud them under
the garb of thoughts. But now I long to lay my heart bare
before you, to tell you of the ardor of my dreams, to reveal
the boiling demands of my senses, excited, no doubt, by the
solitude in which I have lived, perpetually fired by conceptions of happiness, and aroused by you, so fair in form, so
attractive in manner. How can I express to you my thirst
for the unknown rapture of possessing an adored wife, a
rapture to which the union of two souls by love must give
frenzied intensity. Yes, my Pauline, I have sat for hours
in a sort of stupor caused by the violence of my passionate
yearning, lost in the dream of a caress as though in a bottomless abyss. At such moments my whole vitality, my
thoughts and powers, are merged and united in what I must
call desire, for lack of a word to express that nameless
delirium.
‘And I may confess to you now that one day, when I
would not take your hand when you offered it so sweetly
—an act of melancholy prudence that made you doubt my
love—I was in one of those fits of madness when a man
could commit a murder to possess a woman. Yes, if I had
felt the exquisite pressure you offered me as vividly as I
heard your voice in my heart, I know not to what tengths
my passion might not have carried me. But I can be silent,
and suffer a great deal. Why speak of this anguish when
my visions are to become realities? It will be in my power
now to make life one long love-making!
‘‘Dearest love, there is a certain effect of light on your
black hair which could rivet me for hours, my eyes full of
tears, as I gazed at your sweet person, were it not that you
turn away and say, ‘For shame; you make me quite shy!’
292 : BALZAC’S WORKS
‘To-morrow, then, our love is to be made known! Oh,
Pauline! the eyes of others, the curiosity of strangers, weigh
on my soul. Let us go to Villenoix, and stay there far from
every one. I should like no creature in human form to intrude into the sanctuary where you are to be mine; I could
even wish that, when we are dead, it should cease to exist
—should be destroyed. Yes; 1 would fain hide from all
nature a happiness which we alone can understand, alone
can feel, which is so stupendous that I throw myself into
it only to die—it is a gulf!
‘‘Do not be alarmed by the tears that have wetted this
page; they are tears of joy. My only blessing, we need
never part again!”’
In 1823 I travelled from Paris to Touraine by diligence.
At Mer we took up a passenger for Blois. As the guard
put him into that part of the coach where I had my seat,
he said jestingly—
‘*You will not be crowded, Monsieur Lefebvre!’’—I was,
in fact, alone.
On hearing this name, and seeing a white-haired old
man, who looked eighty at least, I naturally thought of
Lambert’s uncle. After a few ingenious questions, I discovered that I was not mistaken. The good man had been
looking after his vintage at Mer, and was returning to Blois.
I then asked for some news of my old ‘‘chum.’’ At the first
word, the old priest’s face, as grave and stern already as that
of a soldier who has gone through many hardships, became
more sad and dark; the lines on his forehead were slightly
knit, he set his lips, and said, with a suspicious glance—
‘Then you have never seen him since you left the
College ?”’
LOUIS LAMBERT 293
“Indeed, [ have not,” said I. ‘But we are equally
to blame for our forgetfulness. Young men, as you know,
lead such an adventurous and storm-tossed life when they
leave their school-forms, that it is only by meeting that
they can be sure of an enduring affection. However, a
reminiscence of youth sometimes comes as a reminder, and
it is impossible to forget entirely, especially when two lads
have been such friends as we were. We went by the name
of the Poet-and-Pythagoras.”’
I told him my name; when he heard it, the worthy man
grew gloomier than ever.
‘‘Then you have not heard his story?” said he. ‘‘My
poor nephew was to be married to the richest heiress in
Blois; but the day before his wedding he went mad.’’
‘‘Lambert! Mad!’’ cried I in dismay. ‘‘But from what
cause? He had the finest memory, the most stronglyconstituted brain, the soundest judgment, I ever met with.
Really a great genius—with too great a passion for mysticism perhaps; but the kindest heart in the world. Something most extraordinary must have happened ?”’
‘**T see you knew him well,’’ said the priest.
From Mer, till we reached Blois, we talked only of my
poor friend, with long digressions, by which I learned the
facts I have already related in the order of their interest.
I confessed to his uncle the character of our studies and of
his nephew’s predominant ideas; then the old man told me
of the events that had come into Lambert’s life since our
parting. From Monsieur Lefebvre’s account, Lambert had
betrayed some symptoms of madness before his marriage;
but they were such as are common to men who love passionately, and seemed to me less startling when I knew how
vehement his love had been and when I saw Mademoiselle
294 BALZAQO’S WORKS
de Villenoix. In the country, where ideas are scarce, a man
overflowing with original thought and devoted to a system,
as Louis was, might well be regarded as eccentric, to say the
least. His language would, no doubt, seem the stranger because he so rarely spoke. He would say, ‘‘That man does
not dwell in my heaven,’’ where any one else would have
said, ‘‘We are not made on the same pattern.’’ Every
clever man has his own quirks of speech. The broader his
genius, the more conspicuous are the singularities which
constitute the various degrees of eccentricity. In the country an eccentric man is at once set down as half mad.
Hence Monsieur Lefebvre’s first sentences left me doubtful of my schoolmate’s insanity. 1 listened to the old man,
but I criticised his statements.
The most serious symptom had supervened a day or two
before the marriage. Louis had had some well-marked attacks of catalepsy. He had once remained motionless for
fifty-nine hours, his eyes staring, neither speaking nor eating; a purely nervous affection, to which persons under the
influence of violent passion are liable; a rare malady, but
perfectly well known to the medical faculty. What was
really extraordinary was that Louis should not have had
several previous attacks, since his habits of rapt thought
and the character of his mind would predispose him to
them. But his temperament, physical and mental, was
so admirably balanced, that it had no doubt been able to
resist the demands on his strength. The excitement to
which he had been wound up by the anticipation of acute
physical enjoyment, enhanced by a chaste life and a highlystrung soul, had no doubt led to these attacks, of which the
results are as little known as the cause.
The letters that have by chance escaped destruction show
LOUIS LAMBERT 295 -
very plainly a transition from pure idealism to the most intense sensualism. |
Time was when Lambert and I had admired this phenomenon of the human mind, in which he saw the fortuitous
separation of our two natures, and the signs of a total removal of the inner man, using its unknown faculties under
the operation of an unknown cause. This disorder, a mystery as deep as that of sleep, was connected with the scheme
of evidence which Lambert had set forth in his ‘‘Treatise on
the Will.’’ And when Monsieur Lefebvre spoke to me of
Louis’s first attack, I suddenly remembered a conversation
we had had on the subject after reading a medical book.
‘Deep meditation and rapt ecstasy are perhaps the undeveloped germs of catalepsy,’’ he had said in conclusion.
On the occasion when he so concisely formulated this
idea, he had been trying to link mental phenomena together
by a series of results, following the processes of the intellect
step by step, from their beginnings as those simple, purely
animal impulses of instinct, which are all-sufficient to many
human beings, particularly to those men whose energies are
wholly spent in mere mechanical labor; then, going on to
the aggregation of ideas and rising to comparison, reflection,
meditation, and finally ecstasy and catalepsy. Lambert, of
course, in the artlessness of youth, imagined that he had
laid down the lines of a great work when he thus built
up a scale of the various degrees of man’s mental powers.
I remember that, by one of those chances which seem
like predestination, we got hold of a great Martyrology, in
which the most curious narratives are given of the total
abeyance of physical life which a man can attain to under
the paroxysms of the inner life. By reflecting on the effects
of fanaticism, Lambert was led to believe that the collected
296 BALZAC’S WORKS —
ideas to which we give the name of feelings may very possibly be the material outcome of some fluid which is generated in all men, more or less abundantly, according to
the way in which their organs absorb, from the medium
in which they live, the elementary atoms that produce it.
We went crazy over catalepsy; and with the eagerness that
boys throw into every pursuit, we endeavored to endure
pain by thinking of something else. We exhausted ourselves by making experiments not unlike those of the epileptic fanatics of the last century, a religious mania which
will some day be of service to the science of humanity. I
would stand on Lambert’s chest, remaining there several
minutes without giving him the slightest pain; but notwithstanding these crazy attempts, we did not achieve an
attack of catalepsy.
This digression seemed necessary to account for my
first doubts, which were, however, completely dispelled by
Monsieur Lefebvre.
‘‘When this attack had passed off,’ said he, ‘‘my
nephew sank into a state of extreme terror, a dejection
that nothing could overcome. He thought himself unfit for
marriage. I watched him with the care of a mother for her
child, and found him preparing to perform on himself the
operation to which Origen believed he owed his talents. I
at once carried him off to Paris, and placed him under the
care of Monsieur Hsquirol. All through our journey Louis
sat sunk in almost unbroken torpor, and did not recognize
me. The Paris physicians pronounced him incurable, and
unanimously advised his being left in perfect solitude, with
nothing to break the silence that was needful for his very
improbable recovery, and that he should live always in a
cool room with a subdued light.—Mademoiselle de VilleLOUIS LAMBERT OT
noix, whom I had been careful not to apprise of Louis’s
state,’’ he went on, blinking his eyes, ‘‘but who was supposed to have broken off the match, went to Paris and
heard what the doctors had pronounced. She immediately
begged to see my nephew, who hardly recognized her; then,
like the noble soul she is, she insisted on devoting herself
to giving him such care as might tend to his recovery. She
would have been obliged to do so if he had been her husband, she said, and could she do less for him as her lover?
‘She removed Louis to Villenoix, where they have been
living for two years.”’
So, instead of continuing my journey, I stopped at Blois
to go to see Louis. Good Monsieur Lefebvre would not
hear of my lodging anywhere but at his house, where he
showed me his nephew’s room with the books and all else
that had belonged to him. At every turn the old man could
not suppress some mournful exclamation, showing what
hopes Louis’s precocious genius had raised, and the terrible
grief into which this irreparable ruin had plunged him.
‘““That young fellow knew everything, my dear sir!”
said he, laying on the table a volume containing Spinoza’s
works. ‘‘How could so well organized a brain go astray ?”’
‘Indeed, Monsieur,’’ said I, ‘‘was it not perhaps the
result of its being so highly organized? If he really isa
victim to the malady as yet unstudied in all its aspects,
which is known simply as madness, I am inclined to attribute it to his passion. His studies and his mode of life
had strung his powers and faculties to a degree of energy
beyond which the least further strain was too much for
nature; Love was enough to crack them, or to raise them to
a new form of expression which we are maligning, perhaps,
by ticketing it without due knowledge. In fact, he may
298 BALZAC’S WORKS
perhaps have regarded the joys of marriage as an obstacle
to the perfection of his inner man and his flight toward
spiritual spheres.”’
‘‘My dear sir,’’ said the old man, after listening to me
with attention, ‘‘your reasoning is, no doubt, very sound;
but even if I could follow it, would this melancholy logic
comfort me for the loss of my nephew ?’’ :
Lambert’s uncle was one of those men who live only by
their affections. .
I went to Villenoix on the following day. The kind old
man accompanied me to the gates of Blois. When we were
out on the road to Villenoix, he stopped me and said—
‘‘As you may suppose, I do not go there. But do not
forget what I have said; and in Mademoiselle de Villenoix’s
presence affect not to perceive that Louis is mad.”’
He remained standing on the spot where I left him,
watching me till I was out of sight.
I made my way to the Chateau of Villenoix, not without
deep agitation. My thoughts were many at each step on
this road, which Louis had so often trodden with a heart
full of hopes, a soul spurred on by the myriad darts of
love. The shrubs, the trees, the turns of the winding road
where little gullies broke the banks on each side, were to
me full of strange interest. I tried to enter into the impressions and thoughts of my unhappy friend. Those
evening meetings on the edge of the coomb, where his
lady-love had been wont to find him, had, no doubt, initiated Mademoiselle de Villenoix into the secrets of that
vast and lofty spirit, as I had learned them all some years
before.
But the thing that most occupied my mind, and gave to
LOUIS LAMBERT 299
my pilgrimage the interest of intense curiosity, in addition
to the almost pious feelings that led me onward, was that
glorious faith of Mademoiselle de Villenoix’s which the
good priest had told me of. Had she in the course of time
been infected with her lover’s madness, or had she so completely entered into his soul that she could understand all
its thoughts, even the most perplexed? I lost myself in
the wonderful problem of feeling, passing the highest
inspirations of passion and the most beautiful instances of
self-sacrifice. That one should die for the other is an
almost vulgar form of devotion. To live faithful to one
love is a form of heroism that immortalized Mademoiselle
Dupuis. When the great Napoleon and Lord Byron could
find successors in the hearts of women they had loved, we
may well admire Bolingbroke’s widow; but Mademoiselle
Dupuis could feed on the memories of many years of happiness, whereas Mademoiselle de Villenoix, having known
nothing of love but its first excitement, seemed to me to
typify love in its highest expression.. If she were herself
almost crazy, it was splendid; but if she had understood
and entered into his madness, she combined with the beauty
of a noble heart a crowning effort of passion worthy to be
studied and honored.
When I saw the tall turrets of the chateau, remembering
how often poor Lambert must have thrilled at the sight of
them, my heart beat anxiously. As I recalled the events
of our boyhood, I was almost a sharer in his present life
and situation. At last I reached a wide, deserted courtyard, and I went into the hall of the house without meeting
asoul. There the sound of my steps brought out an old
woman, to whom I gave a letter written to Mademoiselle de
Villenoix by Monsieur Lefebvre. In a few minutes this
806 BALZAC’S WORKS
woman returned to bid-me enter, and led me to a low room,
floored with black-and-white marble; the Venetian shutters
were closed, and at the end of the room I dimly saw Louis
Lambert.
‘‘Be seated, Monsieur,’
’
said a gentle voice that went
to my heart.
Mademoiselle de Villenoix was at my side before I was
aware of her presence, and noiselessly brought me a chair,
which at first I would not accept. It was so dark that at
first I saw Mademoiselle de Villenoix and Lambert only as
two black masses perceived against the gloomy background.
I presently sat down under the influence of the feeling that
comes over us, almost in spite of ourselves, under the obsecure vault of a church. My eyes, full of the bright sunshine, accustomed themselves gradually to this artificial
night.
‘‘Monsieur is your old school friend,”’ she said to Louis.
He made no reply. At last I could see him, and it was
one of those spectacles that are stamped on the memory
forever. He was standing, his elbows resting on the cornice
of the low wainscot, which threw his body forward, so that
it seemed bowed under the weight of his bent head. His
hair was as long as a woman’s, falling over his shoulders
and hanging about his face, giving him a resemblance to the
busts of the great men of the time of Louis X1V. His face
was perfectly white. He constantly rubbed one leg against
the other, with a mechanical action that nothing could have
checked, and the incessant friction of the bones made a
doleful sound. Near him was a bed of moss on boards.
‘‘He very rarely lies down,’’ said Mademoiselle de Villenoix; ‘‘but whenever he does, he sleeps for several days.”’
Louis stood, as I beheld him, day and night with a fixed
LOUIS LAMBERT 801
gaze, never winking his eyelids as we do. Having asked
Mademoiselle de Villenoix whether a little more light would
hurt our friend, on her reply I opened the shutters a little
way, and could see the expression of Lambert’s countenance. Alas! he was wrinkled, white-headed, his eyes
dull and lifeless as those of the blind. His features seemed
all drawn upward to the top of his head. I made several
attempts to talk to him, but he did not hear me. He was
a wreck snatched from the grave, a conquest of life from
death—or of death from life!
I stayed for about an hour, sunk in unaccountable
dreams, and lost in painful thought. I listened to Mademoiselle de Villenoix, who told me every detail of this
life—that of a child in arms.
Suddenly Louis ceased rubbing his legs together, and
said slowly—
“The angels are white.”
T cannot express the effect produced upon me by this
utterance, by the sound of the voice I had loved, whose
accents, so painfully expected, had seemed to be lost forever. My eyes filled with tears in spite of every effort.
An involuntary instinct warned me, making me doubt
whether Louis had really lost his reason. I was indeed
well assured that he neither saw nor heard me; but the
sweetness of his tone, which seemed to reveal heavenly
happiness, gave his speech an amazing effect. These words,
the incomplete revelation of an unknown world, rang in our
souls like some glorious distant bells in the depth of a dark
night. I was no longer surprised that Mademoiselle de
Villenoix considered Lambert to be perfectly sane. The
life of the soul had perhaps subdued that of the body.
His faithful companion had no doubt—as I had at that
302 . BALZAC’S WORKS
moment—intuitions of that melodious and beautiful existence to which we give the name of Heaven in its highest
meaning.
This woman, this angel, always was with him, seated at
her embroidery frame; and each time she drew the needle
out she gazed-at Lambert with sad and tender feeling.
Unable to endure this terrible sight—for I could not, like
Mademoiselle de Villenoix, read all his secrets—I went out,
and she came with me to walk for a few minutes and talk of
herself and of Lambert.
“Louis must, no doubt, appear to be mad,’’ said she.
‘‘But he is not, if the term mad ought only to be used in
speaking of those whose brain is for some unknown cause
diseased, and who can show no reason in their actions.
Everything in my husband is perfectly balanced. Though
he did not actively recognize you, it is not that he did not
see you. He has succeeded in detaching himself from his
body, and discerns us under some other aspect—what that
is | know not. When he speaks, he utters wondrous
things. Only it often happens that he concludes in speech
an idea that had its beginning in his mind; or he may
begin a sentence and finish it in thought. To others he
seems insane; to me, living as I do in his mind, his ideas
are quite lucid. I follow the road his spirit travels; and
though I do not know every turning, I can reach the goal
with him.
‘“Which of us has not often known what it is to think
of some futile thing and be led on to some serious reflection
through the ideas or memories it brings in its train? Not
infrequently, after speaking about some trifle, the simple
starting-point of a rapid train of reflections, a thinker may
forget or be silent as to the abstract connection of ideas
LOUIS LAMBERT 303
leading to his conclusion, and speak again only to utter the
last link in the chain of his meditations.
“Inferior minds, to whom this swift mental vision is a
thing unknown, who are ignorant of the spirit’s inner workings, laugh at the dreamer; and if he is subject to this kind
of obliviousness, regard him asa madman. Louis is always
in this state; he soars perpetually through the spaces of
thought, traversing them with the swiftness of a swallow;
I can follow him in his flight. This is the whole history
of his madness. Some day, perhaps, Louis will come back
to the life in which we vegetate; but if he breathes the air
of heaven before the time when we may be permitted to do
so, why should we desire to have him down among us? I
am content to hear his heart beat, and all my happiness is
to be with him. Is he not wholly mine? In three years,
twice at intervals he was himself for a few days; once in
Switzerland, where we went, and once in an island off the
wilds of Brittany, where he took some sea-baths. I have
twice been very happy! I can live on memory.”’
‘‘But do you write down the things he says?’’ I asked.
‘*Why should I?’’ said she.
I was silent; human knowledge was indeed as nothing in
this woman’s eyes.
‘* At those times, when he talked a little,’’ she added, ‘‘T
think I have recorded some of his phrases, but I left it off;
I did not understand him then.”’
I asked her for them by a look; she understood me. This
is what I have been able to preserve from oblivion.
I
Everything here on earth is produced by an ethereal substance which is the common element of various phenomena,
804 BALZAC’S WORKS
known inaccurately as electricity, heat, light, the galvanic
fluid, the magnetic fluid, and so forth. The universal distribution of this substance, under various forms, constitutes
what is commonly known as Matter.
II
The brain is the alembic to which the Animal conveys
what each of its organizations, in proportion to the strength
of that vessel, can absorb of that Substance, which returns
it transformed into Will.
The Will is a fluid inherent in every creature endowed
with motion. Hence the innumerable forms assumed by
the Animal, the results of its combinations with that Substance. The Animal’s instincts are the product of the
coercion of the environment in which it develops. Hence
its variety.
III
In Man the Will becomes a power peculiar to him, and
exceeding in intensity that of any other species.
BV:
By constant assimilation, the Will depends on the Substance it meets with again and again in all its transmutations, pervading them by Thought, which is a_ product
peculiar to the human Will, in combination with the
modifications of .that Substance.
vV
The innumerable forms assumed by Thought are ‘the
result of the greater or less perfection of the human
mechanism.
LOUIS LAMBERT 805
VE
The Will acts through organs commonly ealled the five
senses, which, in fact, are but one—the faculty of Sight.
Feeling and tasting, hearing and smelling, are Sight modified to the transformations of the Substance which Man can
absorb in two conditions: untransformed and transformed.
VII
Everything of which the form comes within the cognizance of the one sense of Sight may be reduced to certain
simple bodies of which the elements exist in the air, the
light, or in the elements of air and light. Sound isa condition of the air; colors are all conditions of light; every
smell is a combination of air and light; hence the four aspects of Matter with regard to Man—sound, color, smell,
and shape—have the same origin, for the day is not far off
when the relationship of the phenomena of air and light
will be made clear.
Thought, which is allied to Light, is expressed in words
which depend on sound. To man, then, everything is derived from the Substance, whose transformations vary only
through Number—a certain quantitative dissimilarity, the
proportions resulting in the individuals or objects of what
are classed as Kingdoms.
VIII
When the Substance is absorbed in sufficient number
(or quantity) it makes of man an immensely powerful
mechanism, in direct communication with the very element of the Substance, and acting on organic nature in
the same way as a large stream when it absorbs the smaller
brooks. Volition sets this force in motion independently
806 BALZAC’S WORKS
of the Mind. By its concentration it acquires some of the
qualities of the Substance, such as the swiftness of light,
the penetrating power of electricity, and the faculty of saturating a body; to which must be added that it apprehends
what it can do.
Still, there is in man a primordial and overruling phenomenon which defies analysis. Man may be dissected
completely; the elements of Will and Mind may perhaps
be found; but there still will remain beyond apprehension
the «x against which I once used to struggle. That a is
the Word, the Logos, whose communication burns and
consumes those who are not prepared to receive it. The
Word is forever generating the Substance.
IX
Rage, like all our vehement demonstrations, is a current
of the human force that acts electrically; its turmoil when
liberated acts on persons who are present even though they
be neither its cause nor its object. Are there not certain
men who by a discharge of Volition can sublimate the essence of the feelings of the masses?
x
Fanaticism and all emotions are living forces. These
forces in some beings become rivers that gather in and
sweep away everything.
XI
Though Space és, certain faculties have the power of
traversing it with such rapidity that it is as though it existed not. From your own bed to the frontiers of the universe there are but two steps: Will and Faith.
LOUIS LAMBERT 807
XII
Facts are nothing; they do not subsist; all that lives of
us is the Idea.
XIII
The realm of Ideas is divided into three spheres: -that of
Instinct, that of Abstractions, that of Specialism.
XIV
The greater part, the weaker part of visible humanity,
dwells in the Sphere of Instinct. The Jnstinctives are
born, labor, and die without rising to the second degree
of human intelligence, namely, Abstraction.
XV
Society begins in the sphere of Abstraction. If Abstraction, as compared with Instinct, is an almost divine
power, it is nevertheless incredibly weak as compared
with the gift of Specialism, which is the formula of God.
Abstraction comprises all nature in a germ, more virtually
than a seed contains the whole system of a plant and its
fruits. From Abstraction are derived laws, arts, social
ideas, and interests. It is the glory and the scourge of
the earth: its glory because it has created social life; its
scourge because it allows man to evade entering into Specialism, which is one of the paths to the Infinite. Man
measures everything by Abstractions: Good and Evil,
Virtue and Crime. Its formula of equity is a pair of
scales, its justice is blind. God’s justice sees: there is
all the difference.
There must be intermediate Beings, then, dividing the
sphere of Instinct from the sphere of Abstractions, in
whom the two elements mingle in an infinite variety of
808 BALZAC’S WORKS
proportions. Some -have more of one, some more of the
other. And there are also some in which the two powers
neutralize each other by equality of effect.
XVI
Specialism consists in seeing the things of the material
universe and the things of the spiritual universe in all their
ramifications original and causative. The greatest human
geniuses are those who started from the darkness of Abstraction to attain to the light of Specialism. (Specialism,
species, sight; speculation, or seeing everything, and all at
once; Speculum, a mirror or means of apprehending a thing
by seeing the whole of it.) Jesus had the gift of Specialism; He saw each fact in its root and in its results, in the
past where it had its rise, and in the future where it would
grow and spread; His sight pierced into the understanding
of others. The perfection of the inner eye gives rise to the
gift of Specialism. Specialism brings with it Intuition.
Intuition is one of the faculties of the Inner Man, of
which Specialism is an attribute. Intuition acts by an
imperceptible sensation of which he who obeys it is not
conscious; for instance, Napoleon instinctively moving
from a spot struck immediately afterward by a cannon
ball.
XVII
Between the sphere of Abstraction and that of Specialism, as between those of Abstraction and Instinct, there are
beings in whom the attributes of both combine and produce
& mixture; these are men of genius.
XVIII
Specialism is necessarily the most perfect expression of
man, and he is the link binding the visible world to the
LOUIS LAMBERT 809
higher worlds; he acts, sees, and feels by his inner powers.
The man of Abstraction thinks. The man of Instinct acts.
xXIX
Hence man has three degrees. That of Instinct, below
the average; that of Abstraction, the general average; that
of Specialism, above the average. Specialism opens to man
his true career; the Infinite dawns on him; he sees what his
destiny must be.
Xx
There are three worlds—the Natural, the Spiritual, and
the Divine. Humanity passes through the Natural world,
which is not fixed either in its essence or its faculties. The
Spiritual world is fixed in its essence and unfixed in its
faculties. The Divine world is fixed in its faculties and its
essence both. Hence there is necessarily a Material worship, a Spiritual worship, and a Divine worship: three
forms expressed in action, speech, and prayer, or, in other
words, in deed, apprehension, and love. Instinct demands
deed; Abstraction is concerned with Ideas; Specialism sees
the end, it aspires to God with presentiment or contemplation.
xXxI
Hence, perhaps, some day the converse of ‘‘Ht Verbum
caro factum est’’ will become the epitome of a new Gospel,
which will proclaim that The Flesh shall be made the Word
and become the Utterance of God.
XXII
The Resurrection is the work of the Wind of Heaven
sweeping over the worlds. The angel borne on the Wind
does not say: ‘Arise, ye dead’’; he says, ‘‘Arise, ye who
live!’
810° BALZAO’S WORKS
Such are the meditations which I have with great difficulty cast in a form adapted to our understanding. There
are some others which Pauline remembered more exactly,
wherefore I know not, and which I wrote from her dictation; but they drive the mind to despair when, knowing in
what an intellect they originated, we strive to understand
them. I will quote a few of them to complete my study
of this figure; partly, too, perhaps, because, in these last
aphorisms, Lambert’s formulas seem to include a larger
universe than the former set, which would apply only to
zoblogical evolution. Still, there is a relation between the
two fragments, evident to those persons—though they be
but few—who love to dive into such intellectual deeps.
I
Hverything on earth exists solely by motion and number.
Il
Motion is, so to speak, number 1n action.
Ill
Motion is the product of a force generated by the Word
and by Resistance, which is Matter. But for Resistance,
Motion would have had no results; its action would have
been infinite. Newton’s gravitation is not a law, but an
effect of the general law of universal motion.
IV
Motion, acting in proportion to Resistance, prcduces a
result which is Life. As soon as one or the other is the
stronger, Life ceases.
LOUIS LAMBERT 811
Vv
No portion of Motion is wasted; it always produces
number; still, it can be neutralized by disproportionate
resistance, as in minerals.
VI
Number, which produces variety of all kinds, also gives
rise to Harmony, which, in the highest meaning of the
world, is the relation of arts to the whole.
VII
But for Motion, everything would be one and the same.
Its products, identical in their essence, differ only by Number, which gives rise to faculties.
VIII
Man looks to faculties; angels look to the Essence.
Ix
By giving his body up to elemental action, man can
achieve an inner union with the Light.
x
Number is intellectual evidence belonging to man alone;
by it he acquires knowledge of the Word.
xt
There is a Number beyond which the impure cannot
pass: the Number which is the limit of creation.
XII
The Unit was the starting-point of every product: compounds are derived from it, but the end must be identical
812 BALZAC’S WORKS
with the beginning. Hence this Spiritual formula: the
compound Unit, the variable Unit, the fixed Unit.
XIII
The Universe is the Unit in variety. Motion is the
means; Number is the result. The end is the return of
all things to the Unit, which is God.
XIV
Three and Seven are the two chief Spiritual numbers.
xV
Three is the formula of created worlds. It is the Spiritual
Sign of the creation, as it is the Material Sign of dimension.
In fact, God has worked by curved lines only: the Straight
Line is an attribute of the Infinite; and man, who has the
presentiment of the Infinite, reproduces it in his works.
Two is the number of generation. Three is the number
of Life which includes generation and offspring. Add the
sum of four, and you have Seven, the formula of Heaven.
Above all is God; He is the Unit.
After going in to see Louis once more, I took leave of
his wife and went home, lost in ideas so adverse to social
life that, in spite of a promise to return to Villenoix, I did
not go.
The sight of Louis had had some mysteriously sinister
influence over me. I was afraid to place myself again in
that heavy atmosphere, where ecstasy was contagious.
Any man would have felt, as I did, a longing to throw
himself into the infinite, just as one soldier after another
killed himself in a certain sentry box where one had comLOUIS LAMBERT 813
mitted suicide in the camp at Boulogne. It is a known fact
that Napoleon was obliged to have the hut burned which
had harbored an idea that had become a mortal infection.
Louis’s room had perhaps the same fatal effect as that
sentry-box.
These two facts would then be additional evidence in
favor of his theory of the transfusion of Will. I was conscious of strange disturbances, transcending the most fantastic results of taking tea, coffee, or opium, of dreams or
of fever—mysterious agents, whose terrible action often sets
our brains on fire.
I ought perhaps to have made a separate book of these
fragments of thought, intelligible only to certain spirits who
have been accustomed to lean over the edge of abysses in
the hope of seeing to the bottom. The life of that mighty
brain, which split up on every side perhaps, like a too vast
empire, would have been set forth in the narrative of this
man’s visions—a being incomplete for lack of force or of
weakness; but I preferred to give an account of my cwn
impressions rather than to compose a more or less poetical
romance.
Louis Lambert died at the age of twenty-eight, September 25, 1824, in his true love’s arms. He was buried by her
desire in an island in the park at Villenoix. His tombstone
is a plain stone cross, without name or date. Like a flower
that has blossomed on the margin of a precipice, and drops
into it, its colors and fragrance all unknown, it was fitting
that he too should fall. Like many another misprized soul,
he had often yearned to dive haughtily into the void, and
abandon there the secrets of his own life.
Mademoiselle de Villenoix would, however, have been
(14)—Vol. 25
314 BALZAC’S WORKS
quite justified in recording his name on that cross with her
own. Since her partner's death, reunion has been her constant, hourly hope. But the vanities of woe are foreign to
faithful souls.
Villenoix is falling into ruin. She no longer resides
there; to the end, no doubt, that she may the better picture
herself there as she used to be. She had said long ago—
‘‘His heart was mine; his genius is with God.”’
CHATEAU DE SacHs, June-July, 1832.
THE EXILES
ALMAE SORORI
J a THE YEAR 1308 few houses were yet standing on
the Island formed by the alluvium and sand deposited
by the Seine above the Cité, behind the Church of NotreDame. The first man who was so bold as to build on this
strand, then liable to frequent floods, was a constable of the
watch of the City of Paris, who had been able to do some
service to their Reverences the Chapter of the Cathedral;
and in return the Bishop leased to him twenty-five perches
of land, with exemption from all feudal dues or taxes on the
buildings he might erect. .
Seven years before the beginning of this narrative,
Joseph Tirechair, one of the sternest of Paris constables,
as his name (Tear Flesh) would indicate, had, thanks to his
share of the fines collected by him for delinquencies committed within the precincts of the Cité, been able to build a
house on the bank of the Seine just at the end of the Rue
du Port-Saint-Landry. To protect’ the merchandise landed
on the strand, the municipality had constructed a sort of
breakwater of masonry, which may still be seen on some old
plans of Paris, and which preserved the piles of the landingplace by meeting the rush of water and ice at the upper end
of the Island. The constable had taken advantage of this
for the foundation of his house, so that there were several
steps up to his door.
Like all the houses of that date, this cottage was crowned
(815)
:
816 BALZAC’S WORKS
by a peaked roof, forming a gable-end to the front, of half
a diamond. To the great regret of historians, but two or
three examples of such roofs survive in Paris. A round
opening gave light to a loft, where the constable’s wife dried
the linen of the Chapter, for she had the honor of washing
for the Cathedral—which was certainly not a bad customer.
On the first floor were two rooms, let to lodgers at a rent,
one year with another, of forty sous Parisis each, an exorbitant sum, that was however justified by the luxury
Tirechair had lavished on their adornment. Flanders tapestry hung on the walls, and a large bed with a top valance
of green serge, like a peasant’s bed, was amply furnished
with mattresses and covered with good sheets of fine linen.
Each room had a stove called a chauffe-doux; the floor, carefully polished by Dame Tirechair’s apprentices, shone like
the woodwork of a shrine. Instead of stools, the lodgers
had deep chairs of carved walnut, the spoils probably of
some raided castle. Two chests with pewter moldings,
and tables on twisted legs, completed the fittings, worthy
of the most fastidious knights-banneret whom business
might bring to Paris.
The windows of those two rooms looked out on the river.
From one you could only see the shores of the Seine, and
the three barren islands, of which two were subsequently
joined together to form the He Saint-Louis; the third was
the Ile de Louviers. From the other could be seen, down
a vista of the Port-Saint-Landry, the buildings on the
Gréve, the Bridge of Notre-Dame, with its houses, and
the tall towers of the Louvre, but lately built by PhilippeAuguste to overlook the then poor and squalid town of
Paris, which suggests so many imaginary marvels to the
fancy of modern romancers.
THE EXILES 817
The ground floor of Tirechair’s house consisted of a
large hall, where his wife’s business was carried on, through
which the lodgers were obliged to pass on their way to their
own rooms up a stairway like a mill-ladder. Behind this
were a kitchen and a bedroom, with a view over the Seine.
A tiny garden, reclaimed from the waters, displayed at the
foot of this modest dwelling its beds of cabbages and onions,
and a few rosebushes, sheltered by palings, forming a sort of
hedge. A little structure of lath and mud served as a kennel for a big dog, the indispensable guardian of so lonely a
dwelling. Beyond this kennel was a little plot, where the
hens cackled whose eggs were sold to the Canons. Here
and there on this patch of earth, muddy or dry according to
the whimsical Parisian weather, a few trees grew, constanily
lashed by the wind, and teased and broken by the passer-by
—willows, reeds, and tall grasses.
The Hyot, the Seine, the landing-place, the house, were
all overshadowed on the west by the huge basilica of NotreDame casting its cold gloom over the whole plot as the sun
moved. Then, as now, there was not in all Paris a more
deserted spot, a more solemn or more melancholy prospect.
The noise of waters, the chanting of priests, or the piping of
the wind, were the only sounds that disturbed this wilderness, where lovers would sometimes meet to discuss their
secrets when the church-folk and clergy were safe in
church at the services.
One evening in April in the year 1808, Tirechair came
home in a remarkably bad temper. For three days past
everything had been in good order on the King’s highway. Now, as an officer of the peace, nothing annoyed
him so much as to feel himself useless. He flung down
818 BALZAC’S WORKS
ee
his halberd in a rage, muttered inarticulate words as he
pulled off his doublet, half red and half blue, and slipped
on a shabby camlet jerkin. After helping himself -from the
bread-box to a hunch of bread and spreading it with butter,
he seated himself on a bench, looked round at his four
whitewashed walls, counted the beams of the ceiling, made
a mental inventory of the household goods hanging from
the nails, scowled at the neatness which left him nothing
to complain of, and looked at his wife, who said not a word
as she ironed the albs and surplices from the sacristy.
‘‘By my halidom,’’ he said, to open the conversation,
*T cannot think, Jacqueline, where you go to catch your
apprenticed maids. Now, here is one,’’ he went on, pointing to a girl who was folding an altar-cloth, clumsily
enough, it must be owned, ‘‘who looks to me more like
a damsel rather free of her person than-a sturdy, country
wench. Her hands are as white as a fine lady’s! By the
Mass! and her hair smells of essences, I verily believe, and
her hose are as fine as a queen’s. By the two horns of Old
Nick, matters please me but ill as I find them here.”’
The girl colored, and stole a look at Jacqueline, full
of alarm not unmixed with pride. The mistress answered
her glance with a smile, laid down her work, and turned
to her husband.
‘‘Come now,”’
said she, in a sharp tone, ‘‘you need not
harry me. Are you going to accuse me next of some underhand tricks? Patrol your roads as much as you please, but
do not meddle here with anything but what concerns your
sleeping in peace, drinking your wine, and eating what I set
before you, or else, I warn you, I will have no more to do
with keeping you healthy and happy. Let any one find me
a happier man in all the town,’’ she went on, with a scoldTHE EXILES 819
ing grimace. ‘‘He has silver in his purse, a gable over the
Seine, a stout halberd on one hand, an honest wife on the
other, a house as clean and smart as a new pin! And he
growls like a pilgrim smarting from Saint Anthony’s fire!’’
‘‘Hey day!’’ exclaimed the sergeant of the watch, ‘‘do
you fancy, Jacqueline, that I have any wish to see my
house razed down, my halberd given to another, and my
wife standing in the pillory?”’
Jacqueline and the dainty journeywoman turned pale.
“Just tell me what you are driving at,’’ said the washerwoman sharply, ‘“‘and make a clean breast of it. For some
days, my man, I have observed that you have some maggot
twisting. in your poor brain. Come up, then, and have it
all out. You must be a pretty coward indeed if you fear
any harm when you have only to guard the common council and live under the protection of the Chapter! Their
Reverences the Canons would lay the whole bishopric under an interdict if Jacqueline brought a complaint of the
smallest damage.’’
As she spoke, she went straight up to her husband and
took him by the arm.
’
‘‘Come with me,’’ she added, pulling him up and out
on to the steps.
When they were down by the water in their little garden, Jacqueline looked saucily in her husband’s face.
‘‘T would have you to know, you old gaby, that when
my lady fair goes out, a piece of gold comes into our
savings-box.”’
‘‘Oh, ho!’’ said the constable, who stood silent and meditative before his wife. But he presently said, ‘‘ Any way,
we are done for.—What brings the dame to our house ?”’
‘She comes to see the well-favored young clerk who
820 BALZAC’S WORKS
lives overhead,’’ replied Jacqueline, looking up at the
window that opened on to the vast landscape of the Seine
Valley.
“The Devil’s in it!’’ eried the man. ‘For a few base
crowns you have ruined me, Jacqueline. Is that an honest
trade for a sergeant’s decent wife to ply? And, be she
Countess or Baroness, the lady will not be able to get us
out of the trap in which we shall find ourselves caught
sooner or later. Shall we not have to square accounts with
some puissant and offended husband? for, by the Mass, she
is fair to look upon!”
‘‘But she is a widow, I tell you, gray gander! How
dare you accuse your wife of foul play and folly? And
the lady has never spoken a word to yon gentle clerk; she
is content to look on him and think of him. Poor lad! he
would be dead of starvation by now but for her, for she is
as good as a mother to him. And he, the sweet cherub!
it is as easy to cheat him as to rock a new-born babe. He
believes his pence will last forever, and he has eaten them
through twice over in the past six months.’’
‘“ Woman,
Place de Gréve, ‘‘do you remember seeing, even from this
”)
said the sergeant, solemnly pointing to the
spot, the fire in which they burned the Danish woman the
other day ?”’
‘What then ?’’ said Jacqueline, in a fright.
‘““What then?’’ echoed Tirechair. ‘‘Why, the two men
who lodge with us smell of scorching. Neither Chapter nor
Countess nor Protector can serve them. Here is Haster
come round; the year is ending; we must turn our company out of doors, and that at once. Do you think you
can teach an old constable how to know a gallows-bird ?
Our two lodgers were on terms with la Porette, that heretic
THE EXILES S2i
jade from Denmark or Norway, whose last cries you heard
from here. She was a brave witch; she never blenched at
the stake, which was proof enough of her compact with the
Devil. I saw her as plain as | see you; she preached to the
throng, and declared she was in heaven and could see
God.
‘‘And since that, [ tell you, I have never slept quietly
in my bed. My lord, who lodges over us, is of a surety
more of a wizard than a Christians On my word as an
officer, I shiver when that old man passes near me; he
never sleeps of nights; if I wake, his voice is ringing like
a bourdon of bells, and I hear him uttering incantations
in the language of hell. Have you ever seen him eat an
honest crust of bread or a hearth-cake made by a good
Catholic baker? His brown skin has been scorched and
tanned by hell-fires. Marry, and I tell you his eyes hold
a spell like those of serpents. Jacqueline, I will have none
of those two men under my roof. I see too much of the law
not to know that it is well to have nothing to do with it.—
You must get rid of our two lodgers; the elder, because I
suspect him; the youngster, because he is too pretty. They
neither of them seem to me to keep Christian company.
The boy is ever staring at the moon, the stars, and the
clouds, like a wizard watching for the hour when he shall
mount his broomstick; the other old rogue certainly makes
some use of the poor boy for his black art. My house
stands too close to the river as it is, and that risk of ruin
is bad enough without bringing down fire from heaven,
or the love affairs of a countess. I have spoken. Do
not rebel.’’
In spite of her sway in the house, Jacqueline stood stupefied as she listened to the edict fulminated against his
322 BALZAC’S WORKS
lodgers by the sergeant of the watch. She mechanically
looked up at the window of the room inhabited by the old
man, and shivered with horror as she suddenly caught sight
of the gloomy, melancholy face and the piercing eye that
so affected her husband, accustomed as he was to dealing
with criminals.
At that period, great and small, priests and laymen, all
trembled before the idea of any supernatural power. The
word ‘‘magic’’ was as powerful as leprosy to root up feelings, break social ties, and freeze piety in the most generous soul. It suddenly struck the constable’s wife that
she never, in fact, had seen either of her lodgers exercising any human function. Though the younger man’s voice
was as sweet and melodious as the tones of a flute, she so
rarely heard it that she was tempted to think his silence the
result of a spell. As she recalled the strange beauty of that
pink-and-white face, and saw in memory the fine fair hair
and moist brillianey of those eyes, she believed they were
indeed the artifices of the Devil. She remembered that for
days at a time she had never heard the slightest sound from
either room. Where were the strangers during all those
hours ?
Suddenly the most singular circumstances recurred to
her mind. She was completely overmastered by fear, and
could even discern witchcraft in the rich lady’s interest in
this young Goderroid, a poor orphan who had come from
Flanders to study at the University of Paris. She hastily
put her hand into one of her pockets, pulled out four livres
of Tournay in large silver coinage, and looked at the pieces
with an expression of avarice mingled with terror.
“That, at any rate, is not false coin,’’ said she, showing
the silver to her husband. ‘‘Besides,’’ she went on, ‘‘how
THE EXILES 523
can I turn them out after taking next year’s rent paid in
advance ?”’
‘*You had better inquire of the Dean of the Chapter,’’
replied Tirechair. ‘‘Is not it his business to tell us how we
should deal with these extraordinary persons ?’’
‘‘Ay, truly extraordinary,’’ cried Jacqueline. ‘To
think of their cunning; coming here under the very |
shadow of Notre-Dame! Still,’’ she went on, ‘‘or ever
I ask the Dean, why not warn that fair and noble lady
of the risk she runs?”’
As she spoke, Jacqueline went into the house with her
husband, who had not missed a mouthful. Tirechair, as
a man grown old in the tricks of his trade, affected to believe that the strange lady was in fact a work-girl; still,
this assumed indifference could not altogether cloak the
timidity of a courtier who respects a royal incognito. At
this moment six was striking by the clock of Saint-Denis
du Pas, a small church that stood between Notre-Dame
and the Port-Saint-Landry—the first church erected in
Paris, on the very spot where Saint Denis was laid on
the gridiron, as chronicles tell. The hour flew from
steeple to tower all over the city. Then suddenly confused shouts were heard on the left bank of the Seine,
behind Notre-Dame, in the quarter where the schools of
the University harbored their swarms.
At this signal, Jacqueline’s elder lodger began to move
about his room. The sergeant, his wife, and the strange
lady listened while he opened and shut his door, and the
old man’s heavy step was heard on the steep stair. The
constable’s suspicions gave such interest to the advent of
this personage, that the lady was startled as she observed
the strange expression of the two countenances before her.
524 BALZAC’S WORKS
Referring the terrors of ‘this couple to the youth she was —
protecting—as was natural in a lover—the young lady
awaited, with some uneasiness, the event thus heralded
by the fears of her so-called master and mistress.
The old man paused for a moment on the threshold to
scrutinize the three persons in the room, and seemed to be
looking for his young companion. This glance of inquiry,
unsuspicious as it was, agitated the three. Indeed, nobody,
not even the stoutest man, could deny that Nature had
bestowed exceptional powers on this being, who seemed almost supernatural. Though his eyes were somewhat deeply
shaded by the wide sockets fringed with long eyebrows, they
were set, like a kite’s eyes, in eyelids so broad, and bordered
by so dark a circle sharply defined on his cheek, that they
seemed rather to be prominent. These singular eyes had
in them something indescribably domimeering and piercing,
which took possession of the soul by a grave and thoughtful look, a look as bright and lucid as that of a serpent or
a bird, but which held one fascinated and crushed by the
swift communication of some tremendous sorrow, or of
some superhuman power. ss
Every feature was in harmony with this eye of lead and
of fire, at once rigid and flashing, stern and calm. While
in this eagle eye earthly emotions seemed in some sort extinct, the lean, parched face also bore traces of unhappy
passions and great deeds done. The nose, which was nar
row and aquiline, was so long that it seemed to hang on
by the nostrils. The bones of the face were strongly
marked by the long, straight wrinkles that furrowed the
hollow cheeks. Every line in the countenance looked
dark. It would suggest the bed of a torrent where the
violence of former floods was recorded in the depth of
THE EXILES 325,
the water-courses, which testified to some terrible, unceasing turmoil. Like the ripples left by the oars of a boat on
the waters, deep lines, starting from each side of his nose,
marked his face strongly, and gave an expression of bitter
sadness to his mouth, which was firm and straight-lipped.
Above the storm thus stamped on his countenance, his
calm brow rose with what may be called boldness, and
crowned it as with a marble dome.
The stranger preserved that intrepid and dignified manner that is frequently habitual with men inured to disaster,
and fitted by rature to stand unmoved before a furious mob
and to face the greatest dangers. He seemed to move in
a sphere apart, where he poised above humanity. His gestures, no less than his look, were full of irresistible power;
his lean hands were those of a soldier; and if your own eyes
were forced to fall before his piercing gaze, you were no less
sure to tremble when by word or action he spoke to your
soul. He moved in silent majesty that made him seem a
king without his guard, a god without his rays.
His dress emphasized the ideas suggested by the peculiarities of his mien and face. Soul, body, and garb were in
harmony, and calculated to impress the coldest imagination.
He wore a sort of sleeveless gown of black cloth, fastened
in front, and falling to the calf, leaving the neck bare with
no collar. His doublet and boots were likewise black. On
his head was a black velvet cap like a priest’s, sitting in a
close circle above his forehead, and not showing a single
hair. It was the strictest mourning, the gloomiest habit a
man could wear. But for a long sword that hung by his
side from a leather belt which could be seen where his
surcoat hung open, a priest would have hailed him as a
brother. Though of no more than middle height, he apZo
826 BALZAC’S WORKS
peared tall; and, looking him in the face, he seemed a
giant. >
“The clock has struck, the boat is waiting; will you
not come ?”’
At these words, spoken in bad French, but distinctly
audible in the silence, a little noise was heard in the other
top room, and the young man came down as lightly as a
bird. 1
When Godefroid appeared, the lady’s face turned crimson; she trembled, started, and covered her face with her
white hands.
Any woman might have shared her agitation at the sight
of this youth of about twenty, of a form and stature so slender that at a first glance he might have been taken ior a mere
boy, or a young girl in disguise. His black cap—lke the
beret worn by the Basque people—showed a brow as white
as snow, where grace and inn»cence shone with an expression of divine sweetness—the light of a soul full of faith.
A poet’s fancy would have seen there the star which, in
some old tale, a mother entieats the fairy godmother to
set on the forehead of an infant abandoned, like Moses, to
the waves. Love lurked in the thousand fair curls that fell
over his shoulders. His throat, truly a swan’s throat, was
white and exquisitely round. His blue eyes, bright and
liquid, mirrored the sky. His features and the mold of
his brow were refined and delicate enough to enchant a
painter. The bloom of beauty, which in a woman’s face
causes men such indescribable delight, the exquisite purity
of outline, the halo of light that bathes the features we love,
were here combined with a masculine complexion, and with
strength as yet but half developed, in the most enchanting
contrast. His was one of those melodious countenances
THE EXILES 827
which even when silent speak and attract us. And yet,
on marking it attentively, the incipient blight might have
been detected which comes of a great thought or a passion,
the faint yellow tinge that made him seem like a young leaf
opening to the sun.
No contrast could be greater or more startling than that
seen in the companionship of these two men. It was like
seeing a frail and graceful shrub that has grown from the
hollow trunk of some gnarled willow, withered by age,
blasted by lightning, standing decrepit; one of those majestic trees that painters love; the trembling sapling takes
shelter there from storms. One was a god, the other was
an angel; one the poet that feels, the other the poet that
expresses—a prophet in sorrow, a levite in prayer.
They went out together without speaking.
‘Did you mark how he called him to him?”’ cried the
sergeant of the watch when the footsteps of the couple were
no longer audible on the strand. ‘‘Are not they a demon
and his familiar?’’
‘*Phooh!’’ puffed Jacqueline. ‘‘I felt smothered! I never
marked our two lodgers so carefully. "Tis a bad thing for
us women that the Devil can wear so fair a mien!”’
‘““Ay, cast some holy water on him,”’ said Tirechair,
‘and you will see him turn into a toad.—I am off to
tell the office all about them.”’
On hearing this speech, the lady roused herself from
the revery into which she had sunk, and looked at the
constable, who was donning his red-and-blue jacket.
‘‘Whither are you off ta?’’ she asked.
“To tell the justices that wizards are lodging in our
house very much against our will.”
The lady smiled.
828 BALZAC’S WORKS
‘““T,”’ said she, ‘‘am the Comtesse de Mahaut,”’ and she
rose with a dignity that took the man’s breath away.
‘‘Beware of bringing the smallest trouble on your guests.
Above all, respect the old man; I have seen him in the
company of your Lord the King, who entreated him courteously; you will be ill advised to trouble him in any way.
As to my having been here—never breathe a word of it, as
you value your life.”’
She said no more, but relapsed into thought.
Presently she looked up, signed to Jacqueline, and together they went up into Godefroid's room. The fair
Countess looked at the bed, the carved chairs, the chest,
the tapestry, the table, with a joy like that of the exile
who sees on his return the crowded roofs of his native
town nestling at the foot of a hill.
“Tf you have not deceived me,’’ said-she to Jacqueline,
‘‘T promise you a hundred crowns in gold.”’
‘‘Behold, Madame,’’ said the woman, ‘‘the poor angel
is confiding—here is all his treasure.’’
As she spoke, Jacqueline opened a drawer in the table
and showed some parchments.
‘“‘“God of mercy!’ cried the Countess, snatching up a
document that caught her eye, on which she read, Gothofredus Comes Gantiacus (Godefroid, Count of Ghent).
She dropped the parchment, and passed her hand over
her brow; then, feeling, no doubt, that she had compromised herself by showing so much emotion, she recoyered her cold demeanor.
‘‘T am satisfied,’’ said she.
She went downstairs and out of the house. The constable and his wife stood in their doorway, and saw her
take the path to the landing-place.
THE EXILES 829
A boat was moored hard by. When the rustle of the
Countess’s approach was audible, a boatman suddenly
stood up, helped the fair laundress to take her seat in
it, and rowed with such strength as to make the boat fly
hke a swallow down the stream.
2)
“You are a sorry fellow,’’ said Jacqueline, giving the
officer’s shoulder a familiar slap. ‘‘We have earned a
hundred gold crowns this morning.”’
“T like harboring lords no better than harboring wizards.
And I know not, of the two, which is the more like to bring
us to the gallows,”’ replied Tirechair, taking up his halberd.
‘‘T will go my rounds over by Champfleuri; God protect us,
and send me to meet some pert jade out in her bravery of
gold rings to glitter in the shade like a glow-worm!”’
Jacqueline, alone in the house, hastily went up to the
unknown lord’s room to discover, if she could, some clew
to this mysterious business. Like some learned men who
give themselves infinite pains to complicate the clear and
simple laws of nature, she had already invented a chaotic
romance to account for the meeting of these three persons
under her humble roof. She hunted through the chest, examined everything, but could find nothing extraordinary.
She saw nothing on the table but a writing-case and some
sheets of parchment; and as she could not read, this discovery told her nothing. A woman’s instinct then took her
into the young man’s room, and from thence she descried
her two lodgers crossing the river in the ferryboat.
“They stand like two statues,’’ said she to herself.
““Ah, ha! They are landing at the Rue du Fouarre.
How nimble he is, the sweet youth! He jumped out
like a bird. By him the old man looks like some stone
saint in the Cathedral.—They are going to the old School
830 BALZAC’S WORKS
of the Four Nations.~ Presto! they are out of sight.—And
this is where he lives, poor cherub!’’ she went on, looking
about the room. ‘‘How smart and winning he is! Ah!
your fine gentry are made of other stuff than we are.”’
And Jacqueline went down again after smoothing down
the bed-coverlet, dusting the chest, and wondering for the
hundredth time in six months—
‘‘What in the world does he do all the blessed day? He
cannot always be staring at the blue sky and the stars that
God has hung up there like lanterns. That dear boy has
known trouble. But why do he and the old man hardly
ever speak to each other ?’’
Then she lost herself in wonderment and in thoughts
which, in her woman’s brain, were tangled like a skein
of thread.
The old man and his young companion had gone into
one of the schools for which the Rue du Fouarre was at
that time famous throughout Hurope. At the moment
when Jacqueline’s two lodgers arrived at the old School
des Quatre Nations, the celebrated Sigier, the most noted
Doctor of Mystical Theology of the University of Paris,
was mounting his pulpit in a spacious low room on a level
with the street. The cold stones were strewn with clean
straw, on which several of his disciples knelt on one knee,
writing on the other, to enable them to take notes from the
Master’s improvised discourse, in the shorthand abbreviations which are the despair of modern decipherers.
The hall was full, not of students only. but of the most
distinguished men belonging to the clergy, the court, and
the legal faculty. There were some learned foreigners, too
—soldiers and rich citizens. The broad faces were there,
with prominent brows and venerable beards, which fill us
THE EXILES 831
with a sort of pious respect for our ancestors when we see
their portraits from the Middle Ages. Lean faces, too, with
burning sunken eyes, under bald heads yellow from the
labors of futile scholasticism, contrasted with young and
eager countenances, grave faces, warlike faces, and the
ruddy cheeks of the financial class.
These lectures, dissertations, theses, sustained by the
brightest geniuses of the thirteenth and fourteenth centuries, roused our forefathers to enthusiasm. They were to
them their bull-fights, their Italian opera, their tragedy,
their dancers; in short, all their drama. The performance
of Mysteries was a later thing than these spiritual disputations, to which, perhaps, we owe the French stage. Inspired eloquence, combining the attractions of the human
voice skilfully used, with daring inquisition into the secrets
of God, sufficed to satisfy every form of curiosity, appealed
to the soul, and constituted the fashionable entertainment
of the time. Not only did theology include the other sciences, it was science itself, as grammar was science to the
Ancient Greeks; and those who distinguished themselves
in these duels, in which the orators, like Jacob, wrestled
with the Spirit of God, had a promising future before them.
Embassies, arbitrations between sovereigns, chancellorships,
and ecclesiastical dignities were the meed of men whose
rhetoric had been schooled in theological controversy. The
professor’s chair was the tribune of the period.
This system lasted till the day when Rabelais gibbeted
dialectics by his merciless satire, as Cervantes demolished
chivalry by a narrative comedy.
To understand this amazing period and the spirit which
dictated its voluminous, though now forgotten, masterpieces, to analyze it, even to its barbarisms, we need only
332 BALZAC’S WORKS
examine the Constitutions of the University of Paris and
the extraordinary scheme of instruction that then obtained.
Theology was taught under two faculties—that of Theology
properly so called, and that of Canon Law. The faculty of
Theology, again, had three sections — Scholastic, Canonical, and Mystic. It would be wearisome to give an account
of the attributes of each section of the science, since one
only, namely, Mystic, is the subject of this Etude.
Mystical Theology tncluded the whole of Divine Revelation and the elucidation of the Mysteries. And this branch
of ancient theology has been secretly preserved with reverence even to our own day; Jacob Boehm, Swedenborg, Martinez Pasqualis, Saint-Martin, Molinos, Madame Guyon,
Madame Bourignon, and Madame Krudener, the extensive
sect of the Ecstatics, and that of the Illuminati, have at
different periods duly treasured the doctrines of this science, of which the aim is indeed truly startling and portentous. In Doctor Sigier’s day, as in our own, man has
striven to gain wings to fly into the sanctuary where God
hides from our gaze.
This digression was necessary to give a clew to the scene
at which the old man and the youth from the island under
Notre-Dame had come to be audience; it will also protect
this narrative from all blame on the score of falsehood and
hyperbole, of which certain persons of hasty judgment
might perhaps suspect me.
Doctor Sigier was a tall man in the prime of life. His
face, rescued from oblivion by the archives of the University, had singular analogies with that of Mirabeau. It was
stamped with the seal of fierce, swift, and terrible eloquence. But the doctor bore on his brow the expression
of religious faith that his modern double had not. His
THE EXILES 833
voice, too, was of persuasive sweetness, with a clear and
pleasing ring in it.
At this moment the daylight, that was stintingly diffused
through the small, heavily-leaded window-panes, tinted the
assembly with capricious tones and powerful contrasts from
the checkered light and shade. Here, in a dark corner,
eyes shone brightly, their dark heads under the sunbeams
gleamed light above faces in shadow, and various bald
heads, with only a circlet of white hair, were distinguished
among the crowd lke battlements silvered by moonlight.
Every face was turned toward the Doctor, mute but impatient. The drowsy voices of other lecturers in the adjoining schools were audible in the silent street like the murmuring of the sea; and the steps of the two strangers, as
they now came in, attracted general attention. Doctor
Sigier, ready to begin, saw the stately senior standing,
looked round for a seat for him, and then finding none,
as the place was full, came down from his place, went to
the new-comer, and with great respect, led him to the platform of his professor’s chair, and there gave him his stool
to sit upon. The assembly hailed: this mark of deference
with a murmur of approval, recognizing the old man as the
orator of a fine thesis admirably argued not long since at
the Sorbonne.
The stranger looked down from his raised position on
the crowd below with that deep glance that held a whole
poem of sorrow, and those who met his eye felt an indescribable thrill. The lad, following the old man, sat down
on one of the steps, leaning against the pulpit in a graceful
and melancholy attitude. The silence was now profound,
and the doorway and even the street were blocked by scholars who had deserted the other classes.
834 BALZAC’S WORKS
Doctor Sigier was to-day to recapitulate, in the last of
a series of discourses, the views he had set forth in the
former lectures on the Resurrection, Heaven, and Hell.
His strange doctrine responded to the sympathies of the
"time, and gratified the immoderate love of the marvellous,
which haunts the mind of man in every age. This effort of
man to clutch the infinite, which forever slips through his
ineffectual grasp, this last tourney of thought against
thought was a task worthy of an assembly where the
brightest luminaries of the age had met, and where the
most stupendous human imagination ever known, perhaps,
at that moment shone.
The Doctor began by summing up in a mild and even
tone the principal points he had so far established:
‘‘No intellect was the exact counterpart of another. Had
man any right to require an account of his Creator for the
inequality of powers bestowed on each? Without attempting to penetrate rashly into the designs of God, ought we
not to recognize the fact that by reason of their general
diversity intelligences could be classed in spheres? From
the sphere where the least degree of intelligence gleamed,
to the most translucent souls who could see the road by
which to ascend to God, was there not an ascending scale
of spiritual gift? And did not spirits of the same sphere
understand each other like brothers in soul, in flesh, in
mind, and in feeling !”’
From this the Doctor went on to unfold the most wonderful theories of sympathy. He set forth in Biblical language
the phenomena of love, of instinctive repulsion, of strong
affinities which transcend the laws of space, cf the sudden
THE EXILES 835
mingling of souls which seem to recognize each other.
With regard to the different degrees of strength of which
our affections are capable, he accounted for them by the
place, more or less near the centre, occupied by beings
in their respective circles.
He gave mathematical expression to God’s grand idea in
the co-ordination of the various human spheres. ‘‘Through
man,’’ he said, ‘‘these spheres constituted a world intermediate between the intelligence of the brute and the intelli-
-gence of the angels.’’ As he stated it, the divine Word
nourishes the spiritual Word, the spiritual Word nourishes
the living Word, the living Word nourishes the animal
Word, the animal Word nourishes the vegetable Word,
and the vegetable Word is the expression of the life of
the barren Word. These successive evolutions, as of a
chrysalis, which God thus wrought in our souls, this infusorial life, so to speak, communicated from each zone to
the next, more vivid, more spiritual, more perceptive in
its ascent, represented, rather dimly no doubt, but marvellously enough to his inexperienced hearers, the impulse
given to Nature by the Almighty. Supported by many
texts from the Sacred Scriptures, which he used as a commentary on his own statements to express by concrete images the abstract arguments he felt to be wanting, he flourished the Spirit of God like a torch over the deep secrets
of creation, with an eloquence peculiar to himself, and
accents that urged conviction on his audience. As he unfolded his mysterious system and all its consequences, he
gave a key to every symbol and justified the vocation, the
special gifts, the genius, the talent of each human being.
Then, instinctively becoming physiological, he remarked
on the resemblance to certain animals stamped on some
836 BALZAC’S WORKS
human faces, accounting for them by primordial analogies
and the upward tendency of all creation. He showed his
audience the workings of Nature, and assigned a mission
and a future to minerals, plants, and animals. Bible in
hand, after thus spiritualizing Matter and materializing
Spirit, after pointing to the Will of God in all things, and
enjoining respect for His smallest works, he suggested the
possibility of rising by faith from sphere to sphere.
This was the first portion of his discourse, and by adroit
digressions he applied the doctrine of his system to feudalism. The poetry—religious and profane—and the abrupt
eloquence of that period had a grand opening in this vast
theory, wherein the Doctor had amalgamated all the philosophical systems of the ancients, and from which he brought
them out again classified, transfigured, purified. The false
dogmas of two adverse principles and of Pantheism were
demolished at his word, which proclaimed the Divine Unity,
while ascribing to God and His angels the knowledge, the
ends to which the means shone resplendent to the eyes of
man. Fortified by the demonstrations that proved the
existence of the world of Matter, Doctor Sigier constructed
the scheme of a spiritual world dividing us from God by an
ascending scale of spheres, just as the plant is divided from
man by an infinite number of grades. He peopled the
heavens, the stars, the planets, the sun.
Quoting Saint Paul, he invested man with a new power;
he might rise, from globe to globe, to the very Fount of
eternal life. Jacob’s mystical ladder was both the religious
formula and the traditional proof of the fact. He soared
through space, carrying with him the passionate souls of
his hearers on the wings of his word, making them feel the
infinite, and bathing them in the heavenly sea. Then the
THE EXILES 337
Doctor accounted logically for hell by circles placed in
inverse order to the shining spheres that lead to God, in
which torments and darkness take the place of the Spirit
and of light. Pain was as intelligible as rapture. The
terms of the comparison were present in the conditions of
human life and its various atmospheres of suffering and of
intellect. Thus the most extraordinary traditions of hell
and purgatory were quite naturally conceivable. —
He gave the fundamental rationale of virtue with admirable clearness. A pious man, toiling onward in poverty, proud of his good conscience, at peace with himself,
and steadfastly true to himself in his heart in spite of the
spectacle of exultant vice, was a fallen angel doing penance,
who remembered his origin, foresaw his guerdon, accomplished his task, and obeyed his glorious mission. The
sublime resignation of Christians was then seen in all its
glory. He depicted martyrs at the burning stake, and
almost stripped them of their merit by stripping them of
their sufferings. He showed their inner angel as dwelling
in the heavens, while the outer man was tortured by the
executioner’s sword. He described angels dwelling among
men, and gave tokens by which to recognize them.
He next strove to drag from the very depths of man’s
understanding the real sense of the word fall, which occurs
in every language. He appealed to the most widely-spread
traditions in evidence of this one true origin, explaining,
with much lucidity, the passion all men have for rising,
mounting—an instinctive ambition, the perennial revelation
of our destiny.
He displayed the whole universe at a glance, and deseribed the nature of God Himself circulating in a full tide
from the centre to the extremities, and from the extremities
(15)—Vol. 25
838 BALZAC’S WORKS
to the centre again. “Nature was one and homogeneous.
In the most seemingly trivial, as in the most stupendous
- work, everything obeyed that law: each created object
reproduced in little an exact image of that nature—the sap
in the plant, the blood in man, the orbits of the planets.
He piled proof on proof, always completing his idea by a
picture musical with poetry.
And he boldly anticipated every objection. He thundered forth an eloquent challenge to the monumental works
of science and human excrescences of knowledge, such as
those which societies use the elements of the earthly globe
to produce. He asked whether our wars, our disasters, our
depravity could hinder the great movement given by God to
all the globes; and he laughed human impotence to scorn
by pointing to their efforts everywhere in ruins. He cried
upon the manes of Tyre, Carthage, and Babylon; he called
upon Babel and Jerusalem to appear; and sought, without
finding them, the transient furrows made by the plowshare
of civilization. Humanity floated on the surface of the
earth as a ship whose wake is lost in the calm level of
ocean.
These were the fundamental notions set forth in Doctor
Sigier’s address, all wrapped in the mystical language and
strange school Latin of the time. He had made a special
study of the Scriptures, and they supplied him with the
weapons with which he came before his contemporaries to
hasten their progress. He hid his boldness under his immense learning, as with a cloak, and his philosophical bent
under a saintly life. At this moment, after bringing his
hearers face to face with God, after packing the universe
into an idea, and almost unveiling the idea of the world, he
gazed down on the silent, throbbing mass, and scrutinized
THE EXILES 839
the stranger with a look. Then, spurred on, no doubt, by
the presence of this remarkable personage, he added these
words, from which I have eliminated the corrupt Latinity
of the Middle Ages:
‘‘Where, think you, may a man find these fruitful truths
if not in the heart of God Himself ?—What am I?—The
humble interpreter of a single line left to us by the greatest
of the Apostles—a single line out of thousands all equally
full of light. Before us, Saint Paul said, ‘In Deo vivimus
movemur et sumus.’ In our day, less believing and more
learned, or better instructed and more sceptical, we should
ask the Apostle, ‘To what end this perpetual motion?
Whither leads this life divided into zones? Wherefore
an intelligence that begins with the obscure perfection of
marble and proceeds from sphere to sphere up to man, up
to the angel, up to God? Where is the Fount, where is
the ocean, if life, attaining to God across worlds and stars,
through Matter and Spirit, has to come down again to some
other goal ?’
‘You desire to see both aspects of the universe at once.
You would adore the Sovereign on condition of being
suffered to sit for an instant on His throne. Mad fools
that we are! We will not admit that the most intelligent
animals are able to understand our ideas and the object of
our actions; we are merciless to the creatures of the inferior
spheres, and exile them from our own; we deny them the
faculty of divining human thoughts, and yet we ourselves
would fain master the highest of all ideas—the Idea cf
the Idea!
“Well, go then, start! Fly by faith up from globe to
globe, soar through space! Thought, love, and faith are
its mystical keys. ‘Traverse the circles, reach the throne!
840 BALZAC’S WORKS
God is more merciful than you are; He opens His Temple
to all His creatures. Only, do not forget the pattern of
Moses; put your shoes from off your feet, cast off all filth,
leave your body far behind; otherwise you shall be consumed; for God—God is Inght!”’
Just as Doctor Sigier spoke these grand words, his face
radiant, his hand uplifted, a sunbeam pierced through an
open window, like a magic jet from a fount of splendor, a
long triangular shaft of gold that lay like a scarf over the
whole assembly. They all clapped their hands, for the _
audience accepted this effect of the sinking sun as a
miracle. There was a universal cry of—
‘“Vivat! Vivat!’’
The very sky seemed to shed approval. Godefroid,
struck with reverence, looked from the old man to Doctor
Sigier; they were talking together in an undertone.
‘* All honor to the Master!’’ said the stranger.
‘‘What is such transient honor ?’’ replied Sigier.
‘“‘T would I could perpetuate my gratitude,’’ said the
older man.
‘‘A line written by you is enough!’’ said the Doctor.
‘It would give me immortality, humanly speaking.”’
‘Can I give what I have not?”’ cried the elder.
Escorted by the crowd, which followed in their footsteps, like courtiers round a king, ata respectful distance,
Godefroid, with the old man and the Doctor, made their
way to the oozy shore, where as yet there were no houses,
and where the ferryman was waiting for them. The Doctor
and the stranger were talking together, not in Latin nor in
any Gallic tongue, but in an unknown language, and very
gravely. They pointed with their hands now to heaven
and now to the earth. Sigier, to whom the paths by the
THE EXILES 341
river were familiar, guided the venerable stranger with
particular care to the narrow planks which here and there
bridged the mud; the following watched them inquisitively ;
and some of the students envied the privileged boy who
might walk with these two great masters of speech. Finally,
the Doctor took leave of the stranger, and the ferryboat
pushed off.
At the moment when the boat was afloat on the wide
river, communicating its motion to the soul, the sun pierced
the clouds like a conflagration blazing up on the horizon,
and poured forth a flood of light, coloring slate roof-tops
and humbler thatch with a ruddy glow and tawny reflections, fringed Philippe Auguste’s towers with fire, flooded
the sky, dyed the waters, gilded the plants, and aroused the
half-sleeping insects. The immense shaft of light set the
clouds on fire. It was like the last verse of the daily
hymn. Every heart was thrilled; nature in such a moment
is sublime. |
As he gazed at the spectacle, the stranger’s eyes moistened with the tenderest of human tears: Godefroid too was
weeping; his trembling hand touched that of the elder man,
who, lookifg round, confessed his emotion. But thinking
his dignity as a man compromised, no doubt, to redeem it,
he said in a deep voice:
“‘T weep for my native land. I am an exile! Young
man, in such an hour as this I left my home. There, at
this hour, the fireflies are coming out of their fragile dwellings and clinging like diamond sparks to the Icaves of the
iris. At this hour the breeze, as swect as the sweetest
poetry, rises up from a valley bathed in light, bearing on
its wings the richest fragrance. On the horizon I could see
a golden city like the Heavenly Jerusalem~—a city whose
842 BALZAC’S WORKS
name I may not speak. There, too, a river winds. But
that city and its buildings, that river of which the lovely
vistas, and the pools of blue water, mingled, crossed, and
embraced each other, which gladdened my sight and filled
me with love—where are they?
‘‘At that hour the waters assumed fantastic hues under
the sunset sky, and seemed to be painted pictures; the stars
dropped tender streaks of light, the moon spread its pleasing
snares; it gave another life to the trees, to the color and
form of things, and a new aspect to the sparkling water,
the silent hills, the eloquent buildings. The city spoke, it _
glittered, it called to me to return!
‘‘Columns of smoke rose up by the side of the ancient
pillars, whose marble sheen gleamed white through the
night; the lines of the horizon were still visible through
the mists of evening; all was harmony and mystery. WNature would not say farewell; she desired to keep me there.
Ah! It was all in all to me; my mother and my child, my
wife and my glory! The very bells bewailed my condemnation. Oh, land of marvels! It is as beautiful as heaven.
From that hour the wide world has been my dungeon. Beloved land, why hast thou rejected me?
‘‘But I shall triumph there yet!’’ he cried, speaking
with an accent of such intense conviction and such a ringing tone that the boatman started as at a trumpet call.
The stranger was standing in a prophetic attitude and
gazing southward into the blue, pointing to his native
home across the skyey regions. The ascetic pallor of his
face had given place to a glow of triumph, his eyes flashed,
he was as grand as a lion shaking his mane.
‘But you, poor child,’’ he went on, looking at Godefroid, whose cheeks were beaded with glittering tears,
THE EXILES 343
“have you, like me, studied life from blood-stained
pages? What can you have to weep for, at your age?”
“Alas!” said Godefroid, ‘‘I regret a land more beautiful than any land on earth—a land I never saw and yet
remember. Oh, if I could but cleave the air on beating
wings, I would fly—’’
‘‘Whither?’’ asked the exile.
‘Up there,” replied the boy.
On hearing this answer, the stranger seemed surprised;
he looked darkly at the youth, who remained silent. They
seemed to communicate by an unspeakable effusion of the
spirit, hearing each other’s yearnings in the teeming silence, and going forth side by side, like two doves sweeping the air on equal wing, till the boat, touching the strand
of the island, roused them from their deep revery.
Then, each lost in thought, they went together to the
sergeant’s house.
‘‘And so the boy believes that he is an angel exiled
from heaven!’’ thought the tall stranger. ‘‘Which of us
all has a right to undeceive him? Not I—I, who am so
often lifted by some magic spell so far above the earth; I
who am dedicate to God; I who am a mystery to myself.
Have I not already seen the fairest of the angels dwelling
in this mire? Is this child more or less crazed than I
am? Has he taken a bolder step in the way of faith?
He believes, and his belief no doubt will lead him into
some path of light like that in which I walk. But though
he is as beautiful as an angel is he not too feeble to stand
fast in such a struggle?”
Abashed by the presence of his companion, whose voice
of thunder expressed to him his own thoughts, as lightning
expresses the will of Heaven, the boy was satisfied to gaze
844 BALZAC’S WORKS
at the stars with a lover’s eyes. Overwhelmed by a luxury
of sentiment, which weighed on his heart, he stood there
timid and weak—a midge in the sunbeams. Sigier’s discourse had proved to them the mysteries of the spiritual
world; the tall, old man was to invest them with glory,
the lad felt them in himself, though he could in no way
express them. The three represented in living embodiment Science, Poetry, and Feeling.
On going into the house, the Exile shut himself into his
room, lighted the inspiring lamp, and gave himself over to
the ruthless demon of Work, seeking words of the silence
and ideas of the night. Godefroid sat down in his window
sill, by turns gazing at the moon reflected in the water,
and studying the mysteries of the sky. Lost in one of the
trances that were frequent with him, he travelled from
sphere to sphere, from vision to vision, listening for obscure rustlings and the voices of angels, and believing that
he heard them; seeing, or fancying that he saw, a divine
radiance in which he lost himself; striving to attain the
far-away goal, the source of all light, the fount of all
harmony.
Presently the vast clamor of Paris, brought down on the
current, was hushed; lights were extinguished one by one
in the houses; silence spread over all; and the huge city
slept like a tired giant.
Midnight struck. The least noise, the fall of a leaf, or
the flight of a jackdaw changing its perching-place among
the pinnacles of Notre-Dame, would have been enough to
bring the stranger’s mind to earth again, to have made the
youth drop from the celestial heights to which his soul had
soared on the wings of rapture.
THE EXILES 845
And then the old man heard with dismay a groan mingling with the sound of a heavy fall—the fall, as his experienced ear assured him, of a dead body. He hastened into
Godefroid’s room, and saw him lying in a heap with a long
rope tight round his neck, the end meandering over the floor.
When he had untied it, the poor lad opened his eyes.
““Where am I?” he asked, with a hopeful gleam.
‘‘In your own room,”’ said the elder man, looking with
surprise at Godefroid’s neck, and at the nail to which the
cord had been tied, and which was still in the knot.
‘“‘In heaven ?’’ said the boy, in a voice of music.
‘*No; on earth!”’
Godefroid rose and walked along the path of light traced
on the floor by the moon through the window, which stood
open; he saw the rippling Seine, the willows and plants on
the island. A misty atmosphere hung over the waters like
a smoky floor.
' On seeing the view, to him so heart-breaking, he folded
his hands over Lis bosom, and stood in an attitude of despair; the Exile came up to him with astonishment on his
face.
“You meant to kill yourself?’’ he asked.
‘“*Yes,’’ replied Godefroid, while the stranger passed his
hand aboat his neck again and again to feel the plpeeem where
the rope had tightened on it.
But for some slight bruises the young man had been but
little hurt. His friend supposed that the nail had given
way at once under the weight of the body, and the terrible
attempt had ended in a fall without injury.
‘‘ And why, dear lad, did you try to kill yourself ?’’
** Alas!”’ said Godefroid, no longer restraining the tears
that rolled down his cheeks, ‘‘I heard the Voice from on
346 BALZAC’S WORKS
high; it called me by name! It had never named me before, but this time it bade me to Heaven! Oh, how sweet
is that voice!—As 1 could not fly to Heaven,’’ he added
artlessly, ‘‘I took the only way we know of going to God.”
““My child! oh, sublime boy!”’ cried the old man, throwing his arms round Godefroid and clasping him to his heart.
‘*You are a poet; you can boldly ride the whirlwind! Your
poetry does not proceed from your heart; your living, burning thoughts, your creations, move and grow in your soul.
—Go, never reveal your ideas to the vulgar! Be at once
the altar, the priest, and the victim!
‘““You know Heaven, do you not? You have seen
those myriads of angels, white-winged, and holding golden
sistrums, all soaring with equal flight toward the Throne,
and you have often seen their pinions moving at the breath
of God as the trees of the forest bow with one consent before the storm. Ah, how glorious is unlimited spacel
Tell: me”
The stranger clasped Godefroid’s hand convulsively,
and they both gazed at the firmament, whence the stars
seemed to shed gentle poetry which they could hear.
‘‘Oh, to see God!” murmured Godefroid.
*‘Child!’’ said the old man suddenly, in a sterner voice,
‘have you so soon forgotten the holy teaching of our good
master, Doctor Sigier? In order to return, you to your
heavenly home, and I to my native land on earth, must
we not obey the voice of God? We must walk on resignedly in the steny paths where His almighty finger points
the way. Do not you quail at the thought of the danger
to which you exposed yourself? Arriving there without
being bidden, and saying, ‘Here I am!’ before your time,
would you not have been cast back into a world beneath
THE EXILES 347
that where your soul now hovers? Poor outcast cherub!
Should you not rather bless God for having suffered you
to live in a sphere where you may hear none but heavenly
harmonies? Are you not as pure as a diamond, as lovely
as a flower?
“Think what it is to know, like me, only the City of
Sorrows!—Dwelling there I have worn out my heart.—To
search the tombs for their horrible secrets; to wipe hands
steeped in blood, counting them over night after night,
seeing them rise up before me imploring forgiveness which
I may not grant; to mark the writhing of the assassin and
the last shriek of his victim; to listen to appalling noises
and fearful silence, the silence of a father devouring his
dead_sons; to wonder at the laughter of the damned; to
look for some human form among the livid heaps wrung
and trampled by crime; to learn words such as lying men
may not hear without. dying; to call perpetually on the
dead, and always to accuse and condemn!—Is that living ?”’
“‘Cease!’’ cried Godefroid; ‘‘I cannot see you or hear
you any further! My reason wanders, my eyes are dim.
You light a fire within me which consumes me.”’
‘‘And yet I must go on!’’ said the senior, waving his
hand with a strange gesture that worked on the youth like
a spell.
For a moment the old man fixed Godefroid with his
large, weary, lightless eyes; then he pointed with one
finger to the ground. A guif seemed to open at his bidding. He remained standing in the doubtful light of the
moon; it lent a glory to his brow which reflected an almost solar gleam. Though at first a somewhat disdainful
expression lurked in the wrinkles of his face, his look
presently assumed the fixity which seems to gaze on an
848 BALZAC’S WORKS
object invisible to the ordinary organs of sight. His eyes,
no doubt, were seeing then the remoter images which the
grave has in store for us.
Never, perhaps, had this man presented so grand an
aspect. <A terrible struggle was going on in his soul, and
reacted on his outer frame; strong man as he seemed to be,
he bent as a reed bows under the breeze that comes before
a storm. Godefroid stood motionless, speechless, spellbound; some inexplicable force nailed him to the floor;
and, as happens when our attention takes us out of ourselves while watching a fire or a battle, he was wholly
unconscious of his body.
‘Shall I tell you the fate to which you were hastening,
poor angel of Love? Listen! It has been given to me
to see immeasurable space, bottomless gulfs in which all
human creations are swallowed up, the shoreless sea whither
flows the vast stream of men and of angels. As I made my
way through the realms of eternal torment, I was sheltered
under the cloak of an immortal—the robe of glory due to
genius, and which the ages hand on—I, a frail mortal!
When I wandered through the fields of light where the
happy souls play, 1 was borne up by the love of a woman,
the wings of an angel; resting on her heart, I could taste
the ineffable pleasures whose touch is more perilous to us
mortals than are the torments of the other world.
‘‘As IT achieved my pilgrimage through the dark regions
below I had mounted from torture to torture, from crime to
crime, from punishment to punishment, from awful silence
to heartrending cries, till I reached the uppermost circle of
Hell. Already, from afar, I could see the glory of Paradise
shining at a vast distance; I was still in darkness, but on
the borders of day. I flew, upheld by my Guide, borne
THE EXILES 849
along by a power akin to that which, during our dreams,
waits us to spheres invisible to the eye of the body. The
halo that crowned our heads scared away the shades as we
passed, like impalpable dust. Far above us the suns of all
the worlds shone with scarce so much light as the twinkling fireflies of my native land. I was soaring toward the
fields of air where, round about Paradise, the bodies of
light are in closer array, where the azure is easy to pass
through, where worlds innumerable spring like flowers in
a meadow.
‘“There, on the last level of the circles where those
phantoms dwell that I had left behind me, like sorrows one
would fain forget, I saw a vast shade. Standing in an attitude of aspiration, that soul looked eagerly into space; his
feet were riveted by the will of God to the topmost point of
the margin, and he remained forever in the painful strain
by which we project our purpose when we long to soar, as
birds about to take wing. I saw the man; he neither
looked at us nor heard us; every muscle quivered and
throbbed; at each separate instant he seemed to feel, though
he did not move, all the fatigue of traversing the infinite
that divided him from Paradise where, as he gazed steadfastly, he believed he had glimpses of 2 beloved image.
At this last gate of Hell, as at the first, I saw the stamp
of despair even in hope. The hapless creature was so fearfully held by some unseen force that his anguish entered
into my bones and froze my blood. I shrank closer to my
Guide, whose protection restored me to peace and silence.
‘Suddenly the Shade gave a cry of joy—a cry as shrill
as that of the mother bird that sees a hawk in the air, or
suspects its presence. We looked where he was looking,
and saw, as it were, a sapphire, floating high up in the
850 BALZAOC’S WORKS
abysses of light. The glowing star fell with the swiftness
of a sunbeam when it flashes over the horizon in the morning and its first rays shoot across the world. The Splendor
became clearer and grew larger; presently 1 beheld the
cloud of glory in which the angels move—a shining vapor
that emanates from their divine substance, and that glitters
here and there like tongues of flame. A noble face, whose
glory none may endure that have not won the mantle, the
laurel, and the palm—the attribute of the Powers—rose
above this cloud as white and pure as snow. It was Light
within light. His wings as they waved shed dazzling ripples
in the spheres through which he descended, as the glance
of God pierces through the universe. At last I saw the
archangel in all his glory. The flower of eternal beauty
that belongs to the angels of the Spirit shone in him. In
one hand he held a green palm branch, in the other a sword
of flame: the palm to bestow on the pardoned soul, the
sword to drive back all the hosts of Hell with one sweep.
As he approached, the perfumes of Heaven fell upon us as
dew. In the region where the archangel paused, the air
took the hues of opal, and moved in eddies of which he was
the centre. He paused, looked at the Shade, and said—
‘* “To-morrow.’
“Then he turned heavenward once more, spread his
wings, and clove through space as a vessel cuts through
the waves, hardly showing her white sails to the exiles left
on some deserted shore.
“The Shade uttered appalling cries, to which the
damned responded from the lowest circle, the deepest in
the immensity of suffering, to the more peaceful zone near
the surface on which we were standing. This worst torment
of all had appealed to all the rest. The turmoil was swelled
THE EXILES 851
by the roar of a-sea of fire which formed a bass to the terrific
harmony of endless millions of suffering souls.
‘Then suddenly the Shade took flight through the doleful city, and down to its place at the very bottom of Hell;
but as suddenly it came up again, turned, soared through
the endless circles in every direction, as a vulture, confined
for the first time in a cage, exhausts itself in vain efforts.
The Shade was free to do this; he could wander through
the zones of Hell icy, fetid, or scorching without enduring
their pangs; he glided into that vastness as a sunbeam
makes its way into the deepest dark.
** “God has not condemned him to any torment,’ said the
Master, ‘but not one of the souls you have seen suffering
their various punishments would exchange his anguish for
the hope that is consuming this soul.’
‘‘And just then the Shade came back to us, brought
thither by an irresistible force which condemned him to
parch on the verge of Hell. My divine Guide, guessing
my curiosity, touched the unhappy Shade with his palm-_
branch. He, who was perhaps trying to measure the age
of sorrow that divided him from that ever-vanishing ‘Tomorrow,’ started and gave a look full of all the tears he had
already shed.
‘**You would know my woe?’ said he sadly. ‘Oh, I
love to tell it. I am here, Teresa is above; that is all. On
earth we were happy, we were always together. When I
saw my loved Teresa Donati for the first time, she was ten
years old. We loved each other even then, not knowing
what love meant. Our lives were one; I[ turned pale if she
were pale, I was happy in her joy; we gave ourselves up
to the pleasure of thinking and feeling together; and we
learned what love was, each through the other. We were
852 BALZAC’S WORKS
wedded at Cremona; ‘we never saw each other’s lips but
decked with the pearls of a smile; our eyes always shone;
our hair, like our desires, flowed together; our heads were
always bent over one book when we read, our feet walked
in equal step. Life was one long kiss, our home was a nest.
‘‘*One day, for the first time, Teresa turned pale and
said, ‘‘I am in pain!’’—And I was not in pain!
‘‘‘She never rose again. I saw her sweet face change,
her golden hair fade—and I did not die! She smiled to
hide her sufferings, but I could read them in her blue eyes, —
of which I could interpret the slightest trembling. ‘‘Honorino, I love you!”’ said she, at the very moment when her
lips turned white, and she was clasping my hand still in
hers when death chilled them. Sol killed myself that she
might not lie alone in her sepulchral bed, under her marble
sheet. Teresa is above, and I am here. I could not bear
to leave her, but God has divided us. Why, then, did He
unite us on earth? He is jealous! Paradise was no doubt
so much the fairer on the day when Teresa entered in.
‘“*Do you see her? She is sad in her bliss; she is
parted from me! Paradise must be a desert to her.’
‘‘“Master,’ said I with tears, for 1 thought of my love,
‘when this one shall desire Paradise for God’s sake alone,
shall he not be delivered?’ And the Father of Poets mildly
bowed his head in sign of assent.
‘‘We departed, cleaving the air, and making no more
noise than the birds that pass overhead sometimes when
we lie in the shade of a tree. It would have been vain to
try to check the-hapless Shade in his blasphemy. It is one
of the griefs of the angels of darkness that they can never
see the ght even when they are surrounded by it. He
would not have understood us.”’
THE EXILES 853
At this moment the swift approach of many horses rang
through the stillness, the dog barked, the constable’s deep
growl replied; the horsemen dismounted, knocked at the
door; the noise was so unexpected that it seemed like some
sudden explosion.
The two exiles, the two poets, fell to earth through all
the space that divides us from the skies. The painful shock
of this fall rushed through their veins like strange blood,
hissing as it seemed, and full of scorching sparks. Their
pain was like an electric discharge. The loud, heavy step
of a man-at-arms sounded on the stairs with the iron clank
of his sword, his cuirass, and spurs; a soldier presently
stood before the astonished stranger.
‘*We can return to Florence,’’ said the man, whose bass
voice sounded soft as he spoke in Italian.
‘*What is that you say ?’’ asked the old man.
“The Bianchi are triumphant.”’
‘* Are you not mistaken ?’’ asked the poet.
‘‘No, dear Dante!’’ replied the soldier, whose warlike
tones rang with the thrill of battle and the exultation of
victory.
“To Florence! To Florence! Ah, my Florence!’’ cried
Dante Alighieri, drawing himself up, and gazing into the
distance. In fancy he saw Italy; he was gigantic.
‘‘But I—when shall I be in Heaven?’’ said Godefroid,
kneeling on one knee before the immortal poet, like an
angel before the sauctuary.
‘‘Come to Florence,’’ said Dante in compassionate tones.
“Come! When you see its lovely landscape from the heights
of Fiesole you will fancy yourself in Paradise.’’
The soldier smiled. For the first time, perhaps for the
only time in his life, Dante’s gloomy and solemn features
854 - BALZAOC’S WORKS
wore a look of joy; his eyes and brow expressed the happiness he has depicted so lavishly in his vision of Paradise. -
He thought perhaps that he heard the voice of Beatrice.
A light step, and the rustle of a woman’s gown, were
audible in the silence. Dawn was now showing its first
streaks of light. The fair Comtesse de Mahaut came in
and flew to Godefroid.
‘‘Come, my child, my son! I may at last acknowledge
you. Your birth is recognized, your rights are under the
protection of the King of France, and you will find Paradise
in your mother’s heart.’’
‘‘T hear, I know, the voice of Heaven!”’ cried the youth
in rapture.
The exclamation roused Dante, who saw the young man
folded in the Countess’s arms. He took leave of them with
a look, and left his young companion on his mother’s bosom.
‘‘Come away!’’ he cried in a voice of thunder.. ‘‘Death
to the Guelphs!”’
Paris, October, 1831.
Fr =
Balzac
Balzac, Honoré dSeraphita
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